Art is Us 7: Realism, Impressionism, Post-Impressionism
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This presentation covers artwork from the Realist, Impressionist, and Post-Impressionist periods. Artists moved away from simply "re-"presenting the world, and started creating "art for art's sake." Works by Manet, Whistler, Monet, Renoir, Caillebotte, van Gogh, Toulouse-Lautrec, Degas, Cézanne, Gauguin, Seurat and others are featured. Class notes and audio are available at http://dicknelsoncolor.com/2015/art-is-us-2015-week-7/
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Art of facilitator version 2 เป็นเอกสารที่กล่าวถึงทักษะของความเป็นผู้ประสานงานคุณภาพ หรือ Facilitator ว่าควรมีทักษะอะไรบ้างที่จะทำให้เรามีความสุข มีความสนุก และเห็นคุณค่าในสิ่งที่เราได้ทำ ซึ้งการเห็นคุณค่านั้นเป็นการเห็นคุณค่าทั้งต่อตัวเรา และผู้ที่เราเข้าไปแลกเปลี่ยนเรียนรู้ด้วยเพื่อช่วยให้การพัฒนาคุณภาพนั้นได้บรรลุตามเป้าหมายที่องค์กรได้ตั้งไว้
REALISM AND EDUCATION
Realism is a philosophical view that believes reality exists independently of human consciousness. Key aspects of realism include the belief that objects have an absolute existence independent of perception, and that reality operates based on natural laws. Prominent realist philosophers include Aristotle, Aquinas, Bacon, Locke, and modern thinkers like Putnam and Searle. Realism emphasizes using the senses and scientific inquiry to understand the material world. It supports a curriculum focused on practical subjects, and teaching methods centered around observation, critical thinking, and mastery of facts.
Realism -Art
Realism in art attempts to represent subjects truthfully without artistic conventions or supernatural elements. In the mid-19th century, artists felt they should portray everyday political and social issues realistically rather than romanticized views. This included depicting familiar scenes as they actually appeared. Realist works often celebrated the working class through realistic situations and paintings done plein air. Gustave Courbet is credited with leading the Realism movement in France by depicting life as it was, not ideally. Other notable realist artists included Jean-Francois Millet, Honore Daumier, and Edward Hopper who sought to objectively capture ordinary scenes and subjects.
Realism art
Realism was an art movement that aimed to depict realistic representations of common people and scenes in a plain, straightforward manner, in contrast to the exaggerated emotions of Romanticism. It began in France in the 1850s and focused on everyday subjects painted in a detailed, factual style. Jean-Francois Millet was a famous realist painter known for his scenes of peasants working in the fields, rendered with careful attention to textures, shading, and facial expressions to achieve realistic effects.
Philosophy Of Realism (Defination And Brief History)
Explaination of this paper are mostly copeid from the Four Philosophies and Their Practices in Education and Religion. 3rd Edition by Donald J. Butler. We used this in our report presentation in MPA.
Art history impressionism
Impressionism was an artistic movement that originated in France in the 19th century. It focused on capturing fleeting moments and effects of light using loose brushstrokes and vivid colors. The Impressionists broke from traditional techniques taught by the academies and sought to paint en plein air. Their works featured everyday subjects painted in an spontaneous style that emphasized visual perception over photographic accuracy. Some of the leading Impressionist artists included Monet, Renoir, Pissarro, Sisley, Degas, and Cassatt.
Realism Power Point
The document discusses the art movement of Realism between the 18th and early 20th centuries. It provides information on prominent Realist artists from France and America such as Jean-Francois Millet, Camille Corot, John Singleton Copley, Thomas Eakins, and Henry Ossawa Tanner. Examples of their Realist works are mentioned, including Millet's "The Shepherdess" and Tanner's "Daniel in the Lions' Den". A list of sources is also provided.
Realism, Romanticism, Impressionism Art His Presentation Lois, Pam, Zach, SS
Romanticism began in Germany and England in the 19th century as a reaction against Enlightenment ideals. It emphasized emotions, individualism, nature and the supernatural. Key artistic movements included Impressionism in France which focused on capturing fleeting impressions using visible brush strokes, loose compositions and light/color. In 19th century France and Europe, Romanticism coincided with the rise of nationalism, industrialization, urbanization and social/political changes like the French Revolution. Artists like Delacroix and Turner embraced Romanticism through their expressive use of color, light, and landscapes to depict emotions and contemporary subjects.
Realism
The document discusses the Realist art movement, which began in the 1850s in France. Realist artists aimed to depict ordinary people and everyday life in an accurate, objective manner through painting, rejecting the idealism of Classicism and Romanticism. Notable Realist painters included Gustave Courbet, who challenged academic ideas of art by painting subjects like peasants and the working poor. Courbet's paintings, like "A Burial at Ornans", depicted scenes and people realistically as they were, rather than in idealized forms. Realism made accurate observations of the real world its goal.
What is modern art? Moma presentation
Modern art challenged traditional notions of art by depicting personal experiences through symbolism and dreams rather than realistic representations. Artists like Cézanne and Picasso broke new ground, with Cézanne painting from photographs rather than life and Picasso inventing Cubism through fractured planes that obscured settings. These innovations laid the foundation for more abstract art and influenced centuries of advertising through artists like Toulouse-Lautrec who designed posters promoting popular culture in simplified graphic styles.
Realism
Realism asserts that there are objective truths about the real world that exist independently of human ideas. Realists view reality as materialistic and emphasize teaching students to develop their thinking abilities by studying established subjects like mathematics and science. For realists, the purpose of education is to organize and systematize important knowledge and transmit it to students, who are considered receptacles to be filled by teachers.
Impressionism PowerPoint
Impressionism was an art movement that began in 19th century Paris, known for its use of visible brush strokes, emphasis on light and color, and depiction of scenes in ordinary life. Key characteristics included an emphasis on accurately capturing the essence of a scene using short brush strokes rather than details, applying colors side by side for vibrant effects seen by the viewer. Claude Monet was a leading Impressionist painter known for his landscape and plein air works. Students reviewing this presentation were assigned tasks including a spreadsheet, color wheel, and creating their own Impressionist pieces.
Types of art
This document provides an overview of different types of 2D art and media used in drawing and painting. It discusses drawing media such as pencil, charcoal, chalk and oil pastels. For painting, it outlines different paint types including tempera, acrylics, watercolors and oils. It also briefly touches on digital drawing, architecture/engineering drawings, collage, and art movements that incorporated different media.
Realism
Realism is a philosophy that believes the physical world is objective and knowledge comes from the senses. Key principles of realism in education include basing education only on science, emphasizing behavior and experimentation, and making the child's present life the center of education. Realism supports a curriculum developed according to utility and daily needs, with subjects like science, math, and geography. Teaching methods focus on being scientific, objective, and experiential. The classroom environment is highly structured and standardized testing is used. Realism aims to prepare children for happy, successful, and real lives.
Art styles
Expressionism was an early 20th century art style characterized by intense emotions and distortions. It focused on conveying feelings over realistic representations. Vincent van Gogh and Edvard Munch were early expressionist artists known for expressive, emotionally charged works. Later expressionist groups included Die Brücke and Der Blaue Reiter in Germany. Dadaism emerged during WWI as a rejection of reason and logic through absurd, nonsensical works by artists like Marcel Duchamp and Francis Picabia. Surrealism aimed to access the unconscious through automatism and dreamlike juxtapositions in the works of artists such as Salvador Dali, Joan Miró, and René Magritte. Social real
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Philosophy Of Realism (Defination And Brief History)
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late 19th century art & architecture, including impressionism, post impressionism, symbolism, and skeletal architecture
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This document provides an overview of several Post-Impressionist artists including Pierre-Auguste Renoir, Edgar Degas, James Abbott McNeil Whistler, Mary Cassatt, Auguste Rodin, Vincent van Gogh, Paul Gauguin, Georges Seurat, Paul Cezanne, Henri Rousseau, and Edvard Munch. It summarizes some of their key works, styles, and artistic innovations that pushed beyond Impressionism towards more symbolic and expressive representations.
Impressionism. Revision
The document discusses the origins and history of Impressionism. It emerged in response to industrialization and new photography techniques. Artists gathered around Manet and exhibited works with loose brushstrokes and bright colors mixed on the canvas. Influences included the Barbizon school, Spanish art, and Japanese prints. Techniques included painting en plein air to capture light and color, using short brushstrokes and leaving the mixing of colors to the eye. Key artists included Manet, Monet, Renoir, Degas, Seurat, and others who painted landscapes, scenes of modern life, and effects of light.
ART100_Fall2016_Class13.2
Once photography takes over the task of creating resemblances, painting is free to reinvent its mission.
Potd7 Impressionism1
The document summarizes the origins and key figures of the Impressionist movement in painting. It describes how the movement began in 1863 when many paintings were rejected from the official Salon exhibition in Paris. This led Emperor Napoleon III to organize an independent Salon des Refusés exhibition. This helped establish Impressionism as a new style of painting focused on capturing fleeting impressions and sensations rather than detailed renderings. The document outlines some of the main Impressionist painters like Monet, Renoir, Pissarro, Sisley, and Degas and their contributions to the movement's loose brushwork style and use of plein air painting.
Impressionists & impressionism
The Impressionist movement began in Paris in the 1870s with artists like Monet, Renoir, Pissarro, Sisley, and Degas. They rejected rigid academic painting styles and sought to capture fleeting moments and the effects of light using loose brushwork and vibrant colors. Photography influenced them to focus on subjective impressions rather than realistic detail. They often painted outdoors to experiment with different lighting conditions. While each artist had unique styles, they shared a focus on light, color, and everyday modern subjects painted with spontaneity. Their work marked a major revolution in art by prioritizing individual perception over traditional techniques.
Impressionism & Post-Impressionism Art History
AP ART HISTORY Crash Course - Impressionism and Post-Impressionism
Impressionism artists: United by their depiction of modern life, and rejection of established European Styles, embracing new experimental ideas "Avant-Garde".
The use of synthetic pigments and ready made paint in solid tubes. Impressionist artists were interested in "plein air" landscape painting.
Modern Art Movements (by Ar Kush Jee Kamal)
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s and denotes the styles and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.
It's a chronological compilation of 100 years of Art movements by Ar. Kush Jee Kamal (India) for the benefits of all the art lovers.
UVC100Summer16_WedJune8
This document discusses the evolution of modern art in the late 19th and early 20th centuries. It explores how modern art shifted from traditional subject matter and styles with the rise of photography. Artists experimented with abstraction, collage, found objects, and non-representational forms. Figurative works also simplified forms and blurred spatial relationships. Artists questioned the definition of art and increasingly focused on the material aspects of painting over representation. Modern art reflected the technological changes and uncertainties of the time.
Fauvism And Matisse
Fauvism was an early 20th century art movement known for bold, vibrant colors and loose brushwork. Henri Matisse was a leading Fauvist painter who rejected realistic color usage in favor of expressing emotion through color. His works like Luxe, Calm and Volupté (1904) showed this new approach through simplified forms and bright hues. Later paintings like Dance (1910) further flattened forms and used intense colors to depict movement in a simplified, rhythmic style that was radical for the time. Matisse's experimentation with color played a key role in developing Fauvism's distinctive style.
Event Presentation-MFAH (4).pptx
The document summarizes an exhibit titled "Rembrandt to Van Gogh: Masterpieces from the Armand Hammer Collection" displayed at the Museum of Fine Arts Houston. The exhibit showcased works from the renowned Armand Hammer Collection spanning four centuries, including pieces by Old Masters like Rembrandt and Titian, Realism and Impressionism artists like Manet and Monet, and Post-Impressionists like Van Gogh. The document describes the different gallery rooms organized by era and provides analysis of some of the artworks on display, focusing on the styles of Realism, Impressionism, and Post-Impressionism.
Art history 101
The document discusses Analytic and Synthetic Cubism from 1907-1912 and 1913-1920s respectively. During Analytic Cubism, the palette was limited and forms were geometric. Synthetic Cubism had brighter colors, simpler forms and more collage. The document also discusses Realism, Collage art, Abstract art and various artists like Dali, Rembrandt, and copies of Ernie Barnes' work.
Painting
Painting has a long history dating back over 30,000 years. There are several painting mediums discussed in the document. Encaustic paint uses pigment mixed with wax and resin that is applied while heated and hardens upon cooling. Fresco involves applying pigments mixed with water to wet lime plaster which then acts as a binder. Tempera uses an emulsion of an aqueous liquid mixed with an oil, fat, wax or resin as the vehicle. Specific ancient and modern works are discussed to illustrate the techniques of encaustic and fresco.
Last art history notes
This document provides an overview of key developments in art history from post-impressionism to early 20th century movements. It discusses Gauguin's synthetism combining real and non-real elements. Paul Cézanne is described as bridging 19th and 20th century art by representing multiple perspectives. Pablo Picasso and Georges Braque then developed analytic and synthetic cubism which analyzed and depicted objects from multiple views and incorporated collage techniques. Meanwhile, Henri Matisse and the Fauves emphasized expressive use of color without blending or rules. Italian Futurism and Russian Suprematism further moved towards abstraction, geometry, and rejecting representation.
Impressionism And Post-Impressionism Essay
This document provides an analysis of artworks by George Seurat, a Post-Impressionist painter. It discusses two of his major works, "A Sunday Afternoon on the Island of La Grande Jatte" and "Bathers at Asnières", which were influential in establishing Pointillism as an important technique. Seurat employed a scientific approach using small dots or points of primary colors in his paintings, which allowed the viewer's eye to blend the individual color points. His works captured moments in time and employed unique perspectives to depict light and atmospheric effects through Pointillism. These paintings redefined techniques and pushed artistic boundaries in the Post-Impressionist era.
Impression expressionism
The document discusses Cubist artists Pablo Picasso and Georges Braque and their attempts to depict multiple perspectives and a more realistic "truth" in one moment through their works. It focuses on how Cubism built upon past artistic movements by further pushing conventions through manipulating perspectives and composition. The main idea behind Cubism was finding a more real "truth" by depicting various perspectives in a single moment.
GROUP-5-REPORT-in-ARTS.pptx
This document contains summaries of two artworks:
1) "Self-Portrait with Vanitas Symbols" by David Bailly from 1651. It blurs the lines between portrait and still life by including portraits within the still life arrangement, symbolizing the transience of life.
2) "Grayground" by contemporary Filipino artist Ronald Ventura from 2011. It depicts chaotic scenes with forces represented by horses going in opposite directions and figures in the void. It emphasizes the tension that occurs when two realms are in reverse. Ventura is known for blending realism, cartoons and graffiti in his works exploring themes of national identity in the Philippines.
Post Impressionism Seurat, Van Gogh, Cezanne
Introduction to Post Impressionism with the study of three painters: Seurat and Pointlism, Van Gogh and Cezanne.
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Colour Theory for Painting - Fine Artist.pdf
This document is all about Colour Theory for Fine Artist / Painter.
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国外毕业证学位证成绩单如何办理：
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Ealing London Independent Photography meeting - June 2024
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➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
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Art is Us 7: Realism, Impressionism, Post-Impressionism
- 1. Match the image with text. 1. Greek Classic origins. 2. Borrowed composition. 3. Romantic. 4. Idealized. 5. Places the viewer off stage. 6. Dramatic and theatrical. 7. A Baroque interpretation. 8. Realism. 9. Art For Art’s Sake. 10. Linear. 11. Chiaroscuro reduced to local color. 12. Influenced by the flatness of Japanese prints. 13. Recessional composition. 14. Reality is the fact that the canvas is flat. 15. Time in flux. B A C
- 2. Art For Art’s Sake Whistler: His Mother or Arrangement In Grey and Black Subject matter was now the visual elements of… Compositional design Space Color Paint and canvas
- 3. COMPAREPieter Claesz (c. 1597–1660), Still Life with Salt Tub Paul Cézanne Still Life with Apples
- 4. A NEW ROLE FOR PAINT & CANVAS REALISM POST-IMPRESSIONISM IMPRESSIONISM Manet Renoir Cézanne
- 5. Edgar Degas What is new in compositional design here? And what was the source of this new vision? REALISM
- 6. No dramatic finish. Local color emphasis. Minimal modeling. Even illumination. Candid. Degas A debt of gratitude to Courbet and Manet Why would the label “Romantic” be inappropriate?
- 7. Real life’s candid moments. Real paint's interpretation Degas Although influenced by the camera…
- 8. Say farewell to Romanticism. Degas Bath Common subjects Undramatic and non-flattering poses Pastel renderings
- 9. A moment in practice is the performance. How would a Romantic paint this?
- 10. East Meets WestWhistler Monet
- 11. Origin of the IMPRESSIONIST Label Monet & The Impressionists
- 12. Monet The Saint-Lazare Station Capturing sunlight on forms and atmosphere at a particular time of day. The Moment The Particular
- 13. The Rouen Cathedral Mission: The effect of changing light
- 14. COLOR LUMINOSITY Achieved when colors of similar hue & equal value vanish at their boundaries.
- 15. At what point does the text vanish? At what point does the text become luminous?
- 17. The Moment
- 18. Luminosity achieved through Vanishing Boundaries and Halations
- 20. Renoir & Monet TWO IMPRESSIONISTS
- 21. FORM GIVES WAY TO COLOR & LIGHT Renoir
- 22. Caillebotte Floor Scrapers Other Impressionists and their worlds
- 23. Caillebotte: Rooftops Under Snow
- 24. Two Women Impressionists Mary Cassatt Berthe Marisot The Cradle
- 25. ”Impressionists replaced the gray toned works associated with traditional studio art with strokes of bright, unmixed colour.” Some art historians perpetuate a myth, when closer scrutiny reveals flawed seeing. Note the difference between full chroma swatches and Monet's actual color palette.
- 26. Post-Impressionism: Moving towards more personal interpretations. EXPRESSION ABSTRACTION FANTASY Cézanne van Gogh Gauguin
- 27. Toulouse-Lautrec Portrait of van Gogh van Gogh Self-portrait Mutual Influences
- 28. Empathy with a brush and without clients. van Gogh: Potato Eaters
- 29. van Gogh The Blooming Plumtree Eastern Influence
- 30. Impressionist's influence could not restrain personal expression. van Gogh Patch of Grass
- 31. Psychological attachment to color. van Gogh Café Terrace at Night
- 33. Toulouse-Lautrec Moulin Rouge Patronage Personal and social deformities.
- 34. The Entertainers of Lautrec's world.
- 35. Lautrec Lautrec: Portrait of Justine Dieuhl Nobility in search of another kind of nobility?
- 36. Gauguin: Where Do We Come From? What Are We? Where Are We Going? A search for a reality beneath appearances
- 37. Gauguin: Swineherd From establishment to painter of a different society.
- 38. Gauguin: Spirit of the Dead Watching The “Noble Savage”: Portrayal of the significance of reality. Why is the figure flattened?
- 39. Paying homage to color for its own sake. Gauguin The White Horse “…if you see a blue tree in the forest and you like the color, paint it all blue!”
- 40. Photograph of Gauguin The Great Escape From Convention. Gauguin: Self-Portrait
- 41. Seurat: Sunday Afternoon Controlled arrangements of form and color.
- 42. Cézanne: Still Life with Apples Particulars surrender to the Universal