Presentation at the Boekman library on 10 Dec 2014.
Overview of research and conclusions from A History of Digitization: Dutch Museums.
University of Amsterdam
Slides presented by Jan Müller (CEO Netherlands Institute for Sound and Vision) at the CLARIAH kick-off.
http://www.clariah.nl/activiteiten/clariah-kick-off
As more and more chapters develop and implement their GLAM outreach programs, it is time to talk about evaluation again. An earlier workshop on this topic was held at Wikimania 2013 in order to reach a shared vision of what may be achieved by different types of GLAM outreach activities. The results have been documented on the Outreach Wiki. In parallel, the WMF Programme Evaluation team has produced several evaluation reports about programs including one on GLAM content release partnerships, and the GLAM-wiki Toolset Project coordinated by the Europeana Foundation and supported by Wikimedia Netherlands, Wikimedia France, Wikimedia UK, and Wikimedia CH has produced a Report on requirements for usage and reuse statistics for GLAM content. As we work as a community to further develop evaluation strategies and systematic measures we invite community members engaged in GLAM outreach activities to take part in this strategy workshop.
Presentation at the Boekman library on 10 Dec 2014.
Overview of research and conclusions from A History of Digitization: Dutch Museums.
University of Amsterdam
Slides presented by Jan Müller (CEO Netherlands Institute for Sound and Vision) at the CLARIAH kick-off.
http://www.clariah.nl/activiteiten/clariah-kick-off
As more and more chapters develop and implement their GLAM outreach programs, it is time to talk about evaluation again. An earlier workshop on this topic was held at Wikimania 2013 in order to reach a shared vision of what may be achieved by different types of GLAM outreach activities. The results have been documented on the Outreach Wiki. In parallel, the WMF Programme Evaluation team has produced several evaluation reports about programs including one on GLAM content release partnerships, and the GLAM-wiki Toolset Project coordinated by the Europeana Foundation and supported by Wikimedia Netherlands, Wikimedia France, Wikimedia UK, and Wikimedia CH has produced a Report on requirements for usage and reuse statistics for GLAM content. As we work as a community to further develop evaluation strategies and systematic measures we invite community members engaged in GLAM outreach activities to take part in this strategy workshop.
Cross-sector collaboration for digital museum and library projectsMia
I provide some examples of cross-sector collaboration from the UK, and include some examples of different models for international collaboration. Invited presentation for the Chinese Association of Museums, Taipei, Taiwan, August 2017
Cross-sector collaboration for digital museum and library projectsMia
I provide some examples of cross-sector collaboration from the UK, and include some examples of different models for international collaboration. Invited presentation for the Chinese Association of Museums, Taipei, Taiwan, August 2017
Update and forward plan for ENUMERATE - Digitisation intelligence for EuropeNicholas Poole
Presentation to the European Member States Expert Group on digitisation, digital preservation and online access to cultural heritage, looking at the outcomes and next steps with the ENUMERATE project to create intelligence about digitisation for Europe.
Brief overview of digital activity at the Royal Pavilion and Museums, Brighton & Hove, and strategic thinking behind this.
Delivered at the 'Welcome to the Digital Age' event at the Royal Engineers' Museum, 9 July 2013.
Largely notable for obscure cake metaphors and use of the phrase 'counter-curatorial'.
The Collections Trust seminars are a one-day interactive workshop for people working in collections management.
They will look at the changing needs and expectations of museum audiences and how collections management practice and digital technology can help meet them. The workshop will cover:
• Being an effective advocate for the wider impact of collections management
• Using collections management to help your museum improve its services and its sustainability
• The relationship between Museum Accreditation and SPECTRUM as the standard for collections management
• How to develop a strategic approach to your collections and digital work
• How to ensure that your internal policies, procedures and systems are fit for the future
Aims to revitalize the Textile & Clothing (T&C) sector through a new attention to creativity, personalised design, and artisan and small-scale production for territorially specific value chains in customer-driven business models
MOVIO: Interactive digital storytelling for mediation and valorisation of cul...Sam Habibi Minelli
One of the main goals of the GLAMs (Galleries,
Libraries, Archives, and Museums) is the promotion
and dissemination of knowledge and culture.
They accomplish their mission thanks to knowledge
dissemination activities that include, among others,
temporary and permanent exhibitions and
performances that follow codified models, whose goal is
to expose citizens to the national and international
cultural and artistic heritage. For more information about AthenaPlus project, visit: http://www.athenaplus.eu/index.php
Memlinq is building a Collective Memory Network - an online platform that functions as a social medium and allows any user to participate and collaborate. The platform offers access to open data around the world and lets users establish connections between people and 'things' - including themselves. Users can be citizens, professionals, and organisations.
This base presentation briefly explains Memlinq and the opportunity it represents to investors. It is part of an information round in preparation of Memlinq's first equity crowdfunding round. Memlinq will incorporate as a BV in Amsterdam.
Navarrete La documentacion como inversion y expansion de valorTrilce Navarrete
Keynote during International Symposium Challenges Before Time
150 years of painting conservation in Mexico
8-12 Nov 2021
Conservation to preserve and recuperate loos of value.
Documentation validates , evidences, contextualizes the movement of objects, generating future value.
Presentation for conference organized by Center for Creative and Cultural Industries, Chapman University, USA.
20 May 2021
by Erasmus University team Trilce Navarrete, Emmy van Arent, Kim van Buuren
Licensing out-of-commerce works: a perspective from Cultural EconomicsTrilce Navarrete
Presentation part of The New Copyright Directive: opportunities for cultural heritage institutions at the CIPPM Centre for Intellectual Property, Policy and Management (20 September 2019)
In this presentation I will argue that museums cannot easily break from a strong historic tradition that looks into the past, partly because of consumer expectation. However, there are an increasing number of museums that take advantage of digital technology to innovate, though mostly behind the scenes. They are Invisible Entrepreneurs.
My argument will be built in two parts. First, I discuss literature on entrepreneurship, considering the risk of rent seeking and the question of positive and unproductive entrepreneurship (Baumol, 1990). I shall demonstrate how many entrepreneurs take content from museums benefiting from high quality content while avoiding the costs related to building centenary collections. Second, I examine the role of entrepreneurs as enablers. I shall present current innovations on digital publication of collections and highlight the role of museums, where the greatest innovations from museums can be found in the infrastructural projects that enable many others to innovate. In that sense, museums are not entrepreneurs to discover and exploit revenue potentialities but they position their collections for others to do so. Digital technologies facilitate museums to become, in a way, infrastructural entrepreneurs that seek to discover and exploit dissemination of information.
Keynote presentation for Open Up! symposium
Erfgoed Nederland and Wikimedia
Arnhem 19 January 2018
Value is interpreted in a continuous process in social networks.
GLAMs hold quality content that can illustrate Wikipedian articles and 'accidentally' reach millions of users worldwide.
Together, GLAMs and Wikis can contribute to develop a sustainable system of governance for culture, where collections assist interaction, collaboration, and co-construction to re-generate value.
Keynote at Wikimedia Netherland Conference 2017
Utrecht 4 November 2017
GLAMs hold tangible expression of culture, which conveys identity, meaning, and value.
GLAMs in Wikipedia reflect our current social values: increase diversity, innovation, equity, well-being.
https://nl.wikimedia.org/wiki/WCN_2017
A quick overview on the adoption of museum documentation standards in the Netherlands (1950-2020). Policy perspective. Presented at the CIDOC 2017 conference in Tbilisi, Georgia.
Presentation for Sharing is Caring Extension Belgium 2017
Why should museums open up? what is value? why opening increases value? and why collaborate with Wikimedia to achieve this?
What would the Millennium Development Goals look like for digital heritage information? New metrics are needed to understand consumer behavior and improve the social impact potential of heritage information.
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
CLASS 11 CBSE B.St Project AIDS TO TRADE - INSURANCE
Navarrete museum entrepreneurship
1.
2. Entrepreneurial practices in museums
Dr. Trilce Navarrete | Erasmus University Rotterdam
Online Autumn Academy | Cultural Entrepreneurship & Leadership | 19 November 2021
3.
4.
5. Entrepreneurial practices
• Museums are institutions that care for our past for our education and
entertainment in the future.
• Due to their high sunk costs and costly capital, museums have a
tradition of renting the use of their physical capital (building,
collections), with few venturing to rent their know-how.
• During the pandemic, new business models were considered, with a
focus online (freeing income from physical dependency).
• New business models trends:
• Product development (tangible)
• Service development (intangible)
• Network development (resources)
6. Product development
During the pandemic, there was a visible increase in museum online
shops (NL)
Registered museums 439
Online museum shops 91
7. Product development
• Current product availability are in the lower segment
• Museums provide a range of product diversity
60%
90%
9. Product development
• Does it support the core activities of the museum?
• What stakeholders are activated?
• Who bares the risk?
• How does it relate to the social context?
• Diversity
• Environmental transition
• SDG
• Does it make use of digital innovation?
12. Service development
• Memberships are traditionally
found in museums, not yet online
• Yearly memberships ranged from
€0 - €15,000
• 60% memberships provided
amount option
• Benefits included free entrance
ticket, discounts, VIP services,
contribution to museum
16. Service development
• What would a ‘Spotify’ membership in a museum
look like?
• And a ‘Lego’ service?
• Can AI provide new personalized services?
• Can museums exploit their role as providers of a
knowledge infrastructure?
• What is their new role in the value chain of
information goods?
17. Network development
• Crowdsourcing inputs has a long tradition, with the Friends of the
museum organization and the many volunteers contributing
18. Network development
• Through commissions, open calls or hackathons,
museums can reach a grater pool of skills and
overall resources
• Such model requires a new organizational
structure / philosophy
19.
20. Network development
• Technology allows for faster, larger, and wider network input
• Are museums ready to involve the public?
• Citizen science
• Participatory management
• Co-ownership
• New business models are required for the changing market – of
platforms and data.
• Can museums learn from the platform model?
• Value proposition – for each partner
• Value creation – from each partner
• Service provision - what do museums provide?
21. Entrepreneurial practices in museums
• Museums remain looking inwards, protecting the past
• Entrepreneurs look outward, innovating for the future
• Digital technologies can introduce novelty – and facilitate
organizational innovation as well as exchange of creative ideas
beyond the museum walls
• The new market is networked