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1. Audio
Drew Tomlinson

2. Existing Products Research
• War of the Worlds (1938) – Orson Welles
• They use sound to build suspense with sounds such as beeps, constant
subtle ticking which you pick up without realising. That coupled with solid
voice acting all comes together to create a visceral audio experience,
especially considering the time it was made.
• I particularly liked the beeping of the vessel with the cutting in and out of
the dialogue and silence, it really helped build suspense in a smart way,
also whilst giving the listener a clear picture in their head of what is
happening.

3. Existing Products Research
• The Archers
Instantly you get a sense of location, with the chirping of the birds and the
subtle music being played off in the background along, then you hear the
dialogue being spoken over the top of that.
Later in the episode they’re in a car, you can hear the car driving off in the
background, but the difference this time is the dialogue sounds clearer as
they’re in a closed off environment rather than outside as they were earlier.
Further in the episode somebody is supposed to be drunk and two characters
are speaking to each other about him in lower voices so he doesn’t hear
them, you can hear the noise of the drunk man clearly and can tell he is in the
background, as well as hearing the lowered voices of the two characters
talking, it all blends together perfectly to set the scene.

4. Existing Products Research
• Doctor Who
In a scene a man shoots a type of flamethower and you can hear the roar of it
take over the audio coupled with the screech of the victim, it creates a
disturbing vibe simply just from two sounds mixed perfectly.

5. Bibliography
1. War of the Worlds (1938)
2. The Archers
3. Doctor Who

6. Ideas

7. Idea Generation/Initial Reaction
• As soon as I read the SK Pierce boarding house
story, I knew that’s something I wanted to
draw off as it's an easy premise for something
horror to be created.
• Also, the idea of the very second you pick up
the key you are doomed no matter what
appealed to me as a good premise.

8. Experiments

9. Foley
• Include your work on foley and some writing
about what went well, what could be better
and what you have learned.
• You should include a link and a screen shot.
Don’t embed your work, it won’t work.

10. Recording
• I recorded it all in my house in different rooms,
for example for door squeaking sounds I used the
downstairs door as it squeaks loudly. For the
actual voice recording I did it in the bathroom as
it’s a small room which is better for recording.
• The effect it will have on my project will be that it
provides more visceral and clearer sounds.

11. Proposal
Working Title:
The Boarding Burials
Audience:
My project is aimed at 16-24 year olds mostly due to the fact it’s a horror audio production that
doesn’t take itself too seriously. It’ll most likely appeal to men more than women due to the
male protagonist.
Project Concept (approx. 200 words)
The story is about two writers who hear about the dark history of the SK Pierce House. In an
attempt to uncover the truth, they’re greeted by a creepy receptionist, who hands them their
keys, the second they pick up the key, they are locked into the house.

12. Planning

13. Mood Board

14. Story
• The story is about a writer who hears about
the dark history of the SK Pierce House. In an
attempt to uncover the truth, he's greeted by
a creepy receptionist, who hands him his
room key, the second he picks up the key, he's
locked into the house and all the houses dark
secrets begin to reveal themself.

15. Script Draft

16. Script Final

17. Sound Effects
Sound Effect Needed How I Will Create the Sound
Creaky Doors Move a creaky door
Creaky Floorboards Step on creaky floorboards
Heavy Breathing Breathe heavily into a mic
Distant Screams Yell into a mic then make them sound
distant in post
Loud Bangs Hit a table or a door, crack wood together
Heartbeats Real heartbeat or some type of drum
Ambient Score Guitar
Doors Opening and Closing Open and Close doors.
Window Shutting Close a window.

18. Actors/Locations
Actor Role Location for recording
Myself All My House

19. Resource List
Resource Owned/Cost What sound effect will it be
used for?
Door Owned Creaky Door and Opening and
Closing Door sounds.
Guitar Owned To create a score for the project.
Table/Doors Owned Lound bangs.
Windows Owned Windows opening and closing
sounds.

20. Production

21. Daily Reflection Day 1
• Day 1, I just went around my house recording
foley sounds and then putting them together
in order to make them easy to implement
when I go to record the voice over work.
• There was a problem getting a good creaky
floorboard sound, but eventually I was able to
record one I liked.

22. Daily Reflection Day 2
• Day 2, I recording the initial narration (not
sure if I'll include it or not) then put it together
with some ambient sounds to set the scene
before the short audio piece begins.
• I'm no voice actor so getting it to sound as I
had imagined in my mind didn’t happen, but
overall, it serves its purpose.

23. Daily Reflection Day 3
• Day 3, I recorded all the voices today, I tried to
limit it when writing as I'm not voice actor and
I had to play two different people.
• I then put together a rough edit of it all.
I knew it needed some refining, but I left that
for another day.

24. Daily Reflection Day 4
• Day 4, This was all about just putting it
together and making changes to my rough
edit, I was able to finish it all to a standard I
liked.
• It was difficult getting the sounds to sound like
you had planned them in your head but
with tweaking the audio levels and different
options like that I was able to get it done.

25. Evaluation

26. Research
• Research helped a lot as going into this at first, I
knew pretty much nothing about audio projects, I
really came to appreciate how important and
unnoticed sound editing is.
• I think I could have improved my research by looking
more into the behind-the-scenes part of audio
projects rather than just listening to some and noting
down ideas, although that did help a lot.

27. Planning
• Having a solid script and a full list of the sounds I knew I'd need helped a
lot, as I didn't have to spend time coming up with them on the spot, I
could simply refer to the list I already made, get the sound I needed and
get on with editing them together.
• I think I could have improved my planning by thinking beforehand about
where I could get the specific sound I needed, as I knew what I needed but
I then had to think about where to get said sound, although it didn’t take
too long all together.

28. Time Management
• I had an injury when the main bulk of the recording was supposed to take
place so that set me back and I had to do most of it in the Christmas
holidays, it wasn't ideal, but I was able to get it recorded and edited
together in about one week during the holiday.
• If I had more time, I think I could have probably made it a bit longer with a
better dialogue, but as I knew I was already behind a bit I opted for less
dialogue and tried to just create a scary ambient vibe instead.
• I also think with more time I could have improved the pro-forma
document, but as I had to do most of the evaluation after the fact and
from home it made it quite harder to get all the screenshots and stuff
together.
• But overall, I'm happy with the way it turned out.

29. Technical Qualities
I recorded all the foley sounds with my phones sound recording app, then
removed any background noise it may have picked up after the fact.
For the voice recording I used a Blue Snowball microphone and recorded it in a
small room for better quality sound.
I think all the sounds you hear of floorboards creaking, doors
squeaking/shutting etc are all actually those things being recorded, I didn’t
need to get too creative with how I got the sounds as I kept it simple when
coming up with all the sounds, I'd need for it. Although for the key being slid
across the counter, I used a coin to create that sound as it was convenient, and
it sounded exactly the same.
Compared to other audio productions it turned out well, considering it was
made for a budget of £0.

30. Aural Qualities
I think it sounds quite good especially considering it was made for nothing. I think
it successfully creates a spooky house vibe and the limited dialogue adds to that.
If I could improve anything it would be the adding a car pulling up to the house to
begin with but I wasn’t able to record that sound so I cut it out.
I really like the scene with dialogue then the key being slammed onto the counter
then slid across to the writer, then everything takes off, definitely my favourite part
of the production.
I think the strengths are the vibe it creates and the limited dialogue, I particularly
like the doors shutting mixed with the heavy breathing and floorboard creaks, it all
comes together nicely.
I think the weaknesses are probably the dialogue itself, it probably could have
been tighter but my main focus was to get the point across so I could focus on the
actual sounds themself.

31. Audience Appeal
When taking the audience appeal into consideration when
making this, I just looked at the type of popular horror
movies that come out nowadays, so the premise of the
boarding house was an easy sell, then with the sort of jump
scare type sounds I included it appeals to the 16-24 age
range I had intended.
I also think the less dialogue and more ''scare'' appeals to
the target audience. Specifically, when he picks up the key
and the sounds sort of unleash into one big scare.