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EXPANSION TO SOUTH AMERICA
SUMMARY
GLOBAL MARKET AND
LIVE NATION
ENTERTAINMENT AND
SOUTH AMERICA
OUR CHOICE: BRAZIL HOW? ACQUISITION
FINANCIAL OPERATION
AND FORECAST
LAUNCH AND
RECOMMENDATIONS
GLOBAL MARKET
Sources: BillboardBiz and T4F
• Potential Markets: Brazil, Russia, India and China
• US: 30% of the market
• Digital music sales increase: represent 58% of total music market.
ILLEGAL MUSIC DOWNLOADS: affect
artist record sales.
Bands need to start doing more tours
LIVE NATION
• + BUSINESS MODEL:
- ARSTIST NATION (+200)
- TICKETING (TICKETMASTER – 80%
US)
- SPONSORSHIP
- CONCERTS
• + U$2.5 BILLION REVENUE 3Q14
• SALESFORCE, VICE AND YAHOO
PARTNERSHIPS
60.000.000 FANS
3.000 ARTISTS
33 COUNTRIES
3RD ONLINE RETAILER
BIGGEST ENTERTAINMENT COMPANY IN THE WORLD
ENTERTAINMENT AND SOUTH AMERICA
• Strong economies: Brazil, Argentina and
Chile are the biggest for Live Entertainment;
• Opportunity to introduce concert culture;
• Risks: Unstable economies: dollar rising, low
growth, embargued countries;
• THEY ARE PASSIONATE FOR ENTERTAINMENT
BRAZIL
COUNTRY GROWTH: 0.2%
GDP: U$2.456T
CHILE
COUNTRY GROWTH: 0.8%
GDP: U$285BI
EUROMONITOR – TRADING ECONOMICS
BRAZILIAN MARKET
• GROWTH PROJECTION UNTIL 2018: 39%;
• MORE VENUES AVAILABLE: WORLD CUP STADIUMS;
• 2014: DEBUT OF ARENA ALLIANZ IN SP (AEG – PAUL MCCARTNEY);
• 2015: ROCK IN RIO, LOLLAPALOOZA, TOMORROWLAND, ROLLING
STONES AND U2;
2013: U$140M 2014: U$200M2015: ?
Source: Estadao.com.br
YES! WE
ARE
GOING
TO SOUTH
AMERICA
HOW?ACQUISITION
T4F – BRAZIL AND CHILE
• Biggest entertainment company in SA
• 5 Venues in Brazil, 1 in Argentina
• Offices in São Paulo, Santiago and
Buenos Aires
• Tickets For Fun (low penetration; 27
points of sales, Box Offices and Site)
• LN Partner
• Producer of Lollapalooza
• Expertise and Human Resources
• More than 2.3 million fans on social
Opportunities:
• Accumulate a debt of
U$190MI (2014)
• Stock descreased 85%
since being public
• Loss in Family and
Performing Entertainment
55% REVENUE 2.2X EVENTS
-37% TICKETS
SALE
-68% CASH
FLOW
T4F Q2 2014 LIVE NATION
Bid:
U$190M*
Limit:
U$280M
ACQUISITION PROCESS - FINANCES
*T4F Financial Statements Q2 2014
PRESIDENT
FINANCIAL
LIVE
CONCERTS
FAMILY
SALES AND
MKT
HR AND
OPERATIONS
SPORTS
OPERATION
• FOCUS ON LIVE ENTERTAINMENT, DIGITAL AND
TICKETMASTER
PRESIDENT
FINANCIAL
LIVE
CONCERTS
DIGITAL AND
MKT SPONSORSHIP TICKETMASTER HR
CEO
72% LIVE MUSIC
27% FAMILY
AND THEATER
2% SPORTS
LAUNCH
LAUNCH (6 MONTH STRATEGY)
DIGITAL
FOCUS
SOCIAL NETWORKS
ONLINE MEDIA
MOBILE LAUNCH
TICKETMASTER
CONTENT STRATEGY
NEW ARTISTS NATION
PR SPONSORSHIP
ADVERTISING
LIVE NATION T4F
MUSIC FESTIVAL
SÃO PAULO – STADIUM - LOCAL AND
INTERNATIONAL ARTISTS
EXPECTED
Concerts 1,200
Tickets per
concerts
3,500
Average
Revenue per
Concert
U$164,500
Total
Revenue
U$197,400,000
Net Income
(3.4%)
U$6,111,600
SPONSORSHIP
U$ 36,889,981
FORECAST
CONCERTS: 65% of full agenda
4-6 YEARS
BREAKEVEN
WE POTENTIAL MARKET
HOW? ACQUISITION
ADJUSTING THE STRUCURE
ARE
READY DIGITAL FOCUS AND
TICKETMASTER
4-6 YEARS OF BREAKEVEN
QUESTIONS?
THANK YOU
TEAM 10
55% REVENUE 2.2X EVENTS
-37% TICKETS
SALE
-68% CASH
FLOW
T4F Q214
LIABILITIES AND
ASSETS:
U$190MI
LONG TERM
DEBTS
U$12 MI
SHORT TERM
DEBTS
U$82 MI
LIVE
NATION
Bid:
U$190MI
Limit:
U$280MI
AQUISITION PROCESS - FINANCES
72% LIVE MUSIC
27% FAMILY
AND THEATER
2% SPORTS
TIMELINE - IMPLEMENTATION
6 MONTH STRATEGY
ACQUISITION AND SOFT
ANNOUNCEMENT:
INVESTORS PLATFORM
AND SOCIAL MEDIA.
CRISIS MANAGEMENT
TEAM
ANNOUNCEMENT TO
THE EMPLOYEES WITH
NO CHANGES
IMPLMEMENTED
OPERATION CHANGE
ANNOUNCEMENT: FOCUS
ON LIVE ENTERTAINMENT
BUSINESS
5 ANNOUNCEMENT
CHANGES:
-COMPANY STRUCTURAL
CHANGES
-POLICIES
-VISION / MISSION
-NEW CULTURE
-OPERATIONS
BUSSINESS MODEL
FINAL CHANGES:
1.ANNOUNCEMENTS
2.FUTURE PLANS
3.NEW OPERATION
4.NEW POSITION
5.SPONSORSHIP LEADS
OFFICES:
- SAO PAULO HQ AND
CHILE SUPPORT OFFICE
- NEW KPI’S.
- FINAL HR ADJUSTMENTS
- FIRST HIRINGS
LAUNCH
MARKET
COMPANY
- FINAL HIRINGS AND
INTERNAL STRUCTURES
ADJUSTMENTS
- IMPLEMENTANTION OF
NEW HR POLICIES
START M2
START M2
M4
M4
M6
M6
CONSERVATIVE
Concerts 1,200
Tickets per
concerts
2,100
Average
Revenue
per Concert
U$98,700
Total
Revenue
U$118,440,000
Net Income
(1%)
U$1,184,400
EXPECTED
Concerts 1,200
Tickets per
concerts
3,500
Average
Revenue per
Concert
U$164,500
Total
Revenue
U$197,400,000
Net Income
(3.4%)
U$6,111,600
AMBITIOUS
Concerts 1,200
Tickets per
concerts
5,600
Average
Revenue per
Concert
U$263,200
Total Revenue U$315,840,000
Net Income
(10%)
U$31,584,400
SPONSORSHIP = U$ 36,889,981
FORECAST
CONCERTS: 65% of full agenda
SPONSORSHIP:U$30.750 per event
SPONSORSHIPS: Avg of 2012; 2013
5-7
YEARS
4-6
YEARS
3-4
YEARS
BREAKEVENS

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Live Nation - Presentation - FINAL

  • 2. SUMMARY GLOBAL MARKET AND LIVE NATION ENTERTAINMENT AND SOUTH AMERICA OUR CHOICE: BRAZIL HOW? ACQUISITION FINANCIAL OPERATION AND FORECAST LAUNCH AND RECOMMENDATIONS
  • 3. GLOBAL MARKET Sources: BillboardBiz and T4F • Potential Markets: Brazil, Russia, India and China • US: 30% of the market • Digital music sales increase: represent 58% of total music market. ILLEGAL MUSIC DOWNLOADS: affect artist record sales. Bands need to start doing more tours
  • 4. LIVE NATION • + BUSINESS MODEL: - ARSTIST NATION (+200) - TICKETING (TICKETMASTER – 80% US) - SPONSORSHIP - CONCERTS • + U$2.5 BILLION REVENUE 3Q14 • SALESFORCE, VICE AND YAHOO PARTNERSHIPS 60.000.000 FANS 3.000 ARTISTS 33 COUNTRIES 3RD ONLINE RETAILER BIGGEST ENTERTAINMENT COMPANY IN THE WORLD
  • 5. ENTERTAINMENT AND SOUTH AMERICA • Strong economies: Brazil, Argentina and Chile are the biggest for Live Entertainment; • Opportunity to introduce concert culture; • Risks: Unstable economies: dollar rising, low growth, embargued countries; • THEY ARE PASSIONATE FOR ENTERTAINMENT BRAZIL COUNTRY GROWTH: 0.2% GDP: U$2.456T CHILE COUNTRY GROWTH: 0.8% GDP: U$285BI EUROMONITOR – TRADING ECONOMICS
  • 6. BRAZILIAN MARKET • GROWTH PROJECTION UNTIL 2018: 39%; • MORE VENUES AVAILABLE: WORLD CUP STADIUMS; • 2014: DEBUT OF ARENA ALLIANZ IN SP (AEG – PAUL MCCARTNEY); • 2015: ROCK IN RIO, LOLLAPALOOZA, TOMORROWLAND, ROLLING STONES AND U2; 2013: U$140M 2014: U$200M2015: ? Source: Estadao.com.br
  • 8. T4F – BRAZIL AND CHILE • Biggest entertainment company in SA • 5 Venues in Brazil, 1 in Argentina • Offices in São Paulo, Santiago and Buenos Aires • Tickets For Fun (low penetration; 27 points of sales, Box Offices and Site) • LN Partner • Producer of Lollapalooza • Expertise and Human Resources • More than 2.3 million fans on social Opportunities: • Accumulate a debt of U$190MI (2014) • Stock descreased 85% since being public • Loss in Family and Performing Entertainment
  • 9. 55% REVENUE 2.2X EVENTS -37% TICKETS SALE -68% CASH FLOW T4F Q2 2014 LIVE NATION Bid: U$190M* Limit: U$280M ACQUISITION PROCESS - FINANCES *T4F Financial Statements Q2 2014
  • 10. PRESIDENT FINANCIAL LIVE CONCERTS FAMILY SALES AND MKT HR AND OPERATIONS SPORTS OPERATION • FOCUS ON LIVE ENTERTAINMENT, DIGITAL AND TICKETMASTER PRESIDENT FINANCIAL LIVE CONCERTS DIGITAL AND MKT SPONSORSHIP TICKETMASTER HR CEO 72% LIVE MUSIC 27% FAMILY AND THEATER 2% SPORTS
  • 11. LAUNCH LAUNCH (6 MONTH STRATEGY) DIGITAL FOCUS SOCIAL NETWORKS ONLINE MEDIA MOBILE LAUNCH TICKETMASTER CONTENT STRATEGY NEW ARTISTS NATION PR SPONSORSHIP ADVERTISING LIVE NATION T4F MUSIC FESTIVAL SÃO PAULO – STADIUM - LOCAL AND INTERNATIONAL ARTISTS
  • 12. EXPECTED Concerts 1,200 Tickets per concerts 3,500 Average Revenue per Concert U$164,500 Total Revenue U$197,400,000 Net Income (3.4%) U$6,111,600 SPONSORSHIP U$ 36,889,981 FORECAST CONCERTS: 65% of full agenda 4-6 YEARS BREAKEVEN
  • 13. WE POTENTIAL MARKET HOW? ACQUISITION ADJUSTING THE STRUCURE ARE READY DIGITAL FOCUS AND TICKETMASTER 4-6 YEARS OF BREAKEVEN
  • 15. 55% REVENUE 2.2X EVENTS -37% TICKETS SALE -68% CASH FLOW T4F Q214 LIABILITIES AND ASSETS: U$190MI LONG TERM DEBTS U$12 MI SHORT TERM DEBTS U$82 MI LIVE NATION Bid: U$190MI Limit: U$280MI AQUISITION PROCESS - FINANCES 72% LIVE MUSIC 27% FAMILY AND THEATER 2% SPORTS
  • 16. TIMELINE - IMPLEMENTATION 6 MONTH STRATEGY ACQUISITION AND SOFT ANNOUNCEMENT: INVESTORS PLATFORM AND SOCIAL MEDIA. CRISIS MANAGEMENT TEAM ANNOUNCEMENT TO THE EMPLOYEES WITH NO CHANGES IMPLMEMENTED OPERATION CHANGE ANNOUNCEMENT: FOCUS ON LIVE ENTERTAINMENT BUSINESS 5 ANNOUNCEMENT CHANGES: -COMPANY STRUCTURAL CHANGES -POLICIES -VISION / MISSION -NEW CULTURE -OPERATIONS BUSSINESS MODEL FINAL CHANGES: 1.ANNOUNCEMENTS 2.FUTURE PLANS 3.NEW OPERATION 4.NEW POSITION 5.SPONSORSHIP LEADS OFFICES: - SAO PAULO HQ AND CHILE SUPPORT OFFICE - NEW KPI’S. - FINAL HR ADJUSTMENTS - FIRST HIRINGS LAUNCH MARKET COMPANY - FINAL HIRINGS AND INTERNAL STRUCTURES ADJUSTMENTS - IMPLEMENTANTION OF NEW HR POLICIES START M2 START M2 M4 M4 M6 M6
  • 17. CONSERVATIVE Concerts 1,200 Tickets per concerts 2,100 Average Revenue per Concert U$98,700 Total Revenue U$118,440,000 Net Income (1%) U$1,184,400 EXPECTED Concerts 1,200 Tickets per concerts 3,500 Average Revenue per Concert U$164,500 Total Revenue U$197,400,000 Net Income (3.4%) U$6,111,600 AMBITIOUS Concerts 1,200 Tickets per concerts 5,600 Average Revenue per Concert U$263,200 Total Revenue U$315,840,000 Net Income (10%) U$31,584,400 SPONSORSHIP = U$ 36,889,981 FORECAST CONCERTS: 65% of full agenda SPONSORSHIP:U$30.750 per event SPONSORSHIPS: Avg of 2012; 2013 5-7 YEARS 4-6 YEARS 3-4 YEARS BREAKEVENS