This presentation covers artwork from the Neo-Classic, Romantic, and Realist periods. In Neo-Classic work we see a return of characteristics from the Greek Classic and Renaissance periods, and a return of Greek Hellenistic and Baroque in Romantic, both with new interpretation and worldview. The Realist movement takes a whole new approach, of "art for art's sake," rather than to represent the world around us. Works by Ingres, David, Gericault, Delacroix, Turner, Millet, Courbet, Manet, and others are featured.
Class notes and audio are available at http://dicknelsoncolor.com/2015/art-is-us-2015-week-6/
14. Why is this
NOT Classic?
Why did they
adopt Baroque
principles such
as painterly,
recession, open
form and dramatic
lighting?
In what way does
the theme match
the label?
Gericault Raft of the Medusa
Romanticism
15. Where have we
seen this before?
Perpetuating the works of Caravaggio,
Velázquez, Rembrandt and…
16. Delacroix Self Portrait
Why does
Neo-Classicism
follow Classicism?
Why does
Romanticism
choose to follow
the Baroque?
Redundancy? YES!
24. Courbet A Burial at Ornans
An uncommon tribute to the commoner.
Cracks in the foundation of academic painting.
A major social and aesthetic transformation heralds a new era.
26. A new? mission
breaks the rules.
Manet Luncheon On The GrassTitian Pastoral Concert
Traditionally attributed to Giorgione,
The Pastoral Concert is now considered
a work from Titian's youth.
27. Renaissance: Titian Venus Realism: Manet Olympia
Idealized
3D Modeling
Seductive
A real person
Minimal modeling
Expressionless
Art For Patron’s Sake Art For Art’s Sake
28. Manet Olympia
Why the
label of
REALISM?
If this is realism,
why is it so flat?
Why does Manet
say, “Look at it,
not through it”?
Why did it shock
the public?
29. Hiroshige Lake by Hakone
Manet Young Flautist
Japanese woodcut prints
influence Western vision and art.
Art for Art’s Sake!