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Shot:
The distance between the camera and the subject.
Angle:
The level at which the camera is held relative to
the subject.
Movement:
Whether the camera is static or in motion during a
shot.
Gives an overview of the
scene and allows the
audience to see where
things are occurring.
Often used at the start
of a scene to ‘establish’
where characters are in
relation to each other,
setting and props.
Difficult to show details.
Usually shows the
upper-half of a
person’s body.
Good for
conversations.
It allows you to fit one
or two people into the
shot.
Can still see the
setting of the scene in
the background.
Focusses on a specific
thing, such as an
actor’s face or an
object.
It is very good for
drawing the
audience’s attention
to important things.
Focusses in a lot of
detail on a specific
detail of a person or
object, such as a
person’s eye or a word
written on a piece of
paper.
Provides even greater
emphasis.
The camera is at the
eye-level of the actor,
or is aimed straight at
the object.
This is a standard shot.
Most of your shots will
be this.
The camera is above
the eye-level of the
actor, or looks down at
the object.
This can make the
person etc. seem
smaller, weaker, less
intimidating, scared,
sadder or less
threatening.
The camera is below
the eye-level of the
actor, or looks up at
the object.
This can make the
person etc. seem
bigger, more powerful,
confident, threatening
or overwhelming.
The camera is held at
an obviously slanted
angle.
Conveys uncertainty,
chaos or madness.
The shot is taken as if
it is from the point of
view of a specific
character (i.e. as if we
are looking through
their eyes).
Need to establish
whose perspective
you are looking from,
usually through a
proceeding close-up
shot.
One actor’s face is
shown, while the back
of the other actor’s
head is visible in the
foreground in frame.
Often used for
dialogue scenes.
The camera is in a
fixed position and
does not move.
Usually the camera
will be attached to a
tripod in order to keep
it steady. This is a
standard shot.
Smooth camera
movements.
Panning is where you
turn the camera
horizontally.
Tilting is where you turn
the camera vertically.
Both can be used to
shift focus, bring new
things into a scene or to
reveal information.
A smooth shot where
the camera moves as
steadily as possible.
Slows down pacing,
allows for movement
and shifting the
audience’s focus.
The camera moves,
usually in order to
follow a character,
with small shuddering
movements.
Often used for point-
of-view movement
shots as it helps to put
the audience in the
position of a character.

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Camera Angles and Shots

  • 1. Shot: The distance between the camera and the subject. Angle: The level at which the camera is held relative to the subject. Movement: Whether the camera is static or in motion during a shot.
  • 2. Gives an overview of the scene and allows the audience to see where things are occurring. Often used at the start of a scene to ‘establish’ where characters are in relation to each other, setting and props. Difficult to show details.
  • 3. Usually shows the upper-half of a person’s body. Good for conversations. It allows you to fit one or two people into the shot. Can still see the setting of the scene in the background.
  • 4. Focusses on a specific thing, such as an actor’s face or an object. It is very good for drawing the audience’s attention to important things.
  • 5. Focusses in a lot of detail on a specific detail of a person or object, such as a person’s eye or a word written on a piece of paper. Provides even greater emphasis.
  • 6. The camera is at the eye-level of the actor, or is aimed straight at the object. This is a standard shot. Most of your shots will be this.
  • 7. The camera is above the eye-level of the actor, or looks down at the object. This can make the person etc. seem smaller, weaker, less intimidating, scared, sadder or less threatening.
  • 8. The camera is below the eye-level of the actor, or looks up at the object. This can make the person etc. seem bigger, more powerful, confident, threatening or overwhelming.
  • 9. The camera is held at an obviously slanted angle. Conveys uncertainty, chaos or madness.
  • 10. The shot is taken as if it is from the point of view of a specific character (i.e. as if we are looking through their eyes). Need to establish whose perspective you are looking from, usually through a proceeding close-up shot.
  • 11. One actor’s face is shown, while the back of the other actor’s head is visible in the foreground in frame. Often used for dialogue scenes.
  • 12. The camera is in a fixed position and does not move. Usually the camera will be attached to a tripod in order to keep it steady. This is a standard shot.
  • 13. Smooth camera movements. Panning is where you turn the camera horizontally. Tilting is where you turn the camera vertically. Both can be used to shift focus, bring new things into a scene or to reveal information.
  • 14. A smooth shot where the camera moves as steadily as possible. Slows down pacing, allows for movement and shifting the audience’s focus.
  • 15. The camera moves, usually in order to follow a character, with small shuddering movements. Often used for point- of-view movement shots as it helps to put the audience in the position of a character.