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TV Drama
Camera Angles
SO WHAT IS IT?
• TV Dramas - are situations that occur in the characters’ lives which
the audience can relate too. The story would follow one or more
main character and follow other characters in which they meet in
the series.
Crime
IS WHEN VIOLENCE,
DRUGS AND ABUSE
OCCUR IN THIS DRAMA. IT
IS OFTEN PERUSED BY A
POLICE OFFICER OR
INSPECTOR
SoapIS WHEN DRAMATIC SCENES
HAPPENS TO MOST CHARACTERS
AND THEIR TRYING TO SOLVE
THEIR OWN PROBLEMS
ComedyIS WHEN HUMOUR AND
JOKES OCCUR IN THIS
DRAMA
Thriller/Horr
or/ FantasyIS WHEN SCENES OF
HORRIFIC EVENTS OR
SUPERNATURAL EVENTS
OCCUR IN THIS DRAMA
Sci-FiIS WHEN UNLIKELY EVENTS OCCUR
WHICH CAN BE SCIENTIFIC, SUPER
POWERED OR OUT OF THIS WORLD
EVENTS HAPPEN TO CERTAIN
CHARACTERS IN SPACE OR ON
ANOTHER PLANET
Medical
IS WHEN THE
CHARACTERS WORK IN A
HOSPITAL OR SOME TYPE
OF MEDIA SECTOR.
CHARACTERS ARE MAINLY
DOCTORS AND NURSES
Period
DramaIS A DRAMA WHICH IS SET IN
THE PAST RATHER THEN THE
PRESENT AND SHOWS
CHARACTERS OF DIFFERENT
BACKGROUNDS AND
INTERESTING EVENTS ON
WHICH HAPPENED BEFORE
School
IS WHEN SCENES ARE
MAINLY SITUATED WITHIN
A SCHOOL. IT WOULD
USUALLY CONSIST OF
ARGUMENTS, FIGHTS.
Action
Audience Theory – Stuart Hall:
• Dominant reading - reader fully accepts the preferred reading
(audience will read the text the way the author intended them
to) so that the code seems natural and transparent.
• The negotiated reading – the reader partly believes the code and
broadly accepts the preferred reading, but sometimes modifies it
in a way which reflects their own position, experiences and
interests.
• The oppositional reading – the reader’s social position places
them in an oppositional relation to the dominant code. They
reject the reading.
Representation Theories
• Laura Mulvey – argues that cinema positions the
audience as male. The camera gazes at the
female object on screen. It also frames the male
character watching the female.
• We watch the girl; we see the male watching the girl;
we position ourselves within the text as a male
objectively gazing at the female.
• Can be applied to other media forms also.
REALISM
Camerawork – although stylised and contemporary,
aimed at conveying realism;
CAMERA: ACTIVITY
• Watch the following clip.
• Note down (in a list) every camera shot, angle and movement
you see!
• Now, in pairs, discuss the use of these shots and answer the
following questions:
• WHY was that shot used?
• What effect does it have?
• Write an account for the significance of each shot (and
sequence of shots used) in explaining the setting/location and
social context.

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Camera work

  • 2. SO WHAT IS IT? • TV Dramas - are situations that occur in the characters’ lives which the audience can relate too. The story would follow one or more main character and follow other characters in which they meet in the series.
  • 3.
  • 4. Crime IS WHEN VIOLENCE, DRUGS AND ABUSE OCCUR IN THIS DRAMA. IT IS OFTEN PERUSED BY A POLICE OFFICER OR INSPECTOR
  • 5. SoapIS WHEN DRAMATIC SCENES HAPPENS TO MOST CHARACTERS AND THEIR TRYING TO SOLVE THEIR OWN PROBLEMS
  • 6. ComedyIS WHEN HUMOUR AND JOKES OCCUR IN THIS DRAMA
  • 7. Thriller/Horr or/ FantasyIS WHEN SCENES OF HORRIFIC EVENTS OR SUPERNATURAL EVENTS OCCUR IN THIS DRAMA
  • 8. Sci-FiIS WHEN UNLIKELY EVENTS OCCUR WHICH CAN BE SCIENTIFIC, SUPER POWERED OR OUT OF THIS WORLD EVENTS HAPPEN TO CERTAIN CHARACTERS IN SPACE OR ON ANOTHER PLANET
  • 9. Medical IS WHEN THE CHARACTERS WORK IN A HOSPITAL OR SOME TYPE OF MEDIA SECTOR. CHARACTERS ARE MAINLY DOCTORS AND NURSES
  • 10. Period DramaIS A DRAMA WHICH IS SET IN THE PAST RATHER THEN THE PRESENT AND SHOWS CHARACTERS OF DIFFERENT BACKGROUNDS AND INTERESTING EVENTS ON WHICH HAPPENED BEFORE
  • 11. School IS WHEN SCENES ARE MAINLY SITUATED WITHIN A SCHOOL. IT WOULD USUALLY CONSIST OF ARGUMENTS, FIGHTS.
  • 13. Audience Theory – Stuart Hall: • Dominant reading - reader fully accepts the preferred reading (audience will read the text the way the author intended them to) so that the code seems natural and transparent. • The negotiated reading – the reader partly believes the code and broadly accepts the preferred reading, but sometimes modifies it in a way which reflects their own position, experiences and interests. • The oppositional reading – the reader’s social position places them in an oppositional relation to the dominant code. They reject the reading.
  • 14. Representation Theories • Laura Mulvey – argues that cinema positions the audience as male. The camera gazes at the female object on screen. It also frames the male character watching the female. • We watch the girl; we see the male watching the girl; we position ourselves within the text as a male objectively gazing at the female. • Can be applied to other media forms also.
  • 15. REALISM Camerawork – although stylised and contemporary, aimed at conveying realism;
  • 16. CAMERA: ACTIVITY • Watch the following clip. • Note down (in a list) every camera shot, angle and movement you see! • Now, in pairs, discuss the use of these shots and answer the following questions: • WHY was that shot used? • What effect does it have? • Write an account for the significance of each shot (and sequence of shots used) in explaining the setting/location and social context.