The document outlines Jack Hurst's ideas for a music video assignment, including potential songs, ideas, techniques, and a final idea. It discusses 3 potential ideas for a video for Adele's "Hello" involving conversations on the phone or with a friend. It also includes research on existing music videos and consideration of camera shots, editing, art design, lighting, locations, and other production elements to incorporate. The document demonstrates planning and preparation for a student music video project.
This document contains a student's music video assignment which includes ideas and research for three potential music video concepts - "Hello" by Adele, "Shotgun" by George Ezra, and "Someone Like You" by Adele. It also analyzes the camera work, editing, art design, and performances in existing music videos for "Ocean Eyes" by Billie Eilish, "I'm Not the Only One" by Sam Smith, and "Night Changes" by One Direction. Finally, it lists some potential songs and camera techniques that could be used for the assignment.
The document outlines Jack Hurst's ideas for a music video assignment, including potential ideas, songs, and techniques. It provides summaries and analyses of other artists' music videos to help inform Jack's own work. The document also includes a mind map of ideas and details Jack's final chosen idea—to create an interpretive music video for Harry Styles' song "Watermelon Sugar" using watermelons as the main focus and changing scenes throughout the video.
The document outlines a student's music video assignment for the song "Watermelon Sugar" by Harry Styles. It includes brainstorming ideas for the video, analyzing camera techniques, editing, art design, and lighting in other artists' music videos. The student settles on a concept of using watermelons as performers to explore different uses of watermelons and berries through cutting, carving, and smashing scenes set to the song.
The document outlines a student's music video assignment for the song "Watermelon Sugar" by Harry Styles. It includes brainstorming ideas for the video, analyzing camera techniques, editing, art design, and lighting in other artists' music videos. The student then develops their own concept using watermelons as props to represent exploring new uses for objects through different scenes with carving, cutting, and smashing watermelons set to the song.
This document contains research and ideas for a music video assignment. It includes:
- Three ideas for interpreting the song "Hello" by Adele through different music video styles.
- Bullet point summaries of five existing music videos analyzing camerawork, editing, art design, and how they could influence the assignment. The analyzed videos are by George Ezra, Adele, Billie Eilish, Sam Smith, and One Direction.
- The research will help develop the student's own music video ideas and incorporate techniques seen in other successful videos.
The music video uses medium shots and close ups to tell a narrative about a man's relationship with a woman represented as "icebox" or cold heart. Black and white colors and a recurring clock motif symbolize time running out in his efforts to understand the woman, who is portrayed as the source of his problems rather than the solution. The video ends where it begins, continuing the circular theme.
The document summarizes and analyzes three music videos:
1) "Hello" by Adele, which uses dark colors and close-ups to convey loneliness and regret over a breakup.
2) "Shut Up" by Stormzy, a live performance-style grime music video filmed in an urban setting with friends, showing the artist's popularity.
3) "Everybody's Fool" by Evanescence, a narrative video portraying an unhappy model who hides her true feelings behind a glamorous public image. Lighting is used to contrast her public and private personas.
Adele's music video for "Someone Like You" depicts her walking alone through Paris, dressed in dark clothing to represent her feelings of loneliness and heartache after a breakup. Throughout the video, close-ups are used to show her sad facial expressions and eyes looking down. The monotone color palette and lack of other characters reinforce her isolation. At the end, a male character walks away from her, representing her ex who has left her life. The video utilizes a narrative structure and symbolic imagery like her solitary walk to visually portray the themes of loss, grief, and moving on from a past relationship expressed in the song's lyrics.
This document contains a student's music video assignment which includes ideas and research for three potential music video concepts - "Hello" by Adele, "Shotgun" by George Ezra, and "Someone Like You" by Adele. It also analyzes the camera work, editing, art design, and performances in existing music videos for "Ocean Eyes" by Billie Eilish, "I'm Not the Only One" by Sam Smith, and "Night Changes" by One Direction. Finally, it lists some potential songs and camera techniques that could be used for the assignment.
The document outlines Jack Hurst's ideas for a music video assignment, including potential ideas, songs, and techniques. It provides summaries and analyses of other artists' music videos to help inform Jack's own work. The document also includes a mind map of ideas and details Jack's final chosen idea—to create an interpretive music video for Harry Styles' song "Watermelon Sugar" using watermelons as the main focus and changing scenes throughout the video.
The document outlines a student's music video assignment for the song "Watermelon Sugar" by Harry Styles. It includes brainstorming ideas for the video, analyzing camera techniques, editing, art design, and lighting in other artists' music videos. The student settles on a concept of using watermelons as performers to explore different uses of watermelons and berries through cutting, carving, and smashing scenes set to the song.
The document outlines a student's music video assignment for the song "Watermelon Sugar" by Harry Styles. It includes brainstorming ideas for the video, analyzing camera techniques, editing, art design, and lighting in other artists' music videos. The student then develops their own concept using watermelons as props to represent exploring new uses for objects through different scenes with carving, cutting, and smashing watermelons set to the song.
This document contains research and ideas for a music video assignment. It includes:
- Three ideas for interpreting the song "Hello" by Adele through different music video styles.
- Bullet point summaries of five existing music videos analyzing camerawork, editing, art design, and how they could influence the assignment. The analyzed videos are by George Ezra, Adele, Billie Eilish, Sam Smith, and One Direction.
- The research will help develop the student's own music video ideas and incorporate techniques seen in other successful videos.
The music video uses medium shots and close ups to tell a narrative about a man's relationship with a woman represented as "icebox" or cold heart. Black and white colors and a recurring clock motif symbolize time running out in his efforts to understand the woman, who is portrayed as the source of his problems rather than the solution. The video ends where it begins, continuing the circular theme.
The document summarizes and analyzes three music videos:
1) "Hello" by Adele, which uses dark colors and close-ups to convey loneliness and regret over a breakup.
2) "Shut Up" by Stormzy, a live performance-style grime music video filmed in an urban setting with friends, showing the artist's popularity.
3) "Everybody's Fool" by Evanescence, a narrative video portraying an unhappy model who hides her true feelings behind a glamorous public image. Lighting is used to contrast her public and private personas.
Adele's music video for "Someone Like You" depicts her walking alone through Paris, dressed in dark clothing to represent her feelings of loneliness and heartache after a breakup. Throughout the video, close-ups are used to show her sad facial expressions and eyes looking down. The monotone color palette and lack of other characters reinforce her isolation. At the end, a male character walks away from her, representing her ex who has left her life. The video utilizes a narrative structure and symbolic imagery like her solitary walk to visually portray the themes of loss, grief, and moving on from a past relationship expressed in the song's lyrics.
The document provides a detailed summary and analysis of scenes from a short romantic comedy film titled "The Date". It summarizes key details about each scene, including how they advance the plot and build humor or drama through techniques like music, lighting, shot composition and pacing of edits. In the end, right before his date arrives, the protagonist discovers that he has eaten all the food he had prepared for their meal due to being stood up. The film leaves the outcome as a cliffhanger by ending on the sound of the doorbell.
Music video evaluation loyle carner ~ sun of jeanMolly Turner
The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.
Music video Evaluation - The Lumineers 'Cleopatra' Molly Turner
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
The document provides a summary and analysis of the music video for the song "Apologize" by OneRepublic. It notes that the video begins with an extreme close-up of a fancy pen writing the song title on old paper. It then cuts to a close-up of a woman holding a letter, and an extreme close-up of her eye, showing her emotions. Further shots include a close-up of a piano and someone's hands playing, as well as quick cuts between close-ups of instruments as the song begins. Lighting is used effectively to make objects and faces stand out from the otherwise dark backgrounds.
The music video depicts a man expressing his feelings for a girl through dance and rhyme. It shows his struggles and efforts to get the girl, from singing alone in his home to dancing with her at the end. Various camera techniques like close-ups and changing angles are used. The lighting remains dim throughout to set the mood. The video serves as an example of techniques used in R&B music videos.
The music video for "Safe & Sound" by Taylor Swift and The Civil Wars uses lighting, settings, costumes, camera angles, and props to symbolically represent the song's themes of death and loss. The video begins in a cabin at night and shows the artist walking alone through dark fields and forests. Darker lighting creates a somber mood, while brighter lighting suggests hope. Isolated natural settings like fields and forests portray the artist's loneliness. Her white nightgown and the male singer's dark clothing further symbolize themes of innocence, death, and loss. Camera angles are used to show the artist's emotions and make the audience feel like they are experiencing the story. A key prop, a metal brooch pin
Music video evaluation - Jake Bugg 'Two Fingers'Molly Turner
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
This document provides an analysis of various music video shots and techniques used in indie pop music videos that inspired and informed the creation of the author's own music video. The author summarizes shots and techniques they found effective from music videos by artists like Hayley Kiyoko, Melanie Martinez, MS MR, and Bjorn. These include close-ups, two-shots, point-of-view shots, the use of props, color grading, and more. The author explains how they incorporated similar shots and techniques into their own video to tell the narrative and convey emotion.
The document provides an analysis of Sia's "Chandelier" music video, directed by Daniel Askill. It summarizes that the video tells an autobiographical story about Sia's struggles with alcoholism and substance abuse through Maddie's interpretive dance. Scenes depict the emptiness of addiction and illusion of escape through partying. Various camera techniques like long shots, close-ups, and zooms are used to emphasize Maddie's fragile mental state and the bleak, repetitive nature of addiction. Mise-en-scene elements like plain clothing, dim lighting, and run-down props further reflect Sia's inner turmoil.
Daniel Askill is a music video director born in 1977 in Sydney, Australia. He studied visual communication and has a background in film, video, music composition, and performance. He has directed many music videos for artists like Sia and Phoenix. His videos are visually engaging and use experimental camerawork, lighting, costumes, and editing techniques to tell stories. For example, his video for Sia's "Breathe Me" uses 2500 polaroids to depict the daily struggles of living with mental health issues. Askill aims to convey important messages through his creative direction in a way that can both entertain and empower viewers.
Music video analysis one direction story of my lifeshaunaeleacy
The music video uses various camera techniques and editing to tell a story and appeal to its target audience of 5-19 year olds. It starts with close-up shots introducing each band member before cutting between their scenes. It then shows recreations of old photos of the band members, with them overlaying as adults. The video cuts between the photos and band members singing to recreate meaningful memories from their past. Overall it uses nostalgia and storytelling through photos to connect to its young target audience.
This document discusses conventions and theories related to music video analysis. It summarizes how the author's music video conforms to various conventions for indie pop music videos. Some key conventions it follows include having locations that are simple, like houses and gardens; having the artist lip-sync to promote their image and lyrics; and using filters and color grading to set mood. Narrative theories the video draws from include having an inferred story formed from explicit events, and having both a narrative and performance elements as defined by Sven Carlson's theory of music video structure.
Melina Matsoukas (Music Video Director)lucierebekah
This document provides background information on music video director Melina Matsoukas. It discusses some of her most notable music videos for artists like Beyoncé, Rihanna, and Lady Gaga. It then analyzes Matsoukas' directing style, noting her use of close-ups, point-of-view shots, experimental lighting and settings, and editing techniques like parallel editing to move the story along. Matsoukas aims to immerse viewers in the emotions of the music through creative camerawork and visuals.
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
Selena Gomez's song "The Heart Wants What It Wants" describes her struggling with her emotions in a relationship. The introduction shows her alone and feeling lonely as she deals with the situation by herself. Throughout the song, she expresses that there are reasons she should end it but her heart wants to stay with her boyfriend despite becoming unhappy. In the video, she is shown crying while unable to escape the relationship. Near the end, it depicts happy memories with him but acknowledges there won't be a happy ending. The song expresses that she can't imagine life without him, even as she knows he isn't good for her.
The document discusses the influences and intentions for a music video. It was inspired by other calm, narrative-light music videos that feature journeys. It aims to have a simple, minimal style to match the simple lyrics, using stark locations and minimal lighting. The concept developed to feature a character or metaphor of "Silver Light" leading the singer from a dark location to a natural landscape. Shots from unusual angles through shadows and blurred views that create mystery are also influences to make the video more unique.
The document discusses the influences and intentions for a music video. It was inspired by Gabrielle Aplin's "Home" video to have a calm, narrative-light journey. References to light and dark in the song's lyrics and the use of minimal lighting in "Ho Hey" and "Little Lion Man" influenced the idea of something simple and minimal. The countryside/journey theme from other videos also appealed as it fits the genre, though combining it with sophisticated elements seemed difficult initially. Relistening helped develop the concept of a "Silver Light" character guiding the singer from a dark location to a natural landscape. Random shots from unusual angles in other videos, like through shadows and blurs, provided the goal of looking at
The short film The Date is a romantic comedy with no dialogue. It follows a man preparing for a date at his home. Through his facial expressions and actions, it's clear he is excited and nervous. However, when his date doesn't show up, he eats all the food and drinks the whole bottle of wine in depression. Just then, he gets a text that his date is on her way, but there is no food or wine left for her. The film ends on a cliffhanger as the date arrives at his door.
This document is a script for a music video. It provides 35 scenes with descriptions of shots that will make up the music video. The video will tell the story of a relationship from meeting to breaking up through these scenes. It begins with the couple meeting in a cafe and showing happy memories together. It then shows the relationship deteriorating as they argue. Scenes show the girl alone and upset after the breakup. Shots include the couple being happy together in a park and cafe, arguing, and the girl crying over a photo of the two of them after the breakup. The video uses these shots to depict the relationship from beginning to end through the story of the song.
The video begins with dull, dark scenes setting a gloomy atmosphere. Shots include extreme close-ups of the singer's intense facial expressions and quick cuts representing chaos. Throughout, various band members are shown performing in black and white amidst red props suggesting a rock genre. Colors and props provide cues about the music while facial expressions and movements depict the emotions of playing.
This document outlines the pre-production planning for a music video assignment. It includes research on song selection and video styles, the development of three initial video ideas, and planning tasks such as selecting a location, creating a shot list and storyboard, and conducting a risk assessment. The key details are:
- Three initial video ideas were developed for the Adele song "Hello" based on different styles or narratives.
- Research was conducted on existing music videos, analyzing elements like camerawork, editing, art design and how they could influence the project.
- Pre-production planning includes selecting a song, developing a visual concept, breaking down the song structure and matching it to planned shots and scenes.
The document discusses four music videos that served as inspirations for the creators' own video: "Clown" by Emeli Sandé, "Someone Like You" and "Hello" by Adele, and "Nothing Compares 2U" by Sinéad O'Connor. The videos all have a common theme of being dull, old fashioned, in black and white, and performance based. Specifically, the document highlights the use of close-ups, low camera angles, dim lighting, direct eye contact, and simplicity/minimalism as techniques that the creators want to emulate in their own video to portray sadness and emotion.
The document provides a detailed summary and analysis of scenes from a short romantic comedy film titled "The Date". It summarizes key details about each scene, including how they advance the plot and build humor or drama through techniques like music, lighting, shot composition and pacing of edits. In the end, right before his date arrives, the protagonist discovers that he has eaten all the food he had prepared for their meal due to being stood up. The film leaves the outcome as a cliffhanger by ending on the sound of the doorbell.
Music video evaluation loyle carner ~ sun of jeanMolly Turner
The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.
Music video Evaluation - The Lumineers 'Cleopatra' Molly Turner
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
The document provides a summary and analysis of the music video for the song "Apologize" by OneRepublic. It notes that the video begins with an extreme close-up of a fancy pen writing the song title on old paper. It then cuts to a close-up of a woman holding a letter, and an extreme close-up of her eye, showing her emotions. Further shots include a close-up of a piano and someone's hands playing, as well as quick cuts between close-ups of instruments as the song begins. Lighting is used effectively to make objects and faces stand out from the otherwise dark backgrounds.
The music video depicts a man expressing his feelings for a girl through dance and rhyme. It shows his struggles and efforts to get the girl, from singing alone in his home to dancing with her at the end. Various camera techniques like close-ups and changing angles are used. The lighting remains dim throughout to set the mood. The video serves as an example of techniques used in R&B music videos.
The music video for "Safe & Sound" by Taylor Swift and The Civil Wars uses lighting, settings, costumes, camera angles, and props to symbolically represent the song's themes of death and loss. The video begins in a cabin at night and shows the artist walking alone through dark fields and forests. Darker lighting creates a somber mood, while brighter lighting suggests hope. Isolated natural settings like fields and forests portray the artist's loneliness. Her white nightgown and the male singer's dark clothing further symbolize themes of innocence, death, and loss. Camera angles are used to show the artist's emotions and make the audience feel like they are experiencing the story. A key prop, a metal brooch pin
Music video evaluation - Jake Bugg 'Two Fingers'Molly Turner
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
This document provides an analysis of various music video shots and techniques used in indie pop music videos that inspired and informed the creation of the author's own music video. The author summarizes shots and techniques they found effective from music videos by artists like Hayley Kiyoko, Melanie Martinez, MS MR, and Bjorn. These include close-ups, two-shots, point-of-view shots, the use of props, color grading, and more. The author explains how they incorporated similar shots and techniques into their own video to tell the narrative and convey emotion.
The document provides an analysis of Sia's "Chandelier" music video, directed by Daniel Askill. It summarizes that the video tells an autobiographical story about Sia's struggles with alcoholism and substance abuse through Maddie's interpretive dance. Scenes depict the emptiness of addiction and illusion of escape through partying. Various camera techniques like long shots, close-ups, and zooms are used to emphasize Maddie's fragile mental state and the bleak, repetitive nature of addiction. Mise-en-scene elements like plain clothing, dim lighting, and run-down props further reflect Sia's inner turmoil.
Daniel Askill is a music video director born in 1977 in Sydney, Australia. He studied visual communication and has a background in film, video, music composition, and performance. He has directed many music videos for artists like Sia and Phoenix. His videos are visually engaging and use experimental camerawork, lighting, costumes, and editing techniques to tell stories. For example, his video for Sia's "Breathe Me" uses 2500 polaroids to depict the daily struggles of living with mental health issues. Askill aims to convey important messages through his creative direction in a way that can both entertain and empower viewers.
Music video analysis one direction story of my lifeshaunaeleacy
The music video uses various camera techniques and editing to tell a story and appeal to its target audience of 5-19 year olds. It starts with close-up shots introducing each band member before cutting between their scenes. It then shows recreations of old photos of the band members, with them overlaying as adults. The video cuts between the photos and band members singing to recreate meaningful memories from their past. Overall it uses nostalgia and storytelling through photos to connect to its young target audience.
This document discusses conventions and theories related to music video analysis. It summarizes how the author's music video conforms to various conventions for indie pop music videos. Some key conventions it follows include having locations that are simple, like houses and gardens; having the artist lip-sync to promote their image and lyrics; and using filters and color grading to set mood. Narrative theories the video draws from include having an inferred story formed from explicit events, and having both a narrative and performance elements as defined by Sven Carlson's theory of music video structure.
Melina Matsoukas (Music Video Director)lucierebekah
This document provides background information on music video director Melina Matsoukas. It discusses some of her most notable music videos for artists like Beyoncé, Rihanna, and Lady Gaga. It then analyzes Matsoukas' directing style, noting her use of close-ups, point-of-view shots, experimental lighting and settings, and editing techniques like parallel editing to move the story along. Matsoukas aims to immerse viewers in the emotions of the music through creative camerawork and visuals.
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
Selena Gomez's song "The Heart Wants What It Wants" describes her struggling with her emotions in a relationship. The introduction shows her alone and feeling lonely as she deals with the situation by herself. Throughout the song, she expresses that there are reasons she should end it but her heart wants to stay with her boyfriend despite becoming unhappy. In the video, she is shown crying while unable to escape the relationship. Near the end, it depicts happy memories with him but acknowledges there won't be a happy ending. The song expresses that she can't imagine life without him, even as she knows he isn't good for her.
The document discusses the influences and intentions for a music video. It was inspired by other calm, narrative-light music videos that feature journeys. It aims to have a simple, minimal style to match the simple lyrics, using stark locations and minimal lighting. The concept developed to feature a character or metaphor of "Silver Light" leading the singer from a dark location to a natural landscape. Shots from unusual angles through shadows and blurred views that create mystery are also influences to make the video more unique.
The document discusses the influences and intentions for a music video. It was inspired by Gabrielle Aplin's "Home" video to have a calm, narrative-light journey. References to light and dark in the song's lyrics and the use of minimal lighting in "Ho Hey" and "Little Lion Man" influenced the idea of something simple and minimal. The countryside/journey theme from other videos also appealed as it fits the genre, though combining it with sophisticated elements seemed difficult initially. Relistening helped develop the concept of a "Silver Light" character guiding the singer from a dark location to a natural landscape. Random shots from unusual angles in other videos, like through shadows and blurs, provided the goal of looking at
The short film The Date is a romantic comedy with no dialogue. It follows a man preparing for a date at his home. Through his facial expressions and actions, it's clear he is excited and nervous. However, when his date doesn't show up, he eats all the food and drinks the whole bottle of wine in depression. Just then, he gets a text that his date is on her way, but there is no food or wine left for her. The film ends on a cliffhanger as the date arrives at his door.
This document is a script for a music video. It provides 35 scenes with descriptions of shots that will make up the music video. The video will tell the story of a relationship from meeting to breaking up through these scenes. It begins with the couple meeting in a cafe and showing happy memories together. It then shows the relationship deteriorating as they argue. Scenes show the girl alone and upset after the breakup. Shots include the couple being happy together in a park and cafe, arguing, and the girl crying over a photo of the two of them after the breakup. The video uses these shots to depict the relationship from beginning to end through the story of the song.
The video begins with dull, dark scenes setting a gloomy atmosphere. Shots include extreme close-ups of the singer's intense facial expressions and quick cuts representing chaos. Throughout, various band members are shown performing in black and white amidst red props suggesting a rock genre. Colors and props provide cues about the music while facial expressions and movements depict the emotions of playing.
This document outlines the pre-production planning for a music video assignment. It includes research on song selection and video styles, the development of three initial video ideas, and planning tasks such as selecting a location, creating a shot list and storyboard, and conducting a risk assessment. The key details are:
- Three initial video ideas were developed for the Adele song "Hello" based on different styles or narratives.
- Research was conducted on existing music videos, analyzing elements like camerawork, editing, art design and how they could influence the project.
- Pre-production planning includes selecting a song, developing a visual concept, breaking down the song structure and matching it to planned shots and scenes.
The document discusses four music videos that served as inspirations for the creators' own video: "Clown" by Emeli Sandé, "Someone Like You" and "Hello" by Adele, and "Nothing Compares 2U" by Sinéad O'Connor. The videos all have a common theme of being dull, old fashioned, in black and white, and performance based. Specifically, the document highlights the use of close-ups, low camera angles, dim lighting, direct eye contact, and simplicity/minimalism as techniques that the creators want to emulate in their own video to portray sadness and emotion.
Tom Holmes-Wright (17) will perform the song in the music video playing guitar and singing, looking sad over a breakup with his girlfriend Elleah Stanton (17). Elleah (17) will appear in home video clips from when they were together, while Tom performs separately in black and white to show his depression over the breakup. The video will cut between Tom's somber performance and happy home video clips to contrast their current separation with memories of their relationship.
This document provides analysis of several music videos through summaries of individual scenes:
- The beginning scene of one video uses a blue tint and wave sounds to set a moody, nighttime tone as the man has empty vodka bottles, relating to his low mood.
- Another video shows a woman doing laundry, which contrasts with her personality as she dances and escapes boredom. She always seems to be waiting for things to happen.
- A video about violence in America depicts a shooting in a church to show how unexpected violence can be and to bring awareness to the issue. It shows people happily dancing before the shooter takes action.
The video uses various camera techniques and motifs to portray themes of love, heartbreak, and self-awareness. Various shots like close-ups, over-the-shoulder, and point-of-view are used to show Adele's emotions. Flashbacks and slow motion add drama. Low-key lighting and a black-and-white filter create a mature and melancholy mood. Natural scenery like grasslands and lakes portray Adele's growth from despair to strength.
The document provides analyses of music videos by Adele, Ellie Goulding, and Girls Aloud. For Adele's "Make You Feel My Love", it describes representations of heartbreak through a dark hotel room setting and body language. For Ellie Goulding's "Your Song", it finds representations of happiness through smiling, nature scenes, and animals. For Girls Aloud's "The Promise", it describes representations of 1960s-1970s stereotypes through fashion, flirtatious behavior, and gender roles.
The document provides analyses of music videos by Adele, Ellie Goulding, and Girls Aloud. For Adele's "Make You Feel My Love", it describes representations of heartbreak through a dark hotel room setting and body language. For Ellie Goulding's "Your Song", it finds representations of happiness through smiling, nature scenes, and animals. For Girls Aloud's "The Promise", it describes representations of 1960s-1970s stereotypes through fashion, flirtatious behavior, and gender roles.
The document discusses the production choices made in creating a music video and related promotional materials. Several scenes from the video are described, showing the artist singing to the camera or interacting with a girl, with plain backgrounds and lighting focused on the subjects. Photos for the album packaging and magazine ad similarly isolate the artist using close-ups, spot lighting, and plain backgrounds. The goal was to draw attention to the artist and story of a relationship ending to elicit empathy from viewers.
The document analyzes the cinematography techniques used in music videos for several popular songs. It discusses elements like camera shots, lighting, mise-en-scene, and how they help convey the themes and moods of the songs. For each video, it describes the camera shot, lighting, mise-en-scene elements, and provides a brief context about the narrative or message of the song. The document aims to understand how visual elements in music videos complement and enhance the listening experience.
This document contains descriptions of various shots from a music video along with promotional materials for it. The shots described include long shots establishing scenery, close-ups of the artist and actress showing emotion, and shots using natural lighting to continue the dark, mysterious theme of indie/rock genre. Promotional items like the digipack and magazine ad also feature close-ups of the artist in similar dark lighting to maintain consistency with the video's theme.
The document analyzes different elements of editing, lighting, and costumes in Lana Del Rey's music video for "Young and Beautiful". It notes that the editing uses on-beat cuts to emphasize certain lyrics. Slow pacing is used to suggest she will always have support. Lighting uses low key tones to show mourning of lost beauty but colors represent emotions. Her black dress sets a mournful tone and is viewed under different lights to take on additional meanings.
This document provides a summary of Adele's song "Someone Like You" including details about the artist, length, release date, producers, writers, genres, and a breakdown of the music video conventions and mise-en-scene. The music video tells a narrative story through Adele's facial expressions and lonely walking shots of her in Paris shown through various camera shots including close-ups, wide shots, and panning shots. It creates a dull mood through its black and grey color scheme and casual portrayal of Adele to match the song's theme of a broken relationship.
This document provides a summary of the music video for Adele's song "Someone Like You". Key details include:
- The video features Adele walking alone on the streets of Paris, conveying loneliness through her casual appearance and the city's monotone color scheme.
- Scenes show her facial expressions and the Eiffel Tower in the background to establish the location.
- Towards the end, a male is seen walking away from Adele, representing the relationship ending discussed in the song's lyrics.
Here are some concept boards and pre-visualization ideas for the music video:
- Opening shots of the city at night with neon lights and old school filter to set the scene
- Close up shots of the characters looking happy and in love with each other
- Split screen shots showing both characters together exploring the city holding hands
- Establishing shots of outdoor locations like parks, streets without people to show them alone
- Indoor shots of them dancing together intimately in dimly lit rooms
- Close ups of them writing in notebooks or on phones to show their connection
- Gradual changes in lighting and filters to transition from reality to the girl's imagination
- Ending shots of the girl alone
- The music video will tell the story of a girl imagining herself in a relationship with a guy who barely knows her.
- It will use different locations in Leeds and switch between scenes of them together and the girl alone in her bedroom writing in her diary.
- The video will have an "old school" visual effect to portray the girl's fantasies and will include changes in lighting and costumes between casual everyday outfits.
- Storyboarding and shot lists will be used to plan sequencing and visualize how the visuals relate to the song. Inspiration boards exploring color, lighting, and "mise-en-scene" will also help develop the concept.
Music videos use various camera techniques, lighting, location, costumes, and props to engage viewers and represent the themes and narratives of the songs. Common elements include close-up and long shots using camera movements like tilts and pans. Mise-en-scene includes strategic use of clothing, makeup, lighting, and locations. Videos also employ jump cuts and incorporate props that relate to the song lyrics to fit the narrative within the time of the music.
Mv assignment (not theory) pro forma (1)ollytaylor1
This document provides guidance for a music video assignment. It includes a template presentation for students to complete with sections for idea generation, research, and pre-production. The template suggests students select a song, generate three video ideas with different styles, and research existing music videos by analyzing techniques. It also prompts adding details like mind maps, screenshots, and visuals to the presentation.
The document provides guidance for a music video assignment, including sections to generate ideas, research other music videos, and analyze techniques. It suggests selecting a song, developing three ideas interpreting it differently, and researching a minimum of five videos by noting camera work, editing, art design, performance, and how they relate to the group's production. Example analyses of five music videos are provided, highlighting elements like camera style, editing, use of color, lyrics display, and focus on artist performance.
The document provides guidance for a music video assignment, including templates for idea generation, research, and pre-production assessment. It suggests students select a song and develop 3 ideas for interpreting it in different styles or techniques seen in previous lessons. The pre-production section prompts students to assess the viability of their idea by investigating typical costs and the equipment or resources needed.
The document provides guidance for a music video production assignment, including templates and requirements for different stages of pre-production. It outlines sections to develop ideas, research conventions, choose a song to focus on, and assess the viability of production plans. Students are directed to customize the template by adding their own work and removing placeholder text and slides as they progress through pre-planning their music video.
This document outlines an idea for a knitting magazine. The creator wants to expand their graphic design portfolio and try a unique design project on a topic they are passionate about - knitting. They hope the magazine will inspire people to take up knitting and help normalize it as a hobby for men. The magazine's style will be crafty yet bold to reflect the creativity of knitting. It will have a minimalist layout merged with a wide color scheme to achieve a balance of simple and busy aesthetics. This style choice is meant to portray that knitting can be both colorful and simple.
This document outlines an idea for a fitness magazine that would celebrate people's hard work and body image in order to help those uncomfortable with their bodies see what can be achieved. The creator wants to research existing fitness magazines for inspiration and experiment with photography techniques like lighting, coloring, and composition as they have no prior modeling experience. They envision a minimal, monochrome style with occasional color accents to highlight key aspects and a darker tone to represent the mental strength of working out and make the magazine appeal to both men and women. The goal is to motivate the audience by showing what different bodies can achieve through fitness.
The document discusses a student's final major project idea involving illusion photography. The student wants to create prints for posters and magazines using perspective and size manipulation to play with how images are perceived. The goal is to develop photography and Photoshop skills while getting audiences to think differently about perspective through a cartoony style with small figures.
The artist proposes a series of prints featuring a single color or range of shades. They are interested in exploring color theory and see potential in different ways color can be used. Research will focus on existing color-based art projects and how they incorporate prints. The goal is for viewers to notice color more in everyday life rather than screens. The project style will involve minimal photography and an emphasis on post-production to create a range of shades or colors within a shade. This style was chosen to allow more focus on the post-production phase.
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college which has developed his graphic design and software skills. Jack has work experience in restaurants and cafes and plays tennis and netball. He is interested in entrepreneurship, property development, and graphic design as future careers. University will allow him to further develop the skills needed for these fields.
Jack Hurst is applying to study Management and Entrepreneurship BA (Hons) or Graphic Design BA (Hons) at York St John University. He achieved strong GCSE results including grades 7-9 in subjects like English, Maths, and Science. Currently, he is studying an Extended Diploma in Creative Media at college where he is gaining skills in software like Photoshop. Jack has work experience in restaurants and cafes and plays tennis and netball. He believes either course will help him to pursue his goals of starting his own business or becoming a graphic designer.
This document discusses plans for a new energy drink brand called Pronto Punch. It considers options for can designs for original and orange flavors, looking at packaging of existing brands. Ideas are presented for the logo, can design, and font. A marketing plan is outlined, targeting 16-30 year olds, especially males. Research shows the global energy drink market was worth $53 billion in 2018 and is projected to grow to $86 billion by 2026. Social media strategies of top brands like Red Bull and Monster are analyzed, with both relying heavily on Twitter promotion.
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college where he is gaining skills in software like Photoshop. Jack wants to start his own business and ultimately go into property development. He believes the management course will help with this goal or allow him to become a manager. His other option is graphic design which he enjoys from his current course. Jack has relevant work experience and plays sports, helping him work individually and collaboratively. He is looking forward to focusing his studies at university.
The document provides instructions for a series of photography experiments to improve DSLR and photography skills. It includes experiments on composition techniques like the Rule of Thirds, as well as challenges to take photos of shadows, reflections, close-ups, different angles of one object, textures, different colors, and using negative space. Learners are instructed to take example photos for each section and may take multiple shots to choose from.
The document provides instructions for a series of photography experiments to improve DSLR and photography skills. It includes experiments on composition techniques like the Rule of Thirds, as well as subjects like shadows, reflections, close-ups, textures, and colors. For each experiment, photographers are instructed to take example photos applying the given technique or capturing the specified subject, and add them to presentation slides.
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college where he has developed skills in software like Photoshop. Jack wants to start his own business and ultimately go into property development. He believes the management course will help with this goal or allow him to become a manager. His other option is graphic design which he has enjoyed exploring in his current course. Jack has relevant work experience in restaurants and cafes. He plays sports individually and on teams, helping skills like working independently and collaboratively. University will allow him to specialize and
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college where he has developed skills in software like Photoshop. Jack wants to start his own business and ultimately go into property development. He believes the management course will help with this goal or allow him to become a manager. His other option is graphic design which he has enjoyed exploring in his current course. Jack has relevant work experience in restaurants and cafes. He plays sports individually and on teams, helping skills like working independently and collaboratively. University will allow him to specialize and
Jack Hurst conducted research on existing clothing brands to inform the planning and production of his own brand. He analyzed websites, photos, products, and advertisements to develop ideas. Audience research provided insights into target demographics and pricing. Planning included a production schedule, designs, website structure, photos, and safety protocols. Time was managed well, allowing extra work like posters to be completed ahead of deadlines. Overall, thorough research and planning supported effective time management and successful completion of the production project.
The document provides details of the logo design process for a brand called "Let The Sun Smile". Key points include:
- The brand name and slogan were chosen as "Let The Sun Smile" and "Let's Smile As One" respectively after considering various options.
- The logo was designed in Photoshop with an orange sun outline and lowercase text. Various color options for the logo were created.
- T-shirt designs pairing the logo with words related to mental health in different colors were made. Product photos of the t-shirts were taken.
- A website template was chosen and adapted to the brand with orange accents, logo placement, and slideshows of the product collection
The document provides a summary of the website for the clothing brand Future Self. Key points include:
- The website has a minimal, monochrome design with white, black and photos to draw attention.
- Product categories are shown through an initial slideshow and additional sections.
- Photos on the website were taken during outdoor photo shoots with natural lighting.
- Individual product pages could be improved by making the pages longer and adding social media.
- The brand's Instagram utilizes photos from shoots and color schemes to showcase new collections.
- Looking at other brands' websites provided inspiration for designing accessible and visually appealing pages.
Jack Hurst is planning a pre-production process for creating a clothing brand to raise awareness of mental health issues. He will design t-shirt prints, take product photos in a studio, and conduct an outdoor photo shoot. He will use the photos for his website and to create a video advertisement. Hurst has created a production schedule spanning 5 weeks to design the products, take the photos, build the website, and finish the video advert. He has also drafted plans for the photo shoots, website design, and contingency measures in case of technical issues.
Jack Hurst proposes a project to create a clothing brand called "let us see your smile" from March to June 2021. The project will involve web design, photography, and print and video advertising. Jack will design t-shirts, take photos for the website, and create a promotional video advert. He will use software like Premiere Pro and After Effects. The goal is to spread positivity and help people's mental health during lockdown. Jack will evaluate the project weekly with a diary and provide a final evaluation of each part and the overall project.
Jack Hurst has been working on various elements of his FMP project over 5 weeks. He completed initial proposals, research on existing products, and audience research through a survey. This helped him develop and expand his ideas. In later weeks, he designed his brand logo, planned his product designs and photo shoot, and created a production schedule. He feels his research and planning has helped his project progress well.
The document provides details of the logo design process for a brand called "Let The Sun Smile". Key points include:
- The brand name and slogan were chosen as "Let The Sun Smile" and "Let's Smile As One" respectively after considering various options.
- The logo was designed in Photoshop with an orange sun outline and lowercase text. Various color options for the logo were created.
- T-shirt designs pairing the logo colors with positive words were made using transfer paper. Product photos of the designs were taken.
- A website template was chosen and adapted to the brand with orange accents, logo placement, and slideshows of the product collection.
This document contains a production log for Jack Hurst detailing the process of developing a brand name, slogan, and logo for a new company focused on promoting positivity and community. Several potential brand names are considered before settling on "Let The Sun Smile". Accompanying slogans are then developed and matched to the chosen name. Different logo designs are sketched out and refined in Photoshop before finalizing colored and monochrome versions. Initial t-shirt designs are also explored by selecting an appropriate font and pairing it with words representing the brand's message.
How to Setup Default Value for a Field in Odoo 17Celine George
In Odoo, we can set a default value for a field during the creation of a record for a model. We have many methods in odoo for setting a default value to the field.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
Information and Communication Technology in EducationMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 2)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐈𝐂𝐓 𝐢𝐧 𝐞𝐝𝐮𝐜𝐚𝐭𝐢𝐨𝐧:
Students will be able to explain the role and impact of Information and Communication Technology (ICT) in education. They will understand how ICT tools, such as computers, the internet, and educational software, enhance learning and teaching processes. By exploring various ICT applications, students will recognize how these technologies facilitate access to information, improve communication, support collaboration, and enable personalized learning experiences.
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐫𝐞𝐥𝐢𝐚𝐛𝐥𝐞 𝐬𝐨𝐮𝐫𝐜𝐞𝐬 𝐨𝐧 𝐭𝐡𝐞 𝐢𝐧𝐭𝐞𝐫𝐧𝐞𝐭:
-Students will be able to discuss what constitutes reliable sources on the internet. They will learn to identify key characteristics of trustworthy information, such as credibility, accuracy, and authority. By examining different types of online sources, students will develop skills to evaluate the reliability of websites and content, ensuring they can distinguish between reputable information and misinformation.
A Free 200-Page eBook ~ Brain and Mind Exercise.pptxOH TEIK BIN
(A Free eBook comprising 3 Sets of Presentation of a selection of Puzzles, Brain Teasers and Thinking Problems to exercise both the mind and the Right and Left Brain. To help keep the mind and brain fit and healthy. Good for both the young and old alike.
Answers are given for all the puzzles and problems.)
With Metta,
Bro. Oh Teik Bin 🙏🤓🤔🥰
CapTechTalks Webinar Slides June 2024 Donovan Wright.pptxCapitolTechU
Slides from a Capitol Technology University webinar held June 20, 2024. The webinar featured Dr. Donovan Wright, presenting on the Department of Defense Digital Transformation.
Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.pptHenry Hollis
The History of NZ 1870-1900.
Making of a Nation.
From the NZ Wars to Liberals,
Richard Seddon, George Grey,
Social Laboratory, New Zealand,
Confiscations, Kotahitanga, Kingitanga, Parliament, Suffrage, Repudiation, Economic Change, Agriculture, Gold Mining, Timber, Flax, Sheep, Dairying,
🔥🔥🔥🔥🔥🔥🔥🔥🔥
إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
💀💀💀💀💀💀💀💀💀💀
تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
🔥🔥🔥🔥🔥🔥🔥🔥🔥
3. Hello by Adele
Idea 1 - joke Idea 2 - family Idea 3 - mirror
Have a conversation to a
friend and start arguing.
Making a joke that they are
on the phone. Talk/sing the
song as you having a
conversation with a friend
walking around town and
you get into an argument
with them. You walk round
the corner to see your
friend and you slowly put
the phone down and talk to
them but they leave at the
end and you can’t move as
you are too sad, you move
as you might not see them
again.
All in black and white until
you meet your friend where
it turns coloured but when
they leave you it goes back
to black and white. The
camera shots will be close
ups of you/your friend
speaking or breathing
Someone coming out of
prison trying to gain
someone’s trust.
You are settling into a home
with their sister, as you
have been let out of prison,
who has let them stay in her
house, but she hasn’t
forgiven them for hurting
her boyfriend. They are
trying to gain the trust of
their sister again who isn’t
wanting to be close to you.
The interior of the house is
homely and warm, but you
and your sister are wearing
darker close to show that
you are in a darker place
and you have made her
have a negative look on life.
She wants to be like her
home, warm and happy but
she can’t when you are with
her.
Singing into a mirror as
they have hurt themselves.
The song is like a
conversation so the
reflection could be speaking
back to you as if they don’t
want to be listening to you.
The reflection could
disappear at the end
showing that you will
struggle to change back to
how you were when you
were happy.
The reflection could be
black and white whereas
you are coloured showing
you are becoming a better
person, and this is your last
chance for change.
4. GEORGE EZRA – SHOTGUN
(LYRIC VIDEO)Camera Shots – George only uses different backgrounds as he is
always in the centre of the shot. On certain beats the shot will
change to have a different background. He has done this to use
some of his lyrics with certain backgrounds e.g. in the yellow and
green.
Editing – George has used about 10 different scenes which have
been edited to swap on different beats for certain lyrics but
mainly uses any lyric with any scene. At the beginning of the
video just before he starts to sing, the shots quickly change
between 4 shots to draw attention to the video.
Art Design – All of George’s outfits are simple as they go with
any background and don’t take any attention away from him or
the lyrics. George is wearing casual clothing as the video is laid
back and he has only used a small amount of shots with little
movement. However in one scene George is wearing an outfit
which looks like he is going to be catching an alligator which he
mentions in his lyrics. Each scene has been picked out to ensure
there are lots of chances keeping the viewers attention. George
only has natural looking makeup on and his hair casually up
like he is wearing for a normal day. He hasn’t used any makeup
to compliment his video as he does not want to make it too
much.
My work – this could help me with my work as I have seen a
simple video that works just as well as a high production video.
This video hasn’t had a lot of time or money spent on it as only
about 10 scene are needed where he sings the whole song and
then chooses sections for each scene.
5. SOMEONE LIKE YOU - ADELE
Camera Shots – It looks like the whole video was done in one
shot as the cameraman follows Adele, but the separate shots
have been made into one by merging them together when
editing. At the end of the video the camera man spins around in
a full circle to show that her friend is walking away and then to
show how she reacts as it goes silent. In the last shot the camera
is wobbly whereas in the rest of the video the shot was smooth
and continuous. This has been done to show the emotion of
Adele as she is struggling with her loss.
Editing – The editing has been done cleverly because they have
merged different shots into one making it look continuous. This
could have been done reflect their old days were their happiness
was continuous until it stopped which is shown at the end of the
video where the shots are faded on top of each other. This shows
that their relationship is growing apart.
Art Design – The whole video is filmed in black and white as the
whole video is about loss and heart break. They have also added
black boarders to emphasises the video being in black and white
and to make it look more emotional for her loss and regret.
Adele has used a shop as the scene for her being left by her
friend. This could have been done to show that this can happen
to anyone wherever you are or how close your are to them.
My work – This could help my work as I could edit 2 shots
together to look like one continuous shot and to make the video
flow with the lyrics. I could also fade one shot on top of the other
if the song’s emotions link closely.
6. OCEAN EYES – BILLIE EILISH
Camera Shots – The camera doesn't look like it is moving as Billie
is in the centre of the shot through the whole video and she is
using small movement to emphasise the lyrics and emotion. In
some shots the camera becomes unfocused as she is moving and
the fog is in front of her.
Editing – Billie has used lots of fading between shots to create a
dizzy effect like she is being hit by waves by the ‘ocean’ at all
angles. The fading could also be used to show that she is cold
and struggling to warm up which is why her finger tips are
blue/purple.
Art Design – At the beginning of the video, the lighting is blue
which is associated with sadness and shyness. This could have
been used to set the emotion for the rest of the song as the light
turns purple. Purple is then used which is associated with power
and mystery which could mean that she has a lack of power and
doesn’t know what is around her. At the end of the video the
lighting becomes darker and duller which could show she feels
even more vulnerable than before. Billie has used a simple,
purple t-shirt to go with the purple lights behind making the fog
purple too. She has done this to possible show that she feels
cold from the ‘ocean’. Billie’s hair and makeup have been made
to look like she has been in the ocean and is struggling with
shock after the experience she has just had. Behind is a big
cloud of fog which could show she is lost as she can’t see
anywhere to escape which is why she is so emotional.
My work – this could help with my work by using colours to help
show the emotions of the lyrics and how the artist feels when
writing/singing that song.
7. I’M NOT THE ONLY ONE – SAM
SMITHCamera Shots – At the beginning the camera shots of just close ups
of her face which means she can show emotions easier. The shots
aren’t smooth when filming which could have been done to show the
pain and confusion each performer is going through. When she is
crying on the floor the camera shots are moving with her to show this
is so emotionally painful for her she can’t keep still.
Editing – the shots switch between him, her and Sam to emphasises
the lyrics with the acting and certain scenes. This has been done to
show the different perspectives from each performer and to see what
they aren’t showing each other.
Art Design – Sam is in front of a red curtain which could mean he is at
an important performance or it could reflect the love the couple had.
The colours contrast the emotions of the wife and husband. However,
the wife is depressed but is in a brighter scene whereas the husband
is happier but in a darker scene. The husband is in a darker scene to
reflect the secrets he is keeping from his wife. In the scenes with the
husband, the lighting is blue which could show the secrecy in those
scenes. The wife is dressed in a dress that looks like a wedding dress
and the husband is in a suit which could mean they have just got
married. When the wife is burning all of his clothes, normally a fire
represents warmth but in the situation is represents the pain that the
husband has caused.
Performance – the wife has shown lots of emotions in her day. She
won’t show her emotions to her husband as she knows what he has
done. Whereas the husband is in more positive mood as he doesn’t
care about how she feels.
My work – this could help me with my work by using costumes and
8. NIGHT CHANGES - ONE
DIRECTIONCamera Shots – the camera shots have been used to show the
perspective through their date’s eyes. Each shot is of one of
the member of 1D. They have used lots of movement in this
video to make it feel more like you are there with them on the
date.
Editing – they switch between all 5 dates to show all of the
events that happen and that they are all going well to end.
There hasn’t been any special editing effects added to keep
the video simple and to keep the focus on the dates.
Art Design – Each member have used different colours and
scenes to show their individual styles. Harry has used a dark
scene with areas lit up. Liam has used bright neon colours to
create a brighter scene whilst it being night time. Naill has
used browns, red and greens to create a warm snug scene.
Louis has used greens and blues to make their date brighter
and fresher. Zayn has used deeper colours to make the scene
more romantic.
Performance – each date starts out going very well but they all
end up being a bad date for them both.
My work – this could help me with my work as I could use the
perspective of other performers to tell a story or to make the
video more interesting.
9. POTENTIAL
SONGS
Falling – Harry Styles
Watermelon Sugar – Harry Styles
Bad Guy – Billie Eilish
Hostage – Billie Eilish
Paradise – George Ezra
10. POTENTIAL TECHNIQUES
Camera Shot – I would use a range of different camera shots to be able to use
them on the beat. I will use low, head height and high camera shots in my video
to make the video more interesting, as more is happening. I may also use the
camera to follow a certain item or body part, making them in the center of the
shot.
Angles – I would use a range of angles to highlight certain lyrics or to help tell a
story better. I will choose a main angle for the video depending on the tempo and
lyrics.
Movement – I will use lots of movement in my video if the song is quicker but if
the song is slower or doesn't have as many beats, I will keep the movement low.
Colours – I will use certain colours for certain moods and emotions in the songs.
For example, I will use blue for colder adder emotions and red for warmer
emotions.
Costume – I will keep my costumes casual and minimal were possible for a
cheaper production cost.
Performers – I may use some performers or use the movement of the camera to
show the motion in the story.
Editing – I will use different editing techniques to link the scenes and cuts to
certain lyrics, beats and emotions.
Lighting – I will use professional lights to have a clear image and to be able to
control the shadows. I will also use coloured filters to add to different scenes.
11. CONVENTIONS YOU PLAN TO
USECamera angles – I plan to use close ups when carving the
watermelon so the finished product will be revealed at the end of
the song to keep the viewer intersected.
Movement – I will move the camera with the knife when cutting the
watermelons as I don’t have any performers in the video. Using
movement will replace the movement of performers if I was using
some. I will use quick, slow and smooth shots for a range of scenes
to help tell the emotions/story. Overall I think I will mainly use slow,
smooth movement rather than quick, rough to go with the
smoother sounds.
Location – I will use natural scenes as I don’t have a high budget.
This will work well with the watermelon as I can use scenes that
reflect nature where it could have grown.
Colours – I will use a range of colours for each scene as they will
mean different things for each section of the song. For example, I
could use colder colours for when the watermelon is being smashed
and brighter colours when it is being served.
Editing – When editing I will make some shots blend with each other
to make the shots seem like one continuous movement. I can have
a play around with how to introduce transitions to the video.
13. SUMMARY – OPPORTUNITIES
The first opportunity is that I will have a chance to learn
what I goes into planning a music video and which
details I need to focus on to make the video high quality.
The second opportunity is that I will get to try out new
equipment when filming and editing the video which will
give me a wider use of the technology and software used
in video making.
The third opportunity is that I will be able to edit the
video with any effects to support the emotions/story and
I can choose which scenes go with which lyrics.
The fourth opportunity is that I have been able to
produce my own idea for a music video which I can
develop the skills I already know by having them as most
used techniques.
The fifth opportunity is that I will have made a whole
music video by myself for the first time from start to
finish.
14. SUMMARY – RESTRICTIONS
The first restriction is that I will not be able to have lots
of performers in my music video as we have Covid rules
for social distancing so I will have to use more objects
and camera movement.
The second restrictions is that I won't be able to use big
scene as I have a very small budget so I will have to use
locations around me.
The third restriction is that I have limited equipment as I
have a small budget. So again, I will have to use what I
have, to make a high-quality video.
The fourth restrictions is that I only have a small amount
of time to film the shots for the video so I won’t be able
to use lots of scenes, I will have to keep it simple.
The fifth restrictions is that I don’t have much experience
when it comes to cameras, so another restriction is my
lack of knowledge on equipment, editing and music
videos.
15. FINAL IDEA –
ARTIST/TITLE/INFO
Watermelon Sugar by Harry Styles
Brief biographical background:
Harry styles was born in Bromsgrove,
Worcestershire, in the West Midlands
regions of England.
Links to other artists:
He was in a band called White Eskimo when
in school and won a band competition. He
also links to Louis Tomlinson, Liam Payne,
Niall Horan and Zayn Malik who were all in
One Direction but now are all in solo
careers. Harry is the most famous out of
the five.
Genre info:
Harry styles’ genre of music are, pop, soft
rock and Britpop rock.
16. FINAL IDEA – TRACK
SUMMARY
Summary/analysis of track:
The meaning of my music video will be about finding
new things you can do with different objects. For
example, the main scene in my video will be carving a
watermelon into an animal instead of eating it.
The content of the video will be lots of scenes using
watermelons and berries. A couple of ideas I have for the
scenes are, carving a watermelon, cutting a watermelon
into serving pieces, smashing a watermelon in slow
motion and using a variety of berries along side the
watermelons.
The duration of the song is 2 minutes 52 seconds. The
pace is slow, so I won’t need to change the shots every 2
or 3 seconds as it won’t go with the song.
The style of the song is a slower pop song that sounds
smooth as it flows with out any unnatural gaps.
17. FINAL IDEA – YOUR IDEA
Your creative concept/video synopsis:
My interpretation is to use watermelons as the main
performers instead of people as we can’t have people
closer than 2 meters. This will help as I can use them
with the lyrics in the whole song.
My story is about all the different uses of watermelons
and berries, some for eating/drinking and some for
entertainment. I will use them to be cut up and eaten and
I will also use them to be carved and smashed in slow
motion. I will use imagery of colour to compliment the
emotions in each scene, for example when smashing the
watermelon I could use blue lighting.
I will use the same genre of video as Harry Styles as it
compliments the lyrics and music perfectly. I will be
using simple themes, settings, props and significant
objects to keep the same genre that the viewers expect
with pop music.
19. TITLE OF
PRODUCTION/PRODUCTIO
N OUTLINE
I am going to make a music video for watermelon sugar and
use different scenes with watermelons. My intended outcome is
to make a video in an interpretative style.
The music track is a slow, relaxed pace, a soft tone with an
upbeat mood. The music track has a repetitive structure as it is
a verse-chorus-verse structured song.
I will be using a cannon camera to shoot my video and premiere
pro to edit my video. I may also use aftereffects when I have
edited my video.
20. LOCATIONS
I won’t need any big locations as I am doing a minimalistic
video without using many performers. I am going to use my
family to film in the kitchen for the last scene as it is only
1-5 seconds, they are all in a household and don’t have to
social distance. I plan to use the camera to replace the
performers as you can’t have many people at once due to
COVID-19 rules. I will not need to plan a recce as all my
locations will be local.
Limitations and risks:
The limitations of the video production is that we aren’t
allowed to have more than 6 people in a group, all 2m
apart, at once. If there was a group of people, the risk could
be spreading the virus around the group.
I will have to pay for watermelons to experiment with before
shooting the video as I need quite a few but this means I
don’t have to pay for performers, food, clothes, makeup or
transport.
The weather shouldn’t be a problem as I can film inside for
most of the scenes and shoot the other shots when the
21. EQUIPMENT
I will need a cannon camera to shoot all my shots on and premiere
pro to edit them on.
I will be using photography lights which I can add coloured filters
to.
I will also be using a blue screen to add a pain background to and a
black sheet for the slow motions shot.
If I need to book some equipment I will need to ask my tutor or
Chelsea Clarke.
You can book equipment for a 3 day slot and the kits must be
booked with 2 days in advance.
DAY
BOOKED
EARLIEST
DAY FOR
PICK UP
LATEST
RETURN
DAY
MONDAY WEDNESDAY FRIDAY
TUESDAY THURSDAY MONDAY
WEDNESDAY FRIDAY TUESDAY
THURSDAY MONDAY WEDNESDAY
FRIDAY TUESDAY THURSDAY
22. FACILITIES
I will be editing my music video at college on the mac
desktops.
I will use premiere pro and after effecting to ensure my
video is high quality.
I have got some photography lights which have coloured
filters to change to mood, emotion and atmosphere of
certain scenes. I am going to use a bluescreen for the
scenes when cutting the watermelons and a blackscreen
for when smashing the watermelon to contrast to the
lights. This will mean I can have a plain background and
can pick up all the details.
23. PERSONNEL
My team wouldn’t consist of many people. It would be another
camera man/women and me who would be working on the
video. I will be carving the watermelon and then have someone
else filming so I can then choose the correct videos to edit
together. They will be available most evenings like me, so the
timing works well. There shouldn't be to many weaknesses
between us as I have made the video simple to make and film.
I will be using my family as they are in a household in my final
scene. I will be using the camera movement to portray the
emotions of the song and editing some colour to help. I will be
saving money as I do not have to feed the performers, transport
them or supply them with costumes.
I will be getting help from a friend as they have some
experience with filming and editing.
24. PROPS/COSTUME/ETC
I will not need any performers or costumes except for
the last scene where I will have the performers in casual
wear.
I may need some lighting equipment and some props to
support the scenes, but they won’t be big or expensive.
I have decided to make a safe music video by not using
any performers who aren’t in different households.
Which means I will be making a cheap music video.
27. STORY BOARD
Cutting up
strawberries
into hearts and
putting them
into a pile.
Have a range of berries
in different piles. High
shot
Beach scene made
out of half a
watermelon –
‘summer evenin’ and
‘summer feelin’
Mixing all
the berries
into a bowl.
Level shot
Cutting
watermelon
into strips or
pieces.
Movement
with knife.
Presenting the strips
or pieces on a plate.
Sprinkle sugar
on the
watermelon
when it says
‘watermelon
sugar'
Eating a
strawberry.
Start of the slow
motion of
crushing a
watermelon.
Beach scene
made out of half
a watermelon –
‘summer evenin’
and ‘summer
feelin’
Middle of slow
motion, cut
before it hits
the
watermelon.
Dog eating the
watermelon – maybe
with watermelon hat
on. Close up
Dog eating the
watermelon –
maybe with
watermelon hat
on. Close up
Cutting the
watermelon.
Change shot on
each beat for a
different stage.
Dog eating the
watermelon – maybe
with watermelon hat
on. Close up.
Dog eating the
watermelon –
maybe with
watermelon hat
on. Close up
Beach scene
made out of half
a watermelon –
‘summer evenin’
and ‘summer
feelin’
Finish carving
the watermelon
and adding the
detail to make it
look like a
shark.
Taking the
carved
watermelon to
the table outside
– camera moves
with the
Family eating
watermelon –
shot moving
away from family.
Sprinkle sugar
on the
watermelon
when it says
‘watermelon
sugar'
Verse 1
Verse 2
Verse 3
Chorus
Chorus
Chorus
28. COLOUR AND LIGHTING
The colours below are my inspirations for the fruits,
landscape scene and the final scene. I will be using
these colours to help show emotion and to link shots
together. I can add a tint to some shots using a colour
from different shots.
I will use bright lighting or natural lighting to
show that this song has a soft tone. I will also
use the lighting to make the colours bright
and/or dull in different shots. This will make
the video calmer for the viewer.
29. RIP-O-MATIC
You should also construct a 15-20 second Rip-o-matic test reel
using existing footage to convey the type of video you want to
make
31. SHOT LIST
Sho
t
no.
Shot type Estimat
ed
duratio
n
Description/notes
(camera movement, performers, location etc..)
1 Birds eye 9 Birds eye view shot of cutting strawberries for the mixed berries.
2 Birds eye 6 Birds eye view shot of getting all the other berries ready.
3 Level shot 5 Level shot of the watermelon beach scene. Pan the camera around the watermelon and animate the hair,
eyes and mouth.
4 Close up Close up of mixing all the berries up.
5 Close up 4 Close up shot of cutting the watermelon into pieces.
6 Medium
shot
4 Medium shot of laying all the watermelon pieces on a plate.
7 High shot 4 High shot of sprinkling sugar on the watermelon pieces.
8 Birds eye 4 Birds eye view shot of cutting strawberries for the mixed berries.
9 Medium
shot
4 Medium shot of the start of the slow motion video.
10 Level shot 6 Level shot of the watermelon beach scene.
11 Medium
shot
4 Medium shot of the middle of the slow motion video.
12 Close up 5 Close up of the dogs eating the watermelon pieces. Use the camera to look like your at the end of the dog’s
nose.
13 Medium
shot
6 Medium shot of the end of the slow motion video.
14 Close ups 22 Close up shot of carving the watermelon into a shark.
15 Close up 10 Close up of the dogs eating the watermelon pieces.
16 Medium
shot
10 Medium shot of the end of the slow motion video.
17 Level shot 10 Level shot of the watermelon beach scene. Pan the camera around the watermelon and animate the hair,
32. STORYBOARDING
Your storyboard should bring your idea to life
Provide an idea of the sequencing of you video
Provides a basis for production
Suggested online storyboard creators are:
https://www.storyboardthat.com
http://www.pixton.com [very complicated]
http://www.storyjumper.com [allows you to insert your own images]
Alternatively, hand draw or photograph your storyboard and
scan or copy to insert it onto your slides
There are lots of tips collected together on Blackboard!
34. PRODUCTION GROUP INFO
Include names, contact info, and defined roles at
difference stages of production, using a table is
suggested
Jack Hurst – director
Jack-Hurst@student.yorkcollege.ac.uk
Lucas Higham – camera man
Lucas-Higham@student.yorkcollege.ac.uk
35. LOCATIONS
I will be filming at
Sandsend beach in
Whitby for the beach
scene.
My plan B would go to
different beach if
Sandsend isn’t right or
record the scene with a
plain background to
add a beach in
premiere pro when
editing the shot.
I won’t be using any other
locations as big as the
beach so I can film the
scenes at home. I could
also film the scenes with a
white backdrop and put a
tablecloth on the surface I
Shots at home:
slow motion – I will film the slow-motion scene with a
dark background with bright lights to pick up all the detail
when the watermelon explodes.
dogs eating the watermelon – I will use a natural location
such as a field or a garden to record the dogs when they eat
the watermelon.
carving the watermelon, cutting the fruit, sprinkling the
sugar – I will use a backdrop as shown to the left with those
colours for the tablecloth as they will go with the colours of the
video.
the last scene – I will use my garden for the last scene as
we have a large table where we can all sit around to eat the
watermelon.
Plan B – If the weather is bad, I will set the equipment up
in my house instead of outside
Watermelon
Table
Camera man
Backdrop
Floorplan
Floorplan
Floorplan
36. RISK ASSESSMENT
Risk to
who
Locatio
n
What is the risk How to prevent the risk
Crew and I Beach Falling down the step getting on to the
beach
Hold on to the side railing and have shows with strong
grip.
Crew and I Beach If in the water, fall over in the water Don’t go into the water when not necessary but stand
parallel to the waves if you are in the water.
Crew and I Beach Trip over on the beach if your shoes are
loose or your laces aren’t tied
Make sure your shoes are tightly tied and where extra
socks if your shoes are a bit loose.
Crew and I Beach People could let their dog of the lead and
it runs over disturbing the filming.
Have someone looking out for the dogs to stop them
from potentially knocking the camera/tripod.
Equipment Beach Sand could be blown and damage the
camera.
Cover the camera in a plastic bag.
Equipment Beach The tripod could fall over if it windy as
the tripod is top heavy.
Only put the camera on the tripod when you are going
to film or hold the tripod at all times.
Equipment Beach You could drop the camera onto the sand
which will ruin the camera and lens.
Have the camera strap around your neck when using the
camera without the tripod.
Equipment
and crew
Beach The tide could be in meaning you can’t
film as there isn’t enough beach.
Check the tide times before planning your day to the
beach and plan it based on the weather too.
Crew and I Home The backdrop could fall on the crew and I
when setting it up.
Have 2 people setting up the backdrop so someone can
support the wait when the other one is putting it
together.
Crew and I Home When carving the watermelon and cutting
the strawberries, I could cut myself with
the knife.
Cut away from you and not to cut quickly as you are
more likely to make mistakes.
Crew and I Home Watermelon could hit someone when it is
smashed for the slow motion scene.
Have everyone standing far away from the shot so they
have tome to react. The pieces shouldn't project that far.
Equipment Home Watermelon could damage the camera
when the watermelon is smashed as
pieces will fly off.
Cover the camera in a plastic bag to protect it from the
juice and chunks.
Equipment Home When filming, you could drop the camera Have the camera strap around your neck when using the
37. CONTINGENCY PLAN
Pot. Problem Effect on Production Solution/Control Person Responsible
Camera doesn’t work. Won’t be able to film in
higher quality.
Charge the camera before
use/use my phone instead.
Me
Editing software won’t
work.
Won’t be able to put all the
shots together with the
music.
Try a different computer or
get premiere pro at home.
College
Lighting equipment won’t
work.
Lower quality video with
dark shadows.
Have extra light sources
and film outside for natural
lighting
Me
Dirty lens or unfocused
image.
Low quality production as
the video will be blurry and
have dots on the screen
which will be distracting.
Wipe the lens before each
shot and focus the lens
before every shot. Me
Me
Won’t have enough storage
on the card.
Won’t be able to film all
the video so the video will
be unfinished
Delete all the files on the
card and save the videos
on to a computer if card is
full.
Me
Not enough watermelons. Can’t record the video. Buy extra watermelons in
case you damage one.
Me
Forget some equipment. Slow down production. Make a list of equipment
for each location.
Me
Bad weather. Won’t be able to film on
the beach.
Organise to go on a day
with sunny weather.
Me
Not enough time to film. The video won’t be
completely finished.
Plan ahead with timing and
have a schedule for each
day.
Me
38. SCHEDULE
What scene is it? What do you need to do? How long it will
take?
Shopping. Buy watermelons, berries, backdrop
equipment.
30 mins
Equipment. Charge my camera before each shot, set up
the equipment for each shot.
30 mins to an hour
Berries. Cutting strawberries into hearts, separating
the berries into sections then mixing them all
together.
20 mins
Beach. Drive to the beach and film a few shots of the
watermelon with the beach/sea in the
background.
2.5 hours
Cutting the watermelon. Cut the watermelon into pieces, put them on a
plate and sprinkle the sugar on them.
20 mins
Slow Motion. Set up the backdrop for a plain background to
contrast the watermelon explosion.
30 mins
Dog eating the
watermelon.
Remove all the seeds of the watermelon pieces
and film the dogs eating them from a level
shot.
20 mins
Carving the watermelon. Workout the steps for carving the watermelon
and then film each step, add the final details
for the outside scene.
1 hour
Outside scene. Set the table to look like an afternoon snack
with lots of fruit and the carved watermelon
20 mins
39. CLEARANCE AND PERMISSIONS
I don’t need any permission for the locations as they are public
areas, the beach and my house.
I will also not be using any faces in the video, I will just be using
my mum and filming with her facing away from the camera.