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5. Text
CHAPTER
CHAPTER HIGHLIGHTS
• Text tradition.
• Codes for computer text.
• Font technologies.
• Multimedia text.
• Guidelines for use of text in multimedia.
2
POWERS OF TEXT
• Multimedia developers value text for:
– Universality
– Clarity
– Efficiency
– Powers of abstraction, engagement, and suggestion
• Developers can explore new uses for text in a media-rich
environment.
3
TEXT TRADITION – TYPEFACES
• Text properties are grounded in the print tradition.
• Typeface is a family of characters sharing a common design.
– Arial
– Chicago
– New York
– Palatino
4
5
TEXT TRADITION – TYPEFACE CATEGORIES
Serif Typefaces
characters have a slight
decoration at the ends of
each letter
Ex: Times New Roman
Script Typefaces
Simulate handwriting or
calligraphy
Ex: Edwardian Script
Sans Serif Typefaces
characters do not have any
decoration
Ex: Arial
Symbol Typefaces
characters are symbols
rather than normal text
Ex: Webdings, Wingdings
TEXT TRADITION – SIZE & STYLE
• Style: appearance of characters such as:
– Bold
– Italic
– Underline
• Point size: measure of type size.
– 1 Point = 1/72 of an inch
– 1 Pica = 12 points
– 6 picas = 1 inch
6
TEXT TRADITION - FONTS
• Font - Complete set of characters of a particular typeface,
style, and size.
– Monospaced fonts: same width assigned to each character.
– Proportional fonts: adjust width based on shape.
7
TEXT TRADITION - CASE
• When type was set by hand, the type for a font was kept in a
drawer or case
• The upper drawer held the capital letters, and the lower
drawer held the smaller letters
• From this we get the terms uppercase and lowercase
8
TEXT TRADITION – CHARACTER METRICS
9
TEXT TRADITION – TYPOGRAPHIC TERMS
• Weight
Line thickness of the typeface.
• Kerning
Spacing between specific letters.
• Tracking
Spacing between all characters.
10
TEXT TRADITION – TYPOGRAPHIC TERMS
• Condensed/extended text
Narrow width of text / widen width of text.
• Leading
Spacing between lines.
• Alignment & Justification
– Alignment positions text relative to
document's margins.
– Justification adjusts line length to produce
straight edges on left and right margins.
11
COMPUTER TEXT
12
FROM PRINTED CHARACTERS TO
DIGITAL TEXT.
FONT TECHNOLOGIES
• Two techniques for displaying text on computer
– Bitmapped fonts
– Outline fonts
13
BITMAPPED FONTS
• Pixels that make the letter are described by a binary code, or
a "mapping" of the character.
– Every character is stored as a bitmapped letter, number, or symbol.
– Require large memory and storage capacity.
14
BITMAPPED FONTS
• Advantages
– Precise control over letter appearance.
– Letters can be edited at pixel level.
• Disadvantages
– Letters can't be easily scaled.
– Requires separate bitmaps for each typeface, style, and point size to be used.
– Requires large storage capacities.
– Limits flexibility in use of text fonts to those stored on the computer.
15
OUTLINE FONTS
• Store a description of the character to be displayed.
– Description is a series of commands to create the letter on the
computer display.
• Outline font technology:
– Adobe Postscript
– TrueType
16
OUTLINE FONTS
• Advantages
– Fonts are easily scaled.
– Requires smaller storage capacity.
• Disadvantages
– Commands can't be edited to create unique characters.
– Font families are controlled through license of Postscript and
TrueType fonts.
17
JAGGIES and TEXT
• Text is displayed on a monitor as a pattern of pixels.
– Pixels are generally very small squares.
– Squares can display straight lines with smooth edges.
– Squares that display curved or diagonal lines produce a stair-stepped
effect called JAGGIES.
18
ANTI-ALIASING THE JAGGIES
• Jaggies produce an alias of the true character.
• Anti-aliasing creates a smooth edge by blending the color of
the text with the color of the background.
19
INSTALLED FONTS — THE PROBLEM
• ASCII and Unicode are standard.
• Fonts are not standardized across computer platforms.
– If the font is not available, it will substitute one that is.
– The result may not be acceptable.
• Solution
– Use only widely available fonts. (Cross Browser Font List)
– Package the unique font with the application.
20
MULTIMEDIA TEXT
• Two main forms:
– Editable: text produced by word processors or text editors.
• Easy to alter content.
• Can search and spell check.
– Graphics: image of text that can be manipulated to produce a wide
range of artistic effects.
• Make original word picture.
• Solves problem of installed fonts.
21
MULTIMEDIA TEXT & SOUND
• Speech recognition: software analyzes human speech and
converts words to editable text.
– Requires specialized "intelligent" software.
– Accuracy may depend on training and speaker's voice.
• Speech synthesis: software analyzes text and reproduces it as
spoken words.
22
ADDING TEXT TO MULTIMEDIA APPS
Several methods to incorporate text in an authoring application.
• Direct entry in a text box or text field.
• Copy and paste from existing text source.
• File import for large text files.
• Scan text with OCR application for text that exists only in print media.
– Optical Character Recognition accuracy will vary based on fonts and quality of
source material.
23
GUIDELINES for TEXT in Multimedia Apps
• Be selective.
• Be brief.
• Make text readable.
• Be consistent.
• Be careful
• Be respectful.
• Combine text with other media.
• Make text interactive.
24
WRAP UP
• Traditional text features.
• Computer text codes.
• Font technologies.
• Multimedia text.
• Adding text to multimedia applications.
• Guidelines for using text.
• The Elements of Typographic Style Applied to the Web
25

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Chapter 5 Text

  • 2. CHAPTER HIGHLIGHTS • Text tradition. • Codes for computer text. • Font technologies. • Multimedia text. • Guidelines for use of text in multimedia. 2
  • 3. POWERS OF TEXT • Multimedia developers value text for: – Universality – Clarity – Efficiency – Powers of abstraction, engagement, and suggestion • Developers can explore new uses for text in a media-rich environment. 3
  • 4. TEXT TRADITION – TYPEFACES • Text properties are grounded in the print tradition. • Typeface is a family of characters sharing a common design. – Arial – Chicago – New York – Palatino 4
  • 5. 5 TEXT TRADITION – TYPEFACE CATEGORIES Serif Typefaces characters have a slight decoration at the ends of each letter Ex: Times New Roman Script Typefaces Simulate handwriting or calligraphy Ex: Edwardian Script Sans Serif Typefaces characters do not have any decoration Ex: Arial Symbol Typefaces characters are symbols rather than normal text Ex: Webdings, Wingdings
  • 6. TEXT TRADITION – SIZE & STYLE • Style: appearance of characters such as: – Bold – Italic – Underline • Point size: measure of type size. – 1 Point = 1/72 of an inch – 1 Pica = 12 points – 6 picas = 1 inch 6
  • 7. TEXT TRADITION - FONTS • Font - Complete set of characters of a particular typeface, style, and size. – Monospaced fonts: same width assigned to each character. – Proportional fonts: adjust width based on shape. 7
  • 8. TEXT TRADITION - CASE • When type was set by hand, the type for a font was kept in a drawer or case • The upper drawer held the capital letters, and the lower drawer held the smaller letters • From this we get the terms uppercase and lowercase 8
  • 9. TEXT TRADITION – CHARACTER METRICS 9
  • 10. TEXT TRADITION – TYPOGRAPHIC TERMS • Weight Line thickness of the typeface. • Kerning Spacing between specific letters. • Tracking Spacing between all characters. 10
  • 11. TEXT TRADITION – TYPOGRAPHIC TERMS • Condensed/extended text Narrow width of text / widen width of text. • Leading Spacing between lines. • Alignment & Justification – Alignment positions text relative to document's margins. – Justification adjusts line length to produce straight edges on left and right margins. 11
  • 12. COMPUTER TEXT 12 FROM PRINTED CHARACTERS TO DIGITAL TEXT.
  • 13. FONT TECHNOLOGIES • Two techniques for displaying text on computer – Bitmapped fonts – Outline fonts 13
  • 14. BITMAPPED FONTS • Pixels that make the letter are described by a binary code, or a "mapping" of the character. – Every character is stored as a bitmapped letter, number, or symbol. – Require large memory and storage capacity. 14
  • 15. BITMAPPED FONTS • Advantages – Precise control over letter appearance. – Letters can be edited at pixel level. • Disadvantages – Letters can't be easily scaled. – Requires separate bitmaps for each typeface, style, and point size to be used. – Requires large storage capacities. – Limits flexibility in use of text fonts to those stored on the computer. 15
  • 16. OUTLINE FONTS • Store a description of the character to be displayed. – Description is a series of commands to create the letter on the computer display. • Outline font technology: – Adobe Postscript – TrueType 16
  • 17. OUTLINE FONTS • Advantages – Fonts are easily scaled. – Requires smaller storage capacity. • Disadvantages – Commands can't be edited to create unique characters. – Font families are controlled through license of Postscript and TrueType fonts. 17
  • 18. JAGGIES and TEXT • Text is displayed on a monitor as a pattern of pixels. – Pixels are generally very small squares. – Squares can display straight lines with smooth edges. – Squares that display curved or diagonal lines produce a stair-stepped effect called JAGGIES. 18
  • 19. ANTI-ALIASING THE JAGGIES • Jaggies produce an alias of the true character. • Anti-aliasing creates a smooth edge by blending the color of the text with the color of the background. 19
  • 20. INSTALLED FONTS — THE PROBLEM • ASCII and Unicode are standard. • Fonts are not standardized across computer platforms. – If the font is not available, it will substitute one that is. – The result may not be acceptable. • Solution – Use only widely available fonts. (Cross Browser Font List) – Package the unique font with the application. 20
  • 21. MULTIMEDIA TEXT • Two main forms: – Editable: text produced by word processors or text editors. • Easy to alter content. • Can search and spell check. – Graphics: image of text that can be manipulated to produce a wide range of artistic effects. • Make original word picture. • Solves problem of installed fonts. 21
  • 22. MULTIMEDIA TEXT & SOUND • Speech recognition: software analyzes human speech and converts words to editable text. – Requires specialized "intelligent" software. – Accuracy may depend on training and speaker's voice. • Speech synthesis: software analyzes text and reproduces it as spoken words. 22
  • 23. ADDING TEXT TO MULTIMEDIA APPS Several methods to incorporate text in an authoring application. • Direct entry in a text box or text field. • Copy and paste from existing text source. • File import for large text files. • Scan text with OCR application for text that exists only in print media. – Optical Character Recognition accuracy will vary based on fonts and quality of source material. 23
  • 24. GUIDELINES for TEXT in Multimedia Apps • Be selective. • Be brief. • Make text readable. • Be consistent. • Be careful • Be respectful. • Combine text with other media. • Make text interactive. 24
  • 25. WRAP UP • Traditional text features. • Computer text codes. • Font technologies. • Multimedia text. • Adding text to multimedia applications. • Guidelines for using text. • The Elements of Typographic Style Applied to the Web 25

Editor's Notes

  1. 6000 years ago in the Mediterranean, Symbols first used as communication 15th Century - Johann Gutenberg, printing press revolutionized information
  2. Students will likely be familiar with these terms from word processing applications. This section can be a quick review of terminology but also a reminder of how traditional type setting was carried out in the print industry. Some considerations also are appropriate for screen text vs. printed text. For example sans serif typefaces are better used on a screen for readability than on printed pages.
  3. Serif – easier to read on printed pages Sans-Serif – easier to read on screen Script – used for headings (not good for body copy) Symbols – used for bullets
  4. Font example: 12pt Times New Roman Bold Monospaced font Example: Courrier New, Andale Mono, Lucida Console, OCR Extended (used by programmers, view/edit source code) Proportional Font Example: Arial, Times New Roman (used by word processors and web browsers)
  5. Have students describe how a 12pt A would be constructed on 72dpi monitor. They should recognize the storage required to contain all the pixels for each point of the character. Then consider the storage is required to do all the upper case, lower case of a complete font collection at 12pts.
  6. Students might research the font wars that led to acceptance of TrueType on PC's and Mac computers.
  7. In chapter 2 students read about descriptive and command based digital media. Make a correlation between the bitmapped and outline fonts here and relate it to the reading in Ch.2.
  8. Students may have experience with this using PowerPoint. They have created a presentation with fonts on their home computer and find it does not display well if played on a school or office computer.
  9. Third form is flash font replacement method like sIFR.
  10. Discuss the uses and benefits of both forms of speech. Students might research how hospitals and doctors are using speech recognition for storing medial records. Speech synthesis is commonly experienced in computerized phone calls. Quality and accuracy of pronunciation is often a problem. Computers often have ability to program voice commands, GPS systems are also incorporating voice recognition applications. Spoken Word and Browse aloud – when coding a mm website make sure your code can easily be read by a screen reader with descriptions for all image tags and extensions of abbreviations, etc…
  11. Review process of Optical Character Recognition. Software will convert an image of a letter to an ASCII code. Quality of conversion is dependent on OCR software, quality of source material, and type of paper being used. Any scanned text will require careful editing to remove stray markings and correct spelling.
  12. Use a Powerpoint presentation or web page to review the importance of these guidelines. Students should elaborate on the meaning of each guideline in evaluating a presentation or web page.