Young and beautiful
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The document analyzes different elements of editing, lighting, and costumes in Lana Del Rey's music video for "Young and Beautiful". It notes that the editing uses on-beat cuts to emphasize certain lyrics. Slow pacing is used to suggest she will always have support. Lighting uses low key tones to show mourning of lost beauty but colors represent emotions. Her black dress sets a mournful tone and is viewed under different lights to take on additional meanings.
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Lana del ray analysis A2
The video uses low-key lighting to emphasize the romantic and natural themes of the song. Lana Del Rey is lit softly to appear innocent, while darker lighting is used elsewhere to suggest something more sinister. The setting of a garden and house further enhances the natural feeling. Del Rey's vintage makeup and simple white dress keep her appearance elegant and mature for her fans. Close-ups focus on the artist to make the video feel personal, and camera movements mimic water to relate to the theme.
9 Shot Analysis of Birdy - Shelter
The dark colors and shadowed figure in the first clip create a mysterious and somber atmosphere, with the hand reaching as if asking for help.
Several shots focus on the artist singing or playing piano to showcase her talent and emotions, with backgrounds and lighting used to convey symbolic meanings like freedom, sadness, and hope.
The video ends on a calmer note, with the artist appearing to have found peace after struggling, as shown by the bright light behind her smiling figure in the final shot.
Mise on scene notes
Mise-en-scene refers to everything that appears within the frame of a film or video. There are six key areas of mise-en-scene: color, costume, props, location/set, blocking and performance, and lighting. Color, costume, and lighting can be used to convey a character's personality or create mood. Props are objects that provide context and aid the story. Blocking refers to the positioning of actors, while performance covers acting aspects like gestures and expression. Location can be either a purpose-built set or real location.
Mise enscene blood diamond
Blood Diamond is a 2006 film that depicts the Sierra Leone Civil War in 1996-2001. It focuses on the illegal diamond trade that funded the war and profited warlords. The film shows the atrocities of the war, including rebels amputating people's hands to discourage voting. It stars Leonardo DiCaprio as a man searching for a rare pink diamond.
Video Analysis Eamon
This music video by American R&B singer Eamon tells the story of a man who discovers his girlfriend has been cheating on him. Through flashbacks in black and white, the video contrasts the couple's past happy memories together with their tense present interaction. Shots emphasize the physical and emotional distance now between them, as the man refuses her pleas and walks away, finally moving on from the relationship and those memories.
Black swan opening analysis
The opening scene of Black Swan establishes several key themes and sets up narrative intrigue. Swan Lake music plays over a black screen before the title is revealed in white text, signaling ballet as a theme. A ballerina is lit by a spotlight in the center of the screen, dressed in white but cast in shadows, hinting at a dual personality. As ominous music rises, a dark figure emerges and approaches the ballerina from behind, frightening her and asserting its power over her, introducing the idea of a looming threat.
Lyric’s break down
The document provides a breakdown and description of shots planned for a music video for the song "Blame" by Calvin Harris. It will include various narrative scenes and locations cut together, including a house party, people driving in a car enjoying themselves, close-up shots of eyes and lips singing the lyrics, shots of a boy and girl kissing and then separately looking upset, and party scenes recorded on a phone. It ends with a boy walking to comfort a girl, then another boy making her uncomfortable before cutting back to montages, and finally the first boy and girl walking off into the night in slow motion.
First love pp
The short film uses various camera techniques and shots to tell the story of a couple's relationship from their meeting to their breakup one year later. It begins with the male character alone on a bridge, then shows him meeting the female character and their relationship growing through shots of them together, texting, and developing feelings for one another. However, over time arguments start and their relationship deteriorates, shown through duller shots of them unhappy. In the end, it circles back to shots of the male alone and dejected to represent his broken bond with his former partner.
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Lana del ray analysis A2
The video uses low-key lighting to emphasize the romantic and natural themes of the song. Lana Del Rey is lit softly to appear innocent, while darker lighting is used elsewhere to suggest something more sinister. The setting of a garden and house further enhances the natural feeling. Del Rey's vintage makeup and simple white dress keep her appearance elegant and mature for her fans. Close-ups focus on the artist to make the video feel personal, and camera movements mimic water to relate to the theme.
9 Shot Analysis of Birdy - Shelter
The dark colors and shadowed figure in the first clip create a mysterious and somber atmosphere, with the hand reaching as if asking for help.
Several shots focus on the artist singing or playing piano to showcase her talent and emotions, with backgrounds and lighting used to convey symbolic meanings like freedom, sadness, and hope.
The video ends on a calmer note, with the artist appearing to have found peace after struggling, as shown by the bright light behind her smiling figure in the final shot.
Mise on scene notes
Mise-en-scene refers to everything that appears within the frame of a film or video. There are six key areas of mise-en-scene: color, costume, props, location/set, blocking and performance, and lighting. Color, costume, and lighting can be used to convey a character's personality or create mood. Props are objects that provide context and aid the story. Blocking refers to the positioning of actors, while performance covers acting aspects like gestures and expression. Location can be either a purpose-built set or real location.
Mise enscene blood diamond
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Video Analysis Eamon
This music video by American R&B singer Eamon tells the story of a man who discovers his girlfriend has been cheating on him. Through flashbacks in black and white, the video contrasts the couple's past happy memories together with their tense present interaction. Shots emphasize the physical and emotional distance now between them, as the man refuses her pleas and walks away, finally moving on from the relationship and those memories.
Black swan opening analysis
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Lyric’s break down
The document provides a breakdown and description of shots planned for a music video for the song "Blame" by Calvin Harris. It will include various narrative scenes and locations cut together, including a house party, people driving in a car enjoying themselves, close-up shots of eyes and lips singing the lyrics, shots of a boy and girl kissing and then separately looking upset, and party scenes recorded on a phone. It ends with a boy walking to comfort a girl, then another boy making her uncomfortable before cutting back to montages, and finally the first boy and girl walking off into the night in slow motion.
First love pp
The short film uses various camera techniques and shots to tell the story of a couple's relationship from their meeting to their breakup one year later. It begins with the male character alone on a bridge, then shows him meeting the female character and their relationship growing through shots of them together, texting, and developing feelings for one another. However, over time arguments start and their relationship deteriorates, shown through duller shots of them unhappy. In the end, it circles back to shots of the male alone and dejected to represent his broken bond with his former partner.
Blood Diamond
Edward Zwick is an American director known for heroic films like Glory and Legends of the Fall. He received several Oscar nominations, including four for The Last Samurai. Zwick's most famous drama was Blood Diamond, released in 2007, which explores the diamond trade in Sierra Leone. The opening scene uses visual techniques like maps, subtitles, and costumes to establish the setting and foreshadow the violence to come from the conflict over blood diamonds. Shots of the coast and villagers also create a sense of tranquility despite the corruption happening nearby.
Different representations of characters in 3 different films
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Analyse the ways Spielberg uses the camera to create meaning in the film 'Jaws'
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Analysing Music Videos Daughter - 'Still'
The music video for the song "Still" by the indie band Daughter uses cinematography, editing, and lighting techniques to convey the mood of heartbreak and uncertainty expressed in the lyrics. The video tells the narrative of a woman returning home alone to find her partner still in bed, with contrasts created between the warm, yellow lighting used for the woman and the cool, blue tones used for the man. Shots throughout the video reflect the lyrics, such as depicting the characters sleeping separately to match the line "but we're still sleeping like we're lovers." The video concludes effectively conveying the feelings of sadness and conflict in the relationship through the woman's emotional reaction filmed in a close-up shot.
Analysis of miley cyrus’ ‘wrecking ball
The video analysis discusses various camera shots, costumes, props, and lighting used in Miley Cyrus' "Wrecking Ball" music video. Extreme close-ups and long shots are used to exaggerate emotion. Costumes suggest Cyrus doesn't care what others think of her. Props like a sledgehammer and wrecking ball are used to represent destruction and knocking down emotional walls. Lighting uses low-key backgrounds with high-key lighting on Cyrus to represent bad feelings, with more high-key lighting later to suggest finding a light at the end of the tunnel.
Omarion Icebox Evaluation
The music video uses medium shots and close ups to tell a narrative about a man's relationship with a woman represented as "icebox" or cold heart. Black and white colors and a recurring clock motif symbolize time running out in his efforts to understand the woman, who is portrayed as the source of his problems rather than the solution. The video ends where it begins, continuing the circular theme.
2 am - Analysis
The document analyzes scenes from a short film called "2AM" through the lenses of cinematography, sound, editing, mise-en-scene, messages, and values. It summarizes the techniques used in two key scenes: 1) A young boy walking alone at night shown through close-ups of his emotions and reactions, creating a sense of loneliness. 2) The boy thinks he is safe but a "dancing man" reappears, shown through a close-up creating a jump scare. Overall, the analysis shows how technical elements come together to portray the boy's vulnerability and build tension without dialogue.
The Grudge
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Inspiration For My Music Video
The document discusses inspiration for a music video from several existing music videos. It mentions taking elements from Taylor Swift videos where the singer also plays a character, showing emotion and linking it to lyrics. It also discusses taking the juxtaposition of inner turmoil and bright setting from Sam Smith's "I'm Not the Only One" video, and using props as in Leona Lewis's "Bleeding Love" to help audiences understand lyrics. Elements from Rihanna's "Take a Bow" video using an empty scene and black clothing to represent emptiness and mourning are also noted. The document concludes that the music video will have a slow pace with few props, like other "sad" or "melancholy"
Miley cyrus- wrecking ball video analysis
The document analyzes and summarizes 8 screenshots from Miley Cyrus's music video for "Wrecking Ball". The screenshots show Cyrus in various emotional poses that represent her sadness and anger over a recent breakup. They symbolize feelings of being tired, upset, stripped of happiness, and destroyed by the relationship. The analysis finds the video effectively uses imagery like the wrecking ball and demolished walls to represent the song's theme of a destructive love that left the artist hurt. It concludes the video is an example of Goodwin's theory that a music video should illustrate and match the lyrics and story of the song.
Media with mr coe Lonely
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Sam smith
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Treatment slideshow
The music video will have a fragmented and circular narrative following a restless man and the emotional support of a woman. Scenes will include the two waking up together with her wearing his shirt, spending time in the woods drinking coffee, and the man showing vulnerability alone in his room at night. The woman wears a red dress to lift his spirits and they go out together where lights and colors change throughout the night. Repeated shots at the beach hint at the cycle repeating as the video ends with the woman turning out the light for the man to sleep, implying the cycle will continue again.
The girl written analysis
The video analyzes the music video for the song "The Girl" by City and Colour. It discusses how the camerawork, mise-en-scene, sound, and editing contribute to the overall feel of the video and make it conform to conventions of the alternative rock genre. The camerawork uses close-ups of the singer Dallas Green's face to show emotion and tracks through woods alone to convey loneliness. Mise-en-scene features Green's tattoos, fingerless gloves, and low-key lighting to emphasize emotion. The sound synchronizes perfectly with the music. Editing uses slow pacing and fades to black between scenes. All of these elements come together to immerse the audience in the sad
Shine video analysis
1) The opening scene of the music video establishes the setting of a brightly lit house surrounded by darkness in the woods, representing the feelings that will be shown. Flames at the bottom of the screen add to the metaphor of something taking over.
2) Subsequent scenes use hazy lighting and filters to create an eerie atmosphere and sense that the scenes are linked. The male character's face is hidden, adding mystery.
3) One scene shows the boy alone in bed, gazing into the distance as he sings, indicating he is contemplating past events and events of the narrative video.
4) Changing lighting is used as a metaphor for the boy's changing emotions, from dark to colorful party lights to yellow
Storyboard
The storyboard shows a man walking down the street singing along to music, with a mind bubble appearing that shows him happy with a girl. The camera then focuses on the girl's heart that grows large until being pulled back and crushed by the man. He is then distracted by a provocatively dressed girl who walks up to him and they begin to kiss. Words from the song appear on screen with the word "you" written differently. Flowers then fill the screen before blackening. The man is then shown under a street light with fireworks in the background as he closes his eyes to the music. At the end, the video rewinds frame by frame before a repeat button appears.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and a growing ambiguous mood leading to a dark ending.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and an ambiguous mood that grows darker by the end.
Director’s commentary
The director wanted to create a music video storyline about an artist coping with a breakup. They took inspiration from Adele's "Hello" video but had to develop the breakup metaphorically since they lacked a male actor to play the ex-boyfriend. Various shots in the video symbolize the end of the relationship through metaphors like blowing out a candle, fading lights, and closing a door to move on from the past.
Treatment slideshow
The music video will have a fragmented and circular narrative following a restless man and the emotional support of a woman. Scenes will include the two waking up together with her wearing his shirt, spending time in the woods drinking coffee, and the man showing vulnerability alone in his room at night. The woman wears a red dress and brings light to the man when she returns. They go out together with colorful lights, and the cycle repeats with her closing the blinds and turning off the light for him to sleep this time.
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Edward Zwick is an American director known for heroic films like Glory and Legends of the Fall. He received several Oscar nominations, including four for The Last Samurai. Zwick's most famous drama was Blood Diamond, released in 2007, which explores the diamond trade in Sierra Leone. The opening scene uses visual techniques like maps, subtitles, and costumes to establish the setting and foreshadow the violence to come from the conflict over blood diamonds. Shots of the coast and villagers also create a sense of tranquility despite the corruption happening nearby.
Different representations of characters in 3 different films
The document analyzes how three different characters - Cinderella, Davy Jones from Pirates of the Caribbean, and Captain America - are visually represented through lighting, color, music, and camera techniques in their respective films. Cinderella is always shown in light colors and situated in light scenes to symbolize her purity, while Davy Jones is usually in shadows to represent his murky nature. Captain America, on the other hand, is consistently portrayed as the golden hero through bright costumes and lighting focused on him to highlight his leadership.
Analyse the ways Spielberg uses the camera to create meaning in the film 'Jaws'
Spielberg uses various camera techniques and shots to create meaning and tension in Jaws. He establishes the happy beach scene with bright colors and relaxed people, but also includes minor ominous details. As the boy swims alone, long shots make him appear vulnerable. Shallow depth of field focuses on Brody's worried expressions as he scans the sea. Fast editing and over-the-shoulder shots intensify the tension as Brody searches. A conversation about shark attacks contrasts with children playing in the background. The discovery of the remains of the boy are symbolized by his torn up lilo surrounded by blood in the water.
Analysing Music Videos Daughter - 'Still'
The music video for the song "Still" by the indie band Daughter uses cinematography, editing, and lighting techniques to convey the mood of heartbreak and uncertainty expressed in the lyrics. The video tells the narrative of a woman returning home alone to find her partner still in bed, with contrasts created between the warm, yellow lighting used for the woman and the cool, blue tones used for the man. Shots throughout the video reflect the lyrics, such as depicting the characters sleeping separately to match the line "but we're still sleeping like we're lovers." The video concludes effectively conveying the feelings of sadness and conflict in the relationship through the woman's emotional reaction filmed in a close-up shot.
Analysis of miley cyrus’ ‘wrecking ball
The video analysis discusses various camera shots, costumes, props, and lighting used in Miley Cyrus' "Wrecking Ball" music video. Extreme close-ups and long shots are used to exaggerate emotion. Costumes suggest Cyrus doesn't care what others think of her. Props like a sledgehammer and wrecking ball are used to represent destruction and knocking down emotional walls. Lighting uses low-key backgrounds with high-key lighting on Cyrus to represent bad feelings, with more high-key lighting later to suggest finding a light at the end of the tunnel.
Omarion Icebox Evaluation
The music video uses medium shots and close ups to tell a narrative about a man's relationship with a woman represented as "icebox" or cold heart. Black and white colors and a recurring clock motif symbolize time running out in his efforts to understand the woman, who is portrayed as the source of his problems rather than the solution. The video ends where it begins, continuing the circular theme.
2 am - Analysis
The document analyzes scenes from a short film called "2AM" through the lenses of cinematography, sound, editing, mise-en-scene, messages, and values. It summarizes the techniques used in two key scenes: 1) A young boy walking alone at night shown through close-ups of his emotions and reactions, creating a sense of loneliness. 2) The boy thinks he is safe but a "dancing man" reappears, shown through a close-up creating a jump scare. Overall, the analysis shows how technical elements come together to portray the boy's vulnerability and build tension without dialogue.
The Grudge
This horror film uses many techniques to build suspense and tension. It begins with a shocking scene of a man committing suicide by jumping off a balcony, leaving the audience wondering what caused it. The opening credits set an ominous tone with dark colors, unsettling sounds and sudden visual jumps. The film then introduces a woman who enters an isolated, dark house alone, increasing her vulnerability and the audience's nerves about what may happen next. Screeching violins on the soundtrack enhance the growing sense of dread throughout these early scenes.
Inspiration For My Music Video
The document discusses inspiration for a music video from several existing music videos. It mentions taking elements from Taylor Swift videos where the singer also plays a character, showing emotion and linking it to lyrics. It also discusses taking the juxtaposition of inner turmoil and bright setting from Sam Smith's "I'm Not the Only One" video, and using props as in Leona Lewis's "Bleeding Love" to help audiences understand lyrics. Elements from Rihanna's "Take a Bow" video using an empty scene and black clothing to represent emptiness and mourning are also noted. The document concludes that the music video will have a slow pace with few props, like other "sad" or "melancholy"
Miley cyrus- wrecking ball video analysis
The document analyzes and summarizes 8 screenshots from Miley Cyrus's music video for "Wrecking Ball". The screenshots show Cyrus in various emotional poses that represent her sadness and anger over a recent breakup. They symbolize feelings of being tired, upset, stripped of happiness, and destroyed by the relationship. The analysis finds the video effectively uses imagery like the wrecking ball and demolished walls to represent the song's theme of a destructive love that left the artist hurt. It concludes the video is an example of Goodwin's theory that a music video should illustrate and match the lyrics and story of the song.
Media with mr coe Lonely
The document analyzes several photographs through descriptions of compositional elements like camera angle, framing, lighting, color, expressions, and positioning of subjects. For one photo, a woman hugging herself is shown in green against a backdrop, isolated through framing and color which conveys envy and isolation. Another photo shows a shadowed man looking down, appearing lonelier through his blackened appearance and lack of connection. A third photo depicts a girl looking away and slumped on a bench with a single vulnerable flower, reinforcing her sad and lonely emotions.
Sam smith
The music video is about a one night stand and the inner conflict Sam Smith experiences afterwards as he leaves the woman's house. It shows Smith walking alone down the street, disconnected from the world and caught up in his troubled mind over his choices. Throughout the video, close-ups of his facial expressions convey his deep empathy and vulnerability. By the end, in a chapel surrounded by light and a gospel choir, it seems his mind is freed from guilt as he finds release through singing.
Treatment slideshow
The music video will have a fragmented and circular narrative following a restless man and the emotional support of a woman. Scenes will include the two waking up together with her wearing his shirt, spending time in the woods drinking coffee, and the man showing vulnerability alone in his room at night. The woman wears a red dress to lift his spirits and they go out together where lights and colors change throughout the night. Repeated shots at the beach hint at the cycle repeating as the video ends with the woman turning out the light for the man to sleep, implying the cycle will continue again.
The girl written analysis
The video analyzes the music video for the song "The Girl" by City and Colour. It discusses how the camerawork, mise-en-scene, sound, and editing contribute to the overall feel of the video and make it conform to conventions of the alternative rock genre. The camerawork uses close-ups of the singer Dallas Green's face to show emotion and tracks through woods alone to convey loneliness. Mise-en-scene features Green's tattoos, fingerless gloves, and low-key lighting to emphasize emotion. The sound synchronizes perfectly with the music. Editing uses slow pacing and fades to black between scenes. All of these elements come together to immerse the audience in the sad
Shine video analysis
1) The opening scene of the music video establishes the setting of a brightly lit house surrounded by darkness in the woods, representing the feelings that will be shown. Flames at the bottom of the screen add to the metaphor of something taking over.
2) Subsequent scenes use hazy lighting and filters to create an eerie atmosphere and sense that the scenes are linked. The male character's face is hidden, adding mystery.
3) One scene shows the boy alone in bed, gazing into the distance as he sings, indicating he is contemplating past events and events of the narrative video.
4) Changing lighting is used as a metaphor for the boy's changing emotions, from dark to colorful party lights to yellow
Storyboard
The storyboard shows a man walking down the street singing along to music, with a mind bubble appearing that shows him happy with a girl. The camera then focuses on the girl's heart that grows large until being pulled back and crushed by the man. He is then distracted by a provocatively dressed girl who walks up to him and they begin to kiss. Words from the song appear on screen with the word "you" written differently. Flowers then fill the screen before blackening. The man is then shown under a street light with fireworks in the background as he closes his eyes to the music. At the end, the video rewinds frame by frame before a repeat button appears.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and a growing ambiguous mood leading to a dark ending.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and an ambiguous mood that grows darker by the end.
Director’s commentary
The director wanted to create a music video storyline about an artist coping with a breakup. They took inspiration from Adele's "Hello" video but had to develop the breakup metaphorically since they lacked a male actor to play the ex-boyfriend. Various shots in the video symbolize the end of the relationship through metaphors like blowing out a candle, fading lights, and closing a door to move on from the past.
Treatment slideshow
The music video will have a fragmented and circular narrative following a restless man and the emotional support of a woman. Scenes will include the two waking up together with her wearing his shirt, spending time in the woods drinking coffee, and the man showing vulnerability alone in his room at night. The woman wears a red dress and brings light to the man when she returns. They go out together with colorful lights, and the cycle repeats with her closing the blinds and turning off the light for him to sleep this time.
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Adele – someone like you analysis
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Textual analysis of 3 music videos
The document summarizes and analyzes three music videos:
1) "Hello" by Adele, which uses dark colors and close-ups to convey loneliness and regret over a breakup.
2) "Shut Up" by Stormzy, a live performance-style grime music video filmed in an urban setting with friends, showing the artist's popularity.
3) "Everybody's Fool" by Evanescence, a narrative video portraying an unhappy model who hides her true feelings behind a glamorous public image. Lighting is used to contrast her public and private personas.
Coursework media 2
This document provides analysis of several music videos through summaries of individual scenes:
- The beginning scene of one video uses a blue tint and wave sounds to set a moody, nighttime tone as the man has empty vodka bottles, relating to his low mood.
- Another video shows a woman doing laundry, which contrasts with her personality as she dances and escapes boredom. She always seems to be waiting for things to happen.
- A video about violence in America depicts a shooting in a church to show how unexpected violence can be and to bring awareness to the issue. It shows people happily dancing before the shooter takes action.
Give Me Love - Ed Sheeran Analysis
This document provides a detailed analysis of a music video in 7 paragraphs. It summarizes the plot, symbolism, and techniques used in the video. Key points include: the video tells the story of a woman who transforms into an angel/Cupid; symbolic props are used to represent the plot; editing and shots are used to convey emotion and pace; and the video leaves the audience wondering if the main character's wish was fulfilled. Overall, the analysis breaks down the entire video through close examination of shots, scenes, and narrative elements.
'Hey There Delilah' Textual Analysis
This music video tells the story of a man who writes a song for his ex-girlfriend after a breakup. It uses a black and white filter and dim lighting to convey sadness. Shots of the isolated man contrast with those of the woman in crowds, representing their different ways of dealing with the split. Elements like the guitar and empty room symbolize the man's loneliness, while the woman's clothing and location among others aim to help her blend in and move on.
Lo2
This music video for Lana Del Rey's "Blue Jeans" was directed by Yoann Lemoine and features intimate camera work and a surreal narrative portrayed through symbolic visuals. While the visuals do not literally illustrate the lyrics, certain scenes metaphorically represent elements like being "taken away" through drowning. The slow pacing of the black and white visuals matches the mellow song except for more intense editing during one brief faster section. Close-ups emphasize Lana Del Rey's unique image while iconic old Hollywood-inspired styling creates a memorable statement.
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The music video for "Breakeven" by The Script tells the story of a man struggling to move on from a past relationship. It uses three locations - the seaside where the couple used to visit, the band performing at a concert, and the couple's shared house - to show the relationship and its aftermath. The black and white cinematography and lighting helps illustrate the difference between the good memories from the relationship and the man's current unhappy state without her. The simple costumes worn by the main singer, Danny, portray him as an ordinary 'simple man' affected by an ordinary heartbreak.
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The document provides an analysis of Sia's "Chandelier" music video, directed by Daniel Askill. It summarizes that the video tells an autobiographical story about Sia's struggles with alcoholism and substance abuse through Maddie's interpretive dance. Scenes depict the emptiness of addiction and illusion of escape through partying. Various camera techniques like long shots, close-ups, and zooms are used to emphasize Maddie's fragile mental state and the bleak, repetitive nature of addiction. Mise-en-scene elements like plain clothing, dim lighting, and run-down props further reflect Sia's inner turmoil.
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This document analyzes conventions in indie pop music videos. It discusses two music videos in particular, "Summertime Sadness" and "Blue Jeans" by Lana Del Rey. Some conventions it finds are establishing shots that create a mood, abstract narratives with symbolism, close-ups of facial expressions to convey emotion, and monochrome color schemes that connote sadness. Both videos examined have themes of love, heartbreak, and toxic relationships portrayed through the artist's expressions, costumes, and abstract objects used as symbols.
Music Magazine Analysis
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Selena gomez
Selena Gomez's song "The Heart Wants What It Wants" describes her struggling with her emotions in a relationship. The introduction shows her alone and feeling lonely as she deals with the situation by herself. Throughout the song, she expresses that there are reasons she should end it but her heart wants to stay with her boyfriend despite becoming unhappy. In the video, she is shown crying while unable to escape the relationship. Near the end, it depicts happy memories with him but acknowledges there won't be a happy ending. The song expresses that she can't imagine life without him, even as she knows he isn't good for her.
Possible costume colours for our video
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Music video analysis
The music video for "Let it Go" by The Neighbourhood uses a black and white aesthetic throughout. It portrays a woman struggling in her relationship and with societal expectations. In the beginning, she appears happy doing household chores, but is revealed to be crying and distressed when the chorus hits. As the video progresses, it becomes clear her husband is greedy and selfish, while she listens to others' judgments. By the end, images of her alternating distress and forced happiness leave the viewer to interpret her ultimate fate.
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The video has a narrative structure that follows the song lyrics. It shows the life of the girl from the video in a nonlinear way, starting with her death and then flashing back to show the events that led to her death before returning to her death again. The video focuses mainly on one character, the girl, through various camera shots that show her vulnerability and sadness as her life unravels. The editing and lighting create a bleak, black-and-white atmosphere that emphasizes the tragic nature of the girl's story.
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The document analyzes and summarizes the music video for Selena Gomez's song "The Heart Wants What It Wants". It discusses several aspects of the video including the camera shots, narrative, mise-en-scene, and how it relates to music video analysis theories. Specifically, it notes that the video uses many close-up shots of Gomez singing to focus on her emotions. It also has a narrative element showing Gomez's character torn between acting happy in public but hurting privately after a breakup. The black-and-white and low-key lighting style reflects the sad mood of the song.
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This document contains a student's music video assignment which includes ideas and research for three potential music video concepts - "Hello" by Adele, "Shotgun" by George Ezra, and "Someone Like You" by Adele. It also analyzes the camera work, editing, art design, and performances in existing music videos for "Ocean Eyes" by Billie Eilish, "I'm Not the Only One" by Sam Smith, and "Night Changes" by One Direction. Finally, it lists some potential songs and camera techniques that could be used for the assignment.
Somebodyelse deconstruction
The music video tells a narrative story through the main singer's experiences after a breakup. It begins with him alone in a room wearing clown makeup, representing his attempt to disguise his true feelings. Throughout the video, he visits different locations like a restaurant and bar, seeing his ex-girlfriends moving on, making him nostalgic. Through editing techniques like a shot reverse shot, it's revealed the singer has been replacing his ex in the scenes, implying he is the cause of his own unhappiness. The video uses lighting, location, and the singer's interactions with mirrors to portray his emotional journey from avoiding facing his feelings to accepting reality and himself.
Research music analysis
The document analyzes and compares three music videos based on their representation of the artist, relationship between images and lyrics, and relationship between music and images. Common features identified across the videos include the use of muted colors to convey emotion, minimalist visuals that focus attention on the music, and lyrics that are emphasized by corresponding images, particularly in the choruses.
Evaluation question 1
My music video uses, develops, and challenges several forms and conventions of real media products. It supports Andrew Goodwin's theory by demonstrating genre characteristics like narrative storytelling, clear relationships between the lyrics, music, and visuals, and including close-up shots of the performers. However, it also challenges conventions by addressing sensitive topics through a darker tone, lighting, and mood rather than being upbeat. Additionally, my ancillary products like the magazine advert and digipak maintain synergy with the music video through shared visual elements like the neon face paint designs.
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Question 4 updated
Shannon Nash used various new media technologies during the research, planning, construction, and evaluation stages of her music video project. During research, she used Spotify, iTunes, Pinterest, Twitter, Instagram, and WhatsApp to find inspiration, create branding, share ideas with her group, and keep plans organized. For construction, she used a Canon camera, lighting equipment, and Final Cut Pro editing software. She created promotional materials like a digipak using Adobe Photoshop. For evaluation, she utilized surveys and social media platforms like Facebook, Instagram, and Twitter to engage audiences and gather feedback.
Question 3
The group used Facebook, Twitter, and Instagram to promote their media products and gain audience feedback on aspects of filming like lighting, camera angles, and costumes. Instagram helped the most by allowing short video and photo snippets to document the filming process from start to finish. Questionnaires determined the target age range and genre preferences, and further feedback shaped the storyboard and plans. Gaining audience input in this way benefited the video and will influence future work the group creates.
Question 4
The document discusses how new media technologies were used at different stages of creating a music video project. In the research and planning stage, digital tools like Spotify, iTunes, Pinterest, WhatsApp, and OneNote were used to find inspiration, collaborate with others, and organize ideas. During construction, equipment like the Canon XA25 camera, lighting, and Final Cut Pro editing software were utilized. Photoshop was used to design magazine ads and a digipak template. Evaluation involved using social media and surveys to engage audiences and gather feedback.
Magazine advert
The document analyzes Rihanna's magazine advertisement for her album, highlighting several key aspects:
1) The dark colors show a more edgy side to Rihanna compared to her usual bright, poppy image.
2) The font and minimal text focus attention on Rihanna's image to depict her choosing music over superficial image while appealing to different audiences.
3) Features like the parental advisory label and songs titled "Russian Roulette" signal a darker, more mature tone compared to her previous work aimed at younger audiences.
Question 3
1. The group used multiple social media platforms like Facebook, Twitter, and Instagram to promote their media products and get audience feedback on aspects of filming like lighting, camera angles, and costumes.
2. Instagram helped the most by allowing them to show both videos and photos from beginning to end of filming and receive feedback, while Twitter was least successful.
3. The group also distributed paper questionnaires to learn more about the target audience's preferences for genres, songs, and what they wanted included in the music video, which helped shape the storyboard and filming plans.
Women in music videos
The document discusses the portrayal of women in various media over time. It argues that women have traditionally been portrayed as sexual objects meant to appeal to a male audience. While some modern portrayals show women gaining independence from men, other media still relies on displaying women in revealing or sexualized ways in order to seem "popular" or sell products, showing how engrained these perspectives remain. The document analyzes several music videos to illustrate its points about both traditional and evolving portrayals of women.
Initial song ideas
This document lists potential song ideas for a setlist, including "The Power of Love" by Gabrielle Aplin, "Back to Black" by Amy Winehouse, "What Now" by Rihanna, "Ex's and Oh's" by Elle King, "Let It Go" by James Bay, "These Boots" by Nancy Sinatra, "Wildest Dreams" by Taylor Swift, and "Going to the Chapel" by The Dixie Cups.
Research into lyrics
This song analyzes past relationships and suggests the singer is in control. She had a boy who she turned into a man and taught things to sexually. Now exes curse her name but still want attention. She finds new lovers in California and the UK to make exes jealous. The exes will come running back to her because she is the best lover they'll ever have, though the relationships never last. The exes haunt her like ghosts from past relationships.
Spike jonze
Spike Jonze is an American director, producer, and screenwriter known for his music video collaborations. He created his first music video in 1992 with the band Wax. In 1994, he directed three music videos for The Beastie Boys' album "III Communications," including "Sabotage," a parody of 1970s crime dramas. This launched their career as mainstream artists. Jonze also directed Bjork's first musical-style video "It's All So Quiet" to make her stand out as a new artist and attract fans at the start of her career. Both videos became iconic and influential.
Thinking of you
Katy Perry's music video for "Thinking of You" challenges pop music conventions by setting the song during the 1940s and incorporating themes of loss from World War II. Though a typical pop love ballad, the video depicts the singer mourning her husband after he is killed in war through scenes of her preparing for his funeral. Stylistic choices like the singer's dark clothing and a low-cut top sexualize 1940s fashion. Through cross-cutting, the video alternates between the singer's present at the funeral and flashbacks of her time with her husband before and during the war. There are also similarities to shots from the film "Dear John," possibly to promote one through the other.
Hall of frame by the script
This document provides an analysis of the music video for the song "Hall of Fame" by The Script featuring Will.i.am. It summarizes that the video tells two parallel stories - of a young ballet dancer pursuing her career and overcoming challenges, and of the band promoting a message of self-acceptance. Dark colors are used unconventionally for a pop video to make the characters seem powerful as they face adversity. Fast editing reflects the active lives and struggles of the two protagonists, while slower shots of the performing artists allow viewers to recognize them.
Twitter and facebook
This document contains links to two social media profiles, one for a Facebook page called "a2musicvideo" and another for a Twitter profile. The Facebook page appears to promote music videos for the city of Ann Arbor, Michigan. The Twitter profile link does not contain any additional identifying information.
Media proposal a2
This proposal outlines a music video for the song "Ex's and Oh's" by Elle King. It will tell the story of a woman feeling trapped by her insecurities and past relationships. There will be three locations: a studio for performance shots, a cemetery to represent her past haunting her, and an airport to show her desire to escape her problems by running away. A variety of camera angles, quick editing, and changes between low key, high key, and natural lighting will be used. Props like beer bottles, candles, photos, and a suitcase will help convey the story and message of the song.
Genres
The document discusses different music genres and provides examples of music videos that represent each genre. It covers indie music, which is characterized by low-key, live performance videos. Pop music is described as commonly featuring narratives or stories in its videos. Brit pop is explained as a genre popular in the UK in the 1990s that combined elements of indie music with more popular appeal. Examples of music videos are provided for each genre discussed.
Shooting schedule
The shooting schedule outlines filming locations and dates for a music video from September to November 2015. Key locations included Luton Airport in November to film shots of an airport, Elmers End Graveyard in November to film by a willow tree and older graves, and a booked studio in November to film the opening and establish the main character. The final filming day was scheduled for November 18th to film the character walking in the graveyard and lying down for a birds-eye view shot panning into her eyes.
Audience Profile
- The target audience for the music video is 16-25 year olds of any religion, class, or education level who enjoy pop artists like Sam Smith, Ed Sheeran, and Rihanna.
- Research was conducted through questionnaires and interviews at a sixth form college, public spaces, and universities to understand the audience's interests, aspirations, music preferences, and expectations for a music video.
- Examples of a male and female profile are given that provide details on their demographics, fashion styles, music tastes, social lives, and values to help inform the music video's content and messaging.
Question 7 media
The preliminary task helped the author plan their thriller opening by learning techniques like match on action shots, shot reverse shots, and the 180 degree rule. A match on action shot allows the audience to infer a character's continued movement between clips. A shot reverse shot shows a conversation from two perspectives to appear realistic as long as the eye lines match up. The 180 degree rule ensures shots stay on the same side of an imaginary line to avoid confusing the audience about who is speaking. These techniques were used in the author's preliminary task and will help structure their actual thriller opening sequence.
Evaluation question 1
This document provides an analysis of how the author's thriller opening uses, challenges, and develops conventions of real media products. The author drew inspiration from films, TV shows, music, and social media to create their opening. Professional music and footage from shows like Broadchurch and The Missing were analyzed and certain elements like costumes, shots of children, and symbols of missing persons were incorporated into the opening. The opening challenges conventions by focusing on the disappearance of a young girl rather than following a typical thriller storyline. Feedback from sharing the opening on social media was also used to further develop and refine the project.
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Young and beautiful
- 1. YOUNG AND BEAUTIFUL L A N A D E L R E Y
- 2. EDITING • Within this music video there is a steady beat that is ignored primarily for on beat editing and choses to use on beat editing on the words which is evident on the line “but my aching soul”. However, continuity editing is witnessed on this long shot, and this is show people being conducted to do something this is symbolic of Lana Del Rey directing/asking her friends “Will you still love me” and almost command them too.
- 3. EDITING • The slow paced editing is highlighted when she sings “I know you will” suggesting that she will always have someone there supporting her during her life time/ career which could either be her fans or close family and the side shot highlights her innocence, which shows that she is neglected by people and just wants someone to love her
- 4. EDITING This added effect of a spotlight in production implies that she is trapped within the industry as it looks like a bubble that she cannot get out off or that she burst at any minute into reality and lastly, it could mean that it is acting as a security blanket that therefore acting as a security blanket.
- 5. LIGHTING • Predominantly the lighting within the music video is low key meaning that is it quite dark connoting that she is mourning the death of her beauty overtime but she is however she is praising her soul that it has remained beautiful. • This shot shows three different colours (Yellow, Red and Blue) this then in turn shows that she has lived through all these different emotions. For example yellow connotes happiness, red represents lust, anger and danger and blue highlights that she has experienced sorrow and heartache. However, as there is a dark blue background it creates a mysterious atmosphere, and almost shows that nobody has seen the vulnerable side to her emotions.
- 6. COSTUMES In this shot she is wearing an all black dress, that is long and flowy at the bottom. The dark colour of black suggests that she is in mourning which sets the tone for the rest of the music video at this is her opening outfit which is giving the audience their first impression of her. Throughout the video she never changes costume but instead she stands in different lights so we can view the outfit in a different way and meaning. For instance this shot shows as if she is just wearing a glamourous outfit that is black because the white light shows of her innocence rather than her mourning but the light could also mean she is dying and stepping into the light.