Digital Research Support by Stella Wisdom, 20th & 21st Century Collections
1. Digital Research Support
@ British Library
Stella Wisdom, Digital Curator
20th & 21st Century Doctoral Open Day 2017
2. www.bl.uk 2
Meet the Digital Research Team
We support researchers in the innovative
use of British Library's digital collections and
data through:
• Working behind the scenes to get content
in digital form and online
• Offering digital research support and
guidance
• Supporting collaborative projects
• Running events, competitions, and awards
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Defining Digital Research
Using computational methods
either to answer existing research
questions or to challenge existing
theoretical paradigms….
Geocoding
Data Visualisation
Data Mining
Georeferencing
Crowdsourcing
Text mining
Collaboration
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The UK Web Archive
http://www.webarchive.org.uk
• Three collections:
– Open Archive (since 2004)
– Legal Deposit Archive (since 2013)
– JISC Historical Archive (1996-2013)
• Statistics:
– Over eight billion resources
– Over 160TB compressed data
• Goals:
– Preserve UK web history
– Support access
– Enable research
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Example: Political Meetings Mapper
“I was able to do in minutes with a python code what I’d spent the last ten
years trying to do by hand!” Dr. Katrina Navickas, BL Labs Winner 2015
https://youtu.be/0lx0CL_dsQs
5,519 meetings discovered in 462 towns and villages across the UK
http://politicalmeetingsmapper.co.uk/maps/ , https://youtu.be/0lx0CL_dsQs
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Big Data History of Music
How can vast amounts of bibliographic data held by research libraries
be unlocked for music researchers to analyse?
Can this data be interrogated in ways that challenge the traditional
narratives of music history?
Analyses and
visualisations exposed
previously uncharted
patterns in the history of
music, for instance the
rise and fall of music
printing in 16th- and 17th-
century Europe (huge
dips in output in Venice
were down to plague and
war).
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How we can help you
We work with those operating at the intersection of academic research,
cultural heritage and technology to support new ways of exploring and
accessing our collections through:
– Working behind the scenes to support and improve processes for
getting content in digital form and online
– Collaborate with research groups on projects
– Offer digital research support and guidance
– Events, competitions, and awards
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Finding Digitised Collections
Some places to start…
• Subject pages: http://www.bl.uk/subjects
• Digitised Manuscripts: http://www.bl.uk/manuscripts/
• British Library Sounds: http://sounds.bl.uk/
• Collections & Discover sections on www.bl.uk
• Endangered Archives: http://eap.bl.uk/database/collections.a4d
• International Dunhuang Project: http://idp.bl.uk/pages/collections.a4d
• Online Gallery: http://www.bl.uk/onlinegallery/
• Flickr (Public Domain): https://www.flickr.com/photos/britishlibrary/albums
• Wikimedia Commons(Public Domain):
https://commons.wikimedia.org/wiki/Category:Collections_of_the_British_Library
Particularly the Synoptic Index:
https://commons.wikimedia.org/wiki/Commons:British_Library/Mechanical_Curator_collection/Synoptic_index
• Data.bl.uk (NEW!) and Collection Metadata http://www.bl.uk/bibliographic/datafree.html
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Ordering Images for Research/Publication:
British Library Imaging Services provide a range of products to suit your needs, whether that’s private research or
commercial publication
Images of some of our collections are already available to buy and download straight away through Images Online
(https://imagesonline.bl.uk), so you should check there first before ordering from our Imaging Services
(https://www.bl.uk/imaging-services/ordering-images).
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Self-Service Photography:
You may use your own device to take photographs of some categories of
material in the Reading Rooms. Photography of the collections is only permitted
for your own personal reference purposes.
http://www.bl.uk/reshelp/inrrooms/stp/copy/selfsrvcopy/selfservcopy.html
http://www.bl.uk/reshelp/inrrooms/stp/copy/selfsrvcopy/book_photography_icons.mp4
http://www.bl.uk/reshelp/inrrooms/stp/copy/selfsrvcopy/reading_room_photography_guidelines_st_pancras.pdf
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Datasets
data.bl.uk
As part of its work to open its data to wider use, the British
Library is making copies of some of its datasets available for
research and creative purposes.
This site is a 'beta', and is in the early stages of development. If
you have questions or feedback about this site or our open
data work, please email digitalresearch@bl.uk.
We'd also love to hear what you've done or made with the data.
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The Off the Map Competition
• A new type of collaboration
• Explores how British Library digital collections
can be used in creative ways
• Engagement with new audiences
• Opportunity for students in the UK to
showcase their talents to industry
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John Leake, An exact surveigh of the streets lanes and churches contained within the
ruines of the City of London, 1667. Maps Crace port 2.58
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2013 winning team:
Pudding Lane Productions from De Montfort University, Leicester
Created an interpretation of 17th Century London
http://youtu.be/SPY-hr-8-M0 (Flythrough starts at 0:50)
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The Tempest
Shakespeare was inspired to write The Tempest when he read of the fate of the Sea-
Adventure, a ship taking English colonists to North America which was wrecked off the
coast of Bermuda in 1609. The Bermudas were then the most feared place on earth for
sea travellers, who had heard stories about the islands being inhabited by devils.
Map of Bermuda as
published in Gerhard
Mercator and
Jodocus Hondius'
world atlas of 1633.
Maps K.Top 123
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Off the Map 2016 1st Place:
“The Tempest” by Team Quattro, De Montfort University, Leicester
YouTube flythrough: https://youtu.be/0lzpEFgpk3Y
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A Midsummer Night’s Dream
From Boydell's Collection of Prints illustrating Shakespeare's works
http://www.bl.uk/collection-items/boydells-collection-of-prints-illustrating-shakespeares-works
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Off the Map 2016 2nd Place:
‘Midsummer’ by Tom Battey, London College of Communication
YouTube flythrough: https://youtu.be/sz-IKvp62NI
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Have a digital research enquiry?
Get in touch!
Web: http://www.bl.uk/subjects/digital-scholarship
Blog: http://britishlibrary.typepad.co.uk/digital-scholarship/
Email: digitalresearch@bl.uk
Twitter: : @BL_DigiSchol #bldigital
Editor's Notes
Set up in 2010 the team was formed as a way of dedicating focus on the changing research landscape in the digital realm. Now embedded in collection areas, and as you’ll see later, joining the library explicitly as part of major digitisation projects.
Main activities:
Getting content in digital form and online
Collaborations, Competitions & Awards
Digital research support and guidance
One way is through the British Library Labs project and the Digital Curator team which make up the Digital Research Team. The aim of the lab is to encourage scholars to experiment at scale with our digital collections and data. The team holds competitions, events, and creates the space in which to engage with scholars working in this realm. Through the labs we’re learning how to better support scholars and build new services.
Research Question:
Chartism was the biggest popular movement for democracy in 19th Century British history. They campaigned for the vote for all men. The Chartists advertised their meeting in the Northern Star newspaper from 1838 to 1850.
The question is, how many of the meetings took place and where? We started with 1841-1845.
Source Collections:
19th Century Digitised Newspapers, specifically Northern Star newspaper
Digitised and Georeferenced Map of Oxford Street
Digital/Computational Techniques:
The images of the relevant pages of the Northern Star were run through an Optical Character Recognition program (Abbyy Finereader 12) and the resulting text was checked manually.
We developed a set of Python codes to extract and geo-code the place of meeting, using a gazetteer of places, and parse the date of the meeting.
Outcome: 5,519 meetings discovered in 462 towns and villages across the UK! http://politicalmeetingsmapper.co.uk/maps/
The images of the relevant pages of the Northern Star were run through an Optical Character Recognition program (Abbyy Finereader 12) and the resulting text was checked manually.
We developed a set of Python codes to extract and geo-code the place of meeting, using a gazetteer of places, and parse the date of the meeting.
Research Question:
Brought together for the first time the world's biggest datasets about published sheet music, music manuscripts and classical concerts (in excess of 5 million records) for statistical analysis, manipulation and visualisation. Aim was to unlock musical-bibliographical data held by libraries in order to create new research opportunities. The project cleaned and enhanced aspects of the British Library catalogues of printed and manuscript music, which are now available as open data from www.bl.uk/bibliographic/download.html and piloted big data research techniques on these and five other datasets.
Source Collections:
Data from seven existing databases and catalogues were used as the basis of this project: the British Library's catalogues of printed and manuscript music; the bibliographies created by Répertoire International des Sources Musicales (RISM) that list European music printed 1500-1800 and music manuscripts in European libraries; and the RISM UK Music Manuscripts Database and the Concert Programmes Project database.
Digital/Computational Techniques:
Data wrangling using Open Refine and MARCedit. Data visualisation using: Google Fusion Tables and PalladioProject slides: http://www.slideshare.net/historyspot/ihr-big-data-history-of-music-9-june15
Outcome: Analyses and visualisations of these datasets exposed previously uncharted patterns in the history of music, for instance involving the rise and fall of music printing in 16th- and 17th-century Europe (huge dips in output in Venice were down to plague and war!), or the rise of nationalist colourings in music of the late 18th and early 19th centuries. The detection of these long-term trends permits new ways of linking music history to wider histories of culture, economics, society and politics