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Art of Ancient Egypt
Major Themes
• Longevity, Constancy and Stability
• Egyptians believed that the only difference
between living beings and art was that the art
would be around forever
• Conventions in Art
– Hierarchy of Scale
– Composite View
– Use of writing in art (hieroglyphics- pictoral signs
Major Themes, cont.
• Idealized representations
– Rarely with identifying features
• Cycles of Life
• Role of the Gods
– Association of divine powers with animals
• Highlight supernatural energy and powers of the gods
visually
Palette of Narmer
Afterlife
• Daily interaction between the body, the ka, and
the ba
• The body – mummified (last forever)
• The Ka –life force (needs constant sustenance)
• The Ba – everything that makes the human
himself without the body, connection between
earth and afterlife
• Daily cycle of rebirth
– Each night the ba would rejoin the mummy in the
tomb and be reunited with the ka and come to life
again
Tomb Architecture
• Overwhelming concern for the afterlife
• Developed from mastaba to step pyramid
then to the pyramids we recognize today
– Great Pyramids at Giza were constructed in 4th
Dynasty of the Old Kingdom
• Evidence of advanced engineering and large
labor force
Tomb Architecture
Mastaba  Step Pyramid  Bent Pyramid
Great Pyramids of Giza
c. 2550-2490 BCE
Great Pyramids at Giza
• Part of massive tomb complex
• Elaborate internal plans with false passageways
• Originally faced in white limestone
• Meant to echo sun’s rays
• Filled with funerary statues
– Meant to serve as the body if the mummified body is
stolen
• Relief sculpture and wall paintings of everyday
life
– Meant to assist ka with afterlife journey
Mortuary Temple of Hatshepsut
c. 1473-1458 BCE
Mortuary Temple of Hatshepsut
• Tomb Architecture of the New Kingdom
• Carved out of rock face
• Equally monumental
• Collonaded terraces
Funerary Sculpture
King Menukaure and
Queen
2490-2472 B.C.E.
Close up of Faces
Funerary Sculpture
Large Kneeling
Statue of
Hatshepsut with
Offering Jars
1479-58 B.C.E.

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Ancient Egyptian Art

  • 2. Major Themes • Longevity, Constancy and Stability • Egyptians believed that the only difference between living beings and art was that the art would be around forever • Conventions in Art – Hierarchy of Scale – Composite View – Use of writing in art (hieroglyphics- pictoral signs
  • 3. Major Themes, cont. • Idealized representations – Rarely with identifying features • Cycles of Life • Role of the Gods – Association of divine powers with animals • Highlight supernatural energy and powers of the gods visually
  • 5.
  • 6. Afterlife • Daily interaction between the body, the ka, and the ba • The body – mummified (last forever) • The Ka –life force (needs constant sustenance) • The Ba – everything that makes the human himself without the body, connection between earth and afterlife • Daily cycle of rebirth – Each night the ba would rejoin the mummy in the tomb and be reunited with the ka and come to life again
  • 7. Tomb Architecture • Overwhelming concern for the afterlife • Developed from mastaba to step pyramid then to the pyramids we recognize today – Great Pyramids at Giza were constructed in 4th Dynasty of the Old Kingdom • Evidence of advanced engineering and large labor force
  • 8. Tomb Architecture Mastaba  Step Pyramid  Bent Pyramid
  • 9. Great Pyramids of Giza c. 2550-2490 BCE
  • 10. Great Pyramids at Giza • Part of massive tomb complex • Elaborate internal plans with false passageways • Originally faced in white limestone • Meant to echo sun’s rays • Filled with funerary statues – Meant to serve as the body if the mummified body is stolen • Relief sculpture and wall paintings of everyday life – Meant to assist ka with afterlife journey
  • 11. Mortuary Temple of Hatshepsut c. 1473-1458 BCE
  • 12. Mortuary Temple of Hatshepsut • Tomb Architecture of the New Kingdom • Carved out of rock face • Equally monumental • Collonaded terraces
  • 13. Funerary Sculpture King Menukaure and Queen 2490-2472 B.C.E.
  • 14. Close up of Faces
  • 15. Funerary Sculpture Large Kneeling Statue of Hatshepsut with Offering Jars 1479-58 B.C.E.

Editor's Notes

  1. authority/relationship between art and politics/idealization versus naturalism/art and social hierarchies -art created by and for elites -Rather than seeking to represent humans as they look in real life, bodies in ancient Egyptian art are often idealized and abstracted according to a certain canon of proportions -The depiction of the pharaoh as an idealized, youthful, and athletic figure also reinforces the political message of the artwork, with the ruler appearing more eternal and divine than human.
  2. Class Ven Diagram?
  3. How is this different from the Pyramids?
  4. -Idealized body (broad shouldered, youthful body) -Iconic Pharoah headress, beard, and traditional kilt -Facial features are individualized (youthful face) -Stepping forward, fists clenched Queen: -Porportioned body -Individualized features -Protective/supportive stance -Standing slightly behind him -Almost equal in height (some suggest this is his mother, not his wife)
  5. Female Signs of kingship- haven’t changed in thousands of years of Egyptian rule Offering before a god- where have we seen this before (NE art) Inscription tells us it’s female