+
Influences
and Intentions
When I looked at the lyrics of the
song, and listened to it a few times, I
felt it needed a calm video, and I
was reminded of Gabrielle Aplin’s
‘Home’ video, and could imagine a
similar, narrative-light journey fitting
with the style of music here.
+
Influences
and Intentions
When looking at ‘Ho Hey’ and ‘Little Lion
Man’, I was reminded of the mentions of
light/dark in the song’s lyrics, and
particularly liked the stark locations and
use of minimal lighting. This influenced me
into thinking something similar could be
used in my music video – something
simple and minimal to match the simple
lyrics and light tone.
+
Influences
and Intentions
The countryside/journey idea really
appealed to me from numerous videos,
as it fits the genre of my song. I
especially admired the shots where the
sun shone onto the camera and created
a warm, soft glow. However, it seemed
initially to be too difficult to combine
with the sophisticated look of the
Mumford & Sons and Lumineers’ videos.
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Influences
and Intentions
Re-listening to the track helped to piece
together the concept for the music video
and refine how I thought about it, as I
realised the titular ‘Silver Light’ could be a
character or a metaphor that leads the
singer out of the dark, shadowy and bare
location seen in ½ of my research, out into
the bright natural landscape seen in the
other 1/2
+
Influences
and Intentions
Other influences were random shots,
usually showing things from different,
more unusual angles, such as through
shadows, blurred shots and mirrors.
These make for more interesting videos
that are more varied and unique, and I’d
like to try the same technique of looking
at things differently in my video – such as
rarely shooting the singer’s face initially,
but only showing partial or obscured
views, silhouettes or shadows that create
mystery before the reveal.
+
Influences
and Intentions
Other influences were random shots,
usually showing things from different,
more unusual angles, such as through
shadows, blurred shots and mirrors.
These make for more interesting videos
that are more varied and unique, and I’d
like to try the same technique of looking
at things differently in my video – such as
rarely shooting the singer’s face initially,
but only showing partial or obscured
views, silhouettes or shadows that create
mystery before the reveal.

Influences and Intentions

  • 1.
    + Influences and Intentions When Ilooked at the lyrics of the song, and listened to it a few times, I felt it needed a calm video, and I was reminded of Gabrielle Aplin’s ‘Home’ video, and could imagine a similar, narrative-light journey fitting with the style of music here.
  • 2.
    + Influences and Intentions When lookingat ‘Ho Hey’ and ‘Little Lion Man’, I was reminded of the mentions of light/dark in the song’s lyrics, and particularly liked the stark locations and use of minimal lighting. This influenced me into thinking something similar could be used in my music video – something simple and minimal to match the simple lyrics and light tone.
  • 3.
    + Influences and Intentions The countryside/journeyidea really appealed to me from numerous videos, as it fits the genre of my song. I especially admired the shots where the sun shone onto the camera and created a warm, soft glow. However, it seemed initially to be too difficult to combine with the sophisticated look of the Mumford & Sons and Lumineers’ videos.
  • 4.
    + Influences and Intentions Re-listening tothe track helped to piece together the concept for the music video and refine how I thought about it, as I realised the titular ‘Silver Light’ could be a character or a metaphor that leads the singer out of the dark, shadowy and bare location seen in ½ of my research, out into the bright natural landscape seen in the other 1/2
  • 5.
    + Influences and Intentions Other influenceswere random shots, usually showing things from different, more unusual angles, such as through shadows, blurred shots and mirrors. These make for more interesting videos that are more varied and unique, and I’d like to try the same technique of looking at things differently in my video – such as rarely shooting the singer’s face initially, but only showing partial or obscured views, silhouettes or shadows that create mystery before the reveal.
  • 6.
    + Influences and Intentions Other influenceswere random shots, usually showing things from different, more unusual angles, such as through shadows, blurred shots and mirrors. These make for more interesting videos that are more varied and unique, and I’d like to try the same technique of looking at things differently in my video – such as rarely shooting the singer’s face initially, but only showing partial or obscured views, silhouettes or shadows that create mystery before the reveal.