Pechakutcha
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The document provides information about Pecha Kucha, a presentation format originated in Tokyo in 2003 for designers to showcase their work. Pecha Kucha uses a simple format of 20 images shown for 20 seconds each, keeping presentations short and moving at a rapid pace. The format has grown into a global event inspiring creatives worldwide through concise sharing of ideas.
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- Acknowledgement of the Indigenous owners of the land and their culture and struggle.
- Course objectives of developing art practice through process and experimentation, visual literacy, and independent and group work.
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This document summarizes contemporary Scottish art practice from 1945 to the present. It discusses the shift from viewing art solely in galleries to also viewing it in public spaces and broader cultural contexts. Various examples of public art installations, sculptures, and temporary works are mentioned, including land art, light projections, murals, and yarnbombing. The role of the Artist Placement Group in the 1960s-70s in repositioning artists within social contexts is discussed. Issues around public art, site-specific works, and artists engaging with communities are also covered.
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KVB127 02 Identity 2021
This document discusses the topic of identity as explored by various artists in their works. It introduces several artists such as Nikki S. Lee, The Guerrilla Girls, David Wojnarowicz, and Shirin Neshat, and provides examples of works by each that relate to identities such as gender, race, culture, and sexual orientation. Students are asked to analyze how the artists explore issues of identity through their chosen materials and techniques. They are also prompted to consider how the artists portray or position their own identities through their artworks.
KVB127 07 Place 2020
This document discusses the theme of place in contemporary visual art. It provides examples of artists who address place in their work in different ways:
- Some artists respond to specific environments, scenes, or ecosystems to capture the appearance or feeling of real places through memory or imagination.
- Others grapple with ideas of place in a more conceptual manner.
- The document lists several artists who explore place in their work, such as Mark DION, Robert SMITHSON, Michael ASHER, Julie MEHRETU, and Doris SALCEDO.
- It also presents questions for reflection on how place informs artistic approaches and how artworks can reflect multiple places.
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Artists who wrap things. Guerrilla art, also referred to as "street art", is a method of art making where the artist leaves anonymous art pieces in public places. It is often an installation in an unauthorized location. It is a way for an artist to express their views and opinions to a large audience in an anonymous way. In contrast to popular belief, guerrilla art does not have to be done with spray paint.
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This document provides an overview for a visual art open studio course. It includes:
- Acknowledgement of the Indigenous owners of the land and their culture and struggle.
- Course objectives of developing art practice through process and experimentation, visual literacy, and independent and group work.
- Assessment details including an oral presentation and final folio with rationale.
- An introduction to themes covered throughout the course like identity, time, body, environment, and belief systems.
- Examples of artists and their exploration of materials, processes, forms, and sites in their work.
Kilve proposals
Zach O'connell created sculptures and drawings during his time in Kilve that showed a newfound strength and enjoyment of sculpture and landscape art. He proposes three options to showcase art from Kilve to Londoners: 1) Two large mixed-media pieces of "the beach" and "the hills" at the Tate, 2) A collection of Kilve landscapes using dry point printing at the British Museum, 3) A large painting combining aspects of Kilve's beach and hills, inspired by Amy Shackleton's urban/rural blends. He believes exposing Londoners and others to rural English landscapes will provide value.
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KVB127 03 Time and Memory
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Kilve proposals
The document discusses Zach O'Connell's key findings and art proposals based on their experience in Kilve, a small countryside town in England. They discovered an interest in the structures formed by erosion on the beaches and hills. Their first proposal is to create two large mixed media pieces for the Tate museum showcasing the beaches and hills of Kilve. Their second proposal is to exhibit a collection of Kilve landscapes using dry point printing at the British Museum. Their third proposal is a large scale painting combining aspects of the Kilve surroundings like beaches and hills. They believe their art can help expose more people to the landscapes of rural England.
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The document provides details about Ningbo Museum in Ningbo, China, designed by Wang Shu. It discusses:
1) The museum's design incorporates local cultural values through the use of salvaged materials and vernacular construction methods.
2) Salvaged bricks, tiles and other materials were used to construct thick Wapan walls, preserving traditional techniques.
3) Modern technologies like concrete panels were integrated to support the high walls while maintaining the handcrafted appearance.
Proposal AA
This document provides a proposal for a case study paper on the Ningbo Museum in China. The paper will examine the museum's use of sustainable materials salvaged from demolished villages, as well as its integration of vernacular construction methods and spatial planning strategies. This contributes to the museum's green architecture approach and strengthens cultural values in Ningbo city. The proposal lists five research questions and provides an annotated bibliography of three sources to support the topic of sustainability in architecture within an urban context.
Abstract AA
The document discusses the Ningbo Museum in Ningbo, China. It aims to accentuate local cultural values through sustainable building materials and spatial planning strategies. The museum employs traditional local construction methods like using salvaged bricks and tiles in its Wapan wall construction. This honors traditional materials and vernacular methods while making the structure sustainable through recycled materials. The museum was also built by local artisans as a way to preserve construction methods and comment on erasure of the past in modern Chinese cities. It combines tradition with modernity to allow urban vernacular culture to evolve innovatively while maintaining traditions.
Biennale Show
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Bristol Museums Galleries and Archives has taken steps to improve how it fosters shared ideas and decision-making. Key events that led to improvements included celebrating the museum as a space for ideas, launching a new learning program focused on the city, and programming that challenges expectations. The most important characteristics for sharing ideas are having a focus on visitor needs, making visitors feel ownership, sharing decision-making, having flexible spaces, and strong community partnerships.
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This document lists several art installations and sculptures created between 2009 and 2010, including One Day Sculpture by Javier Tellez from 2009, Ivan and Heather Morison's The Black Cloud from 2009, Lara Favaretto's 2010 work for Wonders of Weston, Tim Etchells' piece for the same exhibition, Hew Locke's 2009 sculpture Ruined located in Brunswick Cemetery, and Jeppe Hein's 2009 permanent commission Follow Me.
NTCities - Liverpool & Manchester
This document outlines a sub-regional strategy for the National Trust properties in Manchester and Liverpool. It identifies targets of reaching more of the urban population, increasing membership, and diversifying volunteers. The strategy involves improving existing properties, developing new offers and partnerships, extending reach through community engagement and volunteering, and influencing others through marketing and championing conservation. Key projects proposed include new facilities at several properties and an events program to involve more people.
NTCities - Walter Menzies
The document discusses how waterways in Manchester and Birmingham have been regenerated to support tourism, recreation, and economic development. It notes that an estimated £1 billion has been invested in waterways since the 1980s, generating over £50 million for the local economy and supporting 1,300 jobs. The document advocates further promoting waterways as part of Manchester's green infrastructure and sustainable development, including for commuting, biomass, and district cooling, in order to realize their full potential.
NTCities
The document outlines the goals and objectives of an organization that aims to promote urban heritage, green space, and natural beauty in cities. The goal is to help people appreciate special places near where they live. Objectives include recruiting 30% more members, growing audiences by 30%, telling engaging stories for urban audiences at 20%, championing urban green space and heritage at 10%, and developing internal learning at 10%.
Diversity
The document discusses improving diversity at a heritage organization. It defines diversity and explains why diversity is important for the organization's strategy and purpose. It then analyzes the organization's current state of diversity across different areas like governance, staff, and visitors. Finally, it outlines workstreams and activities to increase diversity in people/staff, volunteering, governance, communications, and visitor experience. The key goals are to make staff, volunteers, and governance more representative of their communities and have communications and visitor experiences welcome all.
Birmingham - Jo Rosa
1. The study aimed to conduct 200 household interviews in Birmingham neighborhoods B11 and B12 to gather baseline data on awareness, behaviors, and attitudes toward the National Trust.
2. Awareness of the National Trust was low, especially among Asian respondents, though awareness of some local sites was higher. Most respondents claimed to know little about the National Trust.
3. Behavioral findings showed that few respondents visited countryside sites, historic houses, or engaged in adventure sports in the past year. Attitudinal data found passive interests in subjects like gardening but little active participation.
Manchester - Jo Pugh
Suburban families in Manchester represent a large potential audience for the National Trust but they have low existing knowledge of the organization. Market research found they see the Trust as focused on rural areas and not necessarily family-friendly or fun. Recommendations include improving the Trust's geographical presence in suburban areas, promoting its value for rainy days, making activities more fun, and appealing more to children who influence family visits.
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The Tokyo Art Museum hosted an exhibition of 30 drawings by German-Russian architect Sergei Tchoban titled "Dreams of Frozen Music". The drawings depicted imaginary architectural designs and made-up cityscapes combining elements from different time periods. While limited by practical constraints, architects often conceive fantastical designs that exist only on paper. Tchoban's drawings referenced classical aesthetics and featured elements like columns and domes, transporting viewers to an imaginary world. The exhibition title refers to the idea that "architecture is music in space, as it were a frozen music". The drawings prompted questions about when and where they were envisioned while allowing viewers to look beyond real-world constraints.
[CCKOREA 국제컨퍼런스] "Remix & Share" 전시프로젝트
The document discusses remix and sharing in Chinese contemporary art and Creative Commons licensing. It provides examples of remix art projects including one by artist Cao Fei using virtual worlds. It also outlines Creative Commons China's art promotion programs, which have included photography contests and an exhibition on remix and share art at the 798 Art Zone in Beijing.
The Rise of Installation Art - written by Prof. David Clarke
Prof. Frank Vigneron's Contemporary Art course at CUHK Fine Arts - An individual presentation on a piece of academic essay written by Prof. David Clarke, Former Chair Professor at HKU Department of Fine Arts
AP Art History - Global Contemporary (Content Area 10)
This document provides information on 26 contemporary global artworks from 1980 to present day, including key details on artists and artworks such as Bill Viola's video piece "The Crossing", Mariko Mori's "Pure Land", and sculptures by El Anatsui and installations by Zaha Hadid such as the MAXXI Museum. It also outlines enduring understandings and essential knowledge about the characteristics of global contemporary art in this time period, such as the challenging of traditional hierarchies and definitions of art and increased global and technological influences. Contemporary art is now experienced on a global scale in a variety of venues.
Introduction to Art Chapter 31 Postmodernity and Global Cult
Introduction to Art Chapter 31: Postmodernity and Global Cultures 448
Chapter 31: Postmodernity and Global
Cultures
“Getting” Contemporary Art
It’s ironic that many people say they don’t “get” contemporary art because, unlike Egyptian tomb
painting or Greek sculpture, art made since 1960 reflects our own recent past. It speaks to the
dramatic social, political and technological changes of the last 50 years, and it questions many of
society’s values and assumptions—a tendency of postmodernism, a concept sometimes used to
describe contemporary art. What makes today’s art especially challenging is that, like the world
around us, it has become more diverse and cannot be easily defined through a list of visual
characteristics, artistic themes or cultural concerns.
Minimalism and Pop Art paved the way for later artists to explore questions about the conceptual
nature of art, its form, its production, and its ability to communicate in different ways. In the late
1960s and 1970s, these ideas led to a “dematerialization of art,” when artists turned away from
painting and sculpture to experiment with new formats including photography, film and video,
performance art, large-scale installations and earth works. Although some critics of the time
foretold “the death of painting,” art today encompasses a broad range of traditional and
experimental media, including works that rely on Internet technology and other scientific
innovations.
John Baldessari, I Will Not Make Any More Boring Art, 1971, lithograph, 22-7/16 x 30-1/16″ (The Museum of Modern
Art). Copyright John Baldessari, courtesy of the artist.
Introduction to Art Chapter 31: Postmodernity and Global Cultures 449
Contemporary artists continue to use a varied vocabulary of abstract and representational forms
to convey their ideas. It is important to remember that the art of our time did not develop in a
vacuum; rather, it reflects the social and political concerns of its cultural context. For example,
artists like Judy Chicago, who were inspired by the feminist movement of the early 1970s,
embraced imagery and art forms that had historical connections to women.
In the 1980s, artists appropriated the style and methods of mass media advertising to investigate
issues of cultural authority and identity politics. More recently, artists like Maya Lin, who
designed the Vietnam Veterans’ Memorial Wall in Washington D.C., and Richard Serra, who was
loosely associated with Minimalism in the 1960s, have adapted characteristics of Minimalist art
to create new abstract sculptures that encourage more personal interaction and emotional
response among viewers.
These shifting strategies to engage the viewer show how contemporary art’s significance exists
beyond the object itself. Its meaning develops from cultural discourse, interpretation and a range
of individual understandings, in addition to the formal and conceptual problems that first
motivated the artist ...
4.3 neo concrete
The document summarizes the Brazilian Neo-Concrete art movement which emerged in the 1950s, influenced by European geometric abstraction. Key artists discussed include Max Bill, Helio Oiticica, and Lygia Clark. Oiticica began creating interactive "Neo-Concrete" works and later his "Parangole" costumes. Clark also made geometric sculptures that invited interaction, transitioning in 1964 with her piece "Caminhando" involving a Möbius strip form.
Review of work in progress - March 2013
End of Teaching Block 2 in the final year of my Fine Art MA. No more teaching, just the summer to crank out some work for the end of course show in September...
Sayre woa ch06_lecture-243769
This chapter discusses texture, time, and motion in visual art. It defines actual texture as the real tactile qualities of an artwork's materials, while visual texture creates the illusion of texture through techniques like frottage. The chapter also explores how time and motion are conveyed through narratives, kinetic sculptures, happenings, and time-based media. Artists like Pollock and Monet encourage viewing art as a process unfolding over time rather than a static object.
Texture, time and motion
This chapter discusses texture, time, and motion in visual art. It defines actual texture as the real tactile qualities of an artwork's materials, while visual texture creates the illusion of texture through techniques like frottage. The chapter also explores how time and motion are conveyed through narratives, kinetic sculptures, happenings, and time-based media. Artists like Pollock and Monet encourage viewing art as a process unfolding over time rather than a static object.
Dyer Street Portraiture To Pixelscapes
Tom R. Chambers was invited to give a lecture titled "Dyer Street Portraiture to Pixelscapes" at the Beijing Film Academy about his evolution from documentary photography to digital and new media art over the past 25 years. The lecture focused on Chambers' current work with Pixelscapes, digital images created from arrangements of individual pixels. Chambers has exhibited his photography and digital art worldwide and received recognition for several documentary projects. He has also taught photography and curated exhibitions.
Conceptual and last lecture left side
This document provides information on conceptual and activist art from the 1960s through the early 2000s. It features summaries and images of works by artists such as On Kawara, Marcel Broodthaers, Michael Asher, Bruce Nauman, Vito Acconci, Judy Chicago, Guerrilla Girls, Eva Hesse, Richard Smithson, Rachel Whiteread, I.M. Pei, Jenny Holzer, Andres Serrano, Bill Viola, Yasumasa Morimura, Matthew Barney, and Mona Hatoum. The works encompass a variety of mediums including performance art, installation art, earth works, video art, photography, painting, sculpture, and architecture.
Essex coda
"Essex Coda" is a slidecast created for the Essex University PhD seminar September 26-27th, 2013 in Colchester. It concerns a number of artists' collectives, mainly from NYC and USA. Some are mainly involved with the art market, others with institutions. Collectivity is also part of art education.
Galanter evolution_of_style_and_gigantism_in_new_media_art.pdf
This document discusses the trend towards gigantism in new media art and explores possible explanations for this trend. It summarizes the views of art historian Heinrich Wölfflin and psychologist Colin Martindale on the evolution of artistic style. Martindale's model suggests that artists seek novelty to maintain audience arousal potential, leading styles to evolve through increasing use of primordial cognition and gigantism in scale. The document analyzes works by artists like Chris Burden that exemplify this trend and the psychological factors that may drive stylistic changes over long periods.
Presentazione ukiyo e
This document contains images and descriptions of various ukiyo-e prints depicting street performers in Edo period Japan, including acrobats, jugglers, and dancers. Many of the prints were created by famous ukiyo-e artists like Utagawa Kuniyoshi, Utagawa Kunisada, and Katsushika Hokusai in the 18th and 19th centuries. The prints provide a glimpse of the types of entertainment and performances that were popular among common people during festivals and events in Edo.
Ppt on postmodernism [autosaved]
The document provides information about the postmodern art movement, including its characteristics and influence on other fields. It discusses key postmodern art styles like conceptual art, installation art, and deconstruction. It also examines how postmodernism impacted architecture, design, fashion, music, urban planning, and politics by rejecting modernism's utopian visions and universal ideals in favor of a more flexible and contextual approach.
The Digital Aura: riffs on Walter Benjamin
Talk to the 'Material Witness' workshop on 'The Work of Art in an Age of Digital Reproduction', 31 May 2014
Creative Commons Salon: Participatory Culture Offline
On Sept 20, 2010, Nina Simon (Museum 2.0), Kathleen McLean (Independent Exhibitions), Jake Barton (Local Projects), and Anne Bast (SFMOMA) discussed participatory culture and museums at the Creative Commons salon. The event was held at GAFFTA - the Gray Area Foundation For The Arts and hosted by the Creative Commons foundation.
Installation Art
The presentation is about installation art history, some famous examples and how it is made.
If you want a copy and some details on how to present this please message me.
Notch bjdw2011 dashilar_program_en_0731
The document summarizes NOTCH X 2011 Beijing Design Week, which will take place in the Dashilar area of Beijing from August to October 2011. The event will feature an open studio camp where Nordic and Chinese designers collaborate on social design projects using recycled materials from Dashilar. The projects include a social library, urban farm installation, facade painting using volcano ash, textile workshop, interactive games, and a multimedia archive of Dashilar. The goal is to activate the local community and feed back designs that enrich life in Dashilar. An exhibition will open on September 24 to showcase the projects.
ARH 151 Chapter 21 Guide The New York School • Abstr.docx
ARH 151 Chapter 21 Guide
The New York School
• Abstract Expressionism emerged in New York in the mid-20th century.
• The art of the New York School emphasized:
- spontaneity.
- gestural brushstrokes.
- nonobjective imagery.
- fields of intense color.
• Some Abstract Expressionists, like Jackson Pollock, focused on gestural painting methods.
• Other Abstract Expressionists, like Mark Rothko, explored subtle interactions of color.
Jackson Pollock
• Gestural painting method
• “Action painting”
1 - Fig. 21.1 Jackson Pollock at work in his Long Island studio (1950).
2 - Fig. 21.2 Jackson Pollock, One (Number 31, 1950) (1950). Oil and enamel paint on canvas, 8’ 10” x 17’ 5 5/8”.
Joan Mitchell
• Second generation Abstract Expressionist
• Female artist whose gestural painting methods earned her recognition
3 - Fig. 21.5 Joan Mitchell, Cercando un Ago (1957). Oil on canvas, 94 1/8” x 87 5/8”.
4 - Joan Mitchell, Bonjour Julie (1971). Birmingham Museum of Art, Birmingham, AL.
Mark Rothko
• Chromatic painting
• “Floating squares of color”
5 - Fig. 21.6 Mark Rothko, Number 22 (1949). Oil on canvas, 117” x 107 1/8”.
6 - Fig. 21.7 Mark Rothko, Black on Grey (1970). Acrylic on canvas, 80 1/4” x 89”.
Post-Painterly Abstraction
• Color field painting & Amorphous shapes (Fig. 21.8)
• Hard-edge painting & shaped canvases (Fig. 21.14)
7 - Fig. 21.8 Helen Frankenthaler, The Bay (1963). Acrylic on canvas, 80 1/4” x 81 3/4”.
8 - Fig. 21.14 Frank Stella, Mas o Menos (More or Less) (1964). Metallic powder in acrylic emulsion on canvas, 118” x 164 1/2”.
Constructed Sculpture
9 - Fig. 21.9 David Smith, Cubi XVIII (1964). Stainless steel.
• Components of constructed sculpture may include materials such as rods, bars, tubes, planks,
dowels, blocks, fabric, wire, thread, glass, plastic, and machined geometric solids .
• David Smith burnished the surface of this constructed steel sculpture, leaving “gestural” marks
reminiscent of Pollock’s signature painting style.
Pop Art
10 - Fig. 21.17 Richard Hamilton, Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956). Collage, 10 1/4”
x 9 3/4”.
• Pop Art relies on universal images of popular culture, such as movie posters, billboards,
magazine and newspaper photographs, and advertisements.
• Through their selections of commonplace and familiar objects, as seen in Richard Hamilton’s
collage, Pop artists challenged commonplace conceptions about the meaning of art.
Robert Rauschenberg
11 - Fig. 21.18 Robert Rauschenberg, The Bed (1955). Combine painting; oil and pencil on pillow, quilt, and sheet on wood
supports. 75 1/4” x 31 1/2” x 6 1/2”.
• Combine paintings blurred the boundaries between painting and sculpture
• Rauschenberg aimed “to bridge the gap between art and life” in his selection of materials and
subject matter
Jasper Johns
12 - Fig. 21.19 Jasper Joh.
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Outdoors in the city
Natural Childhood Project aims to promote unstructured play for children through its new initiative called Project Wild Thing. The project hopes to encourage parents to give children more freedom to explore the outdoors, engage in imaginative play, and have less scheduled activities. By allowing more independent play in nature, Project Wild Thing hopes to help children develop important skills like problem-solving, creativity, and self-regulation.
Turning acquisition on its head
The National Trust's acquisition policy prioritizes properties that are nationally important for their natural beauty, natural or historic interest, and that ownership by the Trust would provide public benefit. The Birmingham approach turns this policy on its head by beginning with community engagement to understand what is significant to local audiences and developing concepts that might lead to acquisitions. It redefines significance in terms of modern urban heritage, emphasizes people's relationships to place over the properties themselves, and aims to attract large urban audiences through partnerships.
Learning from GAP
The Green Academies Project provides formal training, wider engagement opportunities, and apprenticeships for youth focusing on conservation and the natural environment. It started in 2009 with 2 formal partners and has since expanded to 8 partners and working with over 20 local organizations. The project has exceeded targets for accreditations, volunteer participation, and apprenticeships while raising additional funds and making improvements to national trust sites and urban green spaces. Challenges include capacity, accessibility, funding changes, sustaining partnerships, and planning for a changing climate. Learning outcomes include understanding urban communities' relationship with nature, practical conservation skills, partnership working, opportunities for social change funding, and growing support.
Birmingham2
Birmingham has experienced rapid population and physical growth over the past few centuries, expanding from a population of around 1,500 in 1550 to over 1 million by 2001. This growth has resulted in the incorporation of surrounding towns and villages into the city boundaries over time. However, the rapid changes have also led to a loss of a shared sense of place and identity for some long-time residents as the places they once knew have been altered or absorbed into the growing city. There is now a disconnection between old and young residents, as well as between the city center and outer suburbs, highlighting the challenges of maintaining a cohesive identity for a large metropolitan area that is constantly evolving.
T bs ntcities[1]
Janet Vaughan is the subject of this very short document, which does not provide any other details about her or what the document is about. The document only contains her name repeated twice without any other context.
Summary for urban core group nov 12
This document outlines a project strategy for the National Trust in Bristol, England. The strategy aims to (1) raise visitor numbers and membership among target audiences near Bristol by increasing creative activities and new media engagement, (2) connect Tyntesfield estate to Bristol through promoting local food, and (3) raise the profile of the National Trust in Bristol to assess potential partnerships and acquisitions. The strategy expects to move 20,000 supporters into membership and increase Bristol area membership by 0.5% annually over the course of the project.
Storytelling & Digital engagement
This document discusses how the National Trust can better appeal to diverse urban audiences through their stories, programming, and brand messaging. It asks if the Trust is telling the right stories and listening to its audiences. It also addresses how programming can be used more effectively and in a coordinated, place-specific way to reach target audiences. Maximizing return on investment in programming is discussed as a key way to convey each place's unique spirit and identity in a crowded market. An example of successful programming for a specific audience, Norouz at Lyme Park, is also provided.
Measurement
The document discusses measuring the success of National Trust Cities (NTCities) programmes and interventions, including proposing a standardized evaluation approach using 7 compulsory questions. Feedback is sought on what support is needed for measurement and suggestions for improvement. A flexible but consistent framework is recommended to evaluate each intervention separately according to its objectives and determine effectiveness.
Pechakucha - homework
This document briefly mentions Quarry Bank at Styal, a walk, the Evernote app, bicycles, and chances without providing significant details about any of these topics. It does not have a clear focus or message.
The People's Park
The People's Park Autumn Event will take place on Saturday, October 27th from 11am to 3pm at Leazes Park in Newcastle upon Tyne. The free family-friendly event will include activities such as creating veggie monsters, stepping back in time with historical characters, completing challenges, collecting leaves and conkers, Halloween crafts and storytelling. More information can be found online at the provided website.
Leazes Park - Nikki Crowley
Friends of Leazes Park is a group dedicated to preserving and improving Leazes Park in Newcastle upon Tyne, England. The group organizes volunteer workdays to care for the park's gardens, trees, and facilities. They also advocate for the park by liaising with the local council on issues like funding and future plans.
Sutton House - Chris Cleave
This document discusses strategies for diversifying volunteer roles at Sutton House in Hackney. It outlines barriers like perceptions of the National Trust as dull and the amount of commitment required. It describes overcoming these barriers through outreach, partnerships, and events. New roles for volunteers are proposed in communications, conservation, fundraising, and as a head gardener. The document concludes with an intern sharing their positive experience promoting Sutton House's Breaker's Yard project and praising the support and training provided to interns at the National Trust.
Sustrans - Rupert Crosbee
Sustrans is a UK charity that works on practical and creative solutions to transportation challenges. It developed the National Cycle Network, which has grown from 500 miles in 1995 to over 13,600 miles currently, within 1 mile of 55% of the UK population. The network sees over 1 million trips every day and connects 365 National Trust properties. Sustrans also works on urban greenways and maintains the network through 3,500 volunteers and 3,000 rangers.
Sustrans - Art & the travelling landscape - Katy Hallett
This document provides information on various public artworks and installations along trails and pathways in different locations. It mentions pieces by artists Andy Goldsworthy, Andrew Sabin, Jemima Burrell, Tom Price, Stefan Shankland, Noah Rose, Paul Robbrecht, Sally Matthews, Jason Stone, and Michael Pinsky. The works include sculptures, bridges, plaques, benches, and signs located near Cambridge, on the Wandle Trail, and in Cardiff and Lincoln among other places.
Bristol Urban Strategy
This document outlines a strategy to increase visitor numbers and membership for the National Trust in Bristol, England. It aims to target three key audiences that live within 20 minutes of two National Trust sites - Liberal Opinions, Suburban Mindsets, and Professional Rewards. The strategy has three work streams: 1) increasing outdoor activities and digital engagement near Bristol sites; 2) promoting local food connections between Tyntesfield estate and Bristol; and 3) raising the National Trust's profile through partnerships in Bristol. Success is defined as increased awareness, visits, and membership among target audiences and Bristol residents overall.
Manchester & Liverpool Sub-regional Strategy summary
Our strategy is to extend our reach in the cities of Manchester and Liverpool by connecting with more suburban families in a way that is relevant to their needs. During 2012-2015 we will primarily focus on projects in Greater Manchester, with the aim of expanding to Liverpool after 2015. We want suburban families to feel engaged with us, support our cause, and recommend us to others. We will measure success by the number of new memberships, additional visits and attendance, and volunteering opportunities engaged suburban families have by 2015. We have £680,000 in funding over 2012-2015 to support components of the strategy including communications, extending our reach to new audiences, and influencing others to take action in support of urban heritage and green spaces.
The London Project Overview
The London Project overview document outlines the project board and workstreams for improving access to London cultural sites. The Partner Workstream leads efforts to provide National Trust (NT) members with discounts to partner museums and increase joint marketing activities. The Soho App workstream developed a site-specific audio app for visitors in Soho. The Events Workstream plans on- and off-property events targeted at young adults, working with creative partners and property staff. Upcoming events include a major off-property event and quarterly pop-up dining experiences.
Matrix
The document outlines different groups and sectors on a matrix based on their impact and difficulty. Group 2 has high impact and is in the difficult sector, involving freehold, leasehold, management agreements, partnerships, and independent trusts. Group 1 also has high impact but is in the easy sector, primarily involving freehold and leasehold arrangements.
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一比一原版(Curtin毕业证)科廷大学毕业证如何办理
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一.科廷大学毕业证成绩单使馆认证教育部认证成绩单等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
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四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
国外毕业证学位证成绩单办理流程：
1客户提供科廷大学科廷大学毕业证offer办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
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专业服务请勿犹豫联系我！本公司是留学创业和海归创业者们的桥梁。一次办理终生受用一步到位高效服务。详情请在线咨询办理,欢迎有诚意办理的客户咨询!洽谈。
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- 1. NTCities Pecha Kucha ( ペチャクチャ ) • Pecha Kucha • Devised in Tokyo in February 2003 as an event for young designers to meet, network, and show their work in public. • It has turned into a massive global celebration, inspiring creatives worldwide. • Draws its name from the Japanese term for "chit chat“ • Simple presentation format: 20 images x 20 seconds. • Keeps presentations concise, and moving at a rapid pace. • http://www.pecha-kucha.org/ • You have 30 seconds to explain who you are, what photo(s) show, and why inspiring VE/VR.
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- 11. David Hockney exhibition opens in home city of Bradford Three huge pictures of a Yorkshire street scene created by Bradford-born artist David Hockney went on display for the first time in the city (Sept 2011). The pictures reflect Hockney's love of the urban environment and the transformative power of seasonal change. Each measuring 27ft in length, the photographs show the same 25 trees on a Bridlington street at three different times of year. The work has gone on show in a new exhibition at Salt Mills in Saltaire. The artwork, called '25 trees between Bridlington School and Morrison's supermarket along Bessingby Road in the Semi-Egyptian style', show the same scene in summer, autumn and winter.
Editor's Notes
- This is a picture of the Dunham Massive! The young people are our volunteers, who are working with us to interpret the story of Haile Selassie’s visit to Dunham Massey. In the centre of the photo is Buzz, an elder from Manchester’s Rasta community, who has volunteered with me to develop the project. Here he is using dub poetry as a way of telling Haile Selassie’s 1938 speech to the League of Nations, while the young people listen to the acoustics in the Inner Courtyard at Dunham. A space they will soon perform in. The project’s aim is to use music and theatre as a way of engaging these young people with one of Dunham Massey’s stories, which they will creatively interpret for use at the property. A few facts about the project: Our young people vary from the age of 5 – 19. There are about 20 of them. Some were brought up in Rasta families, whose faith links them to Haile Selassie. Some of these young people were identified as being at risk of getting involved in gangs, because their families are/were. Early intervention may help them to lead more positive lives, and through volunteering at Dunham they are part of a fun, educational, creative activity. Some are just very interesting in music and drama, and live in Moss Side or Hulme. By working in partnership with Moss Side Fire Station, community artists, front line youth services, our local Rasta HQ, a community arts organisation and lots of lovely locals from the Moss Side and Hulme area of Manchester, we’ve opened up a big appetite for a very diverse volunteer and visitor audience at Dunham Massey, which we LOVE!