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Developing
MicroPasts
CAA, 24 April 2014
Developing
MicroPasts
CAA, 24 April 2014
Chiara Bonacchi
UCL Institute of Archaeology
with Andrew Bevan (UCL)
Daniel Pett (British Museum)
Adi Keinan-Schoonbaert (UCL)
Chiara Bonacchi
UCL Institute of Archaeology
with Andrew Bevan (UCL)
Daniel Pett (British Museum)
Adi Keinan-Schoonbaert (UCL)
Crowd-sourcing in archaeology
• Crowd-sourcing as
– the practice of seeking information, services or funds in small chunks from
large groups of people, over the internet
(definitions discussed in Dunn and Hedges 2012)
• Increasingly explored for supporting public audiences’ interaction
with archaeology
– Participation in research
– Participation in micro-financing
Crowd-sourcing projects
• Diverse range:
– Inspecting imagery for
archaeological features
– Transcribing papyri
– Interrogating built architecture
– Public recording of metal
finds…
Crowd-funding projects
• Ranging from excavations to
dissertations
• Using existing or new
dedicated platforms
• Varying degrees of success
Observations
• Mainly contributory models
• Little evaluation done
ContributoryContributory
CollaborativeCollaborative
Co-creativeCo-creative
HostedHosted
Models for participation:
Public Participation in Scientific Research
Project, further elaborated on by Simon
Introducing MicroPasts
• A collaboration between UCL
and the British Museum
• Funded by the AHRC, Digital
transformations in community
research co-production
Aim
• To develop and test an online space where mixed groups of
archaeological enthusiasts collaborate to:
- produce innovative open datasets via crowd-sourcing (e.g. CC0, CC-BY)
- develop new research projects into archaeology, history and heritage
(sometimes involving crowd-sourcing)
- micro-fund those new collaborative projects via crowd-funding
April
Launch
Day!
Launch
Day!
MicroPasts website
micropasts.org
Component 1: crowd-sourcing platform
crowdsourced.micropasts.org
Crowd-sourcing applications
• 4 applications
• Focused on British Prehistory
Help cataloguing
• 30,000 index cards of all
known Bronze Age metal
artefact finds in the UK from
1800 to 1983
Transcription and geo-referencing
Help creating 3D models
• 3D SfM models of palstaves
recorded in the British Museum
Bronze Age Index (Photoscan)
Image masking
Component 2: community forum
community.micropasts.org
• Discourse (https://github.com/discourse/discourse)
• For research and platform co-design
Component 3: crowd-funding platform
• Neighbor.ly
(https://github.com/neighborly/neighborly)
• Catarse
(https://github.com/catarse/catarse)
• Micro-funding of projects co-
designed via the forum or
externally
• 3 seed projects initially
– London’s Lost Waterway
– Mapping waterway sites, and
transcribing relevant documents
Evaluation: aims
• How do online communities of interest in the human past form and
develop through the MicroPasts platforms?
• How do different contributors engage with archaeology and the past
via the MicroPasts platforms, through time, and what is the value of
that engagement for community members including institutions?
• What is the sustainability of the MicroPasts platforms, and the
applicability of a similar model in other countries?
Evaluation: methodology
• Approach
– Quantitative / qualitative
– Focus on MP platforms and
social media / ‘control cases’
amongst target audiences
– Online / offline
– Link info on: contributors’
profile, opinions, behaviour;
data produced; their re-use
– Taking time into account
• Methods (at different stages)
– Online surveys
– Talks / meet-ups
– Google analytics
– Pybossa statistics
– Diary study
– Social media data analysis
(cultural interests and practices)
– Text analysis and SNA
Coming from…
• Entry survey on completion of
first crowd-sourcing task
– ‘Circles’, whether works with
archaeology / history as part
of main job, age, email
• Forum, Google analytics,
Pybossa statistics
(Very!) initial data: 16-23 April
Suggesting that…
• Community building:
– 195 registered members
– UK and US focus
– 55% of respondents not
working in archaeology /
history
– 24% within our immediate
network
• Engagement:
– Photo masking: prevalent
‘entry’ application
– Transcription: fewer people,
but the most dedicated ones
• Number of tasks
• Anonymous contributors: 23-
35% on transcription, 53% on
masking
– Need for more guidance /
visualisation
(Very!) initial data: 16-23 April
Next steps
• Guidance and purposiveness
– [3D model viewer]
– Information on the Bronze Age
Index / British prehistory / 3D
modelling
– Development of badges
• Tasks
– Transcription of ‘discovery
cards’
• Crowd-funding platform
Challenges
• Time in relation to the
complexity of the platform
– Long development times and
little space for front-end
evaluation
– Need to co-design the platform
as we go along / challenge of
not losing users in the process
• Planning an evaluation that
– Does not disrupt people’s
engagement
– Is discrete but open and
ethically compliant
• Being ready to adapt the
evaluation plan in response to
people’s interaction while
maintaining coherence
• Adoption of new funding
practices within a university
environment (crowd-funding)
Developing
MicroPast
Developing
MicroPast
Thank you!
c.bonacchi@ucl.ac.uk
Thank you!
c.bonacchi@ucl.ac.uk

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CAA2014 Community Archaeology and Technology: Developing 'Crowd and Community-fuelled Archaeological Research': methodological, technical and ethical challenges

  • 1. Developing MicroPasts CAA, 24 April 2014 Developing MicroPasts CAA, 24 April 2014 Chiara Bonacchi UCL Institute of Archaeology with Andrew Bevan (UCL) Daniel Pett (British Museum) Adi Keinan-Schoonbaert (UCL) Chiara Bonacchi UCL Institute of Archaeology with Andrew Bevan (UCL) Daniel Pett (British Museum) Adi Keinan-Schoonbaert (UCL)
  • 2. Crowd-sourcing in archaeology • Crowd-sourcing as – the practice of seeking information, services or funds in small chunks from large groups of people, over the internet (definitions discussed in Dunn and Hedges 2012) • Increasingly explored for supporting public audiences’ interaction with archaeology – Participation in research – Participation in micro-financing
  • 3. Crowd-sourcing projects • Diverse range: – Inspecting imagery for archaeological features – Transcribing papyri – Interrogating built architecture – Public recording of metal finds…
  • 4. Crowd-funding projects • Ranging from excavations to dissertations • Using existing or new dedicated platforms • Varying degrees of success
  • 5. Observations • Mainly contributory models • Little evaluation done ContributoryContributory CollaborativeCollaborative Co-creativeCo-creative HostedHosted Models for participation: Public Participation in Scientific Research Project, further elaborated on by Simon
  • 6. Introducing MicroPasts • A collaboration between UCL and the British Museum • Funded by the AHRC, Digital transformations in community research co-production
  • 7. Aim • To develop and test an online space where mixed groups of archaeological enthusiasts collaborate to: - produce innovative open datasets via crowd-sourcing (e.g. CC0, CC-BY) - develop new research projects into archaeology, history and heritage (sometimes involving crowd-sourcing) - micro-fund those new collaborative projects via crowd-funding
  • 10. Component 1: crowd-sourcing platform crowdsourced.micropasts.org
  • 11. Crowd-sourcing applications • 4 applications • Focused on British Prehistory
  • 12. Help cataloguing • 30,000 index cards of all known Bronze Age metal artefact finds in the UK from 1800 to 1983
  • 14. Help creating 3D models • 3D SfM models of palstaves recorded in the British Museum Bronze Age Index (Photoscan)
  • 16. Component 2: community forum community.micropasts.org • Discourse (https://github.com/discourse/discourse) • For research and platform co-design
  • 17. Component 3: crowd-funding platform • Neighbor.ly (https://github.com/neighborly/neighborly) • Catarse (https://github.com/catarse/catarse) • Micro-funding of projects co- designed via the forum or externally • 3 seed projects initially – London’s Lost Waterway – Mapping waterway sites, and transcribing relevant documents
  • 18. Evaluation: aims • How do online communities of interest in the human past form and develop through the MicroPasts platforms? • How do different contributors engage with archaeology and the past via the MicroPasts platforms, through time, and what is the value of that engagement for community members including institutions? • What is the sustainability of the MicroPasts platforms, and the applicability of a similar model in other countries?
  • 19. Evaluation: methodology • Approach – Quantitative / qualitative – Focus on MP platforms and social media / ‘control cases’ amongst target audiences – Online / offline – Link info on: contributors’ profile, opinions, behaviour; data produced; their re-use – Taking time into account • Methods (at different stages) – Online surveys – Talks / meet-ups – Google analytics – Pybossa statistics – Diary study – Social media data analysis (cultural interests and practices) – Text analysis and SNA
  • 20. Coming from… • Entry survey on completion of first crowd-sourcing task – ‘Circles’, whether works with archaeology / history as part of main job, age, email • Forum, Google analytics, Pybossa statistics (Very!) initial data: 16-23 April
  • 21. Suggesting that… • Community building: – 195 registered members – UK and US focus – 55% of respondents not working in archaeology / history – 24% within our immediate network • Engagement: – Photo masking: prevalent ‘entry’ application – Transcription: fewer people, but the most dedicated ones • Number of tasks • Anonymous contributors: 23- 35% on transcription, 53% on masking – Need for more guidance / visualisation (Very!) initial data: 16-23 April
  • 22. Next steps • Guidance and purposiveness – [3D model viewer] – Information on the Bronze Age Index / British prehistory / 3D modelling – Development of badges • Tasks – Transcription of ‘discovery cards’ • Crowd-funding platform
  • 23. Challenges • Time in relation to the complexity of the platform – Long development times and little space for front-end evaluation – Need to co-design the platform as we go along / challenge of not losing users in the process • Planning an evaluation that – Does not disrupt people’s engagement – Is discrete but open and ethically compliant • Being ready to adapt the evaluation plan in response to people’s interaction while maintaining coherence • Adoption of new funding practices within a university environment (crowd-funding)

Editor's Notes

  1. OpenLayers is a JavaScript library for building map applications on the web.