EUscreen
AN INTRODUCTION
Maja Drabczyk
National Audiovisual Institute/ EUscreen Foundation
Warsaw, FIAT/IFTA Conference 2016
maria.drabczyk@nina.gov.pl @majadrabczyk
1. PAST REVISITED
2. NETWORK & MISSION
3. PORTAL & CONTEXTUALISATION
4. ADVOCACY & TRAINING
5. BENEFITS & GOVERNANCE
AGENDA
THE PAST REVISITED [1]
Video Active – 11 countries EUscreen – 23 countries
2006-2009
Video Active: Providing Access to TV heritage
2013-2016
EUscreenXL: The Pan-European Aggregator of
Audiovisual Content for Europeana
2009-2012
EUscreen: Exploring Europe's Television Heritage in
Changing Contexts
2016 – …
EUscreen: the Expert Hub for audiovisual heritage
THE PAST REVISITED [2]
+
“EUscreen is an independent, inclusive network, supporting
durable and contextualised access to Europe’s television
heritage. We actively promote awareness of audiovisual
heritage in various domains, including education, research,
media production and towards the general public”.
MISSION STATEMENT
THE PORTAL
METADATA
• VIRTUAL EXHIBITIONS
• VIDEO COLLECTIONS
• VIDEO POSTERS
CONTEXTUALISATION [1]
CONTEXTUALISATION [2] – VIEW JOURNAL
CONTEXTUALISATION [3] - FREEDOM EXPRESS
BERLIN
BRUSSELS
WARSAW
VIENNA
BUDAPEST
BUCHAREST
BRATISLAVA
PRAGUE
…
ADVOCACY
CONFERENCES & WORKSHOPS
MYEUSCREEN
CONFERENCES:
• 30-31 Oct 2014, Rome: From Audience to User: Engaging with
Audiovisual Heritage Online
• 3-4 December 2015, Warsaw: Content in Motion: Curating Europe’s Audiovisual
Heritage
WORKSHOPS
• IPR
• Trainings for partners
VALUE [1]
EUscreen as an additional channel for distribution and engagement of
content:
1. International rather than national reach (new audiences, opportunity to
become involved in multinational partnerships)
2. Offer content as part of Europeana’s thematic collections
3. Scholarly publications (VIEW)
4. Raising visibility and awareness through multiple communication channels
VALUE [2]
EUscreen as an innovative access point to publish and curate data
on the web:
1. Providing high-quality standardised and multilingual access
2. Harvestable by Europeana and others (Linked Open Data)
VALUE [3]
EUscreen as expert hub:
1. Sharing knowledge on best practices and standards in the sector,
influence pan-European policy making, i.e. on copyright
2. Develop funded projects involving members' collections
3. Benefit directly from revenue generated through external project
funding (e.g. Europeana DSI)
EUSCREEN FOUNDATION
FOUNDATION
MEMBERS
PARTICIPANTS
PARTICIPANTS’
COUNCIL
CHAIR
SUPPORTING
PARTICIPANTS
BOARD
PLAN
1. Maintain the effective operation of our service infrastructure (including the secure
hosting of content and aggregation of content to Europeana) and also
2. strive to keep it up-to-date by performing continuous editorial work, content
selection, developing innovative technological solutions, etc.
3. Strengthen the role as expert forum for the exchange of knowledge on innovative
developments in the audiovisual domain and the future of online AV archives;
4. Continue to be actively involved in the international debate on copyright and
open access to digital heritage;
5. Create opportunities for collaboration between academics, archivists and
technology providers within the creative industry, education and research sectors;
6. Organise training for partners – helping them develop new professional skills.
THANK YOU FOR YOUR
ATTENTION!
QUESTIONS?

euscreen an introduction

  • 1.
    EUscreen AN INTRODUCTION Maja Drabczyk NationalAudiovisual Institute/ EUscreen Foundation Warsaw, FIAT/IFTA Conference 2016 maria.drabczyk@nina.gov.pl @majadrabczyk
  • 2.
    1. PAST REVISITED 2.NETWORK & MISSION 3. PORTAL & CONTEXTUALISATION 4. ADVOCACY & TRAINING 5. BENEFITS & GOVERNANCE AGENDA
  • 3.
    THE PAST REVISITED[1] Video Active – 11 countries EUscreen – 23 countries
  • 4.
    2006-2009 Video Active: ProvidingAccess to TV heritage 2013-2016 EUscreenXL: The Pan-European Aggregator of Audiovisual Content for Europeana 2009-2012 EUscreen: Exploring Europe's Television Heritage in Changing Contexts 2016 – … EUscreen: the Expert Hub for audiovisual heritage THE PAST REVISITED [2] +
  • 5.
    “EUscreen is anindependent, inclusive network, supporting durable and contextualised access to Europe’s television heritage. We actively promote awareness of audiovisual heritage in various domains, including education, research, media production and towards the general public”. MISSION STATEMENT
  • 6.
  • 7.
  • 8.
    • VIRTUAL EXHIBITIONS •VIDEO COLLECTIONS • VIDEO POSTERS CONTEXTUALISATION [1]
  • 9.
  • 10.
    CONTEXTUALISATION [3] -FREEDOM EXPRESS BERLIN BRUSSELS WARSAW VIENNA BUDAPEST BUCHAREST BRATISLAVA PRAGUE …
  • 11.
  • 12.
    CONFERENCES & WORKSHOPS MYEUSCREEN CONFERENCES: •30-31 Oct 2014, Rome: From Audience to User: Engaging with Audiovisual Heritage Online • 3-4 December 2015, Warsaw: Content in Motion: Curating Europe’s Audiovisual Heritage WORKSHOPS • IPR • Trainings for partners
  • 14.
    VALUE [1] EUscreen asan additional channel for distribution and engagement of content: 1. International rather than national reach (new audiences, opportunity to become involved in multinational partnerships) 2. Offer content as part of Europeana’s thematic collections 3. Scholarly publications (VIEW) 4. Raising visibility and awareness through multiple communication channels
  • 15.
    VALUE [2] EUscreen asan innovative access point to publish and curate data on the web: 1. Providing high-quality standardised and multilingual access 2. Harvestable by Europeana and others (Linked Open Data)
  • 16.
    VALUE [3] EUscreen asexpert hub: 1. Sharing knowledge on best practices and standards in the sector, influence pan-European policy making, i.e. on copyright 2. Develop funded projects involving members' collections 3. Benefit directly from revenue generated through external project funding (e.g. Europeana DSI)
  • 17.
  • 18.
    PLAN 1. Maintain theeffective operation of our service infrastructure (including the secure hosting of content and aggregation of content to Europeana) and also 2. strive to keep it up-to-date by performing continuous editorial work, content selection, developing innovative technological solutions, etc. 3. Strengthen the role as expert forum for the exchange of knowledge on innovative developments in the audiovisual domain and the future of online AV archives; 4. Continue to be actively involved in the international debate on copyright and open access to digital heritage; 5. Create opportunities for collaboration between academics, archivists and technology providers within the creative industry, education and research sectors; 6. Organise training for partners – helping them develop new professional skills.
  • 19.
    THANK YOU FORYOUR ATTENTION! QUESTIONS?