Sharing cultural heritage the linked open data way: why you should sign up Johan Oomen
This document summarizes a presentation about sharing cultural heritage data using linked open data. It discusses initiatives by the Netherlands Institute for Sound and Vision to digitize and share cultural heritage resources openly online to promote reuse. This includes the Images for the Future digitization project and advocacy work through Open Cultural Data. It also describes the Agora project linking museum objects to historical events. Benefits mentioned are increased participation, visibility, and opportunities for third-party applications. Examples highlighted are datasets shared via Europeana and new metrics needed to measure outcomes of open sharing.
As more and more chapters develop and implement their GLAM outreach programs, it is time to talk about evaluation again. An earlier workshop on this topic was held at Wikimania 2013 in order to reach a shared vision of what may be achieved by different types of GLAM outreach activities. The results have been documented on the Outreach Wiki. In parallel, the WMF Programme Evaluation team has produced several evaluation reports about programs including one on GLAM content release partnerships, and the GLAM-wiki Toolset Project coordinated by the Europeana Foundation and supported by Wikimedia Netherlands, Wikimedia France, Wikimedia UK, and Wikimedia CH has produced a Report on requirements for usage and reuse statistics for GLAM content. As we work as a community to further develop evaluation strategies and systematic measures we invite community members engaged in GLAM outreach activities to take part in this strategy workshop.
This document summarizes funding opportunities and initiatives from the European Commission related to cultural heritage and the digital economy. It outlines recommendations and directives on digitizing cultural works. Major funding programs mentioned include Horizon 2020, which allocates €12.5 billion to ICT research, and the Connecting Europe Facility, which provides €1 billion for digital infrastructure projects like Europeana. Specific calls are noted that provide funding for areas like virtual museums, increasing access to cultural works, and boosting collaboration between artists and technologists.
Europeana is an online platform that aggregates over 14.6 million digital objects from over 1,500 cultural heritage institutions across Europe. It was launched in 2008 as a prototype and became fully operational in 2010. Europeana follows four strategic tracks - aggregate, distribute, facilitate, and engage. It aggregates content from various institutions and aggregators, makes the content available on its portal, provides tools to help users access and interact with the data, and works to build engagement with partners, stakeholders, and users. The benefits of unlocking digital repositories through Europeana include increased visibility and access to cultural heritage collections, cost savings and efficiencies for participating organizations, and broader economic and social impacts like new businesses and jobs in tourism and education.
Magnus Bognerud - Current digital collection management projects at nasjonalm...lab_SNG
The National Museum of Art, Architecture and Design is undertaking two main digital collection management projects. The first is implementing a new collection management system between 2015-2019 to prepare for their move to a new building. The second is a machine learning project from 2015-2016 to explore using computer vision and AI to classify artworks and generate metadata to help users explore the collection. They are working with an outside company to test algorithms on sample images from the collection. The goal is to automatically recognize styles, techniques and other attributes to create reusable data about the artworks.
Presentation at the Boekman library on 10 Dec 2014.
Overview of research and conclusions from A History of Digitization: Dutch Museums.
University of Amsterdam
Sharing cultural heritage the linked open data way: why you should sign up Johan Oomen
This document summarizes a presentation about sharing cultural heritage data using linked open data. It discusses initiatives by the Netherlands Institute for Sound and Vision to digitize and share cultural heritage resources openly online to promote reuse. This includes the Images for the Future digitization project and advocacy work through Open Cultural Data. It also describes the Agora project linking museum objects to historical events. Benefits mentioned are increased participation, visibility, and opportunities for third-party applications. Examples highlighted are datasets shared via Europeana and new metrics needed to measure outcomes of open sharing.
As more and more chapters develop and implement their GLAM outreach programs, it is time to talk about evaluation again. An earlier workshop on this topic was held at Wikimania 2013 in order to reach a shared vision of what may be achieved by different types of GLAM outreach activities. The results have been documented on the Outreach Wiki. In parallel, the WMF Programme Evaluation team has produced several evaluation reports about programs including one on GLAM content release partnerships, and the GLAM-wiki Toolset Project coordinated by the Europeana Foundation and supported by Wikimedia Netherlands, Wikimedia France, Wikimedia UK, and Wikimedia CH has produced a Report on requirements for usage and reuse statistics for GLAM content. As we work as a community to further develop evaluation strategies and systematic measures we invite community members engaged in GLAM outreach activities to take part in this strategy workshop.
This document summarizes funding opportunities and initiatives from the European Commission related to cultural heritage and the digital economy. It outlines recommendations and directives on digitizing cultural works. Major funding programs mentioned include Horizon 2020, which allocates €12.5 billion to ICT research, and the Connecting Europe Facility, which provides €1 billion for digital infrastructure projects like Europeana. Specific calls are noted that provide funding for areas like virtual museums, increasing access to cultural works, and boosting collaboration between artists and technologists.
Europeana is an online platform that aggregates over 14.6 million digital objects from over 1,500 cultural heritage institutions across Europe. It was launched in 2008 as a prototype and became fully operational in 2010. Europeana follows four strategic tracks - aggregate, distribute, facilitate, and engage. It aggregates content from various institutions and aggregators, makes the content available on its portal, provides tools to help users access and interact with the data, and works to build engagement with partners, stakeholders, and users. The benefits of unlocking digital repositories through Europeana include increased visibility and access to cultural heritage collections, cost savings and efficiencies for participating organizations, and broader economic and social impacts like new businesses and jobs in tourism and education.
Magnus Bognerud - Current digital collection management projects at nasjonalm...lab_SNG
The National Museum of Art, Architecture and Design is undertaking two main digital collection management projects. The first is implementing a new collection management system between 2015-2019 to prepare for their move to a new building. The second is a machine learning project from 2015-2016 to explore using computer vision and AI to classify artworks and generate metadata to help users explore the collection. They are working with an outside company to test algorithms on sample images from the collection. The goal is to automatically recognize styles, techniques and other attributes to create reusable data about the artworks.
Presentation at the Boekman library on 10 Dec 2014.
Overview of research and conclusions from A History of Digitization: Dutch Museums.
University of Amsterdam
Presentation given by Ole Myhre Hansen
National Archives of Norway, LoCloud coordinator
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
This document summarizes the key benefits of open data for public administration, including increased accountability, transparency, improved public services, and cost efficiency. It highlights how open data can generate new economic and social value. The document also provides an overview of the steps Frankfurt took to establish its open data portal, from initial motions in 2011-2013 to developing a final concept and test runs of the CKAN platform in late 2013.
This document summarizes the benefits and progress of open data initiatives in Frankfurt, Germany. It outlines the key benefits of open data such as increased transparency, accountability, and new economic and social value. It also provides a timeline of motions and decisions made by the city council from 2011 to 2013 that led to the development of an open data portal for Frankfurt. This includes hiring a company to develop a final concept and deploying a test version of the open data platform.
Dag Hensten - Nasjonalmuseet collections onlinelab_SNG
The National Museum of Norway has consolidated four museums into one institution since 2003. It is working to digitize its collection of over 400,000 objects and make them available online. It has developed an online collection using various APIs and technologies to display objects, associated biographies and other contextual information. There are ongoing efforts to improve the digital experience through additional languages, user feedback features, and new technologies like 360 degree images and 3D models. The museum is also committed to open sharing of its digital work to help other cultural institutions.
Keynote presentation in Belgrade on December 15th, 2016 about museums and the challenges of open access and how the Rijksmuseum dealt with this during the last decade.
1. The Netherlands Institute for Sounds and Vision is the largest audiovisual archive in the Netherlands, with over 800,000 hours of content including 2 million pictures and 20,000 objects.
2. It has been digitizing its collections and making some content openly available on platforms like Open Images since 2008 as part of its mission to preserve Dutch cultural heritage and enable public access and reuse.
3. The Institute aims to further connect its open data to other cultural and external datasets to stimulate new applications and unexpected reuse, though currently only a small portion of its collection is openly available.
This document discusses how Dutch cultural heritage institutions ("GLAMs") have successfully reached millions of people each month through Wikimedia projects like Wikipedia. It notes that 29 Dutch GLAMs contribute content like photos, artworks and recordings to Wikimedia Commons. Currently over 54,000 unique objects from Dutch GLAMs are reused over 110,000 Wikipedia pages, generating over 155 million page views in a single month. By openly sharing their digital collections, Dutch GLAMs have helped educate audiences of hundreds of millions about Dutch cultural heritage each year through Wikimedia.
This document discusses entrepreneurial practices in museums. It notes that museums traditionally rent their physical capital but few rent their know-how. During the pandemic, museums considered new online business models to free themselves from physical dependency. These new models include product development like online shops, service development like memberships, and network development through crowdsourcing. The document examines examples and considerations for these new models, noting they require museums to look outward and embrace digital technologies and networks to innovate for the future.
In 2018 the ‘Strategy for culture in the digital age’ was published by the Flemish minister of culture. The culture sector is exploring open data to improve access of their collections for diverse groups of users. PACKED has researched, developed and published data, tools and strategies using open source and open data as a lever for building a sustainable digital memory. Aside from sharing our projects, results and peeking at the new challenges that lie ahead, we provide a platform for two of our partners to showcase projects which were set up in collaboration with PACKED:
-The King Baudouin Foundation collaborated with PACKED in order to open up their collections on Wikimedia plaftorms
-The Flemish Art Collection presents the Datahub and Arthub projects, which gives the public access to the visual arts in Flanders and facilitates (re-)use
The document discusses strategies for increasing usage of digitized collections after initial digitization. It recommends (1) ensuring content is indexed by search engines like Google, (2) having clear licensing for how content can be reused, and (3) making access and downloading content as easy as possible, including building APIs. Networking with organizations like Europeana and The European Library can help expose content and participation in new projects. Current projects focus on topics like newspapers, copyright clearance and World War I archives.
- PACKED advocates for open data in the cultural heritage sector through various projects and training. They developed CultURIze, a tool to help small museums assign persistent URIs to collection items.
- The King Baudouin Foundation shares collection data on Wikimedia platforms like Wikidata to make it more accessible. Challenges include normalizing data from different sources and systems.
- The Flemish Art Collection's Arthub and Datahub projects aim to publish collection data as open data through APIs and formats. An ETL pipeline extracts, transforms and loads data from various museum databases into a central repository for reuse.
The document discusses the administration of digitization efforts in the Netherlands. It provides statistics on the digitization of objects by museums, libraries, archives, and other cultural heritage institutions. The numbers show that while a record exists for most objects, only about a third have actually been digitized. Barriers to further digitization include a lack of standards, high labor costs, and limited systems. Successful management of local digitization requires strategic planning, collaboration, and adapting practices for digital environments.
The document discusses the administration of digitization efforts in the Netherlands. It provides statistics on the digitization of objects by museums, libraries, archives, and other cultural heritage institutions. The numbers show that while a record exists for most objects, only about a third have actually been digitized. Barriers to further digitization include a lack of standards, high labor costs, and limited systems. Successful management of local digitization requires strategic planning, collaboration, and adapting practices for digital environments.
12th NKOS workshop at TPDL 2013: introductionGESIS
This document summarizes the 12th NKOS workshop held at TPDL 2013 in Valletta, Malta. It provides details on the organizers, introduction, and agenda including sessions on meaningful concept display and visualization, KOS-based recommender systems, and integrating KOS. Session topics included visualization of candidate terms, digging into metadata, and descriptors. The document also provides information on the special KNOWeSCAPE session and venue for the dinner.
Europeana Creative - What is this Europeana thing?Europeana
Europeana is a website and API that provides access to over 26 million digital objects from museums, libraries, archives and collections across Europe. It is operated by the Europeana Foundation along with contributions from cultural heritage organizations. The documents discusses Europeana projects like Europeana Creative that enable reuse of content. It aims to aggregate cultural works, facilitate the cultural heritage sector, and distribute content to users. Initiatives to better engage users include virtual exhibitions, professional sites, and crowdsourcing campaigns. The presentation encourages partnerships and an open lab network to further these engagement goals.
Citizen enhanced open science in the cultural heritage sectorWeb2Learn
This document summarizes 8 citizen science initiatives in Belgium that contribute to open science and cultural heritage. The initiatives engage citizens in activities like crowdsourcing annotations, sharing migration stories, and documenting street art. They aim to move beyond just having citizens collect data by involving them throughout the research process. The initiatives vary in their openness, with some openly sharing datasets, metadata, and results while others are less transparent. Overall they demonstrate how citizen science can enhance open science and cultural heritage but more work is still needed to formalize open data standards and ensure projects follow core open science principles.
The National Library of Luxembourg participates in Europeana, a platform containing over 20 million digitized cultural works from libraries, archives, and museums. The National Library previously led Europeana's Intellectual Property Rights team, establishing an open licensing framework. The library is now a member of the IPR team, working to refine licensing guidelines and find pragmatic cross-border solutions for rights clearance, especially for 20th century works. The library participates in European projects through Europeana to stay informed of innovations, contribute expertise, and apply knowledge gained to benefit Luxembourg's national networks.
Open belgium: OpenAIRE an open knowledge and research information infrastructureOpenAccessBelgium
This document discusses OpenAIRE, an open knowledge and research information infrastructure that aims to widely disseminate and provide access to research outputs. It facilitates the open access policies of the European Commission by providing services like helping researchers report on projects, generating publication lists, and giving visibility to funded projects and research data. OpenAIRE also provides aggregated statistics, monitoring, and infrastructure to comply with open access mandates and support open research data through interoperability across Europe.
The document discusses the process of developing a new product from start to finish. It outlines several key steps, including identifying customer needs through research, designing the product to meet those needs, developing a prototype, testing the prototype with focus groups, and launching the final product after refining it based on user feedback. The overall goal is to efficiently bring a well-designed product to market that satisfies customer demands.
Presentation given by Ole Myhre Hansen
National Archives of Norway, LoCloud coordinator
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
This document summarizes the key benefits of open data for public administration, including increased accountability, transparency, improved public services, and cost efficiency. It highlights how open data can generate new economic and social value. The document also provides an overview of the steps Frankfurt took to establish its open data portal, from initial motions in 2011-2013 to developing a final concept and test runs of the CKAN platform in late 2013.
This document summarizes the benefits and progress of open data initiatives in Frankfurt, Germany. It outlines the key benefits of open data such as increased transparency, accountability, and new economic and social value. It also provides a timeline of motions and decisions made by the city council from 2011 to 2013 that led to the development of an open data portal for Frankfurt. This includes hiring a company to develop a final concept and deploying a test version of the open data platform.
Dag Hensten - Nasjonalmuseet collections onlinelab_SNG
The National Museum of Norway has consolidated four museums into one institution since 2003. It is working to digitize its collection of over 400,000 objects and make them available online. It has developed an online collection using various APIs and technologies to display objects, associated biographies and other contextual information. There are ongoing efforts to improve the digital experience through additional languages, user feedback features, and new technologies like 360 degree images and 3D models. The museum is also committed to open sharing of its digital work to help other cultural institutions.
Keynote presentation in Belgrade on December 15th, 2016 about museums and the challenges of open access and how the Rijksmuseum dealt with this during the last decade.
1. The Netherlands Institute for Sounds and Vision is the largest audiovisual archive in the Netherlands, with over 800,000 hours of content including 2 million pictures and 20,000 objects.
2. It has been digitizing its collections and making some content openly available on platforms like Open Images since 2008 as part of its mission to preserve Dutch cultural heritage and enable public access and reuse.
3. The Institute aims to further connect its open data to other cultural and external datasets to stimulate new applications and unexpected reuse, though currently only a small portion of its collection is openly available.
This document discusses how Dutch cultural heritage institutions ("GLAMs") have successfully reached millions of people each month through Wikimedia projects like Wikipedia. It notes that 29 Dutch GLAMs contribute content like photos, artworks and recordings to Wikimedia Commons. Currently over 54,000 unique objects from Dutch GLAMs are reused over 110,000 Wikipedia pages, generating over 155 million page views in a single month. By openly sharing their digital collections, Dutch GLAMs have helped educate audiences of hundreds of millions about Dutch cultural heritage each year through Wikimedia.
This document discusses entrepreneurial practices in museums. It notes that museums traditionally rent their physical capital but few rent their know-how. During the pandemic, museums considered new online business models to free themselves from physical dependency. These new models include product development like online shops, service development like memberships, and network development through crowdsourcing. The document examines examples and considerations for these new models, noting they require museums to look outward and embrace digital technologies and networks to innovate for the future.
In 2018 the ‘Strategy for culture in the digital age’ was published by the Flemish minister of culture. The culture sector is exploring open data to improve access of their collections for diverse groups of users. PACKED has researched, developed and published data, tools and strategies using open source and open data as a lever for building a sustainable digital memory. Aside from sharing our projects, results and peeking at the new challenges that lie ahead, we provide a platform for two of our partners to showcase projects which were set up in collaboration with PACKED:
-The King Baudouin Foundation collaborated with PACKED in order to open up their collections on Wikimedia plaftorms
-The Flemish Art Collection presents the Datahub and Arthub projects, which gives the public access to the visual arts in Flanders and facilitates (re-)use
The document discusses strategies for increasing usage of digitized collections after initial digitization. It recommends (1) ensuring content is indexed by search engines like Google, (2) having clear licensing for how content can be reused, and (3) making access and downloading content as easy as possible, including building APIs. Networking with organizations like Europeana and The European Library can help expose content and participation in new projects. Current projects focus on topics like newspapers, copyright clearance and World War I archives.
- PACKED advocates for open data in the cultural heritage sector through various projects and training. They developed CultURIze, a tool to help small museums assign persistent URIs to collection items.
- The King Baudouin Foundation shares collection data on Wikimedia platforms like Wikidata to make it more accessible. Challenges include normalizing data from different sources and systems.
- The Flemish Art Collection's Arthub and Datahub projects aim to publish collection data as open data through APIs and formats. An ETL pipeline extracts, transforms and loads data from various museum databases into a central repository for reuse.
The document discusses the administration of digitization efforts in the Netherlands. It provides statistics on the digitization of objects by museums, libraries, archives, and other cultural heritage institutions. The numbers show that while a record exists for most objects, only about a third have actually been digitized. Barriers to further digitization include a lack of standards, high labor costs, and limited systems. Successful management of local digitization requires strategic planning, collaboration, and adapting practices for digital environments.
The document discusses the administration of digitization efforts in the Netherlands. It provides statistics on the digitization of objects by museums, libraries, archives, and other cultural heritage institutions. The numbers show that while a record exists for most objects, only about a third have actually been digitized. Barriers to further digitization include a lack of standards, high labor costs, and limited systems. Successful management of local digitization requires strategic planning, collaboration, and adapting practices for digital environments.
12th NKOS workshop at TPDL 2013: introductionGESIS
This document summarizes the 12th NKOS workshop held at TPDL 2013 in Valletta, Malta. It provides details on the organizers, introduction, and agenda including sessions on meaningful concept display and visualization, KOS-based recommender systems, and integrating KOS. Session topics included visualization of candidate terms, digging into metadata, and descriptors. The document also provides information on the special KNOWeSCAPE session and venue for the dinner.
Europeana Creative - What is this Europeana thing?Europeana
Europeana is a website and API that provides access to over 26 million digital objects from museums, libraries, archives and collections across Europe. It is operated by the Europeana Foundation along with contributions from cultural heritage organizations. The documents discusses Europeana projects like Europeana Creative that enable reuse of content. It aims to aggregate cultural works, facilitate the cultural heritage sector, and distribute content to users. Initiatives to better engage users include virtual exhibitions, professional sites, and crowdsourcing campaigns. The presentation encourages partnerships and an open lab network to further these engagement goals.
Citizen enhanced open science in the cultural heritage sectorWeb2Learn
This document summarizes 8 citizen science initiatives in Belgium that contribute to open science and cultural heritage. The initiatives engage citizens in activities like crowdsourcing annotations, sharing migration stories, and documenting street art. They aim to move beyond just having citizens collect data by involving them throughout the research process. The initiatives vary in their openness, with some openly sharing datasets, metadata, and results while others are less transparent. Overall they demonstrate how citizen science can enhance open science and cultural heritage but more work is still needed to formalize open data standards and ensure projects follow core open science principles.
The National Library of Luxembourg participates in Europeana, a platform containing over 20 million digitized cultural works from libraries, archives, and museums. The National Library previously led Europeana's Intellectual Property Rights team, establishing an open licensing framework. The library is now a member of the IPR team, working to refine licensing guidelines and find pragmatic cross-border solutions for rights clearance, especially for 20th century works. The library participates in European projects through Europeana to stay informed of innovations, contribute expertise, and apply knowledge gained to benefit Luxembourg's national networks.
Open belgium: OpenAIRE an open knowledge and research information infrastructureOpenAccessBelgium
This document discusses OpenAIRE, an open knowledge and research information infrastructure that aims to widely disseminate and provide access to research outputs. It facilitates the open access policies of the European Commission by providing services like helping researchers report on projects, generating publication lists, and giving visibility to funded projects and research data. OpenAIRE also provides aggregated statistics, monitoring, and infrastructure to comply with open access mandates and support open research data through interoperability across Europe.
The document discusses the process of developing a new product from start to finish. It outlines several key steps, including identifying customer needs through research, designing the product to meet those needs, developing a prototype, testing the prototype with focus groups, and launching the final product after refining it based on user feedback. The overall goal is to efficiently bring a well-designed product to market that satisfies customer demands.
OpenAire Sessions - An Open Knowledge & Research Information InfrastructureOpen Knowledge Belgium
OpenAIRE is an open knowledge and research infrastructure that aims to widely disseminate and provide access to research outputs. It offers tools, information, and a helpdesk system to facilitate the open access policies of the European Commission. OpenAIRE works as an integrated scientific information infrastructure by collecting metadata, publications, data, and other information and making it discoverable. It provides various services to researchers, research administrators, data providers, and funders, such as helping with reporting requirements, generating publication lists, and providing aggregated statistics. OpenAIRE plans to further develop its linked open data and literature broker services.
This document provides an overview and agenda for the Open Belgium 2016 conference. The one day conference will include:
- A plenary session from 9:00-10:30 AM
- Breakout sessions from 11:00 AM - 5:00 PM on topics like open data, open source, and open standards
- A closing keynote from 5:00-5:30 PM
- A reception at Antwerp's city hall from 6:00 PM
The document also discusses the current state of open data and open government in Belgium, provides examples of available open datasets, and highlights efforts to encourage more reuse of open data.
This document outlines 7 lessons from AppsForGhent over 7 years. The lessons include the importance of open USB standards and crowdsourcing ideas, focusing on process over products, reusing data between hackathons, thinking locally but coding globally, and providing links to resources for open data and the AppsForGhent initiative in Ghent.
Open Tourism: The importance of enriching your online content with semantic annotations.
This workshop consists of two parts
1. enriching your online content with semantic annotations
Most webmasters are familiar with HTML tags on their pages. Usually, HTML tags tell the browser how to display to humans the information included in the tag. Semantic annotations can be used by webmasters to mark up their pages in ways that can be understood by the major search engines: Google, Microsoft and Yahoo! and machines in general. In this session international & local experts will explain how you can open-up, semantically enrich and promote your tourism related data and initiatives.
Why Should You Add Schema?
In the first part of this presentation an expert from iMinds will explain the potential of annotating and publishing your data with semantic annotations using vocabularies, such as schema.org and elaborate with alternative options.
How To Add semantic annotations To Your Tourism Website?
So now the question becomes, how do you easily add those semantic annotations to you data on the Web? An expert from iMinds will provide hands-on pointers and an overview of existing vocabularies.
2. Barriers and Solutions to Open Tourism Data
In this first public meeting of the Open Tourism working group, a panel of experts in the field of tourism will discuss specific barriers and solutions on opening up tourism data. A key outcome from this session will be a list of essential datasets and a strategy to engage the different actors. The discussion will be facilitated by the project ‘sustainable mobile tourism guides’, iMinds - Thomas More.
SNCB has changed its approach to open data and is now making more of its transportation data available for free use under contracts. Currently, scheduled timetable data is available in GTFS format since 2015, with over 270 contract requests received and 24 signed. Real-time GTFS data will be available from March 2017. SNCB is also exploring making other types of transportation data openly available and promoting apps and services created using its open data.
1) Smart cities need connected information infrastructure and technology to address social, economic, and environmental issues. Silos of data need to dissolve for this to happen.
2) The Flemish government is developing a 5-star Linked Open Data Address Registry containing over 4 million addresses and their coordinates, synchronized across 308 local governments.
3) The presentation encourages reusing common terms and standards to create interoperable solutions, and pitching ideas for using the Address Registry and other linked open data at an upcoming workshop.
The document discusses who should tell data stories - statistical offices or the media. It argues that while the media should tell data stories, media outlets are not always data literate. Statistical offices could make journalists' jobs easier by increasing data literacy. However, the primary responsibility for communicating data stories to the public should be with media organizations, as they are best positioned to provide context and verification. Statistical offices can play a supporting role in aiding media literacy.
The document discusses a use case of open badges by the City of Ghent. It summarizes that Jobpunt, an HR consulting firm, worked with the city and academia on a large recruitment process for administrative assistants. They developed a testing solution using generic and role-specific modules, as well as interviews. Over 75 candidates used open badges awarded by Selor, a public service, to demonstrate their competencies in the application process. The badges improved the success rates on the tests compared to the total population. Going forward, the document discusses expanding the use of badges for motivation, gamification, and learning paths.
Reproducibility with the 99 cents Linked Data archiveMiel Vander Sande
1. Publishing Linked Data archives is challenging due to the high costs of hosting public SPARQL endpoints and maintaining data over time.
2. The document proposes using HDT files and Triple Pattern Fragments to provide a low-cost interface for querying and archiving Linked Data over time.
3. By exposing different HDT snapshots through a Linked Data Fragments server with Memento support, it provides a way to uniformly access and query the history of datasets like DBpedia.
This document summarizes past hackathons in Brussels that were supported by the BRIC. It lists 19 hackathons from 2014-2017 on open data topics. The hackathons aimed to help data consumers and producers and support social innovation. One notable hackathon in November 2016 was the "Brussels goes gender-smart" event, which aimed to promote gender equality and women in technology through workshops and challenges to develop apps using gender-related open datasets.
The document discusses open data initiatives in Brussels-Capital Region. It outlines the European Directive on open government data and Belgium's adoption of this directive. It then describes the Brussels open data portal and the four-step approach to opening government data: making an inventory of datasets, ensuring datasets are findable, publishing the data in open formats, and promoting open data. The document also briefly mentions plans to study and test linked open data approaches. Finally, it lists common objections to opening government data.
The document outlines a strategy to make Wallonia, Belgium a smart region through digital transformation. It discusses accelerating digitization of public services, encouraging cutting-edge digital tools across the region, and taking a holistic "Smart Region" approach rather than individual city initiatives. The strategy involves teams from cities, businesses, and advisers working on priority themes like smart energy, mobility, and health to pool resources and replicate solutions through public-private partnerships with a focus on citizens.
The document discusses linking open data with a content management system (CMS). It describes a SPARQL connector that allows a CMS like Drupal to read and write RDF content through an object-relational mapper (ORM) without needing to understand SPARQL. The connector also supports multiple graphs. A demonstration is then proposed to show applications of linking open data with a CMS.
This document provides an overview of the state of open data and open knowledge in Belgium. It discusses Open Knowledge Belgium's mission to promote openness through advocacy, research and technology. It then outlines some of the progress made in open data policies and portals in Belgium, Flanders, Wallonia and Brussels. It also notes that while much low hanging fruit has been achieved, new challenges remain around issues like algorithm ethics, open science business models, real-time data and linked data.
The document discusses open data in public transport in Belgium. It notes that De Lijn, the public transport operator, aims to embrace digital entrepreneurship and enable innovation by providing real-time mobility information. Currently, De Lijn's open data is outdated and not easily accessible. However, by summer 2017 De Lijn plans to launch a new open data platform providing static and real-time API data through developer and publisher portals. The full implementation of real-time open data is targeted by end of 2017, although there may be some legal and technical hurdles to overcome first.
This document discusses Open Cultuur Data, a network in the Netherlands that aims to open cultural data and encourage the development of cultural applications. It provides metrics on Open Images, an open media platform containing audiovisual archive material. It also discusses the growth of the Open Cultuur Data network through events like hackathons and competitions. The network now includes many cultural institutions and has resulted in the creation of apps that make culture more accessible.
Open Cultuur Data is a Dutch network that aims to make cultural data from institutions openly available and accessible in order to create new cultural applications. The network includes cultural professionals, developers, and open data experts. It works to collect and publish open cultural datasets from organizations like museums and archives. It also organizes events like hackathons to encourage developers to build apps using this open cultural data. The goal is to make culture more accessible to the public in new ways through open data and new applications.
The document summarizes presentations from the OpenGLAM Working Group at Wikimania 2014 in London. It describes initiatives in several countries to open cultural data from galleries, libraries, archives, and museums (GLAMs) and promote best practices. The Netherlands program includes OpenGLAM masterclasses to train GLAMs on open data. Germany's program included a cultural data hackathon. Switzerland conducted an OpenGLAM benchmark survey of heritage institutions and a pilot project encouraging institutions to contribute to Wikipedia.
DM2E Community building (Lieke Ploeger – Open Knowledge) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
This document discusses open cultural data and bottom-up open heritage initiatives in the Netherlands. It provides an overview of the Open Cultuur Data project, which aims to make more collection data and applications available as open cultural data. The project is working to connect open data enthusiasts in the cultural heritage sector to release datasets and develop new applications. The document outlines the initial experimental phase, defining principles of open cultural data, datasets released by various heritage institutions, and apps developed through hackathons and competitions. It discusses plans to further grow the network and release additional cultural heritage datasets as open data.
PACKED advocates for open data in the cultural heritage sector. They discuss infrastructure for publishing open data, including using persistent URI's and platforms like Wikidata. They provide training on topics like data cleaning and enrichment. Their goal is to help cultural institutions share their collections as open data by developing tools like CultURIze and advocating for more open infrastructures.
The King Baudouin Foundation collection is dispersed across many institutions. They worked with Wikimedia to publish the collection on Wikimedia platforms by normalizing the data to make it linkable using identifiers.
The Flemish Art Collection's Arthub and Datahub platforms aim to automate sharing collection data between applications using pipelines. The Datahub centrally stores
PACKED advocates for open data in the cultural heritage sector. They discuss infrastructure for publishing open data, including using persistent URI's and platforms like Wikidata. PACKED provides training on open data topics and helps cultural institutions publish collections. Their goal is to make more data available and reusable while addressing challenges like inconsistent data formats across institutions. The Flemish Art Collection discusses their work to aggregate collection data from different museums into a central Datahub and publish it through their Arthub portal. They aim to improve data quality and automate sharing to open up more collections.
Open up your data! Linked Open Data in the Museum Plantin-MoretusJeroen De Meester
Presentation given at the conference 'Special Collections in the Context of Cultural Heritage Protection and Cultural Development Fostering', Octobre 3, 2017, Serbia
The OpenGLAM community: promoting free & open access to digital cultural heritage | Lieke Ploeger, Open Knowledge Foundation at http://books2ebooks.eu/eod2014
Luis Ferraro - DG CONNECT - culture and creativity in the digital realm 062013Europeana Licensing
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Open Culture Data: Opening GLAM Data Bottom-up
1. OPEN CULTURE DATA:
Opening GLAM Data Bottum-Up
Open Belgium 2015
Maarten Brinkerink
Namur, February 23, 2015
t: @OpenCultuurData | #opencultuurdata
2. WHAT
Open Cultuur Data (Open Culture Data) is a
network of cultural professionals, developers,
designers, copyright specialists and open data
experts, that opens data from the cultural
heritage sector and encourages the development
of valuable cultural applications that started in
September 2011.
It aims to make culture accessible in new ways to
a broader public.
3. WHO
Open Cultuur Data is a joint
initiative of Kennisland, Open
State Foundation and the
Netherlands Institute for
Sound and Vision.
4. HOW
Open Cultuur Data supports the cultural heritage sector
in the release of culture data in the following way:
•encourage making more open culture data available
•collecting and disseminating open culture data via an
open digital infrastructure
•collecting and sharing knowledge and experience with
open culture data
•encouraging the making of new applications based on
open culture data
5. HOW
Open Cultuur Data achieves this through the following
activities:
•workshops, presentations and publications on open
culture data
•support cultural institutions in opening up their datasets
•masterclass open data for cultural heritage institutions
•competition with special awards for applications made
with open culture data
6. 1. Open Culture Data includes digital
representations of collection objects
and/or knowledge and information of
cultural institutions and initiatives
about their collections, activities and
organization
defining open culture data
7. 2. Everyone can consult, use, spread
and re-use Open Culture Data
(through an open license or by
making material available in the
Public Domain)
defining open culture data
8. 3. Open Culture Data is available in a
digital (standard) format that makes
re-use possible
defining open culture data
9. 4. The structure and possible
applications of Open Culture Data
are documented, for instance in a
data blog
defining open culture data
10. 5. The provider of the Open Culture
Data is prepared to answer
questions about the data from
interested parties and respects the
efforts that it costs that the open data
community invests in developing new
applications
defining open culture data
11.
12. • 29 GLAMs (galleries, libraries,
archives and museums)
• 52 datasets
– 29,000,000 metadata records
– 1,300,000 media items
• 60 apps
• www.opencultuurdata.be
SOME RESULTS
13. • 17 participants in 2012, 20 in 2014
• Topics include IPR and open
licenses, Technology and Policy
• Reader (NL):
http://www.opencultuurdata.nl/wp-content/uploads/20
• Online course (EN):
https://p2pu.org/nl/groups/open-glam/
MASTERCLASS
15. • Central index for all NL open culture
datasets (proof-of-concept)
• Based on ElasticSearch open source
technology
• Front-end: search.opencultuurdata.nl
• Community project:
https://github.com/openstate/open-
cultuur-data
API
17. • Not a competition, but an open call
• 19 submissions
• Jury with representatives from KLM,
Amsterdam Museum, Mobypicture
• 4 apps selected got funding and
coaching for further development and
investigating business opportunities
CHALLENGE
22. • Reporting on online activities is
becoming more important for GLAMs
• Current ‘evidence’ on the success of
GLAMs opening up still mostly
anecdotal
• But GLAMs are notoriously bad at
monitoring online and open
distribution is by definition dispersed
IMPACT ANALYSIS
23. • Institutional channels
• Wikimedia
• Open Cultuur Data API
• Flickr (The Commons)
• Europeana
• Apps
Selection of areas to (try and) measure
24. • 30 GLAMs responded to a broad survey,
14 reported being active on Wikimedia
• Currently tracking 20 NL GLAMs on
Wikimedia Commons
• 58,226,417 pageviews on Wikipedia
articles in December 2014
• 1,128,372,589 pageviews since they
have been tracked (between 2 and 54
FIRST RESULTS WIKIMEDIA (DEC 2014)