The Story of the Death of Arthur by Thomas Malory
With Author's Background, Characters of the Story and its Plot, Theme and Story Implications.
Thanks Ms. Eden Selim, LPT for this comprehensive presentation in our literature class
The allusion is an object or circumstance from unrelated context is referenced covertly or indirectly. Allusion occurs in literature when an author indirectly references another work, event, person, or place. The reference may be historical or modern. Authors and writers use allusions to express a similar sentiment to the object of the allusion or to evoke particular emotions. Eliot is known for quoting, alluding to, and sometimes borrowing from other literary and historical sources. He used Various kind of allusion in the poem “The Hollow Men”. His favorite source for borrowed expressions and ideas is the Italian poet Dante Alighieri, author of The Divine Comedy, ‘The Waste Land’, Heart of Darkness. Here, as in ‘The Waste Land’, Heart of Darkness is important.
The Story of the Death of Arthur by Thomas Malory
With Author's Background, Characters of the Story and its Plot, Theme and Story Implications.
Thanks Ms. Eden Selim, LPT for this comprehensive presentation in our literature class
The allusion is an object or circumstance from unrelated context is referenced covertly or indirectly. Allusion occurs in literature when an author indirectly references another work, event, person, or place. The reference may be historical or modern. Authors and writers use allusions to express a similar sentiment to the object of the allusion or to evoke particular emotions. Eliot is known for quoting, alluding to, and sometimes borrowing from other literary and historical sources. He used Various kind of allusion in the poem “The Hollow Men”. His favorite source for borrowed expressions and ideas is the Italian poet Dante Alighieri, author of The Divine Comedy, ‘The Waste Land’, Heart of Darkness. Here, as in ‘The Waste Land’, Heart of Darkness is important.
Hello dear class 10th students,!!!!!! ;)
As we all are aware about the poem Ozymandias by Percy Bysshe Shelley in our X literature reader, which is our syllabus for SA II exams.
So here's a presentation prepared by me for the school project which I've got uploaded.
You'll surely need not to look for guides to understand the poem. I've tried my best to make it lucid.
Hope you like it and hope it'll help you to understand the poem more clearly !! ^_^
Friends!! Please don't forget to post your feed backs and suggestions.............I'll be there eagerly waiting to know this !!!!
THANKS
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The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
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• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
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Ozymandias
1. Poetry Across Time: Character and voice
Ozymandias
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter’d visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp’d on these lifeless things,
The hand that mock’d them and the heard that fed;
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.
Key
Language: connotation, imagery, metaphor, simile
Structure and form: stanzas, type, patterns, contrast, juxtaposition
Poetic methods: alliteration, caesura, assonance, rhythm, rhyme
Character and voice: who is speaking and to whom? Tone of voice
Links: comparisons to other speakers, methods and themes
A mysterious
remoteness is set
up – an unnamed
‘I’. The traveller is
from an ‘antique
land’. We do not
know where the
two met.
Another name for Ramesses the Great,
Pharaoh if ancient Egypt. He exemplified
the ‘mighty fallen’
Rhyme scheme is
unusual and the use of
caesura and
enjambment seem to
break up pattern. This
doubtless reflects the
tension in the poem.
Sonnet written in iambic
pentameter
The single sentence
(3-11) nonetheless
injects a burst of
energy before the
final demise –
‘Nothing…’
Ozymandias
seems almost
inhuman, so
lacking in
warmth is he –
statue is
appropriate.
Concise and
abrupt to
reflect simple
finality.
Harsh, alliterative
sounds – final stubborn
statement?
Poet’s
mocking the
Vanity.
Compare with
Keats’
‘Grecian Urn’.
‘Cold
Pastoral’.
The ending confirms
the central theme of
the poem – the
transience of man.
Hand may refer to the
sculptor, mocking the
King’s ‘passions’ or
facial expression. The
‘hand’ could represent
the authority of
Ozymandias.
Interpretations of the poem:
A symbolic representation of the arrogance of man and the behaviour
of those who feel that they are immortal. The poem also serves as a
reminder of how we remember those who rule through fear. The
breaking down of the statue can also be seen as a symbol of nature's
destruction of human vanity.