The summary provides an overview of the evolution of clothing from animal skins to modern fabrics and fashion:
- Early humans began wearing animal skins and plant fibers as clothing around 100,000 years ago for protection from weather. Sewing needles dated to around 18,000 BC showed skins were sewn together.
- The first woven fabrics emerged in the Middle East around 8,000 BC using plant fibers like flax and hemp. Silk production began in China around 2,800 BC and spread along trade routes.
- During the Industrial Revolution in the 18th century, powered machines enabled mass production of cotton and wool textiles. Synthetic fabrics like rayon, nylon and polyester were later invented.
this presentation includes 4 different dyeing techniques performed in India. this includes: Bandhani/Bandhej, Shibori, Clamp dyeing and Batik. these are easy dyeing techniques and DIY projects
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
this presentation includes 4 different dyeing techniques performed in India. this includes: Bandhani/Bandhej, Shibori, Clamp dyeing and Batik. these are easy dyeing techniques and DIY projects
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
Ancient egyptian fashion priyanka singhMUKESH PANT
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
There are various factors that affect fashion the top 10 factors along with the examples from costume designing done in MOVIES are explained in this presentation. Hope you will enjoy!
Ancient egyptian fashion priyanka singhMUKESH PANT
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
There are various factors that affect fashion the top 10 factors along with the examples from costume designing done in MOVIES are explained in this presentation. Hope you will enjoy!
History of fashion design refers specifically to the development of the purpose and intention behind garments, shoes and accessories, and their design and construction. The modern industry, based around firms or fashion houses run by individual designers, started in the 17th century with Charles Frederick Worth who, beginning in 1858, was the first designer to have his label sewn into the garments he created.
The Fashion Designing institute in Lucknow focuses on the processes and technology that are fundamental to the fashion industry. When students have bridged the gap between classroom instruction and internships, they interact with multi-discipline designers in order to comprehend, adapt, and acquire essential industrial skills in a real-world environment.
Fashion history,student of Dezyne E'cole College ,fashion design department ,www.dezyneecole.com. this is a portfolio of final year work of her in fashion Design
Following mankind's taste for alcohol from eating fermented fruit through the development of wine and up the present time of craft beers and botanical gins.
A wide-ranging talk on the development of housing from nomadic shelters to modern eco-housing whilst at the same time describing how this has profoundly affected human social culture moving from a nomadic lifestyle to agriculture and industry which requires land ownership, with the development of villages, towns and cities to high rise urban sprawl with its associated problems.
Money, in itself, is nothing – it is a symbol. It can be a shell, a metal coin, or a piece of paper with a historic image on it. The value that people place on the symbol has nothing to do with the physical value of money.
Money derives its value by being a medium of exchange, a unit of measurement and a storehouse for wealth.
Modelling of aquaculture impact and carrying capacity in the Philippines usin...Patrick White
Modelling of the SABBAC zones has the following objectives:
• to test scenarios which encourage careful feeding, so waste feed and nutrient input to
the environment is minimised; farmers will also save money
• to encourage use of better quality feed, where better digestibility of feed means less
feed is needed; better quality feed also breaks up less, so more goes to growth
The modelling approach also aims to:
• maintain enough spacing between cage rows so that remediation of sediments can
take place – impact should be low between rows in each zone
• maintain enough space between cage rows to prevent reduction of currents by high
aggregation of cages – although not predicted by TROPOMOD, this effect is known
to exist and has been shown by MSI models
• prevent overlap of zones by predicting the extent of the zones and recommending
minimum spacing between zones
The TROPOMOD model was therefore set up to evaluate the following:
• How severe is the impact – what is the maximum impact underneath cages?
• How far to the boundary of the impact?
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La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
From Stress to Success How Oakland's Corporate Wellness Programs are Cultivat...Kitchen on Fire
Discover how Oakland's innovative corporate wellness initiatives are transforming workplace culture, nurturing the well-being of employees, and fostering a thriving environment. From comprehensive mental health support to flexible work arrangements and holistic wellness workshops, these programs are empowering individuals to navigate stress effectively, leading to increased productivity, satisfaction, and overall success.
Care Instructions for Activewear & Swim Suits.pdfsundazesurf80
SunDaze Surf offers top swimwear tips: choose high-quality, UV-protective fabrics to shield your skin. Opt for secure fits that withstand waves and active movement. Bright colors enhance visibility, while adjustable straps ensure comfort. Prioritize styles with good support, like racerbacks or underwire tops, for active beach days. Always rinse swimwear after use to maintain fabric integrity.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
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Is your favorite ring slipping and sliding on your finger? You're not alone. Must Read this Guide on What To Do If Your Ring Is Too Big as shared by the experts of Andrews Jewelers.
4. Use of clothing
• Allowed hominids to travel outside
of Africa
• To keep cool in the heat
• To keep warm in the cold
• The wearing of clothing is specifically
human characteristic and most
human societies wear some form of
clothing.
• Anthropologists think that animal
skins and vegetation were adapted
as protection from weather
conditions and allowed hominids to
tolerate extreme temperatures as
they colonised the world.
5. Wearing animal skins
• The earliest form of clothing was
probably animal skins worn over the
body for warmth and used as
bedding.
• The best information we have about
the history of clothing comes from
the tools used in its creation.
• Distinctive sewing needles made
from bone were found near Russia.
• These needles were dated to around
18,000 B.C., and were likely used to
sew animal skins together to form
crude clothing.
6. Sewing, kitting, crocheting
• First material used for clothing that
was not leather but textile was
probably felt (processed animal
hair).
• Nålebinding, which is early textile
method of knitting and crochet
• Then came textiles (woven fabric)
but because of their composition
(protein and plant sources), they
tend to disintegrate over time, so
there's very little evidence of their
history.
7. Ancient clothing
• Clothing may have been around for
hundreds of thousands of years,
with some scientists proposing that
it may have been in use even more
than 650,000 years ago
• The first fabric uses occurred about
100,000 years ago.
• These theories are based on studies
of the human body louse, which
according to genetic studies,
diverged from its ancestor, the head
louse, about 100,000 years ago.
8. Developing fabrics
• Clay tablets have been found that
show fabric weaving )probably using
flax) in the Middle East as early as
8,000 B.C. It's believed that the first
hand looms were created around the
same time
• The earliest surviving fabric scraps
have been traced to Anatolia (near
modern day Turkey), and can be
dated to around 6,500 B.C. These
include woven rugs, along with some
scraps that indicate early wool
cultivation.
9. Textiles and fabrics
• Fabric at this time was spun by
hand or woven on primitive
looms
• Starting around 6,000 BC, other
fibers such as rush, reed, palm
and papyrus were used together
with flax (linen) to make ropes
and other textiles.
• Bark and hemp fibers were
discovered to have been used in
Japan around 5,500 BC.
10. Textiles and fabrics
• Cotton fabric was developed by
the Egyptians around 5,000 –
4,000 BC
• Silk was introduced as a fabric
around 4,000 BC, in China.
• Woollen fabric was developed
around 3,000 BC.
11. Chinese Silks
• In China around 2,800 B.C. silk became
a major export, opening up trade
routes and partnerships with
countries worldwide.
• China was able to keep a near
monopoly on silk production. The
monopoly was defended by an
imperial decree, condemning to death
anyone attempting to export
silkworms or their eggs.
• Around 300 BC, a Japanese expedition
succeed in taking some silkworm eggs
and four young Chinese girls, who
were forced to teach their captors the
art of sericulture.
• In the late Middle Ages, trans-
continental trade over the land routes
of the Silk Road declined as sea trade
increased
Woven silk textile from the
Mawangdui in Changsha, Hunan
province, China, 2nd century BC
The main silk roads between
500 BC and 500 AD
12. Classical Antiquity style
• Dress style in classical Egypt, Greece
and Rome favoured wide, unsewn
lengths of fabric, pinned and draped
to the body in various ways.
• The fabrics commonly used for
these clothes were linen, wool and
cotton.
• It was made to suit the weather,
covering more of the body where it
was colder and less of the body
where it was warmer
• Dress style become more ornate for
the aristocratic classes or for those
where certain articles of clothing
were symbolic of power, such as in
government or religious functions.
13. Egypt
• Ancient Egyptians commonly used linen, a
product made from the abundant flax plant.
• Linen is light, strong and flexible which made it
ideal for life in the warm climate, where
abrasion and heat would wear and tear at
clothing.
• Wool was rarely used due to a belief that
animal based fabrics were impure, and it was
forbidden to be worn in places like temples and
sanctuaries.
• Other animal based products such as pelts
were reserved for priests and eventually were
adopted by only the highest class of ancient
Egyptian citizenry.
Women entertainers perform at a
celebration in Ancient Egypt; the
dancers are naked and the musician
wears a typical pleated garment as
well as the cone of perfumed fat on
top of her wig that melts slowly to
emit its precious odours; both wear
jewellery, wigs, and cosmetics;
neither wear shoes
This inventory, over 4,000 years old documents a list of linen fabrics
including undergarments, shirts, and bedsheets
14. Ancient Greece (1,000 BC--1 AD)
• Clothing in Ancient Greece was typically
homemade and worn loose and flowing.
• The most basic piece worn by both men
and women was called the "Doric chiton,"
which was a large piece of woollen or linen
fabric worn draped around the body or
secured in place with buttons or pins.
• The second most popular clothing item was
the "himation," which was made of a
heavier weight fabric and used as a cloak.
• Both garments were usually ankle-length
and often worn with a belt.
• Men usually wore a knee-length chiton,
which made is easier to ride horses and do
hard labour.
• Both sexes either went barefoot or wore
sandals.
15. Ancient Romans
• The Romans used mostly wool, though they
also used other fibers, such as hemp, linen and
small amounts of silk or cotton (which were
imported and more expensive).
• Clothing generally comprised a short-sleeved
or sleeveless, knee-length tunic for men and
boys, and a longer, usually sleeved tunic for
women and girls.
• On formal occasions, adult male citizens could
wear a woollen toga, draped over their tunic,
and married citizen women wore a woollen
mantle over a simple, long-sleeved,
voluminous garment that hung to midstep.
• Clothing, footwear and accoutrements
identified gender, status, rank and social class,
and thus offered a means of social control.
16. European Silks
• It was not until 552 AD that the Byzantine
emperor Justinian obtained the first silkworm
eggs.
• He had sent two Nestorian monks to Central
Asia, and they were able to smuggle silkworm
eggs to him hidden in rods of bamboo.
• While under the monks' care, the eggs
hatched, though they did not cocoon before
arrival.
• The church controlled the manufacture of silk
in the Byzantine Empire was thus able to
make fabrics for the emperor.
• After the start of the Crusades, techniques of
silk production began to spread across
Western Europe.
• In order to satisfy the rich and powerful
bourgeoisie's demands for luxury fabrics, the
cities of Lucca, Genoa, Venice and Florence
were soon exporting silk to all of Europe.
• In 1472 there were 84 workshops and at least
7,000 craftsmen in Florence alone.
The monks sent by Justinian
give the silkworms to the
emperor.
17. Dyed and woven fabrics
• The development of richly dyed, woven,
patterned and embroidered fabrics started
in Byzantium and early medieval Europe.
• During the high middle ages, the
development and dyeing of wool was
developed more and more, and we began to
see a clear differentiation between wool as
outerwear and linen as innerwear.
• Wool cannot be washed and dried without
shrinking, which makes it unsuitable for
garments that are washed often, like
innerwear.
• That’s where linen works very well, as it also
breathes quite easily.
• Cotton and silk were still being imported
and therefore reserved for ornamentation,
not as the main materials.
18. Development of fashion
• The diversification of textiles in Europe
happened during the Crusades.
• Soon afterwards fashion emerged which
historians agree occurred in the mid
14th century.
• From that time onward, clothes began
to change in Europe at a pace unheard
of in other places in the world, where
styles remained the same for centuries
while the Europeans began changing
them every year.
• This is also the period when straight
seams and draped garments began to be
replaced with what were the beginnings
of tailoring, such as curved seams, lacing
and buttons.
19. Sumptuary laws
• The word ‘sumptuary’ comes from the Latin
word which means ‘expenditure’.
• Roman. It was considered the duty of
government to put a check upon extravagance
in personal expenditure
• The Sumptuariae Leges of ancient Rome were
laws passed to prevent inordinate expense in
banquets and dress, such as the use of
expensive Tyrian purple dye.
• In the early years of the Roman Empire, men
were forbidden to wear silk.
• Islamic world. Islamic sumptuary laws are
based upon teachings found in the Quran and
Hadith.
• Males are told not to wear silk clothes, nor
have jewellery made of gold, wearing clothes or
robes that drag on the ground, which seen as a
sign of vanity and excessive pride, were also
forbidden.
20. France – (1294 to 1789)
• Sumptuary laws in France were imposed
social codes of food and dress upon
different levels of society in France.
• These laws were meant to emphasise
social hierarchy and control behaviour of
those considered 'social inferiors‘.
• They prevented social inferiors from
wearing certain clothes and consuming
certain foods and drink associated with the
aristocracy.
• The types of clothing a person could buy
were regulated not only by income but by
social rank.
• Other classes were debarred from clothing
themselves with materials which were
associated to aristocracy.
Only members of the royal
household were permitted
to wear grey fur or ermine
Princes could wear long toed
shoes 24" longer than their feet
whereas poor people were
limited to six inches beyond the
foot.
21. Development of the suit
• National European variations in
clothing started during the 15th
century.
• This is also when silk and velvet began
to be used more prominently.
• During the 17th century, the origins of
the three-piece suit — as the coat,
waistcoat and breeches (trousers)
made of the same cloth.
22. French silks
• Italian silk cloth was very expensive, due to the cost
of the raw material and production costs.
• The craftsmen in Italy proved unable to keep up
with the requirements of French fashion, which
continuously demanded lighter and less expensive
materials.
• In 1466, King Louis XI decided to develop a national
silk industry in Lyon.
• In 1540, King Francis I granted a monopoly on silk
production to Lyon.
• By the 16th century, Lyon became the capital of the
European silk trade, producing many different
fashions.
• In the middle of the 17th century, over 14,000
looms were used in Lyon, and the silk industry fed a
third of the city's population.
• Provence and the Drome experienced a boom in
sericulture that would last until the first world war,
with much of the silk shipped north to Lyon.
A mature mulberry
tree in Provence
A former magnanery in
Luberon
23. Industrial Revolution
• The Industrial revolution introduced rapid
changes due to the invention of power-
driven machines
• Machines could weave fabric and sew
garments hundreds of times faster than by
hand
• Cotton Gin. The earliest versions consisted
of a single roller made of iron or wood and
a flat piece of stone or wood to expel the
seeds from the cotton. They were difficult
to use and required a great deal of skill.
• Spinning mule was a machine used to
spin cotton and other fibres. They were
used extensively from the late 18th to the
early 20th century.
24. Synthetic textiles
• The next big development in fabric
production came in 1891 in France with
the invention of the world's first
synthetic fibers.
• These cellulose products derived from
wood and other plants was first known
as Chardonnet silk but was eventually
named rayon.
• The invention of rayon was quickly
followed by nylon in the 1930s and
polyester soon after.
• Today, a large percentage of fabric is
composed of these fibers, bringing
down the cost of clothing considerably
A device for spinning
Viscose Rayon dating from
1901
Nylon stockings
25. Post First world war
• Women's clothing changed during the First
World War out of practical necessity.
• In 1917, over 700,000 women in Britain
were employed in ammunition factories.
• They wore a working uniform of blouse and
trousers with accessories such as scarves,
which was later replaced by khaki overalls
and caps.
• Skirts became shorter.
• Trousers became a part of Western
women’s clothing.
26. Post second world war
• The demands of wartime life meant
that more people needed clothes that
were fit for industrial war work.
• Factory safety became a big issue.
Accidents caused by long hair getting
caught in machinery became too
common, so headscarves - or turbans,
or 'glamour bands' - were adopted by
many.
• Clothes were rationed in Britain from 1
June 1941. This limited the amount of
new garments people could buy until
1949, four years after the war's end.
27. Post war Fashion
• 1946. The bikini was invented.
• 1950's. The full, billowy skirt and
natural waistline was quite popular for
a number of dresses.
• 1960's. Bright, swirling colours.
Psychedelic, tie-dye shirts and long hair
and beards.
• 1970's. Bell bottoms, pant suit, leisure
suit and track suit was what the average
person was sporting..
32. Development of the tie
• The tie originated in the 17th century,
during the 30 year war in France.
• King Louis XIII hired Croatian mercenaries
who wore a piece of cloth around their
neck as part of their uniform.
• While these early neckties did serve a
function (tying the top of their jackets that
is), they also had quite a decorative effect –
a look that King Louis was quite fond of.
• In fact, he liked it so much that he made
these ties a mandatory accessory for Royal
gatherings, and – to honour the Croatian
soldiers – he gave this clothing piece the
name “La Cravate” – the name for necktie
in French to this day.
33. Armor and war clothing
Greek Roman
China Japan
Medieval Red Coats US Army
34. Modern armed forces uniform
Naval ceremonial British navy
British air force
British army
Camouflage Scuba dive gear