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Living with Copyright by: Albert Rodriguez
The basics Protecting the work  Who owns it  Getting permission  The TEACH Act  Fair use
Protecting the work The author is usually the owner.  Identify all potential authors of work.  Contributors to the work.  Joint works.  Conveying away any rights.  Orphan works.  Protecting work.
Protecting the work It’s easy:           From putting the brush on canvas, pencil to paper, or hitting save on your computer, works are protected when they are put into a tangible medium of protection, or; http://copyright registery-gov-form.com/
Who owns it Individual work  Author is usually the owner.  Collaborated work. Is the use of another’s work beyond bound of fair use. Collaborative work Is it work for hire?  Commissioning work; statutory categories. Is it employer owned? Is it author-owner?
Getting permission  The ownership drill: Identify and contact owners;      Do they own work or is it work-for-hire?      Has rights been conveyed away, and to   whom?      And orphan works…
Orphanworks    Majority of materials in our archives and libraries is under this category.    Partnering with culture institutions to increase pace of digitized collections for the public.
The TEACH Act    It became law in 2002 Prior to; law for face-to-face teaching in [Section 110(1)] was generous. Since then; due to distance learning, shrank.
The TEACH Act Applies to accredited nonprofit educational institutions.  Conditions: Mediated instruction activity; At the direction of , or under instructor Directly related material assistance to the teaching content. Technology: limited  to students enrolled in the class.
The TEACH Act ,[object Object],http//copyright.lib.utexas.edu/teachact.html#actsummary
Fair use ,[object Object]
It’s undergoing exciting changes.
 Library special rights;
 Educational performances and displays…,[object Object]

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Living with copyright (revised)

  • 1. Living with Copyright by: Albert Rodriguez
  • 2. The basics Protecting the work Who owns it Getting permission The TEACH Act Fair use
  • 3. Protecting the work The author is usually the owner. Identify all potential authors of work. Contributors to the work. Joint works. Conveying away any rights. Orphan works. Protecting work.
  • 4. Protecting the work It’s easy: From putting the brush on canvas, pencil to paper, or hitting save on your computer, works are protected when they are put into a tangible medium of protection, or; http://copyright registery-gov-form.com/
  • 5. Who owns it Individual work Author is usually the owner. Collaborated work. Is the use of another’s work beyond bound of fair use. Collaborative work Is it work for hire? Commissioning work; statutory categories. Is it employer owned? Is it author-owner?
  • 6. Getting permission The ownership drill: Identify and contact owners; Do they own work or is it work-for-hire? Has rights been conveyed away, and to whom? And orphan works…
  • 7. Orphanworks Majority of materials in our archives and libraries is under this category. Partnering with culture institutions to increase pace of digitized collections for the public.
  • 8. The TEACH Act It became law in 2002 Prior to; law for face-to-face teaching in [Section 110(1)] was generous. Since then; due to distance learning, shrank.
  • 9. The TEACH Act Applies to accredited nonprofit educational institutions. Conditions: Mediated instruction activity; At the direction of , or under instructor Directly related material assistance to the teaching content. Technology: limited to students enrolled in the class.
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