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o Formal Plays
o Pageants
o Tableau
o Pantomime
o Puppets
o Types of Puppets
o Principle in Choosing
If our teaching is dramatic, we can catch the
attention and the heart of the learner. They
become affected and will leave an impact to
them.
All dramatization is essentially a process
of communication, in which both
participant and spectators are engaged.
A creative interaction takes place, a
sharing of ideas.
-Edgar Dale
- depict life, character, or culture or a
combination of all three.
- are usually community dramas that are
based on logical history, presented by local
actors.
-- A tableau (a French word which
means picture) is a picture-like scene
composed of people against a
background.
- A pantomime is the “art of conveying a
story through bodily movements only”
- flat black silhouette made from lightweight
cardboard and shown behind a screen.
- flat cut out figures tacked to a stick, with
one more movable parts, and operated by
slender sticks.
- the puppet’s head is operated by the
forefinger of the puppeteer, the thumb being
used to animate the puppet hands.
- make use of old gloves to which small
costumed figure attached.
- flexible, jointed puppets operated by strings or
wires attached to a cross bar and maneuverer
from directly above the stage.
• Do not use puppets for plays that can be one just
as well or better by other dramatic means.
• Puppet plays must be based on action rather than
on words.
• Keep the plays short.
• Do not omit the possibilities of music and dancing
as part of the puppet show.
• Adapt the puppet show to the age, background,
and tastes of the students.
Is an unrehearsed, unprepared and
spontaneous dramatization of a “let’s
pretend” situation where assigned
participants are absorbed by their own roles
in the situation described by the teachers.
Educational Technology- Dramatization by Precious Sarah Balmediano
Educational Technology- Dramatization by Precious Sarah Balmediano
Educational Technology- Dramatization by Precious Sarah Balmediano

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Educational Technology- Dramatization by Precious Sarah Balmediano

  • 1.
  • 2. o Formal Plays o Pageants o Tableau o Pantomime o Puppets o Types of Puppets o Principle in Choosing
  • 3. If our teaching is dramatic, we can catch the attention and the heart of the learner. They become affected and will leave an impact to them.
  • 4. All dramatization is essentially a process of communication, in which both participant and spectators are engaged. A creative interaction takes place, a sharing of ideas. -Edgar Dale
  • 5. - depict life, character, or culture or a combination of all three.
  • 6. - are usually community dramas that are based on logical history, presented by local actors.
  • 7. -- A tableau (a French word which means picture) is a picture-like scene composed of people against a background.
  • 8. - A pantomime is the “art of conveying a story through bodily movements only”
  • 9.
  • 10. - flat black silhouette made from lightweight cardboard and shown behind a screen.
  • 11. - flat cut out figures tacked to a stick, with one more movable parts, and operated by slender sticks.
  • 12. - the puppet’s head is operated by the forefinger of the puppeteer, the thumb being used to animate the puppet hands.
  • 13. - make use of old gloves to which small costumed figure attached.
  • 14. - flexible, jointed puppets operated by strings or wires attached to a cross bar and maneuverer from directly above the stage.
  • 15. • Do not use puppets for plays that can be one just as well or better by other dramatic means. • Puppet plays must be based on action rather than on words. • Keep the plays short. • Do not omit the possibilities of music and dancing as part of the puppet show. • Adapt the puppet show to the age, background, and tastes of the students.
  • 16. Is an unrehearsed, unprepared and spontaneous dramatization of a “let’s pretend” situation where assigned participants are absorbed by their own roles in the situation described by the teachers.