SlideShare a Scribd company logo
1 of 28
Fatema-tuz-jannat
Senior lecturer of PISFT
BSC in fashion design
MBA in apparel merchandising
Ancient Rome
clothing
• In ancient Rome they generally wore tunics, togas, stolas,
brooches, and breeches.
• Wool was the most commonly used fibre.
• Silk and cotton was imported from China and India. Silk was rare
and expensive so only the rich people wore it.
• They used leather to keep their soldiers warm when traveling. They
wore animal skins over their armour with the head sitting on their
head.
• Women wore tunics or a stola with a palla over the stola.
• Girls wore short tunics at home and long tunics outside.
• The dress code was different for different genders, or languages, it
was also different if you were rich or poor. Both genders rich or
poor wore togas. They wore sandals and boots mad out of leather
and sometime wood.
Jewelry in ancient Rome
• Back then men were only allowed to wear one piece of jewelry and it was
usually a ring to mark wax while sealing documents.
• Jewelry could be added, either decoratively or functionally,
like the brooches seen holding together the front and back
of clothing for Roman women.
footwear
• Men and women wore basically the same footwear.
• Calcei were a cross between
a shoe and a sandal, and they
were worn outdoors.
• Soleae were sandals that were
worn indoors.
• Socci were slippers that were
also meant for indoor use.
Hairstyles and beards
• Most Roman men were clean-shaven and
wore short hairstyles.
• Women’s hairstyles were very elaborate.
• Romans used hair pieces, wigs, hair lotions,
and dyes. Many wanted to be blonde.
Cosmetics
• There were cleansers and foundations in
ancient Rome. But the latter were
poisonous sometimes.
• Perfume was used very often that it was
considered strange if they didn’t wear it.
Flowers and plants were blended into a
cream made from animal fats and oils.
• Eye shadow was made from saffron. The
Romans used the green coloring which was
made from the crushed malchite stone.
• The Roman women then applied rouge over
the foundation layer of make-up to stain
their cheeks. The rouge was also used as lip
color to stain their lips.
Ancient Greek – Clothes
• The kind of clothing worn in ancient
Greece was loose and flowing and hardly
were the garments ever sewn together
• The fabrics used were mainly linen or
wool
• Women also wore a veil with their
clothing whenever they stepped out of
the house
• In fact, the ancient Greek fashion was
quite modern in its outlook as far as men
were concerned to the extent that male
nudity was really not a big deal in ancient
Greece
Jewelry in ancient Greece
• There is evidence that ancient Greeks had
necklaces, earrings, pins, pendants,
armbands, thigh bands, bracelets, rings,
wreaths, diadems, and other fancy hair
ornaments.
• Bracelets were often worn in matching sets
or pares
• Jewelry usually had pearls, gems or
semiprecious gems.
• Popular earring designs included: angels
flying , such as Eros, Nike, and Ganymede
carried up by the eagle of Zeus to Mount
Olympus.
• Jewelry was often passed down from
generation to generation.
• Jewelry was sometimes made as an offering
to the gods.
Ancient Greek – Make-ups
• Ancient Greek women also
used make up—pale or
light skin was considered a
status symbol for women
• Women used honey and
olive oil to improve their
skin
• They often used
substances as a substitute
for cosmetics for
enhancing their looks
• Dark powder was dusted
over the eyebrows and red
powder was used over
their lips
• Women also loved to wear
their hair long during this
period.
Cosmetics
• Kohl was used to mark the
eyes.
• Red, which was applied to
lips, came from the ore
ochre.
• Henna was painted on nails
and hands
• There was numerous
perfumes.
• eyebrows (the "unibrow")
was in vogue.
Red ochre
Ancient Greek – Hair styles
• Hairstyles in ancient Greece also
changed over time
• In the early days of Greece, men
normally wore their hair short and
grew beards
• During the Hellenistic era, beards
went out of style
• Long hair was typical for Greek
women; only slave women would
wear their hair short
• Women curled and braided their hair
in early Greece
• Later the style was to tie their hair
back or put it up into a bun.
• They wore hair nets made of
goldthread.
Clothing in ancient Egypt
• Egyptian clothing was made for style
and comfort.
• Egyptian clothing was made so you
could keep cool in the dessert sun.
• Clothing was usually left in its
natural colour
• The wealthy wore animal fibers.
• people of modest condition
sometimes wore nothing but
everybody wore Shenti.
• Slaves did not wear anything
Cosmetics
• Kohl was used to mark the eyes.
• Kohl was made out of galena.
• Another reason they used kohl is
because it was believed to keep
dust and dirt out of the eyes. This is
why both men and women wore it.
• Crushed malachite was used to
make eye shadow
• Red, which was applied to lips,
came from the ochre.
• Henna was painted on nails and
hands
• There was numerous perfumes.
Painting of kohl
Red ochre
MAKEUP
• Kohl: eye liner
made of galena
ore
• to keep away the
insects
• To keep away the
evil eye
• To prevent
inflammation
and allergy
• Dust
HEADWEAR
• Nemes: headwear
initially made by
leather and then
by linen worn by
pharroh and
nobilities.
• Khat: is also called
as klaft worn by
commoners and
nobilities, off
white in colour.
• Servants and
FOOTWEAR
• Wore during the
new kingdom.
• Made of leather
or papyrus fibre.
Make-up
• The Elizabethan view of pure beauty was a
woman with light hair and a snow white
complexion complimented with red cheeks
and red lips.
Elizabethan Hair Styles
• The ruffs, or collars, framed the face and dictated the hairstyles of the age.
• Women wore their hair long when young and unmarried; after marriage, women pinned up
and covered their hair.
• Men’s hair started as short closely cropped hairstyles and increased in length during the
period.
Jewelry
• Elizabethan jewelry only available to the
Nobility or Upper Class.
• Gold, silver, copper and ivory with
precious and semi-precious stones were
used.
• Cheaper alternatives made of glass,
bone, horn and even wood were also
used.
Ring Bracelets
Earrings
Necklaces
Girdle
Medieval
400-1400 A.D.
With the beginning of
Christian influence, dress
became more modest than
before, with longer
hemlines and sleeves.
However, because of
increased trade, clothing
became more extravagant
with embroidery and
beading.
Renaissance
1400-1550 A.D.
There were many style changes
during the Renaissance period.
Dresses gradually lost their long
trains, women wore robes,
(dresses with an attached bodice
and skirt), and women began to
show their hair again, which was
adorned with jewels and veils.
Later in the period, sleeves
became puffed and necklines
were adorned with high standing
collars, as well as voluminous
skirts supported by hoops made
of wire or wicker. Slashing,
(cutting the outer layer of cloth
to reveal the inner layer of
cloth),was also very popular.
Elizabethan
1550-1605 A.D.
During the Elizabethan period, clothing was
designed to cover every inch of the body. As the
period progressed, waist lines became straight (as
opposed to a V-shaped “princess” cut of before)
and sleeves became tight fitted rather than
ruffled. Wealthy women wore large gold pendants
and a French “hood” on the neck for adornment.
Snoods, a type of hairnet, and other similar
designs were very popular during this period.
Baroque
1605-1670 A.D.
The "Cavalier" style of dress became popular
during the early part of the Baroque period.
Trimmings were simple and confined to
buttons, buttonholes, and lace. Women's
bodice necklines were cut wide and square,
and waistlines heightened. By 1630, sleeves
became full and draped softly below the
elbow, revealing the wearer's lower arm for
the first time in centuries.
Georgian
1670-1790 A.D.
The richly decorated gowns worn by wealthy Georgian
women were often adorned with an "eschelle
stomacher" (a fancy corset designed to be worn in
public and adorned with bows of decreasing size)
above the waistline and an embroidered and trimmed
petticoat below. Ladies' skirts were supported by
hoops made of cane or rattan. Under the hoops and
corset, ladies wore "shifts" (knee-length
undergarments with elbow-length sleeves adorned
with a froth of lace).
Regency
1790-1840 A.D.
The stiff brocades and embroidered silks of before
were replaced by lightweight fabrics in plain,
subdued colors. Regency designers raised the
waistline to just below the wearer's bosom. The
waistline was often defined by a wide sash tied in a
bow at the back of a dress. Properly dressed ladies
wore spencers or pelisses out of doors, along with a
broad-brimmed hat tied under the chin with a
ribbon.
Victorian
1840-1890 A.D.
In the Victorian era, dresses were composed of several layers of
different shades, cloths and trimmings, and intended to be worn
with both under-dresses and over-dresses. In the beginning,
puffy "mutton-leg" sleeves became all the rage, but these were
later replaced by fitted sleeves and eventually bell sleeves.
Victorians thought the "hourglass" shape to best flatter the
female form, and women wore restrictive corsets to achieve this
ideal. The Victorian era also saw the progression from crinoline
skirts to hoop skirts and finally to bustled skirts.
Edwardian
1890-1914 A.D.
During this era, the shape of women’s dresses were designed
with an “S” curve. This allowed women to cast off confining
corsets and wear new “health corsets” that supported the
spine and abdomen. The “Gibson Girl” became popular as well
as the suit, hard collar, and tie (creating appropriate clothing
for women entering jobs that were formerly occupied by
men). During the later part of the era,, fashions changed
from the “S” shape to the pre-flapper, straight-line clothing
of the late 1920’s. Clothing over all became more
comfortable and practical during this era.

More Related Content

What's hot

Renaissance fashion
Renaissance fashionRenaissance fashion
Renaissance fashionEwa Gajek
 
Victorian era woman’s clothing and apparel!
Victorian era woman’s clothing and apparel!Victorian era woman’s clothing and apparel!
Victorian era woman’s clothing and apparel!amurray19
 
El vestido, el calzado y el peinado (Cultura Clásica)
El vestido, el calzado y el peinado (Cultura Clásica)El vestido, el calzado y el peinado (Cultura Clásica)
El vestido, el calzado y el peinado (Cultura Clásica)Laura Corral
 
Ancient Greece Fashion
Ancient Greece FashionAncient Greece Fashion
Ancient Greece FashionL R
 
fashion history timeline
fashion history timelinefashion history timeline
fashion history timelinenistha chandela
 
Fashion in Ancient Greece and Rome
Fashion in Ancient Greece and RomeFashion in Ancient Greece and Rome
Fashion in Ancient Greece and RomeTina Savchyshyn
 
Vestimentas Griegas
Vestimentas GriegasVestimentas Griegas
Vestimentas GriegasAmandayBea
 
Ancient Indian Dressing Customs and their Changes over time
Ancient Indian Dressing Customs and their Changes over timeAncient Indian Dressing Customs and their Changes over time
Ancient Indian Dressing Customs and their Changes over timevenkat3959
 
Historia del vestido
Historia del vestidoHistoria del vestido
Historia del vestidowarner007
 
Costumes In Ancient Greek
Costumes In Ancient GreekCostumes In Ancient Greek
Costumes In Ancient Greekbill balina
 
Fashion History timeline
 Fashion History timeline Fashion History timeline
Fashion History timelinenistha chandela
 
Roman Clothes
Roman ClothesRoman Clothes
Roman Clothesmhr56
 
UTAP-Women's Clothing in Victorian Era
UTAP-Women's Clothing in Victorian EraUTAP-Women's Clothing in Victorian Era
UTAP-Women's Clothing in Victorian EraAEWatkins
 
Greek costume
Greek costumeGreek costume
Greek costumeirbaaz
 

What's hot (20)

Greek Fashion
Greek FashionGreek Fashion
Greek Fashion
 
Renaissance fashion
Renaissance fashionRenaissance fashion
Renaissance fashion
 
Victorian era woman’s clothing and apparel!
Victorian era woman’s clothing and apparel!Victorian era woman’s clothing and apparel!
Victorian era woman’s clothing and apparel!
 
war clothes.ppt
war clothes.pptwar clothes.ppt
war clothes.ppt
 
El vestido, el calzado y el peinado (Cultura Clásica)
El vestido, el calzado y el peinado (Cultura Clásica)El vestido, el calzado y el peinado (Cultura Clásica)
El vestido, el calzado y el peinado (Cultura Clásica)
 
Egyptian clothing
Egyptian clothingEgyptian clothing
Egyptian clothing
 
Ancient Greece Fashion
Ancient Greece FashionAncient Greece Fashion
Ancient Greece Fashion
 
fashion history timeline
fashion history timelinefashion history timeline
fashion history timeline
 
Fashion in Ancient Greece and Rome
Fashion in Ancient Greece and RomeFashion in Ancient Greece and Rome
Fashion in Ancient Greece and Rome
 
Vestimentas Griegas
Vestimentas GriegasVestimentas Griegas
Vestimentas Griegas
 
FASHION IN 15th CENTURY
FASHION IN 15th CENTURYFASHION IN 15th CENTURY
FASHION IN 15th CENTURY
 
Ancient Indian Dressing Customs and their Changes over time
Ancient Indian Dressing Customs and their Changes over timeAncient Indian Dressing Customs and their Changes over time
Ancient Indian Dressing Customs and their Changes over time
 
Historia del vestido
Historia del vestidoHistoria del vestido
Historia del vestido
 
Bynzamite period
Bynzamite periodBynzamite period
Bynzamite period
 
Costumes In Ancient Greek
Costumes In Ancient GreekCostumes In Ancient Greek
Costumes In Ancient Greek
 
15TH CENTURY WOMEN’S COSTUME
15TH CENTURY WOMEN’S COSTUME15TH CENTURY WOMEN’S COSTUME
15TH CENTURY WOMEN’S COSTUME
 
Fashion History timeline
 Fashion History timeline Fashion History timeline
Fashion History timeline
 
Roman Clothes
Roman ClothesRoman Clothes
Roman Clothes
 
UTAP-Women's Clothing in Victorian Era
UTAP-Women's Clothing in Victorian EraUTAP-Women's Clothing in Victorian Era
UTAP-Women's Clothing in Victorian Era
 
Greek costume
Greek costumeGreek costume
Greek costume
 

Similar to Fashion history

History of fashion pdf posting
History of fashion pdf postingHistory of fashion pdf posting
History of fashion pdf postingartisingh991519
 
CLOTHING IN ANCIENT EGYPT: HISTORY OF FASHION
CLOTHING IN ANCIENT EGYPT: HISTORY OF FASHIONCLOTHING IN ANCIENT EGYPT: HISTORY OF FASHION
CLOTHING IN ANCIENT EGYPT: HISTORY OF FASHIONShramana Mullick
 
Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma
Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma
Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma dezyneecole
 
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kamboj
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kambojCLOTHING DURING THE RENAISSANCE PERIOD by Arpana kamboj
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kambojarpana kamboj
 
Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6
Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6
Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6dezyneecole
 
Dimple Chouhan ,Fashion Design ,Dezyne E'cole College
Dimple Chouhan ,Fashion Design ,Dezyne E'cole CollegeDimple Chouhan ,Fashion Design ,Dezyne E'cole College
Dimple Chouhan ,Fashion Design ,Dezyne E'cole Collegedezyneecole
 
Simran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole CollegeSimran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole Collegedezyneecole
 
Fashion pp socails
Fashion pp socailsFashion pp socails
Fashion pp socailsmswilsonri
 
Fashion design student work ( Dezyne e' cole college)
Fashion design student work ( Dezyne e' cole college)Fashion design student work ( Dezyne e' cole college)
Fashion design student work ( Dezyne e' cole college)dezyneecole
 
Simran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole CollegeSimran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole Collegedezyneecole
 
Harsha Parihar ,Fashion Designer ,NSQF Level-6
Harsha Parihar ,Fashion Designer ,NSQF Level-6Harsha Parihar ,Fashion Designer ,NSQF Level-6
Harsha Parihar ,Fashion Designer ,NSQF Level-6dezyneecole
 
Evolution of clothes
Evolution of clothesEvolution of clothes
Evolution of clothesPatrick White
 
Evolutionofclothes 180322154907
Evolutionofclothes 180322154907Evolutionofclothes 180322154907
Evolutionofclothes 180322154907NeerajKakran1
 
Evolution of clothes
Evolution of clothesEvolution of clothes
Evolution of clothesPatrick White
 
Ss fashion prod
Ss fashion prodSs fashion prod
Ss fashion prodmswilsonri
 
final1-180201084903.pptx
final1-180201084903.pptxfinal1-180201084903.pptx
final1-180201084903.pptxssuser44f644
 
Varsha Karadia , Fashion Design Student NSQF Level -6
Varsha Karadia , Fashion Design Student NSQF Level -6Varsha Karadia , Fashion Design Student NSQF Level -6
Varsha Karadia , Fashion Design Student NSQF Level -6dezyneecole
 
Indian fashion from ancient to modern
Indian fashion from ancient to modernIndian fashion from ancient to modern
Indian fashion from ancient to modernraajhashree ilangovan
 
Fashion and clothing in ancient civilisations
Fashion and clothing in ancient civilisationsFashion and clothing in ancient civilisations
Fashion and clothing in ancient civilisationsmswilsonri
 

Similar to Fashion history (20)

History of fashion pdf posting
History of fashion pdf postingHistory of fashion pdf posting
History of fashion pdf posting
 
CLOTHING IN ANCIENT EGYPT: HISTORY OF FASHION
CLOTHING IN ANCIENT EGYPT: HISTORY OF FASHIONCLOTHING IN ANCIENT EGYPT: HISTORY OF FASHION
CLOTHING IN ANCIENT EGYPT: HISTORY OF FASHION
 
Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma
Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma
Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma
 
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kamboj
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kambojCLOTHING DURING THE RENAISSANCE PERIOD by Arpana kamboj
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kamboj
 
Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6
Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6
Richa Tilwani ,Second Year Fashion Design Student NSQF Level -6
 
Dimple Chouhan ,Fashion Design ,Dezyne E'cole College
Dimple Chouhan ,Fashion Design ,Dezyne E'cole CollegeDimple Chouhan ,Fashion Design ,Dezyne E'cole College
Dimple Chouhan ,Fashion Design ,Dezyne E'cole College
 
Simran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole CollegeSimran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole College
 
Fashion pp socails
Fashion pp socailsFashion pp socails
Fashion pp socails
 
Socials
Socials Socials
Socials
 
Fashion design student work ( Dezyne e' cole college)
Fashion design student work ( Dezyne e' cole college)Fashion design student work ( Dezyne e' cole college)
Fashion design student work ( Dezyne e' cole college)
 
Simran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole CollegeSimran Nanikwani,Fashion Design ,Dezyne E'cole College
Simran Nanikwani,Fashion Design ,Dezyne E'cole College
 
Harsha Parihar ,Fashion Designer ,NSQF Level-6
Harsha Parihar ,Fashion Designer ,NSQF Level-6Harsha Parihar ,Fashion Designer ,NSQF Level-6
Harsha Parihar ,Fashion Designer ,NSQF Level-6
 
Evolution of clothes
Evolution of clothesEvolution of clothes
Evolution of clothes
 
Evolutionofclothes 180322154907
Evolutionofclothes 180322154907Evolutionofclothes 180322154907
Evolutionofclothes 180322154907
 
Evolution of clothes
Evolution of clothesEvolution of clothes
Evolution of clothes
 
Ss fashion prod
Ss fashion prodSs fashion prod
Ss fashion prod
 
final1-180201084903.pptx
final1-180201084903.pptxfinal1-180201084903.pptx
final1-180201084903.pptx
 
Varsha Karadia , Fashion Design Student NSQF Level -6
Varsha Karadia , Fashion Design Student NSQF Level -6Varsha Karadia , Fashion Design Student NSQF Level -6
Varsha Karadia , Fashion Design Student NSQF Level -6
 
Indian fashion from ancient to modern
Indian fashion from ancient to modernIndian fashion from ancient to modern
Indian fashion from ancient to modern
 
Fashion and clothing in ancient civilisations
Fashion and clothing in ancient civilisationsFashion and clothing in ancient civilisations
Fashion and clothing in ancient civilisations
 

Recently uploaded

Design Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William VickeryDesign Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William VickeryWilliamVickery6
 
办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一
办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一
办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一z xss
 
ARt app | UX Case Study
ARt app | UX Case StudyARt app | UX Case Study
ARt app | UX Case StudySophia Viganò
 
办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一
办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一
办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一Fi L
 
Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025Rndexperts
 
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一Fi sss
 
Untitled presedddddddddddddddddntation (1).pptx
Untitled presedddddddddddddddddntation (1).pptxUntitled presedddddddddddddddddntation (1).pptx
Untitled presedddddddddddddddddntation (1).pptxmapanig881
 
Mookuthi is an artisanal nose ornament brand based in Madras.
Mookuthi is an artisanal nose ornament brand based in Madras.Mookuthi is an artisanal nose ornament brand based in Madras.
Mookuthi is an artisanal nose ornament brand based in Madras.Mookuthi
 
PORTAFOLIO 2024_ ANASTASIYA KUDINOVA
PORTAFOLIO   2024_  ANASTASIYA  KUDINOVAPORTAFOLIO   2024_  ANASTASIYA  KUDINOVA
PORTAFOLIO 2024_ ANASTASIYA KUDINOVAAnastasiya Kudinova
 
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
西北大学毕业证学位证成绩单-怎么样办伪造
西北大学毕业证学位证成绩单-怎么样办伪造西北大学毕业证学位证成绩单-怎么样办伪造
西北大学毕业证学位证成绩单-怎么样办伪造kbdhl05e
 
8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCR
8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCR8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCR
8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCRdollysharma2066
 
Call Girls Meghani Nagar 7397865700 Independent Call Girls
Call Girls Meghani Nagar 7397865700  Independent Call GirlsCall Girls Meghani Nagar 7397865700  Independent Call Girls
Call Girls Meghani Nagar 7397865700 Independent Call Girlsssuser7cb4ff
 
'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,
'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,
'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,Aginakm1
 
昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档
昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档
昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档208367051
 
NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...
NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...
NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...Amil baba
 
Introduction-to-Canva-and-Graphic-Design-Basics.pptx
Introduction-to-Canva-and-Graphic-Design-Basics.pptxIntroduction-to-Canva-and-Graphic-Design-Basics.pptx
Introduction-to-Canva-and-Graphic-Design-Basics.pptxnewslab143
 
Call Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts Service
Call Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts ServiceCall Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts Service
Call Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts Servicejennyeacort
 
1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改
1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改
1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改yuu sss
 
办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一
办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一
办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一F dds
 

Recently uploaded (20)

Design Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William VickeryDesign Portfolio - 2024 - William Vickery
Design Portfolio - 2024 - William Vickery
 
办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一
办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一
办理(UC毕业证书)查尔斯顿大学毕业证成绩单原版一比一
 
ARt app | UX Case Study
ARt app | UX Case StudyARt app | UX Case Study
ARt app | UX Case Study
 
办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一
办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一
办理学位证(NUS证书)新加坡国立大学毕业证成绩单原版一比一
 
Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025Top 10 Modern Web Design Trends for 2025
Top 10 Modern Web Design Trends for 2025
 
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
(办理学位证)埃迪斯科文大学毕业证成绩单原版一比一
 
Untitled presedddddddddddddddddntation (1).pptx
Untitled presedddddddddddddddddntation (1).pptxUntitled presedddddddddddddddddntation (1).pptx
Untitled presedddddddddddddddddntation (1).pptx
 
Mookuthi is an artisanal nose ornament brand based in Madras.
Mookuthi is an artisanal nose ornament brand based in Madras.Mookuthi is an artisanal nose ornament brand based in Madras.
Mookuthi is an artisanal nose ornament brand based in Madras.
 
PORTAFOLIO 2024_ ANASTASIYA KUDINOVA
PORTAFOLIO   2024_  ANASTASIYA  KUDINOVAPORTAFOLIO   2024_  ANASTASIYA  KUDINOVA
PORTAFOLIO 2024_ ANASTASIYA KUDINOVA
 
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Okhla Delhi 💯Call Us 🔝8264348440🔝
 
西北大学毕业证学位证成绩单-怎么样办伪造
西北大学毕业证学位证成绩单-怎么样办伪造西北大学毕业证学位证成绩单-怎么样办伪造
西北大学毕业证学位证成绩单-怎么样办伪造
 
8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCR
8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCR8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCR
8377877756 Full Enjoy @24/7 Call Girls in Nirman Vihar Delhi NCR
 
Call Girls Meghani Nagar 7397865700 Independent Call Girls
Call Girls Meghani Nagar 7397865700  Independent Call GirlsCall Girls Meghani Nagar 7397865700  Independent Call Girls
Call Girls Meghani Nagar 7397865700 Independent Call Girls
 
'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,
'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,
'CASE STUDY OF INDIRA PARYAVARAN BHAVAN DELHI ,
 
昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档
昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档
昆士兰大学毕业证(UQ毕业证)#文凭成绩单#真实留信学历认证永久存档
 
NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...
NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...
NO1 Famous Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi Add...
 
Introduction-to-Canva-and-Graphic-Design-Basics.pptx
Introduction-to-Canva-and-Graphic-Design-Basics.pptxIntroduction-to-Canva-and-Graphic-Design-Basics.pptx
Introduction-to-Canva-and-Graphic-Design-Basics.pptx
 
Call Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts Service
Call Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts ServiceCall Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts Service
Call Girls in Ashok Nagar Delhi ✡️9711147426✡️ Escorts Service
 
1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改
1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改
1比1办理美国北卡罗莱纳州立大学毕业证成绩单pdf电子版制作修改
 
办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一
办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一
办理学位证(SFU证书)西蒙菲莎大学毕业证成绩单原版一比一
 

Fashion history

  • 1. Fatema-tuz-jannat Senior lecturer of PISFT BSC in fashion design MBA in apparel merchandising
  • 2. Ancient Rome clothing • In ancient Rome they generally wore tunics, togas, stolas, brooches, and breeches. • Wool was the most commonly used fibre. • Silk and cotton was imported from China and India. Silk was rare and expensive so only the rich people wore it. • They used leather to keep their soldiers warm when traveling. They wore animal skins over their armour with the head sitting on their head. • Women wore tunics or a stola with a palla over the stola. • Girls wore short tunics at home and long tunics outside. • The dress code was different for different genders, or languages, it was also different if you were rich or poor. Both genders rich or poor wore togas. They wore sandals and boots mad out of leather and sometime wood.
  • 3. Jewelry in ancient Rome • Back then men were only allowed to wear one piece of jewelry and it was usually a ring to mark wax while sealing documents. • Jewelry could be added, either decoratively or functionally, like the brooches seen holding together the front and back of clothing for Roman women.
  • 4. footwear • Men and women wore basically the same footwear. • Calcei were a cross between a shoe and a sandal, and they were worn outdoors. • Soleae were sandals that were worn indoors. • Socci were slippers that were also meant for indoor use.
  • 5. Hairstyles and beards • Most Roman men were clean-shaven and wore short hairstyles. • Women’s hairstyles were very elaborate. • Romans used hair pieces, wigs, hair lotions, and dyes. Many wanted to be blonde.
  • 6. Cosmetics • There were cleansers and foundations in ancient Rome. But the latter were poisonous sometimes. • Perfume was used very often that it was considered strange if they didn’t wear it. Flowers and plants were blended into a cream made from animal fats and oils. • Eye shadow was made from saffron. The Romans used the green coloring which was made from the crushed malchite stone. • The Roman women then applied rouge over the foundation layer of make-up to stain their cheeks. The rouge was also used as lip color to stain their lips.
  • 7. Ancient Greek – Clothes • The kind of clothing worn in ancient Greece was loose and flowing and hardly were the garments ever sewn together • The fabrics used were mainly linen or wool • Women also wore a veil with their clothing whenever they stepped out of the house • In fact, the ancient Greek fashion was quite modern in its outlook as far as men were concerned to the extent that male nudity was really not a big deal in ancient Greece
  • 8. Jewelry in ancient Greece • There is evidence that ancient Greeks had necklaces, earrings, pins, pendants, armbands, thigh bands, bracelets, rings, wreaths, diadems, and other fancy hair ornaments. • Bracelets were often worn in matching sets or pares • Jewelry usually had pearls, gems or semiprecious gems. • Popular earring designs included: angels flying , such as Eros, Nike, and Ganymede carried up by the eagle of Zeus to Mount Olympus. • Jewelry was often passed down from generation to generation. • Jewelry was sometimes made as an offering to the gods.
  • 9. Ancient Greek – Make-ups • Ancient Greek women also used make up—pale or light skin was considered a status symbol for women • Women used honey and olive oil to improve their skin • They often used substances as a substitute for cosmetics for enhancing their looks • Dark powder was dusted over the eyebrows and red powder was used over their lips • Women also loved to wear their hair long during this period.
  • 10. Cosmetics • Kohl was used to mark the eyes. • Red, which was applied to lips, came from the ore ochre. • Henna was painted on nails and hands • There was numerous perfumes. • eyebrows (the "unibrow") was in vogue. Red ochre
  • 11. Ancient Greek – Hair styles • Hairstyles in ancient Greece also changed over time • In the early days of Greece, men normally wore their hair short and grew beards • During the Hellenistic era, beards went out of style • Long hair was typical for Greek women; only slave women would wear their hair short • Women curled and braided their hair in early Greece • Later the style was to tie their hair back or put it up into a bun. • They wore hair nets made of goldthread.
  • 12. Clothing in ancient Egypt • Egyptian clothing was made for style and comfort. • Egyptian clothing was made so you could keep cool in the dessert sun. • Clothing was usually left in its natural colour • The wealthy wore animal fibers. • people of modest condition sometimes wore nothing but everybody wore Shenti. • Slaves did not wear anything
  • 13. Cosmetics • Kohl was used to mark the eyes. • Kohl was made out of galena. • Another reason they used kohl is because it was believed to keep dust and dirt out of the eyes. This is why both men and women wore it. • Crushed malachite was used to make eye shadow • Red, which was applied to lips, came from the ochre. • Henna was painted on nails and hands • There was numerous perfumes. Painting of kohl Red ochre
  • 14. MAKEUP • Kohl: eye liner made of galena ore • to keep away the insects • To keep away the evil eye • To prevent inflammation and allergy • Dust
  • 15. HEADWEAR • Nemes: headwear initially made by leather and then by linen worn by pharroh and nobilities. • Khat: is also called as klaft worn by commoners and nobilities, off white in colour. • Servants and
  • 16. FOOTWEAR • Wore during the new kingdom. • Made of leather or papyrus fibre.
  • 17.
  • 18. Make-up • The Elizabethan view of pure beauty was a woman with light hair and a snow white complexion complimented with red cheeks and red lips.
  • 19. Elizabethan Hair Styles • The ruffs, or collars, framed the face and dictated the hairstyles of the age. • Women wore their hair long when young and unmarried; after marriage, women pinned up and covered their hair. • Men’s hair started as short closely cropped hairstyles and increased in length during the period.
  • 20. Jewelry • Elizabethan jewelry only available to the Nobility or Upper Class. • Gold, silver, copper and ivory with precious and semi-precious stones were used. • Cheaper alternatives made of glass, bone, horn and even wood were also used. Ring Bracelets Earrings Necklaces Girdle
  • 21. Medieval 400-1400 A.D. With the beginning of Christian influence, dress became more modest than before, with longer hemlines and sleeves. However, because of increased trade, clothing became more extravagant with embroidery and beading.
  • 22. Renaissance 1400-1550 A.D. There were many style changes during the Renaissance period. Dresses gradually lost their long trains, women wore robes, (dresses with an attached bodice and skirt), and women began to show their hair again, which was adorned with jewels and veils. Later in the period, sleeves became puffed and necklines were adorned with high standing collars, as well as voluminous skirts supported by hoops made of wire or wicker. Slashing, (cutting the outer layer of cloth to reveal the inner layer of cloth),was also very popular.
  • 23. Elizabethan 1550-1605 A.D. During the Elizabethan period, clothing was designed to cover every inch of the body. As the period progressed, waist lines became straight (as opposed to a V-shaped “princess” cut of before) and sleeves became tight fitted rather than ruffled. Wealthy women wore large gold pendants and a French “hood” on the neck for adornment. Snoods, a type of hairnet, and other similar designs were very popular during this period.
  • 24. Baroque 1605-1670 A.D. The "Cavalier" style of dress became popular during the early part of the Baroque period. Trimmings were simple and confined to buttons, buttonholes, and lace. Women's bodice necklines were cut wide and square, and waistlines heightened. By 1630, sleeves became full and draped softly below the elbow, revealing the wearer's lower arm for the first time in centuries.
  • 25. Georgian 1670-1790 A.D. The richly decorated gowns worn by wealthy Georgian women were often adorned with an "eschelle stomacher" (a fancy corset designed to be worn in public and adorned with bows of decreasing size) above the waistline and an embroidered and trimmed petticoat below. Ladies' skirts were supported by hoops made of cane or rattan. Under the hoops and corset, ladies wore "shifts" (knee-length undergarments with elbow-length sleeves adorned with a froth of lace).
  • 26. Regency 1790-1840 A.D. The stiff brocades and embroidered silks of before were replaced by lightweight fabrics in plain, subdued colors. Regency designers raised the waistline to just below the wearer's bosom. The waistline was often defined by a wide sash tied in a bow at the back of a dress. Properly dressed ladies wore spencers or pelisses out of doors, along with a broad-brimmed hat tied under the chin with a ribbon.
  • 27. Victorian 1840-1890 A.D. In the Victorian era, dresses were composed of several layers of different shades, cloths and trimmings, and intended to be worn with both under-dresses and over-dresses. In the beginning, puffy "mutton-leg" sleeves became all the rage, but these were later replaced by fitted sleeves and eventually bell sleeves. Victorians thought the "hourglass" shape to best flatter the female form, and women wore restrictive corsets to achieve this ideal. The Victorian era also saw the progression from crinoline skirts to hoop skirts and finally to bustled skirts.
  • 28. Edwardian 1890-1914 A.D. During this era, the shape of women’s dresses were designed with an “S” curve. This allowed women to cast off confining corsets and wear new “health corsets” that supported the spine and abdomen. The “Gibson Girl” became popular as well as the suit, hard collar, and tie (creating appropriate clothing for women entering jobs that were formerly occupied by men). During the later part of the era,, fashions changed from the “S” shape to the pre-flapper, straight-line clothing of the late 1920’s. Clothing over all became more comfortable and practical during this era.