SlideShare a Scribd company logo
1 of 9
‘PROMISE’
By Emily Capon and RukayyahRobun
[Street Address]
[City, ST ZIP Code]
[phone]
[email]
INT. ELLIE´S BEDROOM - DAY
ELLIE (Age approx. 17) is applying make-up.
INT. KITCHEN – DAY
DAVE (Age approx. 46) is making some Tea.
INT. ELLIE´S BEDROOM - DAY
DAVE enters ELLIE’S room. ELLIE is sat on the bed with her
phone.
DAVE
I’m going to the shop; I’ll be back in half an hour for your
injection.
ELLIE
Ok.
DAVE leaves. ELLIE gets her laptop out and googles “HOW DO
DEAL WITH CANCER”. Her phone vibrates. She received a text
message from SAM (age, etc.) “I´m here”.
INT. FRONT DOOR - DAY
ELLIE opens the door for SAM. He enters the house.
INT. LOUNGE - DAY
ELLIE is sat down adding a detail to her prom dress; SAM
brings them both a drink and smiles watching her.
SAM
Fixing it up?
ELLIE
Improving it would be a better way to put it.
SAM raises his eyebrows and takes a deep breath.
SAM
I see, you know I’d like to take you to the prom Ellie.
ELLIE
I can’t even promise tomorrow Sam, it would be unfair of me to
trust my body two weeks.
SAM
Right, I’m sorry… I shouldn’t have…
SAM gets up from his seat.
SAM (cont´d)
I have to…goodbye then.
SAM leaves the cup on side table. He leaves.
EXT. BACK DOOR – DAY
SAM leaves the house.
EXT. FRONT DOOR – DAY
DAVE enters the house.
INT. LOUNGE - DAY
DAVE walks into lounge to check on ELLIE. He sees ELLIE
sitting down and he sees the cup on the side.
DAVE
I know exactly who’s been here. But the question is why he was
here? You know,if he has the smallest of colds it would make
you seriously ill.
ELLIE gets up from sofa.
DAVE (cont´d)
Don’t walk away from me Ellie; you know how serious this is.
ELLIE
But Dad I just…
DAVE
Never mind you just, you’re too weak.
ELLIE paces up the stairs, struggling at the top.
INT. ELLIE´S BEDROOM - DAY
ELLIE struggles to catch her breath, ELLIE collapses on her
bed.
INT. ELLIE`S BEDROOM - EVENING
ELLIE’S wearing a scarf covering her hairline when she hears a
knock on the door. SANDY (Age approx 40, carer.) enters. ELLIE
is under the covers.
SANDY
Hi you, it’s me again.
Ellie
Is it that time of the week already?
SANDY
I’m afraid so sweetheart.
SANDY sits down on the side of the bed. ELLIE rolls over and
holds SANDY’S hand. SANDY sorts out the injection.
SANDY (cont´d)
So, have you heard from your fancy man?
ELLIE
It’s been over a week since we last spoke. Dad went mad when
he came around before.
SANDY
He is only trying to protect you though, isn’t he?
ELLIE
I know, but with my time being so…precious.
SANDY
Yes, I see...You are very brave and I shouldn’t really say
this, but if it is weeks and not months you need to do what
you think is right…Don’t have regrets.
SANDY gets a phone call and has to leave.
INT. ELLIE´S BEDROOM - DAY
ELLIE’S phone starts to ring, its SAM calling – she answers.
She is moving around her medicine and doing her make-up.
ELLIE
Hi. Yeah it’s fine, I’ll see you soon? Okay, bye.
INT. FRONT DOOR - DAY
DAVE opens the door, SAM is carrying flowers.
DAVE
You again? Why don’t you just leave my daughter alone?
SAM
Sir, I didn’t mean any harm I’m just here as a friend.
DAVE
She’s got me. She doesn’t need you. You don’t understand how
ill she is! She needs rest and her medication nothing else,
okay?
SAM
I understand, I’m sorry. Can you at least let her know these
are from me?
SAM hands DAVE the flowers.
SAM (cont´d)
These are her favourite.
DAVE takes the flowers and shuts the door, and throws them in
the bin.
INT. KITCHEN - DAY
ELLIE comes into kitchen and stands facing DAVE.
ELLIE
You didn’t have to do that.
DAVE
I’m here to protect you; I’ll do anything I have to. I’m the
one organising your medication, hearing you cry at night, me
not him!
ELLIE
You don’t understand.
DAVE
What could I not possibly understand? You’re ill, you’re
seriously ill.
ELLIE
I’m ill Dad not dead; there are things I want to experience.
DAVE
What is it? We can sort it out, I’ll buy it.
ELLIE
That’s just it; it’s not something you can buy. Your money
can’t make me happy. You don’t understand the feeling of
knowing you could be days, weeks, and months away from death
without ever feeling someone’s love. I don’t just mean being
told it for someone’s reassurance, I could go through the
whole of my life without feeling the love you and mum shared.
DAVE
What me and your mother had is not what you need right now.
All this talk of love and the unseen bond between two people
it’s nonsense, you need pills 3 times a day and a daily iron
injection and rest nothing else.
ELLIE pushes past DAVE and picks up one flower out of the bin.
ELLIE
This is what I need right now, not you’re nonsense every day.
DAVE
Well, is that what you need? Him? That boy? But he…he
(stuttering)
ELLIE
His name is Sam! (Angry)
INT. ELLIE`S BEDROOM - DAY
ELLIE cries upstairs carrying one flower, slams the door.
INT. SCHOOL - DAY
School bell rings. SAM is standing by his locker trying to
find something. LUCY (Age approx 17, student) is standing with
KATIE (Age approx. 17, student) whispering about SAM. LUCY
approaches SAM.
LUCY
Sam, who are you going to prom with? I was wondering if you’d
want to come with me.
SAM
Sorry, I haven’t heard from Ellie yet.
LUCY
No one’s heard anything from her in 3 weeks, there isn’t much
chance she’ll be going to prom.
EXT. PARK - DAY
DAVE is struggling to walk up the hill, SAM walks down the
hill in the opposite direction.
SAM
MR McCarthy? Are you ok?
DAVE
I’m tired but I don’t need your help.
SAM
Ok, that’s fine
Both set off to walk. DAVE turns around.
DAVE
No wait.
SAM turns around.
DAVE (cont´d)
You really like my daughter don’t you?
SAM
Like you would not believe. I’ve known her since primary
school; we’ve always looked out for each other. All I wanted
to do was to be there for her… just help.’
Silence.
SAM (cont´d)
Look if there’s anything I could do…
DAVE
It’s too late for that...sorry...
Both are walking away from each other when-
DAVE
Sam!
SAM
Yes?
DAVE
There is something else you can do.
INT. ELLIE´S BEDROOM - DAY
DAVE and ELLIE are talking. (Enter location of characters.)
DAVE
I know you’d love to be at your prom tonight, and I would have
loved to have seen you in your dress.
ELLIE
It’s alright dad, I’m a bit too tired for all that dancing
anyway.
DAVE
Would you do me a favour though? And put the dress on for one
photo?
ELLIE
That’s a bit morbid isn’t it?
DAVE
Come on, just one. I’ll go set the camera up down stairs.
INT. HOUSE - DAY
DAVE is waiting at the bottom of the stairs when he sees ELLIE
in her prom dress walking down the steps. DAVE holds ELLIE’S
hand down the last 3 stairs.
DAVE
You look beautiful, just like your mother. So all you need now
is a dance partner.
ELLIE
No it’s fine, you don’t have to do that. I’m feeling a bit
under the weather anyway.
INT. LIVING ROOM - DAY
ELLIE walks into the living room with SAM stood in a suit, she
sees prom decorations. DAVE enters.
DAVE
I’m going to the pub for a couple of hours; you’ll be alright
won’t you?
ELLIE
Yes dad, Thank you.
DAVE leaves. (ELLIE and SAM should probably exchange some
dialog at this point so it doesn´t end awkwardly)
THE END

More Related Content

What's hot

What's hot (20)

"Dead Girls" by Micheline Auger
"Dead Girls" by Micheline Auger"Dead Girls" by Micheline Auger
"Dead Girls" by Micheline Auger
 
SUPER REVENGE
SUPER REVENGESUPER REVENGE
SUPER REVENGE
 
Screenplay
ScreenplayScreenplay
Screenplay
 
06.6 script pdf
06.6 script pdf06.6 script pdf
06.6 script pdf
 
Screenplay
ScreenplayScreenplay
Screenplay
 
The babysitter draft 1
The babysitter draft 1The babysitter draft 1
The babysitter draft 1
 
The babysitter draft 2
The babysitter draft 2The babysitter draft 2
The babysitter draft 2
 
The babysitter final draft
The babysitter final draftThe babysitter final draft
The babysitter final draft
 
The showcase
The showcaseThe showcase
The showcase
 
The babysitter draft 2
The babysitter draft 2The babysitter draft 2
The babysitter draft 2
 
Promise script
Promise scriptPromise script
Promise script
 
Script
ScriptScript
Script
 
Tv drama script (1) (1) (1)
Tv drama script (1) (1) (1)Tv drama script (1) (1) (1)
Tv drama script (1) (1) (1)
 
Gta 5 script
Gta 5 scriptGta 5 script
Gta 5 script
 
Gta 5 script
Gta 5 scriptGta 5 script
Gta 5 script
 
Script
ScriptScript
Script
 
"HOME" Final script
"HOME" Final script "HOME" Final script
"HOME" Final script
 
Script Freak
Script FreakScript Freak
Script Freak
 
5 stages of grief
5 stages of grief5 stages of grief
5 stages of grief
 
Screenplay (2)
Screenplay (2)Screenplay (2)
Screenplay (2)
 

Viewers also liked

Letter of recommendation from Emma
Letter of recommendation from EmmaLetter of recommendation from Emma
Letter of recommendation from EmmaNikki Saadat
 
부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방
부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방
부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방dasom0040
 
평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방
평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방
평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방dasom0040
 
일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방
일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방
일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방dasom0040
 
대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방
대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방
대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방dasom0040
 
Zola Delburn 2016 CV
Zola Delburn 2016 CVZola Delburn 2016 CV
Zola Delburn 2016 CVZola Delburn
 
Documento mediosderepresentacion
Documento mediosderepresentacionDocumento mediosderepresentacion
Documento mediosderepresentacionPatricia Estay
 

Viewers also liked (10)

Letter of recommendation from Emma
Letter of recommendation from EmmaLetter of recommendation from Emma
Letter of recommendation from Emma
 
ΦΥΣΙΚΗ -ΤΑ ΖΩΑ -Ερπετα
ΦΥΣΙΚΗ -ΤΑ ΖΩΑ -ΕρπεταΦΥΣΙΚΗ -ΤΑ ΖΩΑ -Ερπετα
ΦΥΣΙΚΗ -ΤΑ ΖΩΑ -Ερπετα
 
Modern Minimalist Showers
Modern Minimalist ShowersModern Minimalist Showers
Modern Minimalist Showers
 
부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방
부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방
부천오피.동탄오피≒다솜넷≒평촌오피걸.수원오피방
 
평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방
평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방
평촌오피.부평오피≒다솜넷≒강남오피걸.인천오피방
 
일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방
일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방
일산오피.논현오피≒다솜넷≒동탄오피걸.천안오피방
 
대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방
대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방
대전오피.인천오피≒다솜넷≒역삼오피걸.강남역오피방
 
Zola Delburn 2016 CV
Zola Delburn 2016 CVZola Delburn 2016 CV
Zola Delburn 2016 CV
 
Documento mediosderepresentacion
Documento mediosderepresentacionDocumento mediosderepresentacion
Documento mediosderepresentacion
 
ΣΠΥΡΟΣ ΛΟΥΗΣ
ΣΠΥΡΟΣ ΛΟΥΗΣΣΠΥΡΟΣ ΛΟΥΗΣ
ΣΠΥΡΟΣ ΛΟΥΗΣ
 

Similar to New script

Creating dialogue scenarios 1 daughter and dad
Creating dialogue  scenarios 1 daughter and dadCreating dialogue  scenarios 1 daughter and dad
Creating dialogue scenarios 1 daughter and dadFay Amber Yaxley
 
Screenplay (1)
Screenplay (1)Screenplay (1)
Screenplay (1)LucasC7C
 
"HOME" First draft script
"HOME" First draft script "HOME" First draft script
"HOME" First draft script Krisyty Ng
 
Idea 2 draft script
Idea 2 draft scriptIdea 2 draft script
Idea 2 draft scriptlaurenpine11
 
"Heaven or Las Vegas" Episode 2
"Heaven or Las Vegas" Episode 2 "Heaven or Las Vegas" Episode 2
"Heaven or Las Vegas" Episode 2 Christina Kohler
 
Shooting script for 5 minute story
Shooting script for 5 minute storyShooting script for 5 minute story
Shooting script for 5 minute storyelliotnjones
 
Shooting script for 5 minute story
Shooting script for 5 minute storyShooting script for 5 minute story
Shooting script for 5 minute storyJoshGmanMcLean
 
Lost mind scripts samuel lear
Lost mind scripts samuel lear Lost mind scripts samuel lear
Lost mind scripts samuel lear Samz1273
 
Already in Progress, Chapter 49: A Nice Day for a White Wedding
Already in Progress, Chapter 49: A Nice Day for a White WeddingAlready in Progress, Chapter 49: A Nice Day for a White Wedding
Already in Progress, Chapter 49: A Nice Day for a White Weddingesme iolanthe
 
HOME first draft script
HOME first draft script HOME first draft script
HOME first draft script Krisyty Ng
 
Part 3-2 Generation Red
Part 3-2  Generation RedPart 3-2  Generation Red
Part 3-2 Generation Redtatdatcm
 
Already in Progress, Chapter 53
Already in Progress, Chapter 53Already in Progress, Chapter 53
Already in Progress, Chapter 53esme iolanthe
 

Similar to New script (20)

Creating dialogue scenarios 1 daughter and dad
Creating dialogue  scenarios 1 daughter and dadCreating dialogue  scenarios 1 daughter and dad
Creating dialogue scenarios 1 daughter and dad
 
Screenplay Script
Screenplay Script Screenplay Script
Screenplay Script
 
Screenplay (1)
Screenplay (1)Screenplay (1)
Screenplay (1)
 
Screenplay
ScreenplayScreenplay
Screenplay
 
Class clown draft 2
Class clown draft 2Class clown draft 2
Class clown draft 2
 
"HOME" First draft script
"HOME" First draft script "HOME" First draft script
"HOME" First draft script
 
Idea 2 draft script
Idea 2 draft scriptIdea 2 draft script
Idea 2 draft script
 
I'll Drink To That
I'll Drink To ThatI'll Drink To That
I'll Drink To That
 
"Heaven or Las Vegas" Episode 2
"Heaven or Las Vegas" Episode 2 "Heaven or Las Vegas" Episode 2
"Heaven or Las Vegas" Episode 2
 
Pursued script
Pursued scriptPursued script
Pursued script
 
Instinct final draft
Instinct final draftInstinct final draft
Instinct final draft
 
Script Sample Short
Script Sample ShortScript Sample Short
Script Sample Short
 
Shooting script for 5 minute story
Shooting script for 5 minute storyShooting script for 5 minute story
Shooting script for 5 minute story
 
Shooting script for 5 minute story
Shooting script for 5 minute storyShooting script for 5 minute story
Shooting script for 5 minute story
 
Lost mind scripts samuel lear
Lost mind scripts samuel lear Lost mind scripts samuel lear
Lost mind scripts samuel lear
 
TICK TOCK SHORT
TICK TOCK SHORTTICK TOCK SHORT
TICK TOCK SHORT
 
Already in Progress, Chapter 49: A Nice Day for a White Wedding
Already in Progress, Chapter 49: A Nice Day for a White WeddingAlready in Progress, Chapter 49: A Nice Day for a White Wedding
Already in Progress, Chapter 49: A Nice Day for a White Wedding
 
HOME first draft script
HOME first draft script HOME first draft script
HOME first draft script
 
Part 3-2 Generation Red
Part 3-2  Generation RedPart 3-2  Generation Red
Part 3-2 Generation Red
 
Already in Progress, Chapter 53
Already in Progress, Chapter 53Already in Progress, Chapter 53
Already in Progress, Chapter 53
 

More from Kayyah_Robun

Representation theory in film
Representation theory in filmRepresentation theory in film
Representation theory in filmKayyah_Robun
 
Narrative and Audience theory
Narrative and Audience theory Narrative and Audience theory
Narrative and Audience theory Kayyah_Robun
 
Theories on film genre
Theories on film genreTheories on film genre
Theories on film genreKayyah_Robun
 
Deconstruction of review
Deconstruction of reviewDeconstruction of review
Deconstruction of reviewKayyah_Robun
 
Actor shoot plan 6
Actor shoot plan 6Actor shoot plan 6
Actor shoot plan 6Kayyah_Robun
 
Character profiles
Character profilesCharacter profiles
Character profilesKayyah_Robun
 
Designing an effective title
Designing an effective titleDesigning an effective title
Designing an effective titleKayyah_Robun
 
Audience research questionnaire results
Audience research questionnaire  resultsAudience research questionnaire  results
Audience research questionnaire resultsKayyah_Robun
 
Results from film review interviews
Results from film review interviewsResults from film review interviews
Results from film review interviewsKayyah_Robun
 
Target audience response to film review
Target audience response to film reviewTarget audience response to film review
Target audience response to film reviewKayyah_Robun
 
Promise’ audience response –
Promise’ audience response –Promise’ audience response –
Promise’ audience response –Kayyah_Robun
 
Evaluation - Technology
Evaluation - Technology Evaluation - Technology
Evaluation - Technology Kayyah_Robun
 
Mise en scene in ‘promise'
Mise en scene in ‘promise'Mise en scene in ‘promise'
Mise en scene in ‘promise'Kayyah_Robun
 
Mise en scene in ‘promise’
Mise en scene in ‘promise’Mise en scene in ‘promise’
Mise en scene in ‘promise’Kayyah_Robun
 
Planning a film screening
Planning a film screeningPlanning a film screening
Planning a film screeningKayyah_Robun
 

More from Kayyah_Robun (20)

Eval ancillary
Eval ancillaryEval ancillary
Eval ancillary
 
Representation theory in film
Representation theory in filmRepresentation theory in film
Representation theory in film
 
Narrative and Audience theory
Narrative and Audience theory Narrative and Audience theory
Narrative and Audience theory
 
Theories on film genre
Theories on film genreTheories on film genre
Theories on film genre
 
Deconstruction of review
Deconstruction of reviewDeconstruction of review
Deconstruction of review
 
Gender
GenderGender
Gender
 
Pre production
Pre productionPre production
Pre production
 
Actor shoot plan 6
Actor shoot plan 6Actor shoot plan 6
Actor shoot plan 6
 
Character profiles
Character profilesCharacter profiles
Character profiles
 
Designing an effective title
Designing an effective titleDesigning an effective title
Designing an effective title
 
Evaluation
Evaluation Evaluation
Evaluation
 
Audience research questionnaire results
Audience research questionnaire  resultsAudience research questionnaire  results
Audience research questionnaire results
 
Results from film review interviews
Results from film review interviewsResults from film review interviews
Results from film review interviews
 
Target audience response to film review
Target audience response to film reviewTarget audience response to film review
Target audience response to film review
 
Promise’ audience response –
Promise’ audience response –Promise’ audience response –
Promise’ audience response –
 
storyboarding
storyboardingstoryboarding
storyboarding
 
Evaluation - Technology
Evaluation - Technology Evaluation - Technology
Evaluation - Technology
 
Mise en scene in ‘promise'
Mise en scene in ‘promise'Mise en scene in ‘promise'
Mise en scene in ‘promise'
 
Mise en scene in ‘promise’
Mise en scene in ‘promise’Mise en scene in ‘promise’
Mise en scene in ‘promise’
 
Planning a film screening
Planning a film screeningPlanning a film screening
Planning a film screening
 

Recently uploaded

Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityGeoBlogs
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104misteraugie
 
PROCESS RECORDING FORMAT.docx
PROCESS      RECORDING        FORMAT.docxPROCESS      RECORDING        FORMAT.docx
PROCESS RECORDING FORMAT.docxPoojaSen20
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphThiyagu K
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfAdmir Softic
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.pptRamjanShidvankar
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxiammrhaywood
 
Seal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxSeal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxnegromaestrong
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxDenish Jangid
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdfQucHHunhnh
 
SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...
SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...
SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...KokoStevan
 
Making and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdfMaking and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdfChris Hunter
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAssociation for Project Management
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsTechSoup
 
An Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdfAn Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdfSanaAli374401
 

Recently uploaded (20)

Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104
 
PROCESS RECORDING FORMAT.docx
PROCESS      RECORDING        FORMAT.docxPROCESS      RECORDING        FORMAT.docx
PROCESS RECORDING FORMAT.docx
 
Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.ppt
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
Advance Mobile Application Development class 07
Advance Mobile Application Development class 07Advance Mobile Application Development class 07
Advance Mobile Application Development class 07
 
Seal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxSeal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptx
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
 
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
 
SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...
SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...
SECOND SEMESTER TOPIC COVERAGE SY 2023-2024 Trends, Networks, and Critical Th...
 
Making and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdfMaking and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdf
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across Sectors
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The Basics
 
An Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdfAn Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdf
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 

New script

  • 1. ‘PROMISE’ By Emily Capon and RukayyahRobun [Street Address] [City, ST ZIP Code] [phone] [email]
  • 2. INT. ELLIE´S BEDROOM - DAY ELLIE (Age approx. 17) is applying make-up. INT. KITCHEN – DAY DAVE (Age approx. 46) is making some Tea. INT. ELLIE´S BEDROOM - DAY DAVE enters ELLIE’S room. ELLIE is sat on the bed with her phone. DAVE I’m going to the shop; I’ll be back in half an hour for your injection. ELLIE Ok. DAVE leaves. ELLIE gets her laptop out and googles “HOW DO DEAL WITH CANCER”. Her phone vibrates. She received a text message from SAM (age, etc.) “I´m here”. INT. FRONT DOOR - DAY ELLIE opens the door for SAM. He enters the house. INT. LOUNGE - DAY ELLIE is sat down adding a detail to her prom dress; SAM brings them both a drink and smiles watching her. SAM Fixing it up? ELLIE Improving it would be a better way to put it. SAM raises his eyebrows and takes a deep breath. SAM I see, you know I’d like to take you to the prom Ellie. ELLIE I can’t even promise tomorrow Sam, it would be unfair of me to trust my body two weeks.
  • 3. SAM Right, I’m sorry… I shouldn’t have… SAM gets up from his seat. SAM (cont´d) I have to…goodbye then. SAM leaves the cup on side table. He leaves. EXT. BACK DOOR – DAY SAM leaves the house. EXT. FRONT DOOR – DAY DAVE enters the house. INT. LOUNGE - DAY DAVE walks into lounge to check on ELLIE. He sees ELLIE sitting down and he sees the cup on the side. DAVE I know exactly who’s been here. But the question is why he was here? You know,if he has the smallest of colds it would make you seriously ill. ELLIE gets up from sofa. DAVE (cont´d) Don’t walk away from me Ellie; you know how serious this is. ELLIE But Dad I just… DAVE Never mind you just, you’re too weak. ELLIE paces up the stairs, struggling at the top. INT. ELLIE´S BEDROOM - DAY ELLIE struggles to catch her breath, ELLIE collapses on her bed. INT. ELLIE`S BEDROOM - EVENING
  • 4. ELLIE’S wearing a scarf covering her hairline when she hears a knock on the door. SANDY (Age approx 40, carer.) enters. ELLIE is under the covers. SANDY Hi you, it’s me again. Ellie Is it that time of the week already? SANDY I’m afraid so sweetheart. SANDY sits down on the side of the bed. ELLIE rolls over and holds SANDY’S hand. SANDY sorts out the injection. SANDY (cont´d) So, have you heard from your fancy man? ELLIE It’s been over a week since we last spoke. Dad went mad when he came around before. SANDY He is only trying to protect you though, isn’t he? ELLIE I know, but with my time being so…precious. SANDY Yes, I see...You are very brave and I shouldn’t really say this, but if it is weeks and not months you need to do what you think is right…Don’t have regrets. SANDY gets a phone call and has to leave. INT. ELLIE´S BEDROOM - DAY ELLIE’S phone starts to ring, its SAM calling – she answers. She is moving around her medicine and doing her make-up. ELLIE Hi. Yeah it’s fine, I’ll see you soon? Okay, bye.
  • 5. INT. FRONT DOOR - DAY DAVE opens the door, SAM is carrying flowers. DAVE You again? Why don’t you just leave my daughter alone? SAM Sir, I didn’t mean any harm I’m just here as a friend. DAVE She’s got me. She doesn’t need you. You don’t understand how ill she is! She needs rest and her medication nothing else, okay? SAM I understand, I’m sorry. Can you at least let her know these are from me? SAM hands DAVE the flowers. SAM (cont´d) These are her favourite. DAVE takes the flowers and shuts the door, and throws them in the bin. INT. KITCHEN - DAY ELLIE comes into kitchen and stands facing DAVE. ELLIE You didn’t have to do that. DAVE I’m here to protect you; I’ll do anything I have to. I’m the one organising your medication, hearing you cry at night, me not him! ELLIE You don’t understand. DAVE
  • 6. What could I not possibly understand? You’re ill, you’re seriously ill. ELLIE I’m ill Dad not dead; there are things I want to experience. DAVE What is it? We can sort it out, I’ll buy it. ELLIE That’s just it; it’s not something you can buy. Your money can’t make me happy. You don’t understand the feeling of knowing you could be days, weeks, and months away from death without ever feeling someone’s love. I don’t just mean being told it for someone’s reassurance, I could go through the whole of my life without feeling the love you and mum shared. DAVE What me and your mother had is not what you need right now. All this talk of love and the unseen bond between two people it’s nonsense, you need pills 3 times a day and a daily iron injection and rest nothing else. ELLIE pushes past DAVE and picks up one flower out of the bin. ELLIE This is what I need right now, not you’re nonsense every day. DAVE Well, is that what you need? Him? That boy? But he…he (stuttering) ELLIE His name is Sam! (Angry) INT. ELLIE`S BEDROOM - DAY ELLIE cries upstairs carrying one flower, slams the door. INT. SCHOOL - DAY School bell rings. SAM is standing by his locker trying to find something. LUCY (Age approx 17, student) is standing with
  • 7. KATIE (Age approx. 17, student) whispering about SAM. LUCY approaches SAM. LUCY Sam, who are you going to prom with? I was wondering if you’d want to come with me. SAM Sorry, I haven’t heard from Ellie yet. LUCY No one’s heard anything from her in 3 weeks, there isn’t much chance she’ll be going to prom. EXT. PARK - DAY DAVE is struggling to walk up the hill, SAM walks down the hill in the opposite direction. SAM MR McCarthy? Are you ok? DAVE I’m tired but I don’t need your help. SAM Ok, that’s fine Both set off to walk. DAVE turns around. DAVE No wait. SAM turns around. DAVE (cont´d) You really like my daughter don’t you? SAM
  • 8. Like you would not believe. I’ve known her since primary school; we’ve always looked out for each other. All I wanted to do was to be there for her… just help.’ Silence. SAM (cont´d) Look if there’s anything I could do… DAVE It’s too late for that...sorry... Both are walking away from each other when- DAVE Sam! SAM Yes? DAVE There is something else you can do. INT. ELLIE´S BEDROOM - DAY DAVE and ELLIE are talking. (Enter location of characters.) DAVE I know you’d love to be at your prom tonight, and I would have loved to have seen you in your dress. ELLIE It’s alright dad, I’m a bit too tired for all that dancing anyway. DAVE Would you do me a favour though? And put the dress on for one photo? ELLIE That’s a bit morbid isn’t it? DAVE
  • 9. Come on, just one. I’ll go set the camera up down stairs. INT. HOUSE - DAY DAVE is waiting at the bottom of the stairs when he sees ELLIE in her prom dress walking down the steps. DAVE holds ELLIE’S hand down the last 3 stairs. DAVE You look beautiful, just like your mother. So all you need now is a dance partner. ELLIE No it’s fine, you don’t have to do that. I’m feeling a bit under the weather anyway. INT. LIVING ROOM - DAY ELLIE walks into the living room with SAM stood in a suit, she sees prom decorations. DAVE enters. DAVE I’m going to the pub for a couple of hours; you’ll be alright won’t you? ELLIE Yes dad, Thank you. DAVE leaves. (ELLIE and SAM should probably exchange some dialog at this point so it doesn´t end awkwardly) THE END