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Teaching with
Dramatize
Experiences
TEACHING WITH DRAMATIZED
EXPERIENCED
“All Dramatization is essentially a process
of communication in which both participant and
spectators are engaged. A creative interaction
takes place of a sharing ideas.”
Dramatize experiences
can range from the formal plays,
pageants to less formal
tableau, pantomime,
puppets and role playing.
Plays
Depict life, character, or culture
or a combination of all three.
Pageants
Local history, local actors.
Usually community dramas that
are based on local history.
Pantomime
it is the “art” of conveying a story
through bodily movements only.
Tableau
(a French word which means picture)
A picture-like scene composed of people
against a background.
Puppet
-unlike the regular stage play, can present
ideas with extreme simplicity- without elaborate
scenery or costume- yet effectively.
Types of Puppet
Shadow puppet
flat back silhouette made from
lightweight cardboard and show behind a
screen.
Example:
Rod puppets
flat cut out figures tacked to a stick,
with one more movable parts, and operated
from below the stage level by rods or slender
stick
Example:
Hand puppets
The puppet’s head is operated by the
forefinger of puppeteer, a little finger and
thumb being used to animate the puppet hands
Glove-and-finger puppets
make use of old gloves to which small
costumed figure are attached.
Marionettes
Flexible, joined puppets operated by string or
wires attached to a cross bar and maneuvered
from directly above the stage.
Example:
What principles
Must be observed in choosing a
puppet play
for teaching?.
• a) Do not use puppets for plays that can be
done just as well or better by other dramatic
means
• b) Puppet plays must be based on actions
rather than on words
• c) Keep the plays short d) Do not omit the
possibilities of music and dancing as part of
the puppet show
• D) Adapt the puppet show to the age,
background, and tastes of the students.
Role Playing
Is an unrehearsed, unprepared and
spontaneous dramatization of a “let’s pretend”
situation where assigned participants are
absorbed by their own roles in the situation
described by the teachers.
Another sort of question
regarding role playing are:
HOW IS ROLE PLAYINGBEINGDONE?
Consider situations in school at
home on the playground, at work, in
government. The role plating is
followed by a discussion. Among the
questions that may be asked are:
Prepared by:
JAYSON M. FLORES

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Jayson flores(edtec1)

  • 2. TEACHING WITH DRAMATIZED EXPERIENCED “All Dramatization is essentially a process of communication in which both participant and spectators are engaged. A creative interaction takes place of a sharing ideas.”
  • 3. Dramatize experiences can range from the formal plays, pageants to less formal tableau, pantomime, puppets and role playing.
  • 4. Plays Depict life, character, or culture or a combination of all three. Pageants Local history, local actors. Usually community dramas that are based on local history.
  • 5. Pantomime it is the “art” of conveying a story through bodily movements only. Tableau (a French word which means picture) A picture-like scene composed of people against a background.
  • 6. Puppet -unlike the regular stage play, can present ideas with extreme simplicity- without elaborate scenery or costume- yet effectively.
  • 8. Shadow puppet flat back silhouette made from lightweight cardboard and show behind a screen. Example:
  • 9. Rod puppets flat cut out figures tacked to a stick, with one more movable parts, and operated from below the stage level by rods or slender stick Example:
  • 10. Hand puppets The puppet’s head is operated by the forefinger of puppeteer, a little finger and thumb being used to animate the puppet hands
  • 11. Glove-and-finger puppets make use of old gloves to which small costumed figure are attached.
  • 12. Marionettes Flexible, joined puppets operated by string or wires attached to a cross bar and maneuvered from directly above the stage. Example:
  • 13. What principles Must be observed in choosing a puppet play for teaching?.
  • 14. • a) Do not use puppets for plays that can be done just as well or better by other dramatic means • b) Puppet plays must be based on actions rather than on words
  • 15. • c) Keep the plays short d) Do not omit the possibilities of music and dancing as part of the puppet show • D) Adapt the puppet show to the age, background, and tastes of the students.
  • 16. Role Playing Is an unrehearsed, unprepared and spontaneous dramatization of a “let’s pretend” situation where assigned participants are absorbed by their own roles in the situation described by the teachers.
  • 17. Another sort of question regarding role playing are: HOW IS ROLE PLAYINGBEINGDONE?
  • 18. Consider situations in school at home on the playground, at work, in government. The role plating is followed by a discussion. Among the questions that may be asked are: