This document discusses open cultural data and bottom-up open heritage initiatives in the Netherlands. It provides an overview of the Open Cultuur Data project, which aims to make more collection data and applications available as open cultural data. The project is working to connect open data enthusiasts in the cultural heritage sector to release datasets and develop new applications. The document outlines the initial experimental phase, defining principles of open cultural data, datasets released by various heritage institutions, and apps developed through hackathons and competitions. It discusses plans to further grow the network and release additional cultural heritage datasets as open data.
Common Challenges, Common Solutions #OKFest 20092012Merete Sanderhoff
The document discusses SMK's efforts to make their digitized collection freely available through Creative Commons licensing. Some key points made include:
- SMK has seen over 10,000 downloads of images since making them freely available in 2012.
- Popular works downloaded include paintings by Hammershøi and Skovgaard.
- Free and open access to cultural works ensures their continued relevance and allows users to contribute knowledge.
- SMK wishes to act as a catalyst for users' creativity by sharing digitized works without restrictions.
This document summarizes an OpenGLAM workshop on opening up content from galleries, libraries, archives and museums (GLAMs). It discusses how opening up digitized materials, metadata and user generated content through open licenses can enable public access, education and innovation. Institutions benefit by connecting to other collections, enriching their data and increasing visibility while supporting their public mission. Going open also tends to increase online traffic to cultural institutions. Challenges include addressing concerns over revenue, misuse of data, legal issues and technical standards.
Presentation of shared mobile museum project at Social Media Week Copenhagen, Statens Museum for Kunst, Feb 21, 2013 #SMWCPH
NOW with updated figures for Twitter use in Denmark, based on research by Bysted
http://bysted.dk/globalsite.aspx?ObjectId=f9db99be-5d76-4bd8-8c3b-488a740c2424
The Impact of Open Collections...and What's NextEffie Kapsalis
This document discusses the impact and benefits of open collections at cultural heritage institutions. It begins by quoting James Smithson about the importance of exchange and mutual assistance between naturalists to assemble collections. It then discusses how open access to scholarly articles on the internet has allowed unprecedented sharing of knowledge. Examples are given of how open collections at institutions like museums have led to increased use of collections, new funding opportunities, and greater engagement with the public. Challenges of openness like infrastructure demands and copyright issues are also addressed. The document advocates for making collections as openly accessible and useful as possible to support research, education, and creativity.
Sharing is Caring. Keynote for Public Domain Tagung, HeK Basel 20 April 2015 Merete Sanderhoff
Sharing is Caring. Opening of the collections of SMK. Keynote speech for the conference Public Domain. Gratis Kultur für Alle? Eine Arbeitstagung. 20 April 2015 in Haus der elektronischen Künste Basel, Switzerland.
Common Challenges, Common Solutions #OKFest 20092012Merete Sanderhoff
The document discusses SMK's efforts to make their digitized collection freely available through Creative Commons licensing. Some key points made include:
- SMK has seen over 10,000 downloads of images since making them freely available in 2012.
- Popular works downloaded include paintings by Hammershøi and Skovgaard.
- Free and open access to cultural works ensures their continued relevance and allows users to contribute knowledge.
- SMK wishes to act as a catalyst for users' creativity by sharing digitized works without restrictions.
This document summarizes an OpenGLAM workshop on opening up content from galleries, libraries, archives and museums (GLAMs). It discusses how opening up digitized materials, metadata and user generated content through open licenses can enable public access, education and innovation. Institutions benefit by connecting to other collections, enriching their data and increasing visibility while supporting their public mission. Going open also tends to increase online traffic to cultural institutions. Challenges include addressing concerns over revenue, misuse of data, legal issues and technical standards.
Presentation of shared mobile museum project at Social Media Week Copenhagen, Statens Museum for Kunst, Feb 21, 2013 #SMWCPH
NOW with updated figures for Twitter use in Denmark, based on research by Bysted
http://bysted.dk/globalsite.aspx?ObjectId=f9db99be-5d76-4bd8-8c3b-488a740c2424
The Impact of Open Collections...and What's NextEffie Kapsalis
This document discusses the impact and benefits of open collections at cultural heritage institutions. It begins by quoting James Smithson about the importance of exchange and mutual assistance between naturalists to assemble collections. It then discusses how open access to scholarly articles on the internet has allowed unprecedented sharing of knowledge. Examples are given of how open collections at institutions like museums have led to increased use of collections, new funding opportunities, and greater engagement with the public. Challenges of openness like infrastructure demands and copyright issues are also addressed. The document advocates for making collections as openly accessible and useful as possible to support research, education, and creativity.
Sharing is Caring. Keynote for Public Domain Tagung, HeK Basel 20 April 2015 Merete Sanderhoff
Sharing is Caring. Opening of the collections of SMK. Keynote speech for the conference Public Domain. Gratis Kultur für Alle? Eine Arbeitstagung. 20 April 2015 in Haus der elektronischen Künste Basel, Switzerland.
Keynote given at ELAG2016 (European Library Automation Group) EXIT conference
7 June 2016, The Royal Library, Copenhagen
http://elag2016.org/
#elag2016
Sharing is Caring. Societal impact of open collections? Merete Sanderhoff
Presentation for the seminar Open Collections, arranged by the Nationalmuseum in Stockholm, on the occasion of the launh of their Public Domain policy, 7 October 2016
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
This document discusses Open Cultuur Data, a network in the Netherlands that aims to open cultural data and encourage the development of cultural applications. It provides metrics on Open Images, an open media platform containing audiovisual archive material. It also discusses the growth of the Open Cultuur Data network through events like hackathons and competitions. The network now includes many cultural institutions and has resulted in the creation of apps that make culture more accessible.
DIVE+: Explorative Search for Digital HumanitiesJohan Oomen
DIVE+ is an event-centric linked data digital collection browser aimed to provide an integrated and interactive access to multimedia objects from various heterogeneous online collections. It enriches the structured metadata of online collections with linked open data vocabularies with focus on events, people, locations and concepts that are depicted or associated with particular collection objects. DIVE+ is result of a true inter-disciplinary collaboration between computer scientists, humanities scholars, cultural heritage professionals and interaction designers. The tool allows humanities scholars to explore unexpected relations between entities and media objects and to construct and share navigation paths to develop research narratives.
This document summarizes a presentation about how opening up museum collections digitally can inspire creativity and new learning. It discusses two case studies: Cool Constructions, a collaboration between citizens and SMK to beautify public spaces; and Wiki Labs, where people collaborate to enrich Wikipedia art entries using SMK images. The presentation argues that today learning happens everywhere, not just in institutions, and that open collections can support "maker culture" where people engage in hands-on creative learning. It describes an event called "Mix it up!" held at SMK to celebrate open collections, featuring a remix exhibition and workshops. Feedback showed the value of open collections in empowering new forms of learning and art, while also surfacing challenges in integrating
1) The document discusses interaction design projects focused on public libraries, including transforming library spaces into interactive areas for play and learning.
2) Key projects include an interactive children's library with installations for browsing and selecting books, a "time music machine" and treasure hunts to encourage family play at libraries.
3) The goal is to research how new play concepts and interactive spaces can better support families and engage children at libraries by intertwining services, play, and exploration of physical and digital resources.
Europeana is a digital platform that provides access to over 27 million digitized items from European cultural heritage institutions like museums, libraries, and archives. It aims to make cultural works openly accessible online. Content is aggregated from over 2,200 contributing institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available under a CC0 public domain waiver, allowing open reuse.
Europeana Network Association AGM 2016 - 8 November - Speaker: Markus KrötzschEuropeana
Wikidata is Wikipedia's sister database project, which is a large multilingual knowledge base that anyone can edit. It contains over 24 million data entities and 150,000 contributors. Data is stored per entity as property-value assignments, and can have annotations and references. Wikidata serves as a cultural heritage information hub, containing data on over 700,000 entities with heritage status. It has strong connections to Wikipedias, cultural heritage databases, and external data sources. New users are encouraged to connect their data to Wikidata by joining ongoing integration projects, donating data, and finding ways to exploit Wikidata content and infrastructure.
Europeana is a digital platform that provides access to over 30 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available for anyone to reuse under a CC0 public domain waiver.
Towards an open, participatory cultural heritageKris Kitchen
Towards an open, participatory cultural heritage
Keynote for #teema14
http://www.nba.fi/fi/museoalan_kehittaminen/teemapaivat/puheenvuorot
Museoalan Teemapäivät/Museum Theme Days 2014
11-12 September, Helsinki
Slide 29 Kris Kitchen
Europeana is a digital platform that provides access to over 31.5 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions and includes books, photographs, paintings, newspapers, and more. Europeana's goal is to engage people with cultural heritage through its website and by facilitating reuse of its data through APIs and hackathons.
201409 TAMK Art, Music and Media 7th International Week International Networ...Albert van der Kooij
Values, not money
Sharing instead of competing
Learning takes place in practice
The society is the place where we live:
Participating
Cooperating
Students work in the outside world
The document discusses the transformation of libraries into knowledge societies. It describes the vision for Dokk1, a new library space in Aarhus, Denmark, which focuses on experiences that can only be found at the library rather than just online information. It outlines key aspects of the new library such as innovation, recognition/experience, empowerment, and involvement/engagement. It provides examples of spaces and activities for adults and families/children. It also discusses how the library can act as an innovative community space and partner with other organizations through a partnership strategy.
This document discusses the transformation of the Main Library in Aarhus, Denmark into an "Urban Mediaspace" called Dokk1. Some key points:
1) Dokk1 opened in 2015 as an innovative public space that brings together library services, citizens services, and community partners into one large building.
2) The transformation aims to make the library more open, flexible, and focused on citizen needs in the digital age rather than just storing books.
3) Dokk1 includes many new features like a playground, cafes, meeting rooms, labs for music, news, and other activities, and services from other public offices.
4) The process involved citizens and
AvoinGLAM is a Finnish network and working group focused on opening up cultural data from galleries, libraries, archives and museums (GLAMs). The group organizes workshops, seminars and a master class to support GLAMs in opening their collections and developing demonstrations using open data. Challenges for GLAMs include lack of skills, copyright issues, and changing roles. The master class had over 20 participants from different institutions who opened data and created prototypes. AvoinGLAM promotes open licensing, partnerships, starting small, and visibility on platforms like Wikimedia Commons and Flickr.
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
Keynote given at ELAG2016 (European Library Automation Group) EXIT conference
7 June 2016, The Royal Library, Copenhagen
http://elag2016.org/
#elag2016
Sharing is Caring. Societal impact of open collections? Merete Sanderhoff
Presentation for the seminar Open Collections, arranged by the Nationalmuseum in Stockholm, on the occasion of the launh of their Public Domain policy, 7 October 2016
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
This document discusses Open Cultuur Data, a network in the Netherlands that aims to open cultural data and encourage the development of cultural applications. It provides metrics on Open Images, an open media platform containing audiovisual archive material. It also discusses the growth of the Open Cultuur Data network through events like hackathons and competitions. The network now includes many cultural institutions and has resulted in the creation of apps that make culture more accessible.
DIVE+: Explorative Search for Digital HumanitiesJohan Oomen
DIVE+ is an event-centric linked data digital collection browser aimed to provide an integrated and interactive access to multimedia objects from various heterogeneous online collections. It enriches the structured metadata of online collections with linked open data vocabularies with focus on events, people, locations and concepts that are depicted or associated with particular collection objects. DIVE+ is result of a true inter-disciplinary collaboration between computer scientists, humanities scholars, cultural heritage professionals and interaction designers. The tool allows humanities scholars to explore unexpected relations between entities and media objects and to construct and share navigation paths to develop research narratives.
This document summarizes a presentation about how opening up museum collections digitally can inspire creativity and new learning. It discusses two case studies: Cool Constructions, a collaboration between citizens and SMK to beautify public spaces; and Wiki Labs, where people collaborate to enrich Wikipedia art entries using SMK images. The presentation argues that today learning happens everywhere, not just in institutions, and that open collections can support "maker culture" where people engage in hands-on creative learning. It describes an event called "Mix it up!" held at SMK to celebrate open collections, featuring a remix exhibition and workshops. Feedback showed the value of open collections in empowering new forms of learning and art, while also surfacing challenges in integrating
1) The document discusses interaction design projects focused on public libraries, including transforming library spaces into interactive areas for play and learning.
2) Key projects include an interactive children's library with installations for browsing and selecting books, a "time music machine" and treasure hunts to encourage family play at libraries.
3) The goal is to research how new play concepts and interactive spaces can better support families and engage children at libraries by intertwining services, play, and exploration of physical and digital resources.
Europeana is a digital platform that provides access to over 27 million digitized items from European cultural heritage institutions like museums, libraries, and archives. It aims to make cultural works openly accessible online. Content is aggregated from over 2,200 contributing institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available under a CC0 public domain waiver, allowing open reuse.
Europeana Network Association AGM 2016 - 8 November - Speaker: Markus KrötzschEuropeana
Wikidata is Wikipedia's sister database project, which is a large multilingual knowledge base that anyone can edit. It contains over 24 million data entities and 150,000 contributors. Data is stored per entity as property-value assignments, and can have annotations and references. Wikidata serves as a cultural heritage information hub, containing data on over 700,000 entities with heritage status. It has strong connections to Wikipedias, cultural heritage databases, and external data sources. New users are encouraged to connect their data to Wikidata by joining ongoing integration projects, donating data, and finding ways to exploit Wikidata content and infrastructure.
Europeana is a digital platform that provides access to over 30 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available for anyone to reuse under a CC0 public domain waiver.
Towards an open, participatory cultural heritageKris Kitchen
Towards an open, participatory cultural heritage
Keynote for #teema14
http://www.nba.fi/fi/museoalan_kehittaminen/teemapaivat/puheenvuorot
Museoalan Teemapäivät/Museum Theme Days 2014
11-12 September, Helsinki
Slide 29 Kris Kitchen
Europeana is a digital platform that provides access to over 31.5 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions and includes books, photographs, paintings, newspapers, and more. Europeana's goal is to engage people with cultural heritage through its website and by facilitating reuse of its data through APIs and hackathons.
201409 TAMK Art, Music and Media 7th International Week International Networ...Albert van der Kooij
Values, not money
Sharing instead of competing
Learning takes place in practice
The society is the place where we live:
Participating
Cooperating
Students work in the outside world
The document discusses the transformation of libraries into knowledge societies. It describes the vision for Dokk1, a new library space in Aarhus, Denmark, which focuses on experiences that can only be found at the library rather than just online information. It outlines key aspects of the new library such as innovation, recognition/experience, empowerment, and involvement/engagement. It provides examples of spaces and activities for adults and families/children. It also discusses how the library can act as an innovative community space and partner with other organizations through a partnership strategy.
This document discusses the transformation of the Main Library in Aarhus, Denmark into an "Urban Mediaspace" called Dokk1. Some key points:
1) Dokk1 opened in 2015 as an innovative public space that brings together library services, citizens services, and community partners into one large building.
2) The transformation aims to make the library more open, flexible, and focused on citizen needs in the digital age rather than just storing books.
3) Dokk1 includes many new features like a playground, cafes, meeting rooms, labs for music, news, and other activities, and services from other public offices.
4) The process involved citizens and
AvoinGLAM is a Finnish network and working group focused on opening up cultural data from galleries, libraries, archives and museums (GLAMs). The group organizes workshops, seminars and a master class to support GLAMs in opening their collections and developing demonstrations using open data. Challenges for GLAMs include lack of skills, copyright issues, and changing roles. The master class had over 20 participants from different institutions who opened data and created prototypes. AvoinGLAM promotes open licensing, partnerships, starting small, and visibility on platforms like Wikimedia Commons and Flickr.
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
Slides of Belgium's 2020 Public Domain Day celebration. Presentations by Creative Commons, Royal Library of Belgium, meemoo, Collections of Ghent, Communia, ODIS, Kadoc, KU Leuven, Passchendaele Museum, Agency of Built Heritage, Europeana, Gent Gemapt, Ghent Center of Digital Humanities and Wikimedia Belgium
Public Domain Day in Belgium celebrated works that entered the public domain in 2023. Several institutions showcased how they uploaded public domain collections in 2022 and 2023, including the Passchendaele Museum which shared experiences from an upload workshop and the Agentschap Onroerend Erfgoed which highlighted architectural drawings. Other showcases were from the KBR on their Public Domain Day uploads and Europeana's findings from five years of their Open GLAM survey on sharing cultural heritage collections. The event advocated for better sharing of cultural heritage in the public domain.
Towards more smart, connected and open audiovisual archivesJohan Oomen
As a result of digitisation of analogue holdings and working processes, more and more material from audiovisual archies is being made available online. This marks a transformative shift, as archives and users are now sharing the same information space. Once digital and part of an open network, objects from audiovisual archives can be shared, recommended, remixed, embedded, cited, referenced to and so on. It is a far cry from several years ago, when users were obliged to visit brick and mortar institutions to access collections. This shift towards digital enables archives to fulfil their pubic missions better; crossing geographical boundaries, using new channels for content distribution, engage with user groups and use new technologies to make work processes more efficient and allow for new access points to collections. It also introduces fundamental challenges, forcing audiovisual archives to [1] rethink their role and function in the value chain of media production and modern society at large, [2] assess which activities and competences are vital to succeed in a digital context.
We envision the future audiovisual archives to be smart, connected and open; using smart technologies to optimise workflows for annotation and content distribution. Collaborating with third parties to co-design and co-develop new technologies in order to manifest themselves as frontrunners rather than followers. Being connected to other sources of information (other collections, contextual sources), to a variety of often niche user communities, researchers and the creative industries. To embrace the use of standards defined by external instances rather than by the cultural heritage communities themselves. Fully embrace ‘open’ as the default to have maximum impact in society: applying open licences for content delivery, using open source software and open standards wherever possible. Promote open access to publications and so on.
This keynote examines how the public mission of archives (i.e. supporting a myriad of users to utilize collections to learn, experience and create) can be achieved in a digital context. It addresses the challenges related to the role and function of institutions and provides practical insights in how archives can establish a culture of innovation to manage challenges they face today. It addresses some of the major questions audiovisual archives are faced with today.
Presentation about Open Culture Data for the Using Open Data (#pmod) event in Brussels. More information about this event, see http://www.w3.org/2012/06/pmod/agenda
Some slides on how museums and related cultural heritage institutions are using Creative Commons to...
1) Share their digital collections
2) Share collection records
3) Engage users and artists, thereby tapping into new communities of stakeholders
...ultimately increasing their impact and reach beyond one entity's website or physical presence.
Note: Photo on Slide 56 is CC BY 4.0 by Frida Gregersen, not SMK.
Open up your data! Linked Open Data in the Museum Plantin-MoretusJeroen De Meester
Presentation given at the conference 'Special Collections in the Context of Cultural Heritage Protection and Cultural Development Fostering', Octobre 3, 2017, Serbia
C cau glam_cc&digital collections_nsw local studies librarians group_dist_may...Nerida Quatermass
This document discusses how several museums and cultural institutions are using Creative Commons licenses to share digital collections online. It provides examples of the Rijksmuseum releasing 150,000 images under CC0, the Brooklyn Museum shifting its licenses from most restrictive to most open over time, and the New York Public Library releasing 20,000 maps as high-resolution downloads under CC0. Benefits mentioned include promoting the institutions, increasing impact and reach, enabling unexpected uses, and leading to new funding models.
Authors: Bouke Huurnink and Lotte Belice Baltussen.
In this talk we discuss some of the R&D work being done at the Netherlands Institute for Sound and Vision. We endeavour to answer the following questions: What does Sound and Vision do and what kind of collections do they safeguard? What kind of work is being done by their R&D department? What is the current status of multimedia annotation and multimedia retrieval in the archive? In addition we zoom in on the newly arising problem of contextualisation in the archive. How can we make the most of the relations between multiple collections that contain information about the same program, person, or topic? We conclude with a discussion of potential collaboration, and some questions that we would like to answer in future work.
Reusing historical newspapers of KB in e-humanities - Case studies and exampl...Olaf Janssen
This slidedeck gives an overview of Dutch e-humanties projects that build upon the datasets of the Koninklijke Bibliotheek, the national library of the Netherlands.
It focuses on 8 projects that reuse the digitized historical newspapers (1618-1995) of the KB.
It was presented on 7-1-2014 at the Huygens Institute for the History of the Netherlands (Huygens ING for short). This is an institute of the Royal Netherlands Academy of Arts and Sciences (KNAW) where around 100 scholars work in the largest humanities institute of the Netherlands.
Keywords: biland,delpher,e-humanities,elite network shifts,hirods,historical newspapers,isher,koninklijke bibliotheek,national library of the netherlands,open data,polimedia,political mashup,reuse,sealincmedia,translantis,washp
Project 'The Digital City Revives'. A Case Study of Web ArchaeologyTjarda de Haan
1. The project 'DDS Revives' aims to reconstruct and preserve 'The Digital City' (De Digitale Stad, or DDS), the first Dutch online community from 1994-2001, through the practice of web archaeology.
2. DDS was an important early digital environment that brought the internet to the Dutch public and helped shape online culture, but much of its digital content is now lost.
3. The project involves excavating remaining data through tools like the Wayback Machine, reconstructing original software and applications, and archiving the content for long-term preservation and access in order to make this important part of digital history available to the public.
This presentation will introduce you to the Creative Commons organisation; the licences; and the way in which application of those licences has facilitated some inspirational examples of sharing in the GLAM sector.
The Portable Antiquities of the Netherlands (PAN) portal and the data model behind the description of the findings are discussed in detail, and how this approach leads to publishing data that is FAIR .
Europe’s cultural heritage: From digitisation to creative re-useLizzy Komen
Presentation at Citex 2014 conference (http://www.bilisim.org.tr/) in Ankara, Turkey on 7 November 2014. Titel: 'Europe’s cultural heritage:
From digitisation to creative re-use'. Presentation includes highlights of the Netherlands Institute for Sound and Vision digitisation project, Europeana, Digital Agenda for Europe and Europeana Creative
Culture Grid is a service that aggregates collection records from cultural heritage institutions across the UK. It currently contains over 1.65 million item records, 10,000 collection records, and 8,000 institution records covering all subjects and regions. Culture Grid aims to increase access to and use of collections by connecting people with collections through a variety of search and development tools. Institutions can contribute data to expand coverage and engage more users. The process involves mapping records to Culture Grid formats and providing sample records to be added.
Reasoning with Reasoning, Semantic technologies for research in the humanities and social sciences (STRiX) Göteborg, 24 November 2014 Kristin Dill, Austrian National Library (ONB) Gerold Tschumpel, Steffen Hennicke, Christian Morbidoni, Klaus Thoden, Alois Pichler
The document summarizes the tasks and results of Work Package 1 (WP1) of the DM2E project. Key points include:
- WP1 involved collecting metadata formats and requirements, testing interfaces for mapping and linking content, and setting up test scenarios for the prototype platform.
- Final content integration took longer than expected due to complex data modeling, issues mapping content, and Europeana's policy changes. Not all promised content was delivered.
- User testing found that interfaces were useful for basic tasks but complex work was done "under the hood". Guidelines were created to represent metadata and define annotatable content.
- While not all content goals were met, over 19 million pages were delivered, with
DM2E Community building (Lieke Ploeger – Open Knowledge) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Open Humanities Awards DM2E track: finderapp WITTfind (Maximilian Hadersbeck – LMU University of Munich) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Humanists and Linked Data (Steffen Hennicke – Humboldt Universität) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Open Humanities Awards Open track: SEA CHANGE (Rainer Simon – AIT Austrian Institute of Technology) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
DM2E Linked Data for Digital Scholars (with talks by Christian Morbidoni – Università Politecnica delle Marche / Net7, Steffen Hennicke – Humboldt Universität and Alessio Piccioli – Net7)
DM2E Interoperability infrastructure (Kai Eckert – University of Mannheim) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Open Humanities Awards Open track: Early Modern European Peace Treaties Online (Michael Piotrowski – IEG Leibniz Institute of European History) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
DM2E Content (Doron Goldfarb – ONB Austrian National Library) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Europeana and the relevance of the DM2E results (Antoine Isaac – Europeana) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Keynote : Beyond DM2E: towards sustainable digital services for humanities research communities in Europe? (Sally Chambers – DARIAH-EU, Göttingen Centre for Digital Humanities) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Welcome and short introduction to DM2E (Violeta Trkulja – Humboldt University) - Enabling humanities research in the Linked Open Web – DM2E final event
Susanne Müller, EUROCORR project: Burckhardtsource - Presentation given at DM2E event 'Putting Linked Library Data to Work: the DM2E Showcase' (18 Nov 2014, ONB, Vienna)
1. The DM2E project aggregates metadata and content about digitized manuscripts from several European libraries and archives.
2. It develops an interoperability infrastructure using the Europeana Data Model and a DM2E extension to integrate heterogeneous metadata into a linked open data cloud.
3. The project also builds digital humanities applications like Pundit to showcase the usefulness of linked open data for research.
Marko Knepper, University Library Frankfurt am Main: From Library Data to Linked Open Data - Presentation given at DM2E event 'Putting Linked Library Data to Work: the DM2E Showcase' (18 Nov 2014, ONB, Vienna)
The document discusses a project called DM2E that is researching scholarly practices in the humanities and building digital humanities tools. It focuses on the Scholarly Domain Model (SDM) that DM2E is using to model the entities and relationships of the digital scholarship domain. The SDM identifies areas, primitives, activities, and operations of scholarly work. It also describes the Pundit suite of tools for annotating, linking, comparing, and visualizing scholarly sources that were developed based on the SDM.
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
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ملزمة تشريح الجهاز الهيكلي (نظري 3)
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تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
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This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
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How to Setup Default Value for a Field in Odoo 17Celine George
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The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
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1. OPEN CULTURE DATA:
BOTTUM -UP OPEN HERITAGE
OKFestival 2012
Helsinki, 20 September 2012
t: @OpenCultuurData | #opencultuurdata
2. WHY
Represent the cultural heritage sector within
the growing open data movement.
To connect open data enthusiast from within
the sector to join forces
Connect with hackers and designers
3. WHAT
• Make more data (collection data etc.) available as open culture
data
• Make valuable applications through which we can participate in
arts and culture
4. FASE 1: EXPERIMENT
• Ad-hoc start: September 2011
• Contacting heritage professionals to release
datasets
• Writing ‘datablogs’
• 1 hackathon, 8 datasets in November 2011
• Starting point: 5 rules for Open Cultuur Data
5. defining open culture data
1. Open Culture Data is knowledge and information of cultural
institutions, organisations or initiatives about their collections
and/or works
6. defining open culture data
2. Everyone can consult, use, spread and re-use Open Culture
Data through an open license or by making it available in the
public domain
7. defining open culture data
3. Open Culture Data is available in a digital (standard) format
that makes re-use possible
8. defining open culture data
4. The structure and possible applications of Open Culture
Data are documented, for instance in a ‘Datablog’
9. defining open culture data
5. The provider of the Open
Culture Data is prepared to
answer questions about the
data from interested parties and
respects the efforts the open
data community invests in
developing new applications
10. specific conditions
• CC0 for metadata
• PDM, CC-BY of CC-BY-SA for content
• Open standards
• Open documentation & communication
11. FASE 1: 5 DATA PROVIDERS
• Amsterdam Museum
• Eye Film Instituut Nederland
• Nationaal Archief
• Nederlands Instituut voor Beeld & Geluid
(Open Beelden, Wiki, GTAA)
• Rijksmuseum
• Rijksmonumenten,info (ab-c media)
12. HACKATHON | HACK DE OVERHEID | WORKSHOP
Photo: Breyten Ernsting. CC BY (http://creativecommons.org/licenses/by/3.0/nl/)
13. HACKATHON | HACK DE OVERHEID | HACKEN!
Photo: Breyten Ernsting. CC BY (http://creativecommons.org/licenses/by/3.0/nl/)
14. RESULTS APPS FOR NL
• 13 apps, 8 submissions (46 in total)
• Gold – Vistory (based on Open Images)
• Education prize - Rijksmonumenten.info
• Encouragement prize -
ConnectedCollection
33. FASE 2: MASTER CLASS, GROWTH OF THE NETWORK, COMPETITION
• 2012: support from Images for the Future and
Creative Commons Netherlands
• April 2012: master classes
• Juni 2012: start competition / hackathon 1
• Oktober 2012, Rotterdam: hackathon 2
• Begin 2013: Open Culture Data Awards
34. FASE 2: MASTER CLASS OPEN DATA | CREATIVE COMMONS
ARCHIEVEN MUSEA
Archief Eemland Buurtmuseum Leiden Noord
Gemeentearchief Rotterdam
Centraal Museum
Groene Hart Archieven
Nationaal Archief Fries Museum / Keramiekmuseum
Regionaal Archief Leiden Princessehof
Joods Historisch Museum
BIBLIOTHEKEN Maritiem Digitaal/Visserijmuseum Zoutkamp
Wageningen UR bibliotheek Teylers Museum
SECTORINSTITUTEN KENNISCENTRA/-INSTITUTEN
Kunstfactor
Nationaal Comité 4 en 5 mei
NCB Naturalis
NIOD
Theater Instituut Nederland
36. THE NETHERLANDS INSTITUTE FOR SOUND & VISION:
SOUND RECORDINGS
• 2.100 historical sound recordings
• Creative Commons – BY-SA
• 1950-1990
• Studio quality
• Geodata
• SoundCloud API
• Growing collection thanks to crowdsourcing
• More information:
http://www.opencultuurdata.nl/wiki/het-geluid-van-nederland/
Contact person:
Maarten Brinkerink
– mbrinkerink@beeldengeluid.nl
– @mbrinkerink (Twitter)
37. THE NETHERLANDS INSTITUTE FOR SOUND & VISION:
HISTORICAL VIDEO’S
• 1.700 video’s / 1920-1980 / Polygoon
• Metadata: e.g. title, topic,
description, author, date, language,
persons, location, rights, format
• openbeelden.nl/api: OAI-PMH / XML
• License video’s: CC-BY-SA (for the most part)
• Licence metadata: CC0
• Different formats: e.g. OGV, MP4, WEBM (hi + lo)
• More info: www.opencultuurdata.nl => datasets
Contact person
Maarten Brinkerink
- mbrinkerink@beeldengeluid.nl
- @mbrinkerink (Twitter)
38. THE NETHERLANDS INSTITUTE FOR SOUND & VISION:
WIKI
• 12.000 photos and >1000 lemma’s about the collections
of Sound and Vision
• Metadata photos: title, description
• Height, width, mime type
• Lemma’s: Persons, Productions, Genres, Decennia, Topics
metadata e.g.: title, description, date, genre, length, media
• MediaWiki API: XML (max. 500 records)
• License photos and data: CC-BY-SA (few exceptions)
• More info: www.opencultuurdata.nl => datasets
Contact person
Carlien Booij
- cbooij@beeldengeluid.nl
39. EYE: DUTCH FEATURE FILM
Provider EYE Film Institute Netherlands
Dataset Dutch feature films 1912-1940
Format ODS-fileContaining Title, summary
and metadata films
More information http://www.eyefilm.nl/opendata
Contact person
Irene Haan
- irenehaan@eyefilm.nl
titel | samenvatting | regisseur | productiejaar| premièredatum | productie-maatschappij | categorie | acteur |
producent | distributeur (oorspronkelijk) | vertoningstheater | buitenlandse titels | alternatieve titel | kleur |
bron | originele lengte | geluid | camera | decor | montage | componist | formaat | scenarioschrijver | taal |
speelduur | keuringslengte | keuringsdatum | akten | geografische namen | genre
41. RIJKSMUSEUM API: 19 TH . CENTURY MASTER PAINTERS
www.rijksmuseum.nl/API
111.000 objects including The Night Watch!
Paintings, prints of the great masters of the Golden Age to Medieval
Biblical anonymous paintings, ceramics, furniture, silverware and
dollhouses miniatures etc.
Object scriptions: Dublin Core
Images: JPEG
License: CC0
Contact persons:
Lizzy Jongma & Inge Giesbers
api@rijksmuseum.nl
42. AB-C MEDIA: DUTCH NATIONAL MONUMENTS
• Sources:
– National Monuments Dataset – Rijksdienst voor het Cultureel Erfgoed
– Wikipedia: lists with and articles about Dutch national monuments
– Wikimedia Commons: photos of national monuments, incl. Wiki Loves
Monuments
– Text books series ‘Monumenten in Nederland’, per section matched
with address
– Image bank Rijksdienst voor het Cultureel Erfgoed
– Other examples via erfgoed.mobi
• http://api.rijksmonumenten.info
Contact person
Arjan den Boer (ab-c media)
- @arjandenboer (Twitter)
43. AMSTERDAM MUSEUM: COLLECTION DATA
• More than 70.000 objects
paintings, drawings, prints, medals, statues, pictures, silver, furniture,
books, costumes, textiles, clocks, ceramics, furniture etc.
• Metadata and images
• Dynamic dataset (weekly update)
• Three points of access:
• Adlib API (XML output)
• OAI-PMH (XML, Dublin Core)
• Linked Open Data (RDF, EDM)
• www.amsterdammuseum.nl/open-data
Contact person
Judith van Gent
- j.vangent@amsterdammuseum.nl
44. FASHION COLLECTIOS OF 3 MUSEUMS
Central Museum: 8.500 records, 650 images
•XML
•4th century until now
Fries Museum: 17.000 records, 2.100 images
•XML
•1750-1950
Amsterdam Museum: 5.500 records
• Adlib API
•17th century unil now
More information: www.opencultuurdata.nl/datasets
45. NIOD: IMAGE BANK WWII
• NIOD Instituut voor Oorlogs-, Holocaust- en
Genocidestudies and 30 other heritage institutions
with pecial WWII-collections
• 100.000+ records (metadata)
• OAI-PMH
• CC0
• More information:
http://www.opencultuurdata.nl/wiki/niod-instituut-voor-
oorlogs-holocaust-en-genocidestudies/
Contact person
Edwin Klijn
- e.klijn@niod.knaw.nl
46. REGIONAAL ARCHIEF LEIDEN:
WWII IMAGE BANK
• Dataset of more than 6.000 records with multiple images
• Photos – illegal press – forgeries - diaries etc.
• Collective story of the city of Leiden in WWII
• Complementary to the WWII dataset of NIOD
• Metadata CC-0 – Content CC-BY-SA
Access via open search api
http://www.archiefleiden.nl/api/opensearch/description-document
Dataformaat: xml
Contact person
Walther Hasselo
- w.hasselo@leiden.nl
47. NATIONAAL COMITÉ: WAR MONUMENTS
• Database war monuments
• Information, background history and photos of more than 3.500 monuments
• Metadata available under CC0
• Xml datadump available via:
http://www.4en5mei.nl/herinneren/oorlogsmonumenten/achtergronden/xml_
oorlogsmonumenten/
Contact person
Rutger van Krieken
- Rutger.Krieken@4en5mei.nl
48. REGIONAAL ARCHIEF NIJMEGEN: LIBERATORS BEFORE THE CAMERA LENS
• 684 portrait pictures of the allies who liberated the city of
Nijmegen
• 1944-1954
• Creative Commons – BY-SA
• Images: JPEG
• Flickr API
More info:
Datablog Open Cultuur Data
Weblog Huis van de Nijmeegse geschiedenis
www.flickr.com/regionaalarchiefnijmegen
Contact person:
Wouter Daemen
- w.daemen@nijmegen.nl
- @wouterdaemen (Twitter)
49. NATIONAL ARCHIVES OF THE NETHERLANDS:
ANEFO COLLECTIE PERSFOTO’S
• Photo archive of 140.000 images of press agency Anefo (1959 - 1989)
• Cross-section of Dutch social, political and cultural life
• Accessible via date, keyword and description
• Black/white photos
• Datadump (OAI-PMH) in XML
• Download via www.gahetna.nl/opendata
• JPEG (1280 x 1280)
• Images under CC-BY-SA
• Metadata under CC0
Contact person
Tim de Haan
- tim.de.haan@nationaalarchief.nl
- @timmietovenaar (Twitter)
50. NATIONAL ARCHIVE OF THE NETHERLANDS:
HISTORISCAL MAPS
• 4. VEL Collection Foreign Maps Leupe, 16th – 19th century
• 2832 inventory numbers
– EAD
– XML
– Description
– Period
– ‘Location
• 477 maps
– OAI-PMH
– Scans (JPEG)
– Description
– Period
– ‘Location’
Contact person
Tim de Haan
- tim.de.haan@nationaalarchief.nl
- @timmietovenaar (Twitter)
51. ARCHIEF EEMLAND: HISTORICAL MAPS
• Collection of 2.000 maps and design drawings (1553 ca.-1985)
• Municipal archives Amersfoort, Baarn, Leusden, Eemnes, Renswoude,
waterschap Vallei en Eem
• Open Search API: http://gam.pictura-dp.nl/api/opensearch/description-
document
• Dublin Core for metadata
• Different sizes: 150x150, 500x500, 1500x1500
• Content: CC-BY-SA
• Metadata: CC0
More info:
www.opencultuurdata.nl/wiki/archief-eemland-2
Contact person:
Tessa van Santen
- archiefeemland@amersfoort.nl
52. GROENE HART ARCHIEVEN: HISTORICAL MAPS
• Collection of maps and plans (before 1800) of the city of Gouda and
surroundings
• Regional archives Midden-Holland (Gouda), Rijnlands-Midden (Alphen a/d
Rijn)
• Txt and csv files for download, 300 dpi
• Ca. 1500 map descriptions (metadata), CC0
• Ca. 80 images (content) in Public Domain
More information
www.opencultuurdata.nl/wiki/groene-hart-archieven-
historische-kaarten
Contact person
Tom Kuipers
- t.kuipers@groenehartarchieven.nl
53. ARTS HOLLAND: TOERISM DATA
• Waag Society, Nederlands
Uitburo, Dutch Board of
Tourism & Conventions
• NUB-data: 100.000 cultural
events in 45 genres, 1400
locations (CC0)
• API key at
http://dev.artsholland.com
54. BENEFITS OF OPEN CULTURE DATA
• Public mission
• Data enrichment
• Increasing relevance
• Increasing channels to end users
• Brand value
• Specific funding oppurtunities
• Discoverability
• New customers/ users
• Building expertise
• Desired spill-over effects/ creating new business
Source: Verwayen, Arnoldus & Kaufman 2011. The Problem of the Yellow
Milkmaid. Europeana White Paper no. 2.
55. Open Images is an open media platform
that offers online access to audiovisual
archive material to stimulate creative
reuse.
Built by Sound and Vision & Knowledgeland but
designed for participation by others.
56. Allowing (creative) reuse
• CC-BY-SA as preferred license
• 3,000 items from our ‘own’ collection
• Currently more than 2,000 items
available
• ‘Internet quality’
8
57. Some numbers:
Estimated length of entire S&V archive: 800,000 h
Estimated length of ‘our’ newsreel collection: 500 h
Estimated length of material in Open Images: 55 h
So currently 11% of ‘our’ newsreel collection is
open through Open Images and 0,007% of our
entire archive.
26-09-12
58.
59.
60.
61.
62.
63.
64. • With about 1,500 items on Wikimedia Commons, more than 500
Dutch Wikipedia articles are using Open Images material
• But it is also being used on about 700 Wikipedia articles in 63
different languages
• All together these articles received more than 2,5 million views
on average each month
• Total viewed articles in 2011 about 15,5 million, already 20,8
in 2012
• The majority of views have shifted from the Dutch Wikipedia to
the English Wikipedia
65. THANKS!
Start your own open culture data network!
www.opencultuurdata.nl
mbrinkerink@beeldengeluid.nl
@OpenCultuurData
#opencultuurdata
Editor's Notes
Masterclass; 17 instellingen
Masterclass; 17 instellingen
Samenwerking cultuurprofessionals en hackers/ ontwikkelaars
Masterclass; 17 instellingen
Later in de presentatie voorbeelden van dit hergebruik
Later in de presentatie voorbeelden van dit hergebruik