Cinematography
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Cinematography techniques are used to tell a visual story and provide context. Some key techniques include establishing shots which set the scene, wide shots which show a large setting, and close-ups which focus on a person's face to show emotion. Different shot types like long shots, medium shots, and point-of-view shots help viewers understand characters' perspectives and relationships. Camera movements like pans, tilts, tracks and zooms are also used to guide attention and enhance scenes. Proper use of these cinematography techniques helps audiences understand when and where the story takes place.
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Cinematography
The document defines various cinematography techniques used in filmmaking, including shots like establishing shots, wide shots, crane shots, and close-ups that show different levels of detail. It also discusses point-of-view shots, two shots, and shot-reverse-shot techniques for positioning characters. Camera movements like pans, tilts, tracking, dolly shots, and zooms are also outlined. The purpose is to establish different visual perspectives and ways of filming scenes and characters.
Camera shots and movements
Camera shots and movements are used in filmmaking to establish locations, set scenes, emphasize scale, portray emotions, and involve viewers. Some key shots and movements include establishing shots to set the scene, close-ups to focus attention on details, point-of-view shots to see through a character's eyes, shot-reverse shots to show a conversation, panning and tilting to follow moving subjects, high and low angles to influence how characters are viewed, dolly shots to smoothly follow action, and zooms to quickly move closer or farther from a subject.
Cinematography
Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
Camera shots and angle movements
This document provides definitions and descriptions of various camera shots and angles used in filmmaking. It discusses wide establishing shots that give context, close-ups that focus on details or emotions, and point-of-view shots that allow the audience to see from a character's perspective. It also covers different types of camera movement like pans, tilts, dolly shots, and zooms that can be used to follow or observe action. Camera placement from high and low angles is discussed as a way to convey meaning about characters.
Camera shots and angles media
This document discusses various camera shots and angles used in filmmaking, including establishing shots to set the scene, wide shots to show space, and aerial shots from above. It also covers long shots, medium shots, and close-ups to focus on full figures, upper bodies, or faces. Point-of-view and over-the-shoulder shots put the viewer in the perspective of a character. Two shots and shot-reverse shots study relationships by alternating between characters. High and low shots manipulate viewer perspective and power dynamics. Pans, tilts, tracking, and dolly shots involve camera movement.
CAMERA SHOTS AND CINEMATOGRAPHY
This document discusses various camera shots and techniques used in cinematography. It describes shots like extreme close-ups, long shots, medium shots, and point-of-view shots and how they are used to convey different meanings or perspectives. It also covers camera movements like pans, tilts, tracking shots, dolly shots, and zooms and how they frame and follow the action. The various shots, angles, and camera movements allow filmmakers to establish settings, focus attention, and influence the audience's perspective in purposeful ways.
Camera shots and movements
Camera shots and movements are used to convey information and direct audience focus. Wide shots provide context while close-ups intensify emotion. Point-of-view shots allow the audience to see through a character's eyes. Shot-reverse shots depict conversations between two characters. Camera movements like pans, tilts, tracks and zooms dynamically frame scenes and follow action without cutting. Different angles imply meaning - high angles suggest weakness while low angles indicate power.
Camera Angles
Camera angles can be used to convey different meanings and effects. Low angles show a subject as powerful or dominant. Bird's eye views provide an overhead spatial perspective or show things characters cannot see. High angles depict a subject as less powerful or isolated. Slanted angles create a dramatic tilted horizon. Camera moves like dolly, track, pan, tilt, follow, zoom and pedestal allow smooth movement and perspective changes.
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Cinematography
The document defines various cinematography techniques used in filmmaking, including shots like establishing shots, wide shots, crane shots, and close-ups that show different levels of detail. It also discusses point-of-view shots, two shots, and shot-reverse-shot techniques for positioning characters. Camera movements like pans, tilts, tracking, dolly shots, and zooms are also outlined. The purpose is to establish different visual perspectives and ways of filming scenes and characters.
Camera shots and movements
Camera shots and movements are used in filmmaking to establish locations, set scenes, emphasize scale, portray emotions, and involve viewers. Some key shots and movements include establishing shots to set the scene, close-ups to focus attention on details, point-of-view shots to see through a character's eyes, shot-reverse shots to show a conversation, panning and tilting to follow moving subjects, high and low angles to influence how characters are viewed, dolly shots to smoothly follow action, and zooms to quickly move closer or farther from a subject.
Cinematography
Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
Camera shots and angle movements
This document provides definitions and descriptions of various camera shots and angles used in filmmaking. It discusses wide establishing shots that give context, close-ups that focus on details or emotions, and point-of-view shots that allow the audience to see from a character's perspective. It also covers different types of camera movement like pans, tilts, dolly shots, and zooms that can be used to follow or observe action. Camera placement from high and low angles is discussed as a way to convey meaning about characters.
Camera shots and angles media
This document discusses various camera shots and angles used in filmmaking, including establishing shots to set the scene, wide shots to show space, and aerial shots from above. It also covers long shots, medium shots, and close-ups to focus on full figures, upper bodies, or faces. Point-of-view and over-the-shoulder shots put the viewer in the perspective of a character. Two shots and shot-reverse shots study relationships by alternating between characters. High and low shots manipulate viewer perspective and power dynamics. Pans, tilts, tracking, and dolly shots involve camera movement.
CAMERA SHOTS AND CINEMATOGRAPHY
This document discusses various camera shots and techniques used in cinematography. It describes shots like extreme close-ups, long shots, medium shots, and point-of-view shots and how they are used to convey different meanings or perspectives. It also covers camera movements like pans, tilts, tracking shots, dolly shots, and zooms and how they frame and follow the action. The various shots, angles, and camera movements allow filmmakers to establish settings, focus attention, and influence the audience's perspective in purposeful ways.
Camera shots and movements
Camera shots and movements are used to convey information and direct audience focus. Wide shots provide context while close-ups intensify emotion. Point-of-view shots allow the audience to see through a character's eyes. Shot-reverse shots depict conversations between two characters. Camera movements like pans, tilts, tracks and zooms dynamically frame scenes and follow action without cutting. Different angles imply meaning - high angles suggest weakness while low angles indicate power.
Camera Angles
Camera angles can be used to convey different meanings and effects. Low angles show a subject as powerful or dominant. Bird's eye views provide an overhead spatial perspective or show things characters cannot see. High angles depict a subject as less powerful or isolated. Slanted angles create a dramatic tilted horizon. Camera moves like dolly, track, pan, tilt, follow, zoom and pedestal allow smooth movement and perspective changes.
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This document discusses different types of camera shots used in filmmaking. It describes establishing shots which show the setting at the beginning or when the scene changes. It also describes mid shots which show an actor from the waist up to provide facial expressions and some body language. Close ups focus on a person's face or a specific object to draw attention or show emotions. Point of view shots make the viewer feel as if they are seeing what a character sees. Over the shoulder shots show a person from behind their shoulder. Two shot compositions include two people in the frame. Shot reverse shot alternates between two characters during a conversation by placing the camera behind each person's shoulder. High angle shots depict a person as smaller or weaker while low angle shots
Camera shots and movement
This document discusses various camera shots and movements that are used in filmmaking. It defines establishing shots, wide shots, crane shots, aerial shots, close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, and shot-reverse shots. It also explains camera movements like pans, tilts, high angles, low angles, dolly shots, hand-held shots, and zooms. Each shot or movement is used to emphasize different aspects of mise-en-scène or establish relationships between characters.
Camera shots and movement
Camera shots and movement can be used to convey important information and guide audience perspective. Some key shots include the establishing shot, which orients viewers to the location, and close-ups, which focus attention on emotions or important details. Camera movement like panning and tilting can follow action, while dolly shots portray character journeys. High and low camera angles influence how viewers relate to on-screen characters.
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Extreme long shots and establishing shots provide context by showing the landscape and setting the scene. Wide shots zoom out to show more of the setting and landscape. Crane shots are from a high vantage point but remain on the ground, while aerial shots use helicopters or drones to show groups from very high up. Long shots capture a large area or view while showing a person from head to toe. Medium shots focus on a person from the waist up to show details of what they are doing. Close ups concentrate on a small area or person with little background. Extreme close ups are usually of eyes or mouths. Point of view shots show what a character sees, while over-the-shoulder shots film conversations to include the characters.
Camera angles, shots, movement and positions
This document defines and describes various camera angles, shots, movements, and positions used in filmmaking. It provides definitions for establishing shots, low-angled shots, high-angled shots, close-ups, medium close-ups, extreme close-ups, long shots, medium long shots, two/three shots, aerial shots, point of view shots, panning, tilting, tracking, dollying, zooming in and out, handheld shots, focus pulling, canted angles, and the rule of thirds. The document establishes the context and purpose for each technique.
Symbolism in Films PowerPoint
The town of Endora represents entrapment and lack of opportunity. The endless road symbolizes possibilities beyond the town. Gilbert's mother symbolizes his emotional imprisonment and dependence. The burning of Gilbert's house acts as a cleansing that allows Gilbert freedom. Camera shots are used to position the audience and enhance the symbolism of these key features.
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This document defines and describes various camera shots and angles used in filmmaking:
[1] Establishing shots are wide shots at the beginning of a scene that establish the location and context.
[2] Master shots capture all actors in a wide frame.
[3] Close-ups magnify details like faces to focus attention or show emotion. Mid-shots show a human figure from the waist up. Long shots show characters as small in a scene. Wide shots use a wide-angle lens to capture more of the scene.
Camera shots, angles and movements
Camera shots commonly used in movie making and what they are used for, with examples (pictures and gifs) of each given about the explanation, all from some good movies.
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This document describes various camera shots and movements that can be used in filmmaking. It discusses wide establishing shots from a distance, closer shots to show scale and detail, aerial shots from above, close-ups of faces and objects, point-of-view shots, two-person shots, shot-reverse-shot patterns, panning and tilting the camera horizontally and vertically, high and low camera angles, tracking shots using a dolly, handheld camerawork, and zooming in or out. The different techniques are used to set scenes, emphasize elements, create identification or tension, show relationships, and achieve various dramatic effects.
02 camera shot matching game
This document defines and describes various camera shots and techniques used in filmmaking. It provides definitions for establishing shots, wide shots, crane shots, aerial shots, close ups, extreme close ups, point of view shots, over the shoulder shots, two shots, shot reverse shots, pans, tilts, high angle shots, low angle shots, and zooms/reverse zooms. Each type of shot conveys different information about location, scale, perspective, or relationship between subjects.
Camera shots, angles and movement
For my a2 advanced portfolio, I thought it would be useful to look at Camera Shots, angles and movements in order to create a successful film trailer
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The document discusses various camera techniques used in filmmaking including shots, angles, movements, and lighting. It provides definitions and examples of different shot types like extreme long shot, long shot, mid shot, and close-up. It also defines high angles, eye-level angles, and low angles. Camera movements like panning, tracking shots, and dolly shots are explained. The document stresses that these techniques are used purposefully by filmmakers to shape meaning and influence the audience.
Film shots and their effect on the audience
1) Different camera shots are used to convey different information to the audience and manipulate their perspective.
2) A mid-angle shot of a confrontation between two characters establishes tension and focuses on a threatening gesture.
3) A high-angle shot of characters crouching conveys their vulnerability and alerts viewers to potential danger ahead.
4) An extreme close-up of a character's bewildered face forces viewers to focus only on his reaction, building tension.
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This document describes various cinematography shot types and camera movements. It defines shots based on distance from the subject like extreme long shots, long shots, medium shots, close-ups, and extreme close-ups. It also discusses subjective point of view shots, two shots, shot/reverse shots, dolly shots, hand-held shots, and camera angles and movements like pans, tilts, high angles, and low angles. The purpose is to explain how different shots and camera techniques are used to convey meaning, perspective, scale, drama, and the flow of a scene.
Film Techniques In Bend It Like Beckham
Film study including shots from the film and analysis of types of shots, camera movement and angles. Used with GCSE/Level 1 students.
Camera shots
This document discusses various camera shots and techniques used in filmmaking. It describes shots like extreme close-up, close-up, medium close-up, medium shot, and high angle shot, and how they are used to show emotion, focus attention on characters, reveal details, and establish context. It also covers shot types like two shots, shot-reverse shots, and over the shoulder shots used for conversations between characters. Finally, it discusses camera movements like panning, tilting, dolly shots, and zooming and how they are used to follow or frame the action.
Camera shots, angles, movement
A shot is a series of frames recorded during an uninterrupted period of filming. There are various types of shots defined by their camera distance, angle, and movement. Shots can be categorized as extreme long shots, long shots, mid shots, close-ups, point-of-view shots, and more. Camera angles are also used to convey meaning, such as high angles conveying inferiority and low angles conveying superiority. Camera movement techniques include panning for horizontal rotation, tilting for vertical rotation, zooming, and tracking with a dolly.
Camera shots & movement
The document discusses various camera shots and movements that can be used in filmmaking. Some key shots mentioned are establishing shots to set the scene, close-ups to focus on important details like emotion, and point-of-view shots that allow the audience to see through a character's eyes. Camera movements like pans scan a scene horizontally, tilts move vertically, and dolly shots physically move the camera alongside the action. Different angles and shots can be used to provide information about characters and influence the audience's perspective.
Camera shots and movement
This document defines and describes various types of camera shots and camera movements that are used in filmmaking, including establishing shots, wide shots, crane shots, aerial shots, close-ups, extreme close-ups, point-of-view shots, two shots, shot/reverse shots, pans, tilts, high and low camera angles, dolly shots, hand-held shots, and zooms. These shots and movements help establish locations, show scale, provide different perspectives, and follow conversations or action sequences.
Cinematography
This document defines and describes various shot types, angles, and camera movements used in cinematography. It discusses establishing shots, wide shots, crane shots, aerial shots, long shots, medium shots, close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, and shot-reverse shots. It also covers pan, tilt, high angle, low angle, dolly shots, hand-held shots, and zoom shots. The purpose is to establish visual storytelling techniques for placing the audience in the scene and emphasizing elements like scale, relationships between characters, and perspectives.
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Camera shots like overhead shots and reaction shots are used to show different perspectives. Editing techniques such as freeze frames, eye matches, and cross cutting are used to focus on or compare elements. Camera movements including pans, zooms, tracks, and fixed frames establish scenes and follow subjects. Politically incorrect attitudes around racism, sexism, homophobia, inappropriate language, smoking, drinking and swearing should be avoided.
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This document defines and describes various camera shots and techniques, including medium shot, long shot, extreme long shot/establishing shot, medium long shot, canted/Dutch tilt, tilt up, tilt down, tracking, dolly, crane, handheld, aerial/birdseye view, and zoom. Medium shots show half the body, long shots show the full body and surroundings, and extreme long shots establish the scene and relationships. Tilts, tracks, dollies and cranes involve camera movement, while zooms alter the focal length.
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This document discusses different types of camera shots used in filmmaking. It describes establishing shots which show the setting at the beginning or when the scene changes. It also describes mid shots which show an actor from the waist up to provide facial expressions and some body language. Close ups focus on a person's face or a specific object to draw attention or show emotions. Point of view shots make the viewer feel as if they are seeing what a character sees. Over the shoulder shots show a person from behind their shoulder. Two shot compositions include two people in the frame. Shot reverse shot alternates between two characters during a conversation by placing the camera behind each person's shoulder. High angle shots depict a person as smaller or weaker while low angle shots
Camera shots and movement
This document discusses various camera shots and movements that are used in filmmaking. It defines establishing shots, wide shots, crane shots, aerial shots, close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, and shot-reverse shots. It also explains camera movements like pans, tilts, high angles, low angles, dolly shots, hand-held shots, and zooms. Each shot or movement is used to emphasize different aspects of mise-en-scène or establish relationships between characters.
Camera shots and movement
Camera shots and movement can be used to convey important information and guide audience perspective. Some key shots include the establishing shot, which orients viewers to the location, and close-ups, which focus attention on emotions or important details. Camera movement like panning and tilting can follow action, while dolly shots portray character journeys. High and low camera angles influence how viewers relate to on-screen characters.
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Extreme long shots and establishing shots provide context by showing the landscape and setting the scene. Wide shots zoom out to show more of the setting and landscape. Crane shots are from a high vantage point but remain on the ground, while aerial shots use helicopters or drones to show groups from very high up. Long shots capture a large area or view while showing a person from head to toe. Medium shots focus on a person from the waist up to show details of what they are doing. Close ups concentrate on a small area or person with little background. Extreme close ups are usually of eyes or mouths. Point of view shots show what a character sees, while over-the-shoulder shots film conversations to include the characters.
Camera angles, shots, movement and positions
This document defines and describes various camera angles, shots, movements, and positions used in filmmaking. It provides definitions for establishing shots, low-angled shots, high-angled shots, close-ups, medium close-ups, extreme close-ups, long shots, medium long shots, two/three shots, aerial shots, point of view shots, panning, tilting, tracking, dollying, zooming in and out, handheld shots, focus pulling, canted angles, and the rule of thirds. The document establishes the context and purpose for each technique.
Symbolism in Films PowerPoint
The town of Endora represents entrapment and lack of opportunity. The endless road symbolizes possibilities beyond the town. Gilbert's mother symbolizes his emotional imprisonment and dependence. The burning of Gilbert's house acts as a cleansing that allows Gilbert freedom. Camera shots are used to position the audience and enhance the symbolism of these key features.
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This document defines and describes various camera shots and angles used in filmmaking:
[1] Establishing shots are wide shots at the beginning of a scene that establish the location and context.
[2] Master shots capture all actors in a wide frame.
[3] Close-ups magnify details like faces to focus attention or show emotion. Mid-shots show a human figure from the waist up. Long shots show characters as small in a scene. Wide shots use a wide-angle lens to capture more of the scene.
Camera shots, angles and movements
Camera shots commonly used in movie making and what they are used for, with examples (pictures and gifs) of each given about the explanation, all from some good movies.
Camera shots and movements
This document describes various camera shots and movements that can be used in filmmaking. It discusses wide establishing shots from a distance, closer shots to show scale and detail, aerial shots from above, close-ups of faces and objects, point-of-view shots, two-person shots, shot-reverse-shot patterns, panning and tilting the camera horizontally and vertically, high and low camera angles, tracking shots using a dolly, handheld camerawork, and zooming in or out. The different techniques are used to set scenes, emphasize elements, create identification or tension, show relationships, and achieve various dramatic effects.
02 camera shot matching game
This document defines and describes various camera shots and techniques used in filmmaking. It provides definitions for establishing shots, wide shots, crane shots, aerial shots, close ups, extreme close ups, point of view shots, over the shoulder shots, two shots, shot reverse shots, pans, tilts, high angle shots, low angle shots, and zooms/reverse zooms. Each type of shot conveys different information about location, scale, perspective, or relationship between subjects.
Camera shots, angles and movement
For my a2 advanced portfolio, I thought it would be useful to look at Camera Shots, angles and movements in order to create a successful film trailer
Camera shots camera movements camera angles
The document discusses various camera techniques used in filmmaking including shots, angles, movements, and lighting. It provides definitions and examples of different shot types like extreme long shot, long shot, mid shot, and close-up. It also defines high angles, eye-level angles, and low angles. Camera movements like panning, tracking shots, and dolly shots are explained. The document stresses that these techniques are used purposefully by filmmakers to shape meaning and influence the audience.
Film shots and their effect on the audience
1) Different camera shots are used to convey different information to the audience and manipulate their perspective.
2) A mid-angle shot of a confrontation between two characters establishes tension and focuses on a threatening gesture.
3) A high-angle shot of characters crouching conveys their vulnerability and alerts viewers to potential danger ahead.
4) An extreme close-up of a character's bewildered face forces viewers to focus only on his reaction, building tension.
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This document describes various cinematography shot types and camera movements. It defines shots based on distance from the subject like extreme long shots, long shots, medium shots, close-ups, and extreme close-ups. It also discusses subjective point of view shots, two shots, shot/reverse shots, dolly shots, hand-held shots, and camera angles and movements like pans, tilts, high angles, and low angles. The purpose is to explain how different shots and camera techniques are used to convey meaning, perspective, scale, drama, and the flow of a scene.
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Camera shots
This document discusses various camera shots and techniques used in filmmaking. It describes shots like extreme close-up, close-up, medium close-up, medium shot, and high angle shot, and how they are used to show emotion, focus attention on characters, reveal details, and establish context. It also covers shot types like two shots, shot-reverse shots, and over the shoulder shots used for conversations between characters. Finally, it discusses camera movements like panning, tilting, dolly shots, and zooming and how they are used to follow or frame the action.
Camera shots, angles, movement
A shot is a series of frames recorded during an uninterrupted period of filming. There are various types of shots defined by their camera distance, angle, and movement. Shots can be categorized as extreme long shots, long shots, mid shots, close-ups, point-of-view shots, and more. Camera angles are also used to convey meaning, such as high angles conveying inferiority and low angles conveying superiority. Camera movement techniques include panning for horizontal rotation, tilting for vertical rotation, zooming, and tracking with a dolly.
Camera shots & movement
The document discusses various camera shots and movements that can be used in filmmaking. Some key shots mentioned are establishing shots to set the scene, close-ups to focus on important details like emotion, and point-of-view shots that allow the audience to see through a character's eyes. Camera movements like pans scan a scene horizontally, tilts move vertically, and dolly shots physically move the camera alongside the action. Different angles and shots can be used to provide information about characters and influence the audience's perspective.
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This document defines and describes various types of camera shots and camera movements that are used in filmmaking, including establishing shots, wide shots, crane shots, aerial shots, close-ups, extreme close-ups, point-of-view shots, two shots, shot/reverse shots, pans, tilts, high and low camera angles, dolly shots, hand-held shots, and zooms. These shots and movements help establish locations, show scale, provide different perspectives, and follow conversations or action sequences.
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The document defines and describes various camera shot types used in filmmaking. An establishing shot sets the scene by showing when and where a character is located. A long shot shows a person or object from far away to get their full body in frame, while a medium shot shows a person from the middle up and allows clearer views of facial expressions. A close-up shot focuses on facial expressions or important objects by showing little background. An extreme close-up can show details the naked eye would not see like tears or gritted teeth.
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Camera shots and movements are important techniques used to convey information and guide audience perspective. Wide shots establish settings and show scale, while close-ups focus attention and highlight emotions. Point-of-view shots involve the audience by showing what a character sees. Shot reverse shots alternate between characters in a conversation. Camera movements like pans, tilts, and dolly shots follow or move alongside the action. Angles provide information about characters - high angles convey weakness while low angles show power.
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The document describes various types of camera shots and angles used in media, including establishing shots to set the scene, long shots and mid-shots to show characters and details, close-ups and extreme close-ups to focus on emotions or important objects, and point-of-view shots to make the audience feel like they are in the situation. It also discusses low and high angle shots to convey power dynamics, bird's-eye view shots for a broader landscape perspective, and different techniques for filming conversations and tracking motion like panning, tilting, dolly shots, and tracking shots.
Cinematography
An establishing shot establishes the location and time period of a film. A wide shot provides a panoramic view of a landscape or significant set details. A crane shot is similar to an aerial shot but filmed from a lower angle, while an aerial shot provides a bird's eye view from above using a drone. Common shots include long shots showing a full person, medium shots containing the action, close-ups focusing on faces or details, and extreme close-ups on specific elements like eyes or mouths. Point of view and over the shoulder shots show the perspective of a character. Two shots capture conversations between two people.
Camera shots
Camera shots are used in filmmaking to convey different perspectives and information. Some key shots include the establishing shot which orients the audience to a setting from a distance, wide shots which show a full human or object to emphasize scale, and crane shots which allow movement around a scene from one viewpoint. Close-ups focus intently on details while extreme close-ups magnify details beyond normal human vision. Point-of-view shots place the audience in a character's perspective while shot reverse shots alternate between characters to imply they are looking at each other.
Camera shots and movements
1) The document discusses different types of camera shots and movements used in filmmaking including establishing shots, close-ups, point of view shots, two shots, and shot reverse shots.
2) Camera movements like pans, tilts, dolly shots, and hand-held shots are used to follow or scan a scene. High and low camera angles create different emotional perspectives.
3) Zooming and reverse zooming with the camera allows movement closer or further without physically repositioning, and can imply surveillance or changing perspectives.
Glossary
This document defines and describes various camera shots and techniques used in filmmaking, including close-ups, high and low angles, establishing shots, panning, tilting, tracking, zooming, focus techniques, and shots showing different perspectives or numbers of subjects. Close-ups show emotion or significance, while high and low angles convey power dynamics. Establishing and aerial shots provide context of the setting. Panning, tilting, tracking and zooming involve camera movement. Focus techniques emphasize important subjects. Shots like point of view and over the shoulder involve perspective.
Camera Glossary
This document defines and describes various camera shots and techniques used in filmmaking, including close-ups, high and low angles, establishing shots, panning, tilting, tracking, zooming, focus techniques, and shot sizes like long shots, medium shots, and close-ups. The purpose of these techniques is to convey emotion, establish settings, show power dynamics, and direct the audience's attention.
Camera shots and angles
The document discusses different types of camera shots and angles used in filmmaking and what they are intended to convey. A close-up focuses attention on a character's facial expressions or small details. An extreme close-up can make the audience uncomfortable. A long shot provides perspective on a character's full body and costume. An extreme wide shot doesn't show the subject. Point-of-view shots see what a character sees. Mid and medium long shots allow viewing characters from the waist up. Bird's eye views look down from above, making subjects seem small. Low angles make characters seem powerful while high angles make them seem vulnerable. Over-the-shoulder shots look from behind at the subject. Camera movements like pans, til
Shot
This document defines and explains various camera shots and techniques used in filmmaking. It describes different types of shots including high shots, low shots, pans, tilts, tracks, cranes, birds-eye views, steadicam, zooms, handheld, deep focus, shallow focus, rule of thirds, eyeline matches, long shots, close-ups, pull focus, aerial shots, medium close-ups, medium shots, establishing shots, point of view shots, extreme close-ups, over the shoulder shots, two shots, and canted frames. Each entry briefly explains how the shot is composed and what emotional effect or information it aims to convey.
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Risk assessment
Bradley will be driving while being filmed, which could distract him. To address this, Bradley has already been told to focus on driving during filming. On the day of filming, the document's author will remind Bradley and will not film the scene if they think it is unsafe. The document also notes tree stumps in a forest location could cause injuries if fallen on. The author will scout a safe location and be mindful of stumps during filming. Finally, some camera equipment is heavy and could cause injuries if dropped. The author will personally carry the tripod carefully and wear hard shoes in case it falls to reduce risks.
Legal and ethical report
The document discusses legal, ethical, and copyright considerations for a film. Legally, the filmmaker owns the rights to the original footage and obtained permission from adult actors. Ethically, the film is rated 15 due to some violence and intends scenes, avoiding offensive content. Regarding copyright, the filmmaker will not use unlicensed music or footage to avoid legal issues that could prevent the film from being viewed by its intended audience.
Rushes log
This document is a rushes log for the film production "Forbidden Forest" created by editor Bradley McGonigle on 1/04/19. It contains details of 35 video film clips including the file name, duration, potential benefits and limitations of each shot, and where each file is stored. Most of the shots have possibilities for editing but would benefit from trimming length or adding audio, while some are too short or have issues like shaky camera work or inaudible dialogue.
Recce
This document discusses three potential filming locations for a student film project. The first location is a sixth form classroom that requires permission to film since it is at a school. The second location is the filmmaker's own car that will be used for driving scenes both inside and outside the vehicle. The third and final location is a public forest area that was selected for its scary atmosphere and will be the setting for a character's death near the end of the film.
Production schedule
This document contains a production schedule for a student film from February 2nd to March 22nd. It details the date, pre/post production tasks, locations, required crew, costumes/props, and equipment for each shoot or editing session. Crew included the student and actors Chris Reynolds and Bradley Venn-Griffiths. Equipment included cameras, microphones, tripods, SD cards, computers with video editing software. The schedule involved both filming and post-production sessions to complete the student's film project over 7 weeks.
Costume and props report
Tom will wear a black sweatshirt, blue jeans, and black trainers to portray a typical 17-year-old student. David has two costumes: one with a hoodie and tracksuit bottoms to seem intimidating, and a second all-black outfit with a balaclava to appear threatening when he kills Tom. Props include a book, pencil case, iPhone, headphones, and a Swiss army knife used by David to threaten and kill Tom.
Casting details
This document provides casting details for two actors in a film. Tom will play Chris Reynolds, who is 18 years old, 6'2" tall, wears a size large clothing and size 11 shoes. He was chosen because the director has known him for a long time from media studies and he has experience from other short films. Chris will play the protagonist, a 17-year-old boy, wearing blue jeans and a black jumper. Bradley will play Jason, who is 18 years old, 5'10" tall, wears a size medium clothing and size 11 shoes. He was also chosen because the director has known him for a long time from media studies and he has experience from other films playing various roles. Bradley will play the
Swot analysis
The scriptwriter conducted a SWOT analysis of their script. Strengths included producing a decent quality script suited for their target genre and incorporating client feedback. Weaknesses were the script may only appeal to the target audience and the ending could be seen as sudden. Opportunities included potential for a prequel if popular and learning from the experience. Threats were copyright issues with music and the time-consuming scripting process.
Client feedback 3
The document summarizes two meetings with a client to improve a script. In the first meeting, the client requested that scene headings be made more professional, dialogue be centralized, and a section of dialogue involving Tom in the woods be adjusted for style. In the second meeting, the client suggested clarifying a part where a phone wasn't working and making the dialogue in the last section more realistic. Both meetings resulted in requested changes being made to further improve the script.
Shooting script
The document is a shot list from a film depicting the events of a teenage boy named Tom exploring some woods near his house and encountering danger. It begins with establishing shots of Tom at school and on the phone with his mother. As it gets dark, Tom becomes lost in the woods. He finds a bench to rest on and hears a strange sound, then sees a masked man who begins to chase him. Tom trips and is stabbed by the man. The man drags Tom's dead body away while his phone continues to ring on the floor.
Final script
1) Tom has a bad day at school where he is bullied by David. While walking in the nearby woods to clear his head, he loses track of time and becomes lost.
2) Night falls and Tom's phone is broken, leaving him unable to call for help. He hears strange noises and encounters a masked man.
3) The man chases Tom, who falls and breaks his leg. When Tom asks for help, the man stabs and kills him, claiming to be seeking revenge for his mother's death years ago.
4) The story ends with Tom's phone ringing unanswered as his mother calls, unaware of her son's fate in the dark woods.
Script version 2
1) Tom has a bad day at school where he is bullied by David. After school, David trips Tom at the school gate, further upsetting him.
2) Tom goes for a walk near the school to clear his head and discovers a large forest. Intrigued, he enters despite signs warning people not to go in.
3) Night falls as Tom explores the forest and he becomes lost. He encounters a masked man who chases and attacks him, revealing that he kills one person a year in the forest as revenge for his mother's murder. The man fatally stabs Tom.
Script version 1
Tom has a bad day at school where he is bullied by David. He goes for a walk in the nearby Jubilee Gardens forest against a police warning. Tom gets lost for hours in the dark forest with his broken phone. He finds a bench to rest but then hears strange noises. Tom investigates and encounters a masked man who reveals he kills one person in the forest each year due to his mother's murder there years ago. The man fatally stabs Tom.
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Cinematography
- 1. Cinematography Everything in the scene is there for a reason Establishing shot- Normally outside, from far away, sets the scene, tells us when and where we are Wide shot- Very broad shot, shows a lot of setting Crane shot- Camera is placed on a crane, it can move up down left or right Birds-eye-view- High up shot looking down
- 2. Long shot- Camera is placed far away, if a person is in the shot we see their whole body Medium shot- You can see the person in the shot from the waist up, most common shot used
- 3. Close-up- Shows very little background, focused on one thing e.g. a person’s face Extreme close-up- Very close shot, no background e.g. a person’s eye, shows emotion Point of view- We can see what the character is seeing through their eyes
- 4. Over the shoulder- We can see what the character is seeing but not from their perspective, makes the audience feel like they’re next to the character Two shot- Two characters together in one scene, if they’re very close it shows they have a good relationship whereas if they’re standing far away it shows a lack of relationship/rivalry
- 5. Shot/reverse shot- The camera has to stay on the same side as it starts on so it doesn’t look like the two characters swap side and doesn’t confuse the audience Pans- A camera movement which scans a scene horizontally Tilts- A camera movement which scans a scene vertically Tracking- The camera physically moves sideways
- 6. High angle shot- A shot that looks down on its focus Low angle shot- A shot that looks down on its focus
- 7. Dolly shot- A camera on wheels (Moves free flow) Hand held shot- The camera is being held (Jerky movement) Zoom/reverse zoom- The camera moves closer or further away from the action either done physically or by the use of a zoom mechanism on cameras Tilted shot- A shot where the camera is at a different angle