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Current digital collection management
projects at Nasjonalmuseet
Magnus Bognerud, Consultant - Section for digital collection management
Two main ongoing projects:
• New collection management system (CMS)
• Timescale: 2015 – 2019 (must be ready before move into new building)
• Computer vision and machine learning project – Principal
Components
• Timescale: 2015 – 2016 (possibly expanded)
Magnus Bognerud, Consultant - Section for digital collection management
Project New CMS
• The National Museum of Art, Architecture and Design will move to a new building in 2019, which will be opened to the general public in
2020.
• A need for a state-of-the-art CMS that meets the museum's requirements. In addition to the traditional catalogue function, the system
should also cover extended museum functions, as well as options for digitized planning and process management.
• A new CMS, should increase the efficiency of museum work and strengthen collaboration across the organization.
• A new CMS is a vital prerequisite to enable the safe movement of the collections to the new museum.
• A new CMS should support better integration of international standards for collection documentation, management, research and
communication within the organization.
• According to the National Museum's digital strategy, the following digital options should be present in all new IT solutions:
• The solution provides easy access to the desired information.
• The solution makes it possible to explore content in detail.
• The solution has been carefully considered, well designed and built.
• The solution is available across multiple platforms.
• The solution has open and shareable digital options.
• The solution has sustainable and scalable digital options.
• The solutions permit central control - Create Once – Publish Everywhere (COPE).
• The solution protects content (with access and backup guarantees).
If practicable, the National Museum shall offer digital end-to-end experiences that link together the public's encounter with museum exhibitions to websites and digital units. It is an
objective that content in digital form can be easily reused on various platforms in different contexts.
Magnus Bognerud, Consultant - Section for digital collection management
The situation today:
Magnus Bognerud, Consultant - Section for digital collection management
• Several proprietary and bespoke
systems with little or no
integration – centred around
the legacy system Primus
• Little or no support for
conservation, transport, loans,
exhibitions, project
management, workflow or data
export
Dreaming of a better
tomorrow:
Magnus Bognerud, Consultant - Section for digital collection management
• Full integration or look-ups
between all systems
• Support for conservation,
transport etc.
• Built on industry standards
• Full and documented API
• Support for standardized export
and exchange formats.
Roadmap:
• 2015 – 2016: Development of project plan and a specification of requirements.
• Summer 2016: Qualification for tender submittal.
• Fall 2016: Evaluation of tenders.
• Winter 2016: Signing of contract.
• 2017: Project planning and data cleaning.
• 2018: Conversion of data, implementation and acceptance testing.
• 2018/2019: Approval of delivery and live launch.
Magnus Bognerud, Consultant - Section for digital collection management
Project Principal Components
 Machine vision, Deep-learning and Artificial Neural Networks
 Cooperation with the IT and design company Bengler and supported by the Arts Council
Norway
 Seeing how algorithms in artificial neural networks can interpret images,
generate useful art historical data, and assist in exploring the collection.
 For us, some core questions in the Principal Components-project are; can we
teach computer algorithms to recognize and identify motifs, techniques and
periods in artworks? How accurate can algorithms trained on art collections
data get? Will we be able to produce reusable classifications?
Magnus Bognerud, Consultant - Section for digital collection management
person: 3.4
hippopotamus: 1.8
Edvard Munch (1863-1944)
Self-Portrait with Cigarette
1895
Oil on canvas
110,5 x 85,5 cm
NG.M.00470
National Museum of Art, Architecture and Design
Preliminary test
13.09.2016© NASJONALMUSEET
watercraft: 5.1
glacier: 1.5
Asian crocodile: 2.3
Alligator snapping turtle: 2.3
Hans Gude (1825-1903)
Adolph Tidemand (1814-1876)
Bridal procession on the Hardangerfjord
1848
Oil on canvas
93 x 130 cm
NG.M.00467
Magnus Bognerud, Consultant - Section for digital collection management
Illustration source: The National museum of Art, Architecture and Design/ Bengler
Illustration source: The National museum of Art, Architecture and Design/ Bengler
Illustration source: The National museum of Art, Architecture and Design/ Bengler
Illustration source: The National museum of Art, Architecture and Design/ Bengler
Illustration source: The National Museum of Art, Architecture and Design/ Bengler
Magnus Bognerud, Consultant - Section for digital collection management
Illustration source: The National Museum of Art, Architecture and Design/ Bengler

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Magnus Bognerud - Current digital collection management projects at nasjonalmuseet

  • 1. Current digital collection management projects at Nasjonalmuseet Magnus Bognerud, Consultant - Section for digital collection management
  • 2. Two main ongoing projects: • New collection management system (CMS) • Timescale: 2015 – 2019 (must be ready before move into new building) • Computer vision and machine learning project – Principal Components • Timescale: 2015 – 2016 (possibly expanded) Magnus Bognerud, Consultant - Section for digital collection management
  • 3. Project New CMS • The National Museum of Art, Architecture and Design will move to a new building in 2019, which will be opened to the general public in 2020. • A need for a state-of-the-art CMS that meets the museum's requirements. In addition to the traditional catalogue function, the system should also cover extended museum functions, as well as options for digitized planning and process management. • A new CMS, should increase the efficiency of museum work and strengthen collaboration across the organization. • A new CMS is a vital prerequisite to enable the safe movement of the collections to the new museum. • A new CMS should support better integration of international standards for collection documentation, management, research and communication within the organization. • According to the National Museum's digital strategy, the following digital options should be present in all new IT solutions: • The solution provides easy access to the desired information. • The solution makes it possible to explore content in detail. • The solution has been carefully considered, well designed and built. • The solution is available across multiple platforms. • The solution has open and shareable digital options. • The solution has sustainable and scalable digital options. • The solutions permit central control - Create Once – Publish Everywhere (COPE). • The solution protects content (with access and backup guarantees). If practicable, the National Museum shall offer digital end-to-end experiences that link together the public's encounter with museum exhibitions to websites and digital units. It is an objective that content in digital form can be easily reused on various platforms in different contexts. Magnus Bognerud, Consultant - Section for digital collection management
  • 4. The situation today: Magnus Bognerud, Consultant - Section for digital collection management • Several proprietary and bespoke systems with little or no integration – centred around the legacy system Primus • Little or no support for conservation, transport, loans, exhibitions, project management, workflow or data export
  • 5. Dreaming of a better tomorrow: Magnus Bognerud, Consultant - Section for digital collection management • Full integration or look-ups between all systems • Support for conservation, transport etc. • Built on industry standards • Full and documented API • Support for standardized export and exchange formats.
  • 6. Roadmap: • 2015 – 2016: Development of project plan and a specification of requirements. • Summer 2016: Qualification for tender submittal. • Fall 2016: Evaluation of tenders. • Winter 2016: Signing of contract. • 2017: Project planning and data cleaning. • 2018: Conversion of data, implementation and acceptance testing. • 2018/2019: Approval of delivery and live launch. Magnus Bognerud, Consultant - Section for digital collection management
  • 7. Project Principal Components  Machine vision, Deep-learning and Artificial Neural Networks  Cooperation with the IT and design company Bengler and supported by the Arts Council Norway  Seeing how algorithms in artificial neural networks can interpret images, generate useful art historical data, and assist in exploring the collection.  For us, some core questions in the Principal Components-project are; can we teach computer algorithms to recognize and identify motifs, techniques and periods in artworks? How accurate can algorithms trained on art collections data get? Will we be able to produce reusable classifications? Magnus Bognerud, Consultant - Section for digital collection management
  • 8. person: 3.4 hippopotamus: 1.8 Edvard Munch (1863-1944) Self-Portrait with Cigarette 1895 Oil on canvas 110,5 x 85,5 cm NG.M.00470 National Museum of Art, Architecture and Design Preliminary test
  • 9. 13.09.2016© NASJONALMUSEET watercraft: 5.1 glacier: 1.5 Asian crocodile: 2.3 Alligator snapping turtle: 2.3 Hans Gude (1825-1903) Adolph Tidemand (1814-1876) Bridal procession on the Hardangerfjord 1848 Oil on canvas 93 x 130 cm NG.M.00467
  • 10. Magnus Bognerud, Consultant - Section for digital collection management
  • 11. Illustration source: The National museum of Art, Architecture and Design/ Bengler
  • 12. Illustration source: The National museum of Art, Architecture and Design/ Bengler
  • 13. Illustration source: The National museum of Art, Architecture and Design/ Bengler
  • 14. Illustration source: The National museum of Art, Architecture and Design/ Bengler
  • 15. Illustration source: The National Museum of Art, Architecture and Design/ Bengler
  • 16. Magnus Bognerud, Consultant - Section for digital collection management
  • 17. Illustration source: The National Museum of Art, Architecture and Design/ Bengler

Editor's Notes

  1. From a preliminary test, we have demonstrations of some of our algorithm’s findings. In the oil painting Self-portrait with cigarette (1895) by Edvard Munch (1863-1944), the machine easily recognized a human figure. But also, apparently, a hippopotamus is lingering in the corner.
  2. Another example is from one of our iconic, national romantic oil paintings, the Bridal procession on the Hardangerfjord (1848) by Adolph Tidemann (1814-1876) and Hans Gude (1825-1903), also shows how the machine found unexpected motifs. Here it clearly identified the boat and the glacier. However, the machine in its context free gaze - also located some exotic figures, never known to have Norway as its habitat, like a crocodile and a turtle.
  3. Therefore, to improve upon this in a second phase of testing, our designers have applied a neural network initially trained on the ImageNet dataset by Google, and realized it within the framework Caffe, developed by Autonomous Perception Research Lab at Berkeley. We have trained models to both classify tags and stylistic components, which produces a 1024 dimensional representation of each work. In order to present a coherent image of similarities in the collection for a given model to an end user, we then reduced this data set into a two-dimensional spatial representation using the t-SNE algorithm. http://bvlc.eecs.berkeley.edu/ [23.2.2016]. Caffe is comparable with for example Torch, developed by technicians from Facebook, Twitter and Google. More about the t-SNE algorithm here: http://lvdmaaten.github.io/tsne/ and http://cs.stanford.edu/people/karpathy/cnnembed/ [23.2.2016].
  4. Paintings only, from our collection of old masters and modern art.