Buddhist art and architecture made substantial contributions to Indian culture in the form of stupas, viharas, chaityas, and sthambas. The Great Stupa at Sanchi is one of the best preserved examples, with an elaborate southern gateway containing carved pillars, elephants, and dwarves. Viharas were monasteries built of brick or rock that usually had a prayer hall and cells for monks. Chaitya halls were places of worship that contained a stupa. Ashoka pillars had religious symbols and the famous lion capital from Sarnath is a peak of Mauryan sculpture. The Ajanta caves contain finely painted temples and monasteries carved into rock cliffs in the 2nd
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
This slide is all about Gupta art and culture that was flourished during these times. It includes cave architecture, stupa architecture and temple Architecture along with their culture that was preserved in their formations.
history of architecture. IV _ KAILASHNATH TEMPLE.pptxSanobarseher
The Kailasanathar temple, also referred to as the Kailasanatha temple, is a Pallava-era historic Hindu temple in Kanchipuram, Tamil Nadu, India. Dedicated to Shiva, it is one of the oldest surviving monuments in Kanchipuram.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
Odisha Temple Architecture: Bhuvaneshwar and PuriVirag Sontakke
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls (chaitya halls, also called chaitya grihas)
This slide is all about Gupta art and culture that was flourished during these times. It includes cave architecture, stupa architecture and temple Architecture along with their culture that was preserved in their formations.
history of architecture. IV _ KAILASHNATH TEMPLE.pptxSanobarseher
The Kailasanathar temple, also referred to as the Kailasanatha temple, is a Pallava-era historic Hindu temple in Kanchipuram, Tamil Nadu, India. Dedicated to Shiva, it is one of the oldest surviving monuments in Kanchipuram.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
Odisha Temple Architecture: Bhuvaneshwar and PuriVirag Sontakke
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls (chaitya halls, also called chaitya grihas)
Dr.S.Sundarabalu
Assistant Professor
Department of Linguistics
Bharathiar University,Coimbatore-46
Visiting Professor ,ICCR’s Tamil Chair
Institute of Oriental Studies, Dept. of Indology
Jagiellonian University, Krakow-Poland
sunder_balu@yahoo.co.in
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
CERAMIC AND SCULPTURE WORKSHOPSite Visit ReportAbhishek Mewada
CLAY: Natural rock or soil which is fine grained and contain silica , alumina , organic matter.
Types : Earthenware , Stoneware, Porcelain.
CLAYBODY : Consist of different materials like silica , clay , fluxes , grog.
Types : Earthenware , Stoneware , Porcelain.
Vastupurusa
For the basis of Hindú architecture often reference is made to Vastupurusa or “the spirit of the site”. One legend explains this as follows. There was an evil demigod (bhuta) who was born during Siva’s fight with the Asur Andhaka. This bhuta possessed a terrifying countenance and an insatiable hunger. The legend goes that having done great penance, the bhuta won a boon from Siva that allowed him to swallow the three worlds that constitute the Hindu cosmos. As this being stretched himself and began to occupy the heavens, he fell flat on the earth. The various gods and demigods seized this opportunity and pinned various parts of his body to the ground, rendering him helpless. This being came to be called Vast (or Vastupurusa) because the gods and demigods managed to lodge themselves on his body. Legends hold that the deities, in pinning him down, occupied different parts of his body and continued to reside there (Figure1). In order to satisfy his hunger, Brahma ordained that he receive offerings from people on building sites before construction. The body of the Vastupurusa is supposed to be sensitive at a number of points called marmas. The well-being of the Vastupurusa assures the well-being of the building and, by implication, its owner. An important criterion for any building, therefore, is to avoid injury to the marmas located on the body of the Vastupurusa. To ensure that this is achieved, texts prohibit any direct construction upon the marmas themselves. The marmas are specifically said to lie at the intersection of major diagonals, seen as the veins (siras or nadis) of the purusa.
MINBAR
Platform in a mosque, placed next to the mihrab. The minbar is used with the khutba, the Friday sermon, and the khatib (the person performing the Friday sermon) ascends it.
Excellent Jain architecture and sculpture can be seen in their Stupas and rock-cut caves found in Mathura, Bundelkhand, Madhya Pradesh and Orissa cave temples. A number of rock-cut caves have been discovered in Udaigiri and Khandagiri, twin hills in Puri District of Orissa and in Ellora in Maharashtra.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
2. BUDDHIST ART & ARCHITECTURE
1/1/2016 2
Buddhist and Jain Art and Architecture have made
substantial contribution to Indian Culture.
These are in the form of :
• STUPAS
• VIHARAS
• CHAITYAS
• STHAMBAS
3. STUPAS
1/1/2016 3
• “One of the most striking architectural remains of
ancient India”
• Stupas were built of stones or bricks to
commemorate important events or mark important
places associated with Buddhism or to house
important relics of Buddha.
• Ashok Maurya who laid the foundation of this group
of monuments is said to have built 84,000 stupas,
most of which have perished.
• The best examples of stupas are those constructed
at Amaravati, Sanchi, Barhut and Gaya.
6. GREAT STUPA, SANCHI
1/1/2016 6
• Sanchi in Madhya Pradesh is famous for its
magnificent Buddhist monuments and edifices.
• These stupas depict the various stages of
development of Buddhist art and architecture over a
period of thirteen hundred years from the third
century B.C. to the twelfth century A.D.
• The Great sputa has a large hemispherical dome
which is flat at the top, and crowned by a triple
umbrella or Chatter on a pedestal surrounded by a
square railing or Karmic.
• Buddha's relics were placed in a casket chamber in
the centre of the Dome.
7. 1/1/2016 7
• At the base of the dome is a high circular terrace
probably meant for parikrama or circumambulation
and an encircling balustrade.
• Access to it is through four exquisitely carved
gateways or Toranas in the North, South, East and
West.
• The diameter of the stupa is 36.60 metres and its
height is 16.46 metres.
• It is built of large burnt bricks and mud mortar.
• It is presumed that the elaborately carved Toranas
were built by ivory or metal workers.
• The last addition to the stupa was made during the
early 4th Century AD in the Gupta period when four
images of Buddha sitting in the dhyana mudra or
meditation were installed at the four entrances.
10. 1/1/2016 10
• TORANAS
• The first Torana gateway to be built is the one at the
principal entrance on the South.
• Each gateway has two square pillars.
• Crowning each pillar on all four sides are four
elephants, four lions and four dwarfs.
• The four dwarfs support a superstructure of three
architraves or carved panels one above the other.
• Between these are intricately carved elephants and
riders on horseback.
• The panels are decorated with finely carved figures
of men, women, yakshas, lions and elephants
11. VIHARAS
1/1/2016 11
• Viharas or monasteries constructed with brick or
excavated from rocks are found in different parts of
India.
• Usually built to a set plan, they have a hall meant for
congregational prayer with a running verandah on
three sides or an open courtyard surrounded by a row
of cells and a pillared verandah in front.
• These cells served as dwelling places for the monks.
• These monastic buildings built of bricks were self-
contained units and had a Chaitya hall or Chaitya
mandir attached to a stupa - the chief object of
worship.
• Some of the important Buddhist viharas are those at
Ajanta, Ellora. Nasik, Karle, Kanheri, Bagh and Badami
12. ROCK-CUT VIHARA, NASIK
1/1/2016 12
• Twenty-five of the rock-cut caves of Ajanta are
viharas and are the finest of monasteries.
• Cave 1, of the Mahayana type consists of a
verandah, a hall, groups of cells and a sanctuary.
• It has a decorated facade.
• The portico is supported by exquisitely carved
pillars.
• The columns have a square base with figures of
dwarfs and elaborately carved brackets and capitals.
• The walls and the ceilings of the cave contain the
most exquisite paintings.
13. THREE STOREYED VIHARA, ELLORA
1/1/2016 13
• The viharas of Ellora dated 400 AD to 7th century AD are of one, two, and
three storeys and are the largest of the type. They contain sculptured
figures and belong to both Hinayana and Mahayana Buddhism.
14. CHAITYAS
1/1/2016 14
• Chaitya grihas or halls of worship were built all over
the country either of brick or excavated from rocks.
• The ruins located in the districts of Srikakulam at
Salihundam, of Visahkapatnam at Kotturu, of West
Godavari at Guntapalli, of Krishna at Vijayawada, of
Guntur at Nagajunakonda and Amaravati belong to
the 3rd century BC and later.
• The largest brick chaitya hall was excavated at
Guntapalli.
17. KARLE, CHAITYA HALL
1/1/2016 17
• Hinayana rock architecture reaches the peak of
excellence in the splendid chaitya at Karle.
• An inscription in Karle mentions Bhutapala, a banker
to be the founder of the chaitya hall but later scholars
identify him with Devabhuti, the last of the Sunga
rulers.
• The chaitya has a double-storeyed facade and has
three doorways in the lower part.
• It has an upper gallery over which there is the usual
arch.
• The walls of the vestibule to the chaitya hall are
decorated with sculptured figures of couples.
18. STHAMBAS (ASHOKA PILLAR)
1/1/2016 18
• Sthambas or Pillars with religious emblems were put up by
pious Buddhists in honour of Buddha or other great
Buddhists.
• A portion of the Ashoka Pillar, 15.25 metres high,
surmounted by the famous lion-capital and a dharma
chakra above the heads of the four lions stands embedded
near the Dharmarajika stupa at Sarnath.
• The lion-capital - the most magnificient piece of Mauryan
sculpture is 2.31 metres high.
• It consists of four parts - (i) a bell-shaped vase covered with
inverted lotus petals, (ii) a round abacus, (iii) four seated
lions and (iv) a crowning dharmachakra with thirty two
spokes.
19. 1/1/2016 19
• On the abacus are four running animals - an
elephant, a bull, a horse and a. lion with a small
dharmachakra between them.
• The dharmachakra symbolises the dharma or law;
the four lions facing the four directions are the form
of Buddha or Sakyasimha, the four galloping animals
are the four quarters accord¬ing to Buddhist books
and the four smaller dharmachakras stand for the
intermediate regions and the lotus is the symbol of
creative activity.
• The surface of these pillars has a mirror like finish.
21. ASHOKA PILLAR LION CAPITAL, SARNATH
1/1/2016 21
• Another Ashokan Pillar of note is the one at Lauriya
Nandangarh in Bihar.
• Erected in the 3rd century BC it is made of highly
polished Chunar sand-stone.
• Standing 9.8 metres high it rises from the ground and
has no base structure.
• It is surmounted by a bell-shaped inverted lotus.
• The abacus on it is decorated with flying geese and
crowning it is a sitting lion.
• The pillar is an example of the engineering skill of
the craftsmen of Mauryan times.
23. AJANTA CAVES
1/1/2016 23
• The Ajanta caves are located 65 miles NE of
Aurangabad in Maharashtra.
• They are 30 in number and were originally were
carved in 3rd century BC under Buddhist sway. Under
Gupta empire they were expanded. The last of the
caves was built in seventh century.
• The caves are rock-cut temples with frescoes built by
Buddhist monks. All the caves have Buddhist theme.
• The caves are of two types: chaityas or temples, and
viharas or monasteries.
24. AJANTA CAVES CONTD..
1/1/2016 24
• Cave #1: Last one completed around 5th century AD.
Best example of Vihara architecture with an ornate
facade, carved columns, an impressive front hall
divided by sculpted pillars and a large image of the
Buddha.
• Cave #16: has some of Ajanta's best painting and
offers the best view of the whole area. It is also
possible that this was the principal entrance to the
whole temple complex.
• Cave #17: has the absolute finest in terms of
condition, quantity and quality.
• Cave #19: has been called "the sculptor's treasure
chest" especially by virtue of the profusion of
exquisite carvings on the facade