EXPANSION TO SOUTH AMERICA
SUMMARY
GLOBAL MARKET AND
LIVE NATION
ENTERTAINMENT AND
SOUTH AMERICA
OUR CHOICE: BRAZIL HOW? ACQUISITION
FINANCIAL OPERATION
AND FORECAST
LAUNCH AND
RECOMMENDATIONS
GLOBAL MARKET
Sources: BillboardBiz and T4F
• Potential Markets: Brazil, Russia, India and China
• US: 30% of the market
• Digital music sales increase: represent 58% of total music market.
ILLEGAL MUSIC DOWNLOADS: affect
artist record sales.
Bands need to start doing more tours
LIVE NATION
• + BUSINESS MODEL:
- ARSTIST NATION (+200)
- TICKETING (TICKETMASTER – 80%
US)
- SPONSORSHIP
- CONCERTS
• + U$2.5 BILLION REVENUE 3Q14
• SALESFORCE, VICE AND YAHOO
PARTNERSHIPS
60.000.000 FANS
3.000 ARTISTS
33 COUNTRIES
3RD ONLINE RETAILER
BIGGEST ENTERTAINMENT COMPANY IN THE WORLD
ENTERTAINMENT AND SOUTH AMERICA
• Strong economies: Brazil, Argentina and
Chile are the biggest for Live Entertainment;
• Opportunity to introduce concert culture;
• Risks: Unstable economies: dollar rising, low
growth, embargued countries;
• THEY ARE PASSIONATE FOR ENTERTAINMENT
BRAZIL
COUNTRY GROWTH: 0.2%
GDP: U$2.456T
CHILE
COUNTRY GROWTH: 0.8%
GDP: U$285BI
EUROMONITOR – TRADING ECONOMICS
BRAZILIAN MARKET
• GROWTH PROJECTION UNTIL 2018: 39%;
• MORE VENUES AVAILABLE: WORLD CUP STADIUMS;
• 2014: DEBUT OF ARENA ALLIANZ IN SP (AEG – PAUL MCCARTNEY);
• 2015: ROCK IN RIO, LOLLAPALOOZA, TOMORROWLAND, ROLLING
STONES AND U2;
2013: U$140M 2014: U$200M2015: ?
Source: Estadao.com.br
YES! WE
ARE
GOING
TO SOUTH
AMERICA
HOW?ACQUISITION
T4F – BRAZIL AND CHILE
• Biggest entertainment company in SA
• 5 Venues in Brazil, 1 in Argentina
• Offices in São Paulo, Santiago and
Buenos Aires
• Tickets For Fun (low penetration; 27
points of sales, Box Offices and Site)
• LN Partner
• Producer of Lollapalooza
• Expertise and Human Resources
• More than 2.3 million fans on social
Opportunities:
• Accumulate a debt of
U$190MI (2014)
• Stock descreased 85%
since being public
• Loss in Family and
Performing Entertainment
55% REVENUE 2.2X EVENTS
-37% TICKETS
SALE
-68% CASH
FLOW
T4F Q2 2014 LIVE NATION
Bid:
U$190M*
Limit:
U$280M
ACQUISITION PROCESS - FINANCES
*T4F Financial Statements Q2 2014
PRESIDENT
FINANCIAL
LIVE
CONCERTS
FAMILY
SALES AND
MKT
HR AND
OPERATIONS
SPORTS
OPERATION
• FOCUS ON LIVE ENTERTAINMENT, DIGITAL AND
TICKETMASTER
PRESIDENT
FINANCIAL
LIVE
CONCERTS
DIGITAL AND
MKT SPONSORSHIP TICKETMASTER HR
CEO
72% LIVE MUSIC
27% FAMILY
AND THEATER
2% SPORTS
LAUNCH
LAUNCH (6 MONTH STRATEGY)
DIGITAL
FOCUS
SOCIAL NETWORKS
ONLINE MEDIA
MOBILE LAUNCH
TICKETMASTER
CONTENT STRATEGY
NEW ARTISTS NATION
PR SPONSORSHIP
ADVERTISING
LIVE NATION T4F
MUSIC FESTIVAL
SÃO PAULO – STADIUM - LOCAL AND
INTERNATIONAL ARTISTS
EXPECTED
Concerts 1,200
Tickets per
concerts
3,500
Average
Revenue per
Concert
U$164,500
Total
Revenue
U$197,400,000
Net Income
(3.4%)
U$6,111,600
SPONSORSHIP
U$ 36,889,981
FORECAST
CONCERTS: 65% of full agenda
4-6 YEARS
BREAKEVEN
WE POTENTIAL MARKET
HOW? ACQUISITION
ADJUSTING THE STRUCURE
ARE
READY DIGITAL FOCUS AND
TICKETMASTER
4-6 YEARS OF BREAKEVEN
QUESTIONS?
THANK YOU
TEAM 10
55% REVENUE 2.2X EVENTS
-37% TICKETS
SALE
-68% CASH
FLOW
T4F Q214
LIABILITIES AND
ASSETS:
U$190MI
LONG TERM
DEBTS
U$12 MI
SHORT TERM
DEBTS
U$82 MI
LIVE
NATION
Bid:
U$190MI
Limit:
U$280MI
AQUISITION PROCESS - FINANCES
72% LIVE MUSIC
27% FAMILY
AND THEATER
2% SPORTS
TIMELINE - IMPLEMENTATION
6 MONTH STRATEGY
ACQUISITION AND SOFT
ANNOUNCEMENT:
INVESTORS PLATFORM
AND SOCIAL MEDIA.
CRISIS MANAGEMENT
TEAM
ANNOUNCEMENT TO
THE EMPLOYEES WITH
NO CHANGES
IMPLMEMENTED
OPERATION CHANGE
ANNOUNCEMENT: FOCUS
ON LIVE ENTERTAINMENT
BUSINESS
5 ANNOUNCEMENT
CHANGES:
-COMPANY STRUCTURAL
CHANGES
-POLICIES
-VISION / MISSION
-NEW CULTURE
-OPERATIONS
BUSSINESS MODEL
FINAL CHANGES:
1.ANNOUNCEMENTS
2.FUTURE PLANS
3.NEW OPERATION
4.NEW POSITION
5.SPONSORSHIP LEADS
OFFICES:
- SAO PAULO HQ AND
CHILE SUPPORT OFFICE
- NEW KPI’S.
- FINAL HR ADJUSTMENTS
- FIRST HIRINGS
LAUNCH
MARKET
COMPANY
- FINAL HIRINGS AND
INTERNAL STRUCTURES
ADJUSTMENTS
- IMPLEMENTANTION OF
NEW HR POLICIES
START M2
START M2
M4
M4
M6
M6
CONSERVATIVE
Concerts 1,200
Tickets per
concerts
2,100
Average
Revenue
per Concert
U$98,700
Total
Revenue
U$118,440,000
Net Income
(1%)
U$1,184,400
EXPECTED
Concerts 1,200
Tickets per
concerts
3,500
Average
Revenue per
Concert
U$164,500
Total
Revenue
U$197,400,000
Net Income
(3.4%)
U$6,111,600
AMBITIOUS
Concerts 1,200
Tickets per
concerts
5,600
Average
Revenue per
Concert
U$263,200
Total Revenue U$315,840,000
Net Income
(10%)
U$31,584,400
SPONSORSHIP = U$ 36,889,981
FORECAST
CONCERTS: 65% of full agenda
SPONSORSHIP:U$30.750 per event
SPONSORSHIPS: Avg of 2012; 2013
5-7
YEARS
4-6
YEARS
3-4
YEARS
BREAKEVENS

Live Nation - Presentation - FINAL

  • 1.
  • 2.
    SUMMARY GLOBAL MARKET AND LIVENATION ENTERTAINMENT AND SOUTH AMERICA OUR CHOICE: BRAZIL HOW? ACQUISITION FINANCIAL OPERATION AND FORECAST LAUNCH AND RECOMMENDATIONS
  • 3.
    GLOBAL MARKET Sources: BillboardBizand T4F • Potential Markets: Brazil, Russia, India and China • US: 30% of the market • Digital music sales increase: represent 58% of total music market. ILLEGAL MUSIC DOWNLOADS: affect artist record sales. Bands need to start doing more tours
  • 4.
    LIVE NATION • +BUSINESS MODEL: - ARSTIST NATION (+200) - TICKETING (TICKETMASTER – 80% US) - SPONSORSHIP - CONCERTS • + U$2.5 BILLION REVENUE 3Q14 • SALESFORCE, VICE AND YAHOO PARTNERSHIPS 60.000.000 FANS 3.000 ARTISTS 33 COUNTRIES 3RD ONLINE RETAILER BIGGEST ENTERTAINMENT COMPANY IN THE WORLD
  • 5.
    ENTERTAINMENT AND SOUTHAMERICA • Strong economies: Brazil, Argentina and Chile are the biggest for Live Entertainment; • Opportunity to introduce concert culture; • Risks: Unstable economies: dollar rising, low growth, embargued countries; • THEY ARE PASSIONATE FOR ENTERTAINMENT BRAZIL COUNTRY GROWTH: 0.2% GDP: U$2.456T CHILE COUNTRY GROWTH: 0.8% GDP: U$285BI EUROMONITOR – TRADING ECONOMICS
  • 6.
    BRAZILIAN MARKET • GROWTHPROJECTION UNTIL 2018: 39%; • MORE VENUES AVAILABLE: WORLD CUP STADIUMS; • 2014: DEBUT OF ARENA ALLIANZ IN SP (AEG – PAUL MCCARTNEY); • 2015: ROCK IN RIO, LOLLAPALOOZA, TOMORROWLAND, ROLLING STONES AND U2; 2013: U$140M 2014: U$200M2015: ? Source: Estadao.com.br
  • 7.
  • 8.
    T4F – BRAZILAND CHILE • Biggest entertainment company in SA • 5 Venues in Brazil, 1 in Argentina • Offices in São Paulo, Santiago and Buenos Aires • Tickets For Fun (low penetration; 27 points of sales, Box Offices and Site) • LN Partner • Producer of Lollapalooza • Expertise and Human Resources • More than 2.3 million fans on social Opportunities: • Accumulate a debt of U$190MI (2014) • Stock descreased 85% since being public • Loss in Family and Performing Entertainment
  • 9.
    55% REVENUE 2.2XEVENTS -37% TICKETS SALE -68% CASH FLOW T4F Q2 2014 LIVE NATION Bid: U$190M* Limit: U$280M ACQUISITION PROCESS - FINANCES *T4F Financial Statements Q2 2014
  • 10.
    PRESIDENT FINANCIAL LIVE CONCERTS FAMILY SALES AND MKT HR AND OPERATIONS SPORTS OPERATION •FOCUS ON LIVE ENTERTAINMENT, DIGITAL AND TICKETMASTER PRESIDENT FINANCIAL LIVE CONCERTS DIGITAL AND MKT SPONSORSHIP TICKETMASTER HR CEO 72% LIVE MUSIC 27% FAMILY AND THEATER 2% SPORTS
  • 11.
    LAUNCH LAUNCH (6 MONTHSTRATEGY) DIGITAL FOCUS SOCIAL NETWORKS ONLINE MEDIA MOBILE LAUNCH TICKETMASTER CONTENT STRATEGY NEW ARTISTS NATION PR SPONSORSHIP ADVERTISING LIVE NATION T4F MUSIC FESTIVAL SÃO PAULO – STADIUM - LOCAL AND INTERNATIONAL ARTISTS
  • 12.
    EXPECTED Concerts 1,200 Tickets per concerts 3,500 Average Revenueper Concert U$164,500 Total Revenue U$197,400,000 Net Income (3.4%) U$6,111,600 SPONSORSHIP U$ 36,889,981 FORECAST CONCERTS: 65% of full agenda 4-6 YEARS BREAKEVEN
  • 13.
    WE POTENTIAL MARKET HOW?ACQUISITION ADJUSTING THE STRUCURE ARE READY DIGITAL FOCUS AND TICKETMASTER 4-6 YEARS OF BREAKEVEN
  • 14.
  • 15.
    55% REVENUE 2.2XEVENTS -37% TICKETS SALE -68% CASH FLOW T4F Q214 LIABILITIES AND ASSETS: U$190MI LONG TERM DEBTS U$12 MI SHORT TERM DEBTS U$82 MI LIVE NATION Bid: U$190MI Limit: U$280MI AQUISITION PROCESS - FINANCES 72% LIVE MUSIC 27% FAMILY AND THEATER 2% SPORTS
  • 16.
    TIMELINE - IMPLEMENTATION 6MONTH STRATEGY ACQUISITION AND SOFT ANNOUNCEMENT: INVESTORS PLATFORM AND SOCIAL MEDIA. CRISIS MANAGEMENT TEAM ANNOUNCEMENT TO THE EMPLOYEES WITH NO CHANGES IMPLMEMENTED OPERATION CHANGE ANNOUNCEMENT: FOCUS ON LIVE ENTERTAINMENT BUSINESS 5 ANNOUNCEMENT CHANGES: -COMPANY STRUCTURAL CHANGES -POLICIES -VISION / MISSION -NEW CULTURE -OPERATIONS BUSSINESS MODEL FINAL CHANGES: 1.ANNOUNCEMENTS 2.FUTURE PLANS 3.NEW OPERATION 4.NEW POSITION 5.SPONSORSHIP LEADS OFFICES: - SAO PAULO HQ AND CHILE SUPPORT OFFICE - NEW KPI’S. - FINAL HR ADJUSTMENTS - FIRST HIRINGS LAUNCH MARKET COMPANY - FINAL HIRINGS AND INTERNAL STRUCTURES ADJUSTMENTS - IMPLEMENTANTION OF NEW HR POLICIES START M2 START M2 M4 M4 M6 M6
  • 17.
    CONSERVATIVE Concerts 1,200 Tickets per concerts 2,100 Average Revenue perConcert U$98,700 Total Revenue U$118,440,000 Net Income (1%) U$1,184,400 EXPECTED Concerts 1,200 Tickets per concerts 3,500 Average Revenue per Concert U$164,500 Total Revenue U$197,400,000 Net Income (3.4%) U$6,111,600 AMBITIOUS Concerts 1,200 Tickets per concerts 5,600 Average Revenue per Concert U$263,200 Total Revenue U$315,840,000 Net Income (10%) U$31,584,400 SPONSORSHIP = U$ 36,889,981 FORECAST CONCERTS: 65% of full agenda SPONSORSHIP:U$30.750 per event SPONSORSHIPS: Avg of 2012; 2013 5-7 YEARS 4-6 YEARS 3-4 YEARS BREAKEVENS