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Digital Agenda for Europe 
Value of newspapers as a source of cultural heritage 
Final Europeana Newspapers Project's Workshop 
London, 29 September 2014 
Krzysztof Nichczynski 
European Commission 
DG CONNECT 
Unit G.2 – Creativity 
krzysztof.nichczynski@ec.europa.eu 
1
Digital Agenda for Europe 
One of the 7 flagship initiatives of the Europe 2020 strategy 
- 101 specific actions, including 31 legal proposals 
A vibrant digital 
single market 
Fast and ultra fast 
Internet access 
Using ICT to help society 
Promotion of our shared 
European cultural heritage 
through new technologies 
Interoperabilit 
y 
and standards 
Trust and 
security 
Research and 
development 
2
Objectives 
 reply to Europe’s main societal changes and offer 
Europeans a better quality of life, e.g. through 
easier access to cultural content, 
 create a legal framework to facilitate the 
digitisation and dissemination of cultural works in 
Europe, 
 Europeana - the EU public digital library - should 
be strengthened, 
3
Cultural heritage - digitised, preserved and on line 
 digitisation as a moral obligation, 
 easier democratic access to culture, 
 promotion of richness and diversity of EU culture, 
 helps cultural institutions to carry out their mission of 
giving access and preserving our heritage, 
 digitised material can be re-used for developing new 
content (creative industries, education, tourism), 
Newspapers are of enormous historical 
and cultural value and should 
contribute accordingly 
4
Responsibilities 
 Member States: 
• provide most of the funding for digitisation , 
• Take part in the policy debate and implement 
decisions taken jointly at European level, 
• contribute to the development of Europeana, 
 Cultural institutions 
• drive the creation of Europeana and provide digitised 
content, 
 Commission (DG CONNECT): 
• support through legislative, coordination as well as 
funding actions, 
5
Legislative actions 
 Recommendation on digitisation and online accessibility of 
cultural material and digital preservation (2011/711/EU) 
• Set of measures and framework for action for cultural institutions with 
ideas as to how to tackle a number of problems in the area. MS report 
on implementation every 24 months, 
 Revised directive on the reuse of public sector information 
(2003/98/EC) 
• extension of the scope of the directive to include certain cultural 
institutions such as libraries (including university libraries), museums 
and archives, 
 Orphan works Directive (2012/28/EU) 
• legal framework governing the lawful, cross-border online access to 
orphan works contained in libraries and archives 
6
Coordination actions and policy collaboration 
 Member States Expert Group on Digitisation and Digital 
Preservation (MSEG): 
• monitors progress on the implementation of the 
Commission recommendation on digitisation, 
• forum for exchange of information and good practices, 
• monitoring of developments concerning innovative 
reuse of digital cultural material, 
 Cinema Expert Group/Subgroup film heritage: 
• exchange information and discuss best practices related 
to film heritage, 
7
Funding actions 
Various funding actions under CIP ICT PSP, FP7, H2020 and 
CEF, 
•CIP – main achievements are enhancement of the Europeana 
platform, 
•FP7 – e.g. research to innovatively interact with cultural 
heritage objects; technologies and tools in the area of 3D, 
•H2020 (Societal challenge 6) – covering areas such as 
advanced 3D modeling and development of new technologies to 
enhance the analysis of cultural resources, 
•CEF – Europeana identified for funding as one of DSIs, 
8
Europeana – Europe's digital library, archive 
& museum 
www.europeana.eu 
 Access point to the cultural heritage, 
 Hub for the creative industries, which already account 
for ca. 4% of EU GDP and jobs, 
 Over 30m objects, 
 All public domain masterpieces accessible by 2015, 
 Contributed strongly to the development and 
implementation of standards and interoperability, 
9
Europeana – Europe's digital library, archive & museum 
• More openess 
• open government licences 
• More transparency 
• Open data portals 
• More reusability 
• Open, machine-readable formats 
• Downwards trend on charging 
Wider scope 
• cultural institutions (libraries, archives, museums) 
10
Where are we in digitisation? 
ENUMERATE core survey (replies from almost 1.400 institutions) 
• ~87% of cultural heritage institutions have a digital 
collection, 
• ~36 % of the institutions have a written digitisation 
strategy, 
• ~17% of the collection is on average currently 
digitised*, 
• ~52% still needs to be digitised. 
*The actual percentage of the digitisation level of all cultural heritage in Europe will be 
smaller. The exact European heritage digitisation percentage cannot be calculated 
based on the current information. 
11
Thank you for your 
attention! 
12

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EurnewsLDN_Krzysztof_Nichczynski

  • 1. Digital Agenda for Europe Value of newspapers as a source of cultural heritage Final Europeana Newspapers Project's Workshop London, 29 September 2014 Krzysztof Nichczynski European Commission DG CONNECT Unit G.2 – Creativity krzysztof.nichczynski@ec.europa.eu 1
  • 2. Digital Agenda for Europe One of the 7 flagship initiatives of the Europe 2020 strategy - 101 specific actions, including 31 legal proposals A vibrant digital single market Fast and ultra fast Internet access Using ICT to help society Promotion of our shared European cultural heritage through new technologies Interoperabilit y and standards Trust and security Research and development 2
  • 3. Objectives  reply to Europe’s main societal changes and offer Europeans a better quality of life, e.g. through easier access to cultural content,  create a legal framework to facilitate the digitisation and dissemination of cultural works in Europe,  Europeana - the EU public digital library - should be strengthened, 3
  • 4. Cultural heritage - digitised, preserved and on line  digitisation as a moral obligation,  easier democratic access to culture,  promotion of richness and diversity of EU culture,  helps cultural institutions to carry out their mission of giving access and preserving our heritage,  digitised material can be re-used for developing new content (creative industries, education, tourism), Newspapers are of enormous historical and cultural value and should contribute accordingly 4
  • 5. Responsibilities  Member States: • provide most of the funding for digitisation , • Take part in the policy debate and implement decisions taken jointly at European level, • contribute to the development of Europeana,  Cultural institutions • drive the creation of Europeana and provide digitised content,  Commission (DG CONNECT): • support through legislative, coordination as well as funding actions, 5
  • 6. Legislative actions  Recommendation on digitisation and online accessibility of cultural material and digital preservation (2011/711/EU) • Set of measures and framework for action for cultural institutions with ideas as to how to tackle a number of problems in the area. MS report on implementation every 24 months,  Revised directive on the reuse of public sector information (2003/98/EC) • extension of the scope of the directive to include certain cultural institutions such as libraries (including university libraries), museums and archives,  Orphan works Directive (2012/28/EU) • legal framework governing the lawful, cross-border online access to orphan works contained in libraries and archives 6
  • 7. Coordination actions and policy collaboration  Member States Expert Group on Digitisation and Digital Preservation (MSEG): • monitors progress on the implementation of the Commission recommendation on digitisation, • forum for exchange of information and good practices, • monitoring of developments concerning innovative reuse of digital cultural material,  Cinema Expert Group/Subgroup film heritage: • exchange information and discuss best practices related to film heritage, 7
  • 8. Funding actions Various funding actions under CIP ICT PSP, FP7, H2020 and CEF, •CIP – main achievements are enhancement of the Europeana platform, •FP7 – e.g. research to innovatively interact with cultural heritage objects; technologies and tools in the area of 3D, •H2020 (Societal challenge 6) – covering areas such as advanced 3D modeling and development of new technologies to enhance the analysis of cultural resources, •CEF – Europeana identified for funding as one of DSIs, 8
  • 9. Europeana – Europe's digital library, archive & museum www.europeana.eu  Access point to the cultural heritage,  Hub for the creative industries, which already account for ca. 4% of EU GDP and jobs,  Over 30m objects,  All public domain masterpieces accessible by 2015,  Contributed strongly to the development and implementation of standards and interoperability, 9
  • 10. Europeana – Europe's digital library, archive & museum • More openess • open government licences • More transparency • Open data portals • More reusability • Open, machine-readable formats • Downwards trend on charging Wider scope • cultural institutions (libraries, archives, museums) 10
  • 11. Where are we in digitisation? ENUMERATE core survey (replies from almost 1.400 institutions) • ~87% of cultural heritage institutions have a digital collection, • ~36 % of the institutions have a written digitisation strategy, • ~17% of the collection is on average currently digitised*, • ~52% still needs to be digitised. *The actual percentage of the digitisation level of all cultural heritage in Europe will be smaller. The exact European heritage digitisation percentage cannot be calculated based on the current information. 11
  • 12. Thank you for your attention! 12