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CAMERA 
TERMINOLOGY 
(IMAGES AND LINKS TO 
IMAGES) 
By Safiyah Bennington
Extreme Close up (ECU) 
◦ Extreme Close-ups (ECU) lets you focus 
(most commonly) on specific body 
parts at a time. Eyes, feet, mouths, 
hands and ears are most commonly 
seen in this shot but is also on objects 
and animals. 
◦ The un-natural closeness of the shot 
intensifies how the feeling and 
convinces the audience to feel 
empathy or some form of connection 
with the character on screen. It 
highlights the dramatic importance of 
the scene
Big Close Up (BCU) 
◦ A big close up (BCU) consists of a 
persons entire face filling the shot. 
These shots are very intense. The BCU is 
too close to show general reactions or 
emotion which makes it even more 
dramatic. It is used to show the detail 
and facial expression of the character.
Close Up (CU) 
◦ A close up shot (CU) consists of the 
persons full face and the top of the 
upper chest but is also used on an 
object at close range and overall 
contains no or very little background. 
This shot is used to heighten tension in 
the scene and can introduce a 
character. It also means that the 
character can show emotions clearly.
Medium close up (MCU) 
◦ A medium close up (MCU) shows the 
top of the head to the lower chest and 
is commonly used in conversational 
scenes between characters. There is 
more in the background than in a 
close up but the sharpness of the 
background isn’t as strong.
Medium Shot (MS) 
◦ The Medium Shot (MS) shows the upper 
half of the body from the top of the 
persons head to the waist. This shot is 
used to show the body language and 
facial expression that the character is 
trying to convey to the audience.
Medium Long Shot (MLS) 
◦ A medium long shot (MLS) shows the 
top of the head to just below the knee 
(roughly the knees.) This shot is used a 
lot in moving shots because it allows 
the audience to see the character but 
is also close enough for the audience 
to see the facial expression and where 
the character is.
Long Shot (LS) and Very Long Shot 
(VLS) 
◦ The Long Shot (LS) shows the full body of 
the person but the is dominated most by 
the background. This shot is used so that 
the audience is able to understand the 
relationship between the person and the 
environment they are in. 
A Very Long Shot (VLS) shows the full body 
of the person and but also has a space at 
the top and bottom of the screen. This shot 
is used to show the atmosphere of the 
scene and tells the audience where the 
scene is set. 
Long Shot 
Very Long Shot
Two Shot (CU/MCU/MS) 
◦ A Two Shot (CU/MCU/MS) is a shot of 
two people. A two shot is good for 
establishing the relationship between 
the characters on screen. The two shot 
is a way to naturally introduce two 
people . A two shot can involve 
movement and is a good way to focus 
on the objects on the screen rather 
than the background.
‘Over the shoulder’ shot 
◦ An over the shoulder shot is framed 
from behind the person who is looking 
at the other subject. One third of the 
frame is taken up by the person who is 
facing the subject. This shot is most 
commonly used in conversational 
scenes
Walking Room 
◦ A walking room also known as Lead 
Space is a shot is where there is more 
space on the side of the frame of the 
direction that the subject is going in or 
facing. 
◦ The camera pans as the person walks 
and keeps a constant amount of 
space in front of the subject. It is used 
in scenes of movement.
High Angle Shot and Low Angle Shot 
◦ A high angle shot is where the frame is 
shot from above the subject, generally 
used to show the subject is inferior 
Low angle shot 
◦ A low angle shot is where the frame is 
shot from below the subject, generally 
to show the subject is superior. High angle shot
Deep Focus 
◦ In this shot, the camera focuses on the 
near and far objects (the whole frame) 
at the same time. 
◦ Deep Focus
Pans 
◦ Pans are a movement which scans a 
scene horizontally and pans left and right 
and can be done by hand or camera. 
When used on a tripod,the camera is put 
onto a tripod which is used as a stationary 
axis point that the camera can turn on. This 
shot is most commonly used to keep a 
steady shot of a moving object 
This is called a panhead and is used to move 
the camera on the release plate 
◦ Pans
Tilts 
◦ This movement is similar to a pan 
movement but instead of moving left and 
right horizontally, it scans the scene 
vertically and the camera tilts up and down. 
◦ It also stands on the tripod or can be done 
handheld. 
◦ Tilt movement
Hand-held shots 
◦ A hand held shot is when the camera is 
connected to a harness and is used in 
a scene create a sense of realism. 
◦ Hand Held shot
Tracking Shots 
◦ A tracking shot, also known as Trucking or 
Dolly shot is when a camera is placed on a 
moving vehicle/dolly moves alongside the 
action and usually follows a moving object. 
This shot is good for gradual moving 
forwards or backwards in a scene. 
◦ Complicated tracking shots are the same 
except the camera dolly is put on a track 
that is on the floor. 
◦ Tracking shot 
◦ Complicated tracking shot
Crane Shots 
◦ A crane shot is pretty much the same 
as a tracking shot but in the air. This 
shot is useful because it can be used in 
the air and goes up, down, left, right 
and can swoop in or out on action or 
move diagonally. 
◦ Crane shot
Aerial Shot 
◦ An aerial shot is like a crane shot but 
taken from a much higher scale, 
generally filmed from a helicopter (like 
a flexible crane.) This shot is most 
commonly used at the beginning to 
establish movement and setting. 
◦ Aerial shot
Wide shot 
Wide shots can emphasize the isolation 
of a figure and can be used to show a 
crowd or to establish a set or location 
◦ Wide shot
Zoom/Reverse Zoom 
◦ The Zoom/ reverse zoom is the 
adjustment of the camera lens where 
the operator of the camera can move 
in or pull away from the subject 
◦ Example
Rule of thirds 
◦ Instead of placing a person object in 
the middle of the screen, they are 
placed on a side (left or right) where 
lines cross on the imaginary grid 
◦ Rule of thirds example
Shallow focus 
◦ Shallow focus is when the objects 
closer to the screen are sharp and 
visible but everything in the 
background is out of focus. This is used 
to emphasize the importance of the 
object closer to the screen. 
◦ Shallow focus

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camera terminology

  • 1. CAMERA TERMINOLOGY (IMAGES AND LINKS TO IMAGES) By Safiyah Bennington
  • 2. Extreme Close up (ECU) ◦ Extreme Close-ups (ECU) lets you focus (most commonly) on specific body parts at a time. Eyes, feet, mouths, hands and ears are most commonly seen in this shot but is also on objects and animals. ◦ The un-natural closeness of the shot intensifies how the feeling and convinces the audience to feel empathy or some form of connection with the character on screen. It highlights the dramatic importance of the scene
  • 3. Big Close Up (BCU) ◦ A big close up (BCU) consists of a persons entire face filling the shot. These shots are very intense. The BCU is too close to show general reactions or emotion which makes it even more dramatic. It is used to show the detail and facial expression of the character.
  • 4. Close Up (CU) ◦ A close up shot (CU) consists of the persons full face and the top of the upper chest but is also used on an object at close range and overall contains no or very little background. This shot is used to heighten tension in the scene and can introduce a character. It also means that the character can show emotions clearly.
  • 5. Medium close up (MCU) ◦ A medium close up (MCU) shows the top of the head to the lower chest and is commonly used in conversational scenes between characters. There is more in the background than in a close up but the sharpness of the background isn’t as strong.
  • 6. Medium Shot (MS) ◦ The Medium Shot (MS) shows the upper half of the body from the top of the persons head to the waist. This shot is used to show the body language and facial expression that the character is trying to convey to the audience.
  • 7. Medium Long Shot (MLS) ◦ A medium long shot (MLS) shows the top of the head to just below the knee (roughly the knees.) This shot is used a lot in moving shots because it allows the audience to see the character but is also close enough for the audience to see the facial expression and where the character is.
  • 8. Long Shot (LS) and Very Long Shot (VLS) ◦ The Long Shot (LS) shows the full body of the person but the is dominated most by the background. This shot is used so that the audience is able to understand the relationship between the person and the environment they are in. A Very Long Shot (VLS) shows the full body of the person and but also has a space at the top and bottom of the screen. This shot is used to show the atmosphere of the scene and tells the audience where the scene is set. Long Shot Very Long Shot
  • 9. Two Shot (CU/MCU/MS) ◦ A Two Shot (CU/MCU/MS) is a shot of two people. A two shot is good for establishing the relationship between the characters on screen. The two shot is a way to naturally introduce two people . A two shot can involve movement and is a good way to focus on the objects on the screen rather than the background.
  • 10. ‘Over the shoulder’ shot ◦ An over the shoulder shot is framed from behind the person who is looking at the other subject. One third of the frame is taken up by the person who is facing the subject. This shot is most commonly used in conversational scenes
  • 11. Walking Room ◦ A walking room also known as Lead Space is a shot is where there is more space on the side of the frame of the direction that the subject is going in or facing. ◦ The camera pans as the person walks and keeps a constant amount of space in front of the subject. It is used in scenes of movement.
  • 12. High Angle Shot and Low Angle Shot ◦ A high angle shot is where the frame is shot from above the subject, generally used to show the subject is inferior Low angle shot ◦ A low angle shot is where the frame is shot from below the subject, generally to show the subject is superior. High angle shot
  • 13. Deep Focus ◦ In this shot, the camera focuses on the near and far objects (the whole frame) at the same time. ◦ Deep Focus
  • 14. Pans ◦ Pans are a movement which scans a scene horizontally and pans left and right and can be done by hand or camera. When used on a tripod,the camera is put onto a tripod which is used as a stationary axis point that the camera can turn on. This shot is most commonly used to keep a steady shot of a moving object This is called a panhead and is used to move the camera on the release plate ◦ Pans
  • 15. Tilts ◦ This movement is similar to a pan movement but instead of moving left and right horizontally, it scans the scene vertically and the camera tilts up and down. ◦ It also stands on the tripod or can be done handheld. ◦ Tilt movement
  • 16. Hand-held shots ◦ A hand held shot is when the camera is connected to a harness and is used in a scene create a sense of realism. ◦ Hand Held shot
  • 17. Tracking Shots ◦ A tracking shot, also known as Trucking or Dolly shot is when a camera is placed on a moving vehicle/dolly moves alongside the action and usually follows a moving object. This shot is good for gradual moving forwards or backwards in a scene. ◦ Complicated tracking shots are the same except the camera dolly is put on a track that is on the floor. ◦ Tracking shot ◦ Complicated tracking shot
  • 18. Crane Shots ◦ A crane shot is pretty much the same as a tracking shot but in the air. This shot is useful because it can be used in the air and goes up, down, left, right and can swoop in or out on action or move diagonally. ◦ Crane shot
  • 19. Aerial Shot ◦ An aerial shot is like a crane shot but taken from a much higher scale, generally filmed from a helicopter (like a flexible crane.) This shot is most commonly used at the beginning to establish movement and setting. ◦ Aerial shot
  • 20. Wide shot Wide shots can emphasize the isolation of a figure and can be used to show a crowd or to establish a set or location ◦ Wide shot
  • 21. Zoom/Reverse Zoom ◦ The Zoom/ reverse zoom is the adjustment of the camera lens where the operator of the camera can move in or pull away from the subject ◦ Example
  • 22. Rule of thirds ◦ Instead of placing a person object in the middle of the screen, they are placed on a side (left or right) where lines cross on the imaginary grid ◦ Rule of thirds example
  • 23. Shallow focus ◦ Shallow focus is when the objects closer to the screen are sharp and visible but everything in the background is out of focus. This is used to emphasize the importance of the object closer to the screen. ◦ Shallow focus