The document provides information about Egyptian art, geography, people, and architecture. It describes how Egypt borders Libya, Gaza, Israel, and Sudan. It outlines the various roles that Egyptians held in society, including priests, scribes, craftsmen, and farmers. It discusses Egyptian religious beliefs in the afterlife and burial customs like mummification. The document also examines Egyptian architecture, highlighting structures like the Great Pyramid of Giza and Great Sphinx, as well as temples such as the Temple of Horus at Edfu. Egyptian art is discussed, including hieroglyphics, paintings that followed conventions of frontalism, and funerary art placed in tombs. Insights note how Egyptians praised gods despite lack of
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EGYPTIAN ARTS REFLECTS ITS CULTURE AND RELIGION. "Egyptian art" redirects here. For the art of modern Egypt, see Contemporary art in Egypt.
Art of ancient Egypt
The Mask of Tutankhamun; c. 1327 BC; gold, glass and semi-precious stones; height: 54 cm (21 in); Egyptian Museum (Cairo)
The Great Pyramid of Giza, constructed between c. 2580–2560 BC during the Old Kingdom period
History of art
Periods
Regions
Religions
Techniques
Types
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Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Therefore, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order (Ma'at).
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Cosmetic palettes reached a new level of sophistication during this period, in which the Egyptian writing system also experienced further development. Initially, Egyptian writing was composed primarily of a few symbols denoting amounts of various substances. In the cosmetic palettes, symbols were used together with pictorial descriptions. By the end of the Third Dynasty, this had been expanded to include more than 200 symbols, both phonograms and ideograms.[20]
The Middle Kingdom of Egypt (a.k.a. "The Period of Reunification") follows a period of political division known as the First Intermediate Period. The Middle Kingdom lasted from around 2050 BC to around 1710 BC, stretching from the reunification of Egypt under the reign of Mentuhotep II of the Eleventh Dynasty to the end of the Twelfth Dynasty. The Eleventh Dynasty ruled from Thebes and the Twelfth Dynasty ruled from el-Lisht. During the Middle Kingdom period, Osiris became the most important deity in popular religion.[24] The Middle Kingdom was followed by the Second Intermediate Period of Egypt, another period of division that involved foreign invasions of the country by the Hyksos of West Asia.
After the reunification of Egypt in the Middle Kingdom, the kings of the Eleventh and Twelfth Dynasties were able to return their focus to art. In the E
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We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
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14. RELIGIOUS BELIEFS
• They believe in the
divine and in the
afterlife.
• Believed that every
human being was
composed of
physical and
spiritual parts
or aspects.
The Book of the Dead
15. BURIAL CUSTOMS
An Egyptian mummy kept in
Vatican Museums
• They believed
immortality after
death.
• Mummification is
one way of
preserving the
human body.
16. Canopic jars of Neskhons, wife
of Pinedjem II. Made of calcite, with
painted wooden heads. Circa 990–969
BC. On display at the Britis Museum.
20. EGYPTIAN ART
• The Ancient
Egyptians produced
art to serve
functional
purposes.
Narmer Pallete
21. FUNERARY ART
Any work of art
forming, or
placed in, a
repository for
the remains of
the dead.
Ushabti of pharaoh Ramesses IV
(20th Dynasty)
22. AMARNA ART
Characterized by a
sense of movement
and activity in images,
with figures having
raised heads, many
figures overlapping
and many scenes
busy and crowded.
Akhenaten, Pharaoh of Egypt.
Egyptian Museum, Cairo.
25. Characteristics of Egyptian Painting
• Heavily influenced by everyday life, especially
religion and life after death.
• Not focused on exact replication, just
representation.
26. • All art looked similar to preserve
a sense of stability among to the
people
• The Egyptian strictly upheld the
style of frontalism, adhering
carefully to stylistic rules.
27. • The subject’s head is always
drawn in profile with the full eye
shown
• The upper body is depicted from
the front and the legs face in the
same direction as the head with
one foot in front of the other
28. Egyptian Hieroglyphics
• means Egyptian paintings has close
connection with its written language.
• Also painted on linen, remnants of which
survive today.
30. Insights
• I realized that I should appreciate
those paintings that Filipino made
because they contribute in order that
our nation will be popular. Also those
painting they made are important to
them especially to the other people. I
am thankful to them because some
people inspires their art to change to a
better individual.
31.
32. •is an artistic
masterpiece,
immortalizing the
sixth Pharaoh of the
Eighteenth Dynasty.
•The stance of the
statue and the gaze
create an effect of a
graceful yet powerful
king.
33. • The mask is made
from solid gold and is
inlaid with blue glass,
lapis lazuli and various
semiprecious stones.
•It is thought to be
slightly idealized but
there is a general
agreement that it is
essentially a realistic
portrait of the ‘Boy
King’.
34. •is the birth name of
a Fourth Dynasty
ancient
Egyptian pharaoh, who
ruled in the first half of
the Old Kingdom period
(26th century BC).
•Khufu was the second
pharaoh of the 4th
dynasty; he followed his
possible father,
king Sneferu , on the
throne.
35. •is one of the most
pristine images of the
last Egyptian
pharaoh, Cleopatra
VII,
•This masterpiece is
housed at the
Hermitage Museum
in St. Petersburg.
36. •it represents the
apex of the Amarna
Period art.
•the bust made her
one of the most
iconic figures of the
ancient Egypt and
antiquity as a whole.
38. ARCHITECTURE
• One of the most influential civilizations
throughout history.
• among the largest and most famous of
which are the Great Pyramid of
Giza and the Great Sphinx of Giza.
• Ancient Egyptians were skilled builders.
39. Great Pyramid of
Giza
•The oldest and
largest of the
pyramids.
•The pyramid
designed to
serve as mean
to magically
launch the
deceased
pharaoh soul.
The Great Pyramid of Giza
(c.2565)An icon of
Egyptian civilization, built
thousands of years before
the arrival
of Greek culture.
40. Great Sphinx of
Giza
• Carved from a
rocky ledge.
•It is the
largest monolith
statue in the
world. The Sphinx, Old
Kingdom, Egypt.
41. Temple of
Horus at Edfu
It is one of the
best preserved
temples in
Egypt.
The main entrance of Edfu
Temple showing the first
pylon
45. INSIGHTS
• I have realized that despite their social status
they did not forget to praise and thank their
Gods.
• Their lack of education is not a hindrance for
them to produce a work of art.
• I wonder how they able to build the pyramids
that in fact there were no machines at that time
to help them build it.