FORWARD project – Framework for a EU-wide Audiovisual Orphan Works Registry
Kerstin Herlt, Association des Cinémathèques Européennes (ACE) Head of Office
A series of examples of Open Infrastructure projects, and a suggested Open Infrastructure landscape, originally posted as food for thought for an #Innochat discussion on Twitter, June 7, 2010
A series of examples of Open Infrastructure projects, and a suggested Open Infrastructure landscape, originally posted as food for thought for an #Innochat discussion on Twitter, June 7, 2010
Digitisation of Audiovisual Heritage in FlandersPACKED vzw
Packed vzw is the center for digital heritage in Flanders and supports caretakers of different types of digital heritage. This presentation glosses over our insights regarding digitisation of audiovisual collections in Flanders.
NWLP - The Brave New World - the changing face of copyrightJISC Legal
Delivered to the North Wales Libraries Partnership Copyright Workshop on 30 January 2014 at the University of Bangor, by Jason Miles-Campbell of Jisc Legal.
EUscreen offers free online access to videos, stills, texts and audio from European broadcasters and audiovisual archives. Explore selected content from early 1900s until today.
Exploring Audiovisual Archives through Aligned Thesauri Victor de Boer
Slides for the presentation given at the MTSR 2016 conference in Gottingen, Germany for the paper "Exploring Audiovisual Archives through Aligned Thesauri" by Victor de Boer, Matthias Priem, Michiel Hildebrand, Nico Verplancke, Arjen de Vries, and Johan Oomen.
In this paper, we present a case study where partial
collections of two audiovisual archives (Netherlands Institute for Sound and Vision and VIAA) are connected by aligning their thesauri. We report on the conversion of one of the thesauri to SKOS and on the subsequent application of an interactive alignment tool CultuurLINK. Finally, we introduce an cross-collection browser which uses the produced alignment to allow users to explore connections between the two collections.
Digitisation of Audiovisual Heritage in FlandersPACKED vzw
Packed vzw is the center for digital heritage in Flanders and supports caretakers of different types of digital heritage. This presentation glosses over our insights regarding digitisation of audiovisual collections in Flanders.
NWLP - The Brave New World - the changing face of copyrightJISC Legal
Delivered to the North Wales Libraries Partnership Copyright Workshop on 30 January 2014 at the University of Bangor, by Jason Miles-Campbell of Jisc Legal.
EUscreen offers free online access to videos, stills, texts and audio from European broadcasters and audiovisual archives. Explore selected content from early 1900s until today.
Exploring Audiovisual Archives through Aligned Thesauri Victor de Boer
Slides for the presentation given at the MTSR 2016 conference in Gottingen, Germany for the paper "Exploring Audiovisual Archives through Aligned Thesauri" by Victor de Boer, Matthias Priem, Michiel Hildebrand, Nico Verplancke, Arjen de Vries, and Johan Oomen.
In this paper, we present a case study where partial
collections of two audiovisual archives (Netherlands Institute for Sound and Vision and VIAA) are connected by aligning their thesauri. We report on the conversion of one of the thesauri to SKOS and on the subsequent application of an interactive alignment tool CultuurLINK. Finally, we introduce an cross-collection browser which uses the produced alignment to allow users to explore connections between the two collections.
Service Design - vad händer när business möter design?cloudnine
Vad innebär Service Design för dina användare, och hur gör du för att skapa mer lönsamma digitala tjänster och produkter?
När det gäller beslut kring kundupplevelser och design så kan kommunikationen mellan olika funktioner och avdelningar i ett företag vara problematisk. Det kan handla om val av innehåll, färg och form, eller på vilket sätt du väljer att involvera kunden, där ett felaktigt beslut kan vara avgörande för kundens uppfattade värde, likväl som för din egen lönsamhet.
Välkommen på ett frukostseminarium där vi reder ut begreppet Service Design och visar exempel på hur vi kan skapa kundvänliga och lönsamma lösningar.
Talare är vår Jesper Andersen, Art director.
The ECIS is a turnkey system that provides researchers with an advanced, automated, non-invasive means to monitor cell behavior in real-time and without the use of labels.
New approaches towards accessing digital audiovisual heritage What will EUscr...Johan Oomen
During the past decade, a massive body of European audiovisual heritage has become accessible online: on video sharing sites and websites of archives, or through initiatives such as EUscreen.eu and Europeana.eu. Once online, audiovisual heritage circulates in diverse ways: users watch, share, like, or dislike it; they comment, appropriate, and download videos for remix and recirculation. It thus becomes part of the popular consumption of history, potentially creating new interpretations of heritage materials, challenging authorised perspectives.
Challenges to audiovisual heritage online
Heritage institutions perceive the consequences of the recent technological transformations of the sector as a major challenge and opportunity. Nevertheless, urgent questions regarding the circulation of audiovisual heritage online remain unanswered:
How do strategies of curation shape the appropriation of digitized heritage?
How does digitisation and online circulation of audiovisual heritage affect the mission, role, and structure heritage institutions, as well as their relationships with media producers and publics?
How can audiovisual archives better foster the re-use of Europe’s audiovisual heritage?
(How) do digital curation and other appropriations of audiovisual heritage create new perspectives on European history and identity do ?
How does online circulation of audiovisual heritage alter the power relationships between amateur and professional historians in a public history environment, potentially blurring the boundaries between authorised and popular visions of European history?
What new tools and methods do we need to analyse the circulation of audiovisual heritage online, and how have traditional methods to be adapted for this aim?
To discuss these challenges, Utrecht University's Centre of Television in Transition in collaboration with The Netherlands Institute for Sound and Vision and CLARIAH will organize a one day symposium on May 16th, 2018.
Information-seeking Behaviors of Filmmakers Using Moving Image ArchivesSound and Vision R&D
Presented by Julie Judkins in the "Understanding what Users Need to Understand Us (and Our Data)" session at the Access, Outreach, and Use of Moving Image Archives Stream during the AMIA 2015 Conference on Saturday, November 21, 2015.
Rebecca Grant, Kathryn Cassidy, Marta Bustillo - Implementing Orphan Works Le...dri_ireland
Presentation made by Rebecca Grant (Digital Repository of Ireland) Kathryn Cassidy (Digital Repository of Ireland) and Marta Bustillo (Trinity College Dublin) at Open Repositories, Dublin on 14 June 2016. The presentation gives an overview of the EU Orphan Works Directive and its implementation in Ireland, and discusses how the Digital Repository of Ireland adapted its workflows and UI to allow the publication of registered Orphan Works.
Empowering People with Deafblindness - The SUITCEYES H2020 ProjectStratos Kontopoulos
Keynote presentation at the 7th ICEVI European Conference on Psychology and Visual Impairment, which took place 1-2 November 2018 in Thessaloniki, Greece.
The presentation introduces the 3-year H2020 project SUITCEYES, which is aimed at developing a garment that will appropriate smart textiles and IoT technologies in order to act as a communication interface for people with deafblindness.
Copyright challenges and policy choices in European heritage projects Tools, ...Phonothèque MMSH
La journée soutenue par le LabexMed (https://labexmed.hyptheses.org) ainsi que le Consortium Musica de la TGIR Huma-Num (https://humanum.hypotheses.org/503) s’inscrivait dans le cadre du projet de rédaction d’un recueil de bonnes pratiques sur les questions juridiques et éthiques pour la diffusion des données de la recherche en sciences humaines sociales (https://ethiquedroit.hypotheses.org).
Europeana Sounds training session on intellectual property rights (24 June 2015)Europeana_Sounds
Lisette Kalshoven facilitated this training session on intellectual property rights that took place in Athens Concert Hall on June 24th, 2015 in the frame of Europeana Sounds' aggregation and mid-year meeting.
OSDC 2011 | Open Source Software for Public Administration by Dr. George Kolo...NETWAYS
This presentation aims to explore OSOR.eu, the online communication platform of the Open Source Observatory and Repository. OSOR.eu is an initiative of the European Commission with the scope to promote, exchange experience and share information on the use of open source software by Public Administrations. More particularly, OSOR.eu provides helpful information for open source software developers who work on software that may be used to address the needs of public administrations.
The presentation will begin with an outline of what the platform provides in terms of information, databases, networking, and who and why can benefit from its use. Public administrations and software developers can stay updated on current relevant activities and can use the platform to facilitate communication of needs, requirements, and evolution.Following the general introduction on how the public sector and the open source community can benefit from OSOR.eu, the speaker will then move into explaining more technical details on how the platform works in relation to the specific areas of interest for the audience and will discuss how to choose the appropriate open source license when starting from scratch or when reusing other OSS components. Furthermore, an outline will be given on the benefits of the European Public License in an environment of different languages and legal systems, such as Europe.
Towards more smart, connected and open audiovisual archivesJohan Oomen
As a result of digitisation of analogue holdings and working processes, more and more material from audiovisual archies is being made available online. This marks a transformative shift, as archives and users are now sharing the same information space. Once digital and part of an open network, objects from audiovisual archives can be shared, recommended, remixed, embedded, cited, referenced to and so on. It is a far cry from several years ago, when users were obliged to visit brick and mortar institutions to access collections. This shift towards digital enables archives to fulfil their pubic missions better; crossing geographical boundaries, using new channels for content distribution, engage with user groups and use new technologies to make work processes more efficient and allow for new access points to collections. It also introduces fundamental challenges, forcing audiovisual archives to [1] rethink their role and function in the value chain of media production and modern society at large, [2] assess which activities and competences are vital to succeed in a digital context.
We envision the future audiovisual archives to be smart, connected and open; using smart technologies to optimise workflows for annotation and content distribution. Collaborating with third parties to co-design and co-develop new technologies in order to manifest themselves as frontrunners rather than followers. Being connected to other sources of information (other collections, contextual sources), to a variety of often niche user communities, researchers and the creative industries. To embrace the use of standards defined by external instances rather than by the cultural heritage communities themselves. Fully embrace ‘open’ as the default to have maximum impact in society: applying open licences for content delivery, using open source software and open standards wherever possible. Promote open access to publications and so on.
This keynote examines how the public mission of archives (i.e. supporting a myriad of users to utilize collections to learn, experience and create) can be achieved in a digital context. It addresses the challenges related to the role and function of institutions and provides practical insights in how archives can establish a culture of innovation to manage challenges they face today. It addresses some of the major questions audiovisual archives are faced with today.
Update on the eJewish.info Initiative of the Jewish Agency for Developing Jewish Networking Infrastructures. Presentation to the Information Technology Committee, Board of Governors, The Jewish Agency for Israel, October 2004
Eyal Reuven, National Library of Israel: the Open Library
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
G12 susan hazan_roundtableopenaccesjewishevaminerva
Susan Hazan, The Israel Museum, Jerusalem, Harvard
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
G12 susan hazan_roundtableopenaccesjewishevaminerva
Susan Hazan, The Israel Museum, Jerusalem, Harvard
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Alex Valdman, The Central Archives for the History of the Jewish People and the Ben-Gurion University of the Negev
Jewish Documentary Heritage Online: The Yerusha Project at the Central Archives for the History of the Jewish People
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Alex Valdman, The Central Archives for the History of the Jewish People and the Ben-Gurion University of the Negev
Jewish Documentary Heritage Online: The Yerusha Project at the Central Archives for the History of the Jewish People
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Ronit Gadish and Alexander Vainer, The Academy of the Hebrew Language
Hebrew Terminology: Presentation of Data and Technological Challenges
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Ronit Gadish and Alexander Vainer, The Academy of the Hebrew Language
Hebrew Terminology: Presentation of Data and Technological Challenges
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Edwin Seroussi and Josef Sprinzak, Da'at Hamakom Center for the Study of Cultures of Place in Jewish Modernity, The Hebrew University
Mapping Jewish Culture in Time and Place: The Interactive Map of Da'at Hamakom
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Edwin Seroussi and Josef Sprinzak, Da'at Hamakom Center for the Study of Cultures of Place in Jewish Modernity, The Hebrew University
Mapping Jewish Culture in Time and Place: The Interactive Map of Da'at Hamakom
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Menachem Katz, The Open University of Israel, The Friedberg Jewish Manuscript Society
Hillel Gershuni, Hebrew University of Jerusalem, The Friedberg Jewish Manuscript Society
Categorization of Textual Variants in Digital Synopses and its Research Potential
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Menachem Katz, The Open University of Israel, The Friedberg Jewish Manuscript Society
Hillel Gershuni, Hebrew University of Jerusalem, The Friedberg Jewish Manuscript Society
Categorization of Textual Variants in Digital Synopses and its Research Potential
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Jonathan Ben-Dov, University of Haifa
Scripta Qumranica Electronica: Dead Sea Scrolls Aggregated Database and Virtual Research Environment
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Oren Ableman and Orit Rosengarten, Israel Antiquities Authority
The Leon Levy Dead Sea Scrolls Digital Library: Digitizing and Cataloging the Dead Sea Scrolls
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Oren Ableman and Orit Rosengarten, Israel Antiquities Authority
The Leon Levy Dead Sea Scrolls Digital Library: Digitizing and Cataloging the Dead Sea Scrolls
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Daniel Stoeckl ben Ezra, EPHE, Sorbonne, France
Hayim Lapin, University of Maryland, US
Building the Next Generation of Resources for Cultural Heritage Digital Texts: Mishna and Tosefta
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Daniel Stoeckl ben Ezra, EPHE, Sorbonne, France
Hayim Lapin, University of Maryland, US
Building the Next Generation of Resources for Cultural Heritage Digital Texts: Mishna and Tosefta
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Michael Satlow, Brown University
Inscriptions of Israel/Palestine: A Digital Project
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Michael Satlow, Brown University
Inscriptions of Israel/Palestine: A Digital Project
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Sigal Arie-Erez, Director, Cataloguing Department, Archives Division, Yad Vashem
Reconnecting the Past: How to Link Archival Descriptions – the EHRI Portal Model
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
Sigal Arie-Erez, Director, Cataloguing Department, Archives Division, Yad Vashem
Reconnecting the Past: How to Link Archival Descriptions – the EHRI Portal Model
2016 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2016.minervaisrael.org.il
http://www.digital-heritage.org.il
This 7-second Brain Wave Ritual Attracts Money To You.!nirahealhty
Discover the power of a simple 7-second brain wave ritual that can attract wealth and abundance into your life. By tapping into specific brain frequencies, this technique helps you manifest financial success effortlessly. Ready to transform your financial future? Try this powerful ritual and start attracting money today!
ER(Entity Relationship) Diagram for online shopping - TAEHimani415946
https://bit.ly/3KACoyV
The ER diagram for the project is the foundation for the building of the database of the project. The properties, datatypes, and attributes are defined by the ER diagram.
1.Wireless Communication System_Wireless communication is a broad term that i...JeyaPerumal1
Wireless communication involves the transmission of information over a distance without the help of wires, cables or any other forms of electrical conductors.
Wireless communication is a broad term that incorporates all procedures and forms of connecting and communicating between two or more devices using a wireless signal through wireless communication technologies and devices.
Features of Wireless Communication
The evolution of wireless technology has brought many advancements with its effective features.
The transmitted distance can be anywhere between a few meters (for example, a television's remote control) and thousands of kilometers (for example, radio communication).
Wireless communication can be used for cellular telephony, wireless access to the internet, wireless home networking, and so on.
Multi-cluster Kubernetes Networking- Patterns, Projects and GuidelinesSanjeev Rampal
Talk presented at Kubernetes Community Day, New York, May 2024.
Technical summary of Multi-Cluster Kubernetes Networking architectures with focus on 4 key topics.
1) Key patterns for Multi-cluster architectures
2) Architectural comparison of several OSS/ CNCF projects to address these patterns
3) Evolution trends for the APIs of these projects
4) Some design recommendations & guidelines for adopting/ deploying these solutions.
1. Framework for a EU wide Audiovisual Orphan Works
Registry
EVA / MINERVA Conference, Jerusalem, 8-9 NOV 2015
Kerstin Herlt, Association of European Film Archives
Co-funded by the Community
programme ICT-PSP
2. • A TOOL TO ASSESS THE RIGHTS OF AV
WORKS (READY IN 2016)
• A REGISTRY FOR ORPHAN FILMS
• A PILOT PROJECT initiated by ACE and
funded by the EU
• CARRIED OUT BY 13 partners, with a focus
on FILM HERITAGE
WHAT IS FORWARD?
3. WHAT IS THE PROBLEM?
ACE SURVEY on ORPHAN FILMS 2010
4. ACE SURVEY on ORPHAN FILMS 2010
Production period (orphan works)
6. • Hundreds of thousands of films with
unknown rights status
• A large part are considered ORPHAN
• Lack of reliable information to clear rights
• Lack of resources to identify rights holders
Rights Situation in Europe’s FHI
7. if you do not know
whom to ask for
permission, a user
cannot make use of
the work, without
infringing copyright.invest
considerable
resources to
locate the rights
owner
WHAT‘S THE PROBLEM WITH OW?
Copyright
Infringement
High Costs
9. What makes it complicated?
• FORWARD system builds on different
copyright legislations (10 Film
Heritage Institutions = 10 copyright
laws)
• EU Orphan Works Directive Dilligent
Search Guidelines
11. Key points of the EU Orphan Works
Directive
FHI has
Work
wish to
reuse
allowed
uses?
What ?
• public mission
inst.
• hold the work
• can make use of
the OW
• Diligent Search
• Producer’s country
• Data source
• Preservation
• Making
Available (
• Non-
commercial
• Cinematographic
audiovisual works
across the EU EU
• Diligent Search
• Producer’s country
• Data sources
12. Sources for a Diligent Search (AV)
• Diligent Search
• Producer’s country
• Data source
15. Specifics of the AV sector
many authors: at
least four, so the
diligent search
must be
repeated n-
times.
lack of
national
registry, many
sources in
each country,
Feeding
missing data
in some
cases entered
manually
The DS must
be tailored on
national
legislations
17. Summary of FORWARD goals
FO
RWARD
GOALS
Rights status
assessment
tool
Support
Diligent
Searches
Reduce
costs to clear
rigths
More films
with clear
rights
indication
Help FHI to
implement
OWDBuild a
registry of AV
Orphan Works
18. FORWARD (via ACE)
• Monitors the implementation the Orphan
Works Directive (OWD) in the Member
States
• Coordinates with OHIM (EU Orphan Works
Database)
WHAT ELSE ?
20. Statistics OHIM Database
Countries with orphan
works registered in
database
Total = 11
Orphan Work database
records = Total 1352
Orphan AV Works = 733
Countries with no orphan
works registered in
database
Total = 20
September 2015
Source: Office for the Harmonisation
in the Internal Market
21. EXPECTED FORWARD BENEFITS
Time saving
Flexible, adaptable to different
legal frameworks
Facilitate rights information
management
Copyright status identification
Registry of AV Orphan Works