Making of double-page_spread
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The document describes the process an individual took to create a double-page spread for a magazine. It discusses four stages: drafting, creating a digital mock-up, making a final draft by hand, and multiple attempts to design the final double-page spread. The individual went through several iterations to refine elements like images, text, colors and layout before arriving at a final version they were satisfied with.
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The document describes two experiments conducted for a print project. The first experiment focuses on lighting techniques using a photo of a Formula 1 driver. Key steps included cutting out the driver, adding shadows, creating a snow background, and using hue and saturation layers to dictate lighting. The second experiment explores rotoscoping a giraffe image by cutting and coloring different parts. Potential technical problems discussed include computer issues, file loss, and ability limitations. Theoretical problems addressed are subjects backing out, location availability, and time constraints for planned photography shoots. Solutions proposed are having backup options, scheduling locations in advance, and using alternative subjects and production time if needed.
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Charlotte Oliver reflects on her process for creating a double page spread for her final major project. She began by opening Adobe InDesign, which she found most efficient for creating the spread. She set the pages to A4 portrait and set them up next to each other. She then added grids and guides to help layout her design. After finding a royalty-free background image on Google, she added layers and drew boxes to precisely size images. In subsequent spreads, she followed a similar process in InDesign and created her own brush in Photoshop to add unique elements to the backgrounds. She plans to include aspects from her experiments, like fonts and colors, to improve her final production.
Development diary
The document summarizes a graphic designer's 7-day process of creating logo designs and other branding materials for a client. On day 1, the designer began working on the client's logo, experimenting with different fonts, colors, and effects. They created alternative designs and encountered some technical issues. On subsequent days, they refined existing logos, created new minimalist and polygonal designs, and designed business cards incorporating the logos. After feedback, they combined elements of two logos. On the final day, they created experimental products like calendar concepts and merchandise designs for the client's consideration. Overall, the designer learned through trial and error while aiming to represent the client's brand vision.
Double page spread drafts
The document provides instructions for creating a double exposure image in Photoshop. It involves:
1. Duplicating the background layer and selecting just the background to lock it and prevent changes.
2. Smoothing the selection edges and adding a layer mask to isolate the selection as its own layer.
3. Embedding another image and using the layer mask selection to apply it to the portrait silhouette.
4. Adjusting the blending mode and opacity of the duplicate layer to blend the two images together.
Evaluation question 7
The document summarizes the key differences between the student's preliminary magazine cover and contents page task, and their final products created in Adobe Photoshop. Some of the main differences discussed include using more appropriate fonts for the masthead versus body text, choosing a darker background color scheme, making the dominant image larger without overlays, and improving readability of the headline and contents text. The student reflects on lessons learned about design principles and layout from completing their first version in Microsoft Word.
6. production reflection
Charlotte began working on her second double page spread for her final major project. She opened Adobe InDesign to set up the spread with A4 portrait pages next to each other. She created grids and guides to help with layout and added background images found through Google. Later in the week, she took photos at the college studio for her project, editing them in Photoshop and Lightroom. Most recently she has been placing the edited images into her InDesign layout and starting to add text to her first double page spread.
Step by step construction of double spread page (DPS)
The document outlines the 9 step process for constructing a double-spread page (DPS) for a magazine. The steps include: 1) opening a blank canvas and turning it horizontal, 2) creating two drafts by editing images in Photoshop and experimenting with effects, 3) further editing one image to give it a darker mysterious effect, 4) executing a similar editing process for the second image, 5) pasting the images on the left side of the DPS and adding text on the right side, 6) changing the color scheme and beginning construction again with a different image, 7) using a different font for the headline and adding pulled quotes, 8) adding social media links and a small banner about a pull
EThompson - Unit 14: LO3 Powerpoint
This document outlines the production process for a print-based music magazine. It includes details on pre-production planning like equipment selection, test photography, and mood boards. Production elements covered are taking photos on location and in a studio. Post-production includes editing photos, designing page layouts in Photoshop, and adding text, images, and branding. Step-by-step explanations are provided for designing the front cover and double page spread layouts. The conclusion reflects on focusing on the key production stages to create the final magazine product.
Evaluation Question 7
The document summarizes the progression of the author's skills in creating a magazine from their preliminary task to the final product. It shows drafts and revisions made throughout the process. The author reflects that their early work was basic but their skills improved greatly over time. Comparing their first and final covers and contents page, the author feels proud of how much they have developed. Some lessons were to establish design elements like color schemes earlier and include more articles on the cover to better fit the vintage rock genre. Overall, the author is happy with the professional quality and range of skills shown in the final product compared to their earlier work.
Design pro Forma improved
The document describes the process of developing an advertisement for an energy drink. It discusses using various Photoshop tools to create elements of the ad like curved shapes, text, and lighting effects. It also covers adding logos, images of the drink can, and social media links. The document evaluates the technical qualities of the ad design and considers ways to further improve the aesthetic qualities, such as changing background colors or adding another curved graphic element. It determines the final pieces are fit for their intended purpose as advertisements.
Production reflection - print project
The document summarizes the process the author went through to create a magazine production project. It describes editing photographs in Photoshop, designing layouts in InDesign, and creating the front cover, double page spreads, and main article. Key steps included choosing photographs, editing them with tools like spot healing brush and lasso tool, designing pages inspired by magazines like Cosmopolitan, and using techniques like varying text sizes and bold colors to draw the reader in. The production required advanced skills in Photoshop and InDesign to create a professional layout and aesthetically pleasing design.
Complete FMP Evaluation
The document discusses the research, planning, problem solving, and technical/management challenges involved in producing a vaporwave-style fanzine. Key areas of research included conducting a survey to understand audience preferences, examining layouts of other magazines, and analyzing color schemes of similar fanzines. Planning covered selecting appropriate photo shoot locations and creating layout plans. Experiments helped develop skills like applying visual effects. Not having access to Adobe Illustrator and last-minute train booking issues presented technical and management problems.
Production Reflection FMP
The document provides a summary of the production process for standard and limited edition video game cover art over the course of 5 days. On day 1, the creator laid out the standard edition cover in Photoshop and began designing the title. On day 2, photos were taken and edited, with faces composited together. Day 3 involved adding clothing details and tattoos digitally. On day 4, tweaks were made to improve aesthetics, such as adding a map and text effects. Work began on the more complicated limited edition cover on day 5.
Evaluation.
This document evaluates the author's work creating a magazine cover, double page spread, and website about Volkswagens. For the magazine cover, the author aimed for a simple yet bold design that stood out. Feedback noted too much negative space, so the author adjusted text placement. For the double page spread, the author struggled but settled on using a background photo and custom clouds. Feedback noted small text, so the author overhauled text size. For the website, the author aimed for a simple one-page design and learned skills in website construction and formatting, but notes the site only works on Mac and needs anchor point adjustments.
FMP Experiments
The document describes two experiments conducted by the author - one using Adobe Dimensions to create a 3D model of a game disc case, and another to design their own fonts using Calligraphr. For the Adobe Dimensions experiment, the author created a cube model, added a cover image which became distorted as a decal, and discovered issues with resizing decals. For the font experiment, the author drew character templates and tested the fonts in titles and body text, exploring color palettes and contexts for usage.
Factual Project Production Log
The document summarizes a production log for a student's fanzine project over 4 weeks. Some key details:
1) In the first week, the student created interview pages with images, text layouts, and effects like gradients and metallic text. They also started pages on record labels and streaming services.
2) In the second week, the student continued pages on interviews, labels, and added a page with fisheye photos and quotes. Backgrounds included torn paper and glitch effects.
3) Due to computer issues, the third week involved recreating lost work, and new pages on gender inequality and streaming services with colorful backgrounds and glitch text.
4) The final week
Presentation2
The document describes the development of the author's production skills over the course of creating a magazine project. In the preliminary tasks, the author knew little about magazine conventions but learned through trial and error. Comparing early tasks to the final product showed great improvement in editing skills and understanding how to properly apply codes and conventions. This journey helped make the magazine more professional and developed the author's production abilities throughout.
7. evaluation
The document provides an evaluation of the student's research, planning, time management, technical qualities, and aesthetic qualities for a magazine production project. Some strengths identified include investigating existing successful products for inspiration, conducting a useful survey, creating a detailed schedule, and developing a style sheet. Weaknesses discussed are focusing research on broad techniques not used, creating flat plans that went unused, and lack of detail in font selection for the front cover. The student also reflects on needing better time management and setting a more realistic schedule.
3. production experiments (FMP)
The document describes experiments conducted to design logos and a newsletter for a company called Media-York. It discusses testing different logo designs, layouts, colors and fonts. The author experiments with designing mastheads, side panels, and inserting images. They also test different website building tools. In the reflection, the author indicates which elements they will include in the final products, such as the masthead design, use of opacity, color scheme, and building the site on Wix.
[Pro forma] experimental photography
The document discusses the process of creating a glitch photography image using techniques like the shear tool to separate elements and guide the eye, with the final image conveying an 80s aesthetic through manipulations like shearing and adding text. While some clarity was lost shrinking the subject, the final image would work well as a background or poster due to retaining clarity compared to other edited images.
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