KVB127 03 Time and Memory
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This document discusses themes of time and memory in contemporary visual art after 1980. It provides examples of artworks that engage with these themes in different ways, such as indexical traces of time in materials, temporality as an active element, histories and their social impacts, and intergenerational dialogue through biography and autobiography. The document also includes reflection questions on how different artists evoke notions of time and memory through their works.
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Art ART101 IP1NameClassDateProfess.docx
Art
ART101 IP1
Name
Class
Date
Professor
Abstract
The paper will provide an overview of two peer reviewed definitions of art. Art is defined differently be different people and has changed overtime. The paper will also provide descriptions of different pieces of art and their artistic significance.
ART
Part One
Art is defined differently by different people. The traditional definition of art was proposed by George Dickie his book Art and the Aesthetic (Torres, 2000). The definition proposed by Dickie (1969) is “a work of art in the classificatory sense is (1) an artifact (2) a set of the aspects of which has had conferred upon it the status of candidate for appreciation by some person or persons acting on behalf of a certain social institution.” This definition is still true today. Art is an artifact and it is completely subjective. What some people find beautiful others do not. If the artifact is appreciated and admired then it can be counted as a piece of art.
The definition also finds the artifact is only art if it is presented to the art world. This is not always the case because art is created in many different conditions and does not always get presented to the art world. Monroe Beardsley's definition holds that an artwork: “either an arrangement of conditions intended to be capable of affording an experience with marked aesthetic character or (incidentally) an arrangement belonging to a class or type of arrangements that is typically intended to have this capacity” (Beardsley, 1982, p. 299). This functional definition basically finds art is an experience and its aesthetic properties.
Part Two
Painting:The painting located online is Vincent Van Gogh’s ‘A Starry Night”. This is an oil painting on canvas depicting a beautiful, starry night over a small city. In the painting the stars twinkle brightly in the sky and the half moon glows. This famous painting is breathtaking and eye catching. This amazing painting was created in 1889 from memory and is considered one of the most popular paintings in art. Van Gogh is an Impressionist painter who uses a bright palate to create this masterpiece. This painting exemplifies the meaning of art because it is an artifact when view causes a reaction by the person viewing the painting. While art is hard to define this painting is considered art by all and loved by many.
Sculpture: One of the most beautiful sculptures is the Bronze David created by Donatello in 1440. The sculpture is cast completely in bronze and depicts David after he defeats the giant, goliath. David is completely nude with one foot on Goliaths head and a smirk on his face. David is only wearing a hat and a pair of boots and is holding the sword of goliath in one of his hands. This sculpture is both masterful and beautiful and depicts an important story in the Bible. David has long hair and has his left hand on his hip. This sculpture is a historical piece of art but ...
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- 1. KVB127 Visual Art Open Studio 2 Week 4: Time and Memory
- 2. Robertson, J., & McDaniel, C. (2017). Themes of contemporary art: Visual art after 1980 (4th ed.). Oxford University Press. Time and Memory • Time and material trace (indexicality) • Time as an active element (temporality) • History and its cultural/social impacts • Memory and materiality • Intergenerational dialogue (biography/autobiography) • Further reading: • Farr, I. (2012). Memory. Whitechapel Gallery. • Groom, A. (2013). Time. Whitechapel Gallery.
- 3. Lily HARGREAVES NUNGARRAYI (Warlpiri, b.1930) Mirririnyangu (an important Warlpiri site also known as ‘Duck Pond’ or ‘Duck Ponds’) Jukurrpa (‘Dreaming’) 2011 (incorporating Ngapa or Water Jukurrpa and Wardilyka or Bush Turkey, or Ardeotis Australis Jukurrpa) synthetic polymer paint on canvas, 180.0x150.0cm
- 4. James NARES (British/American b. 1953) Prince, 2018 22k gold leaf on Evolon, 114.6 x 224.8 x 6.3 cm. Joel MEYEROWITZ (American b. 1938) Pool, Storm, Provincetown, Massachusetts, 1976 Archival pigment print
- 5. Hiroshi SUGIMOTO (Japanese b. 1948) Snow White, 2017
- 6. Christian MARCLAY (American b.1959) The Clock, 2010. Single channel video, duration: 24 hours
- 7. Lisa REIHANA (Maori/Aoteroa b.1964) In Pursuit of Venus [infected], 2015–17, Ultra HD video panorama, colour, sound, 64 min.
- 8. Christian THOMPSON AO (Bidjara, b.1978) Desert Melon 2012 Thompson in the ethnographic archives of the Pitt River Museum, Oxford University
- 9. Brook ANDREW (Wiradjuri, b.1985) Ahy-kon-uh-klas-tik. 2017 Installation, Van Abbe Museum, Eindhoven, Netherlands
- 10. Fred WILSON (American b.1954) Metalwork, 1723-1880 silver and slave chains from the collection of the Maryland Historical Society, in "Mining the Museum," 1992
- 11. Doris SALCEDO (Columbian b. 1958) Atrabiliarios 1992-2004 Doris SALCEDO (Colombian b.1958) Untitled 1997
- 12. Rachel WHITEREAD (British b.1958) House 1993 193 Grove Road, London E3 (destroyed)
- 13. SONG Dong (Chinese b.1966) Projects 90: Song Dong 2009 Installation, Musuem of Modern Art, New York.
- 14. Simryn GILL (Australian b.1959) Roadkill, 2000 Nele AZEVEDO (Brazilian b.1950) minimum monument Paço das Artes, Sao Paolo, Brazil. 2016
- 15. Week 4 Reflection Prepare for class by reviewing the resources in the Week 4 folder and considering the following questions: •How is time/memory being evoked by the work? •What notions of history is each artist engaging with? •What general principles of practice can we take from these artists? Make notes in your blog and bring your observations and questions to class. SONG Dong (Chinese b.1966) Writing Diary With Water 1995 chromogenic prints
- 16. Task 2.3: Propagation Review the works that you have produced so far this year. Select one and make a new work that expands on aspects of the original by selecting an element of the work and using this as a 'seed' for a new composition (c.10hrs) SONG Dong (Chinese b.1966) Writing Diary With Water 1995 chromogenic prints