The document summarizes an exhibit titled "Rembrandt to Van Gogh: Masterpieces from the Armand Hammer Collection" displayed at the Museum of Fine Arts Houston. The exhibit showcased works from the renowned Armand Hammer Collection spanning four centuries, including pieces by Old Masters like Rembrandt and Titian, Realism and Impressionism artists like Manet and Monet, and Post-Impressionists like Van Gogh. The document describes the different gallery rooms organized by era and provides analysis of some of the artworks on display, focusing on the styles of Realism, Impressionism, and Post-Impressionism.
A R T O F T H E M I D D L E A N D L A T E
1 9 T H C E N T U R Y
Realism in Painting and
Literature
Learning Objectives
To understand the forces which led to the
development of the Realist style
To recognize the major characteristics of Realist
painting
To be able to identify the major subjects of Realist
painting and literature
Realism in Painting
In part due to the impact of photography, the Realist painters wanted to branch
away from fantastic or Romanticized representation of life and nature and
instead strove to depict real-life events with real-life detail.
Realists tried to move away from their own feelings and ideas and instead
represent life as it actually was – not filtered through just one person’s
understanding or emotion. They wanted to represent life without any
embellishments and this meant even dealing with its ugly, dirty, or low sides.
Ultimately, they aimed for objective rather than subjective representation.
They were also concerned with contemporary events – with the here and now
rather than some romanticized past or utopian future.
The subject matter consists almost exclusively of the lower classes and rural poor.
Realists tried to convey the idea that ordinary people in modern times, not
archaic gods or kings and queens, were the proper subject for modern art.
The Realists also generally refused to use traditional iconography in their
paintings, such as Biblical allusions, mythological subjects, or complex symbols.
Gustave Courbet (1819-1877)
Courbet was one of the leading figures in this shift away from Romantic,
sublime, and idealized art toward a more true-to-life style in painting. He,
like most Realists, was also a social activist on the side of the working classes.
What follows are a few quotes from Courbet that reveal his new approach to
painting and which reinforce the characteristics on the previous slide:
“To be able to translate the customs, ideas, and appearances of my time as I
see them – in a word, to create a living art this has been my aim…”
“The art of painting can consist only in the representation of objects visible
and tangible to the painter…[who must apply] his personal faculties to the
ideas and the things of the period in which he lives…”
“I hold also that painting is an essentially concrete art, and can consist only
of the representation of things both real and existing…An abstract object,
invisible or nonexistent, does not belong to the domain of painting”
“A painter should paint only what he can see.” When asked why he never
painted angels, Courbet replied, “Show me an angel, and I’ll paint one.”
Courbet
Self-Portrait
1848
Here is Courbet’s self-portrait. You can tell he
has not tried to create an idealized image of
himself or an overly sentimental image either. It
is simply what he sees in the mirror – for better
or for worse!
Gustave Courbet The Stone-Breake.
A R T O F T H E M I D D L E A N D L A T E
1 9 T H C E N T U R Y
Realism in Painting and
Literature
Learning Objectives
To understand the forces which led to the
development of the Realist style
To recognize the major characteristics of Realist
painting
To be able to identify the major subjects of Realist
painting and literature
Realism in Painting
In part due to the impact of photography, the Realist painters wanted to branch
away from fantastic or Romanticized representation of life and nature and
instead strove to depict real-life events with real-life detail.
Realists tried to move away from their own feelings and ideas and instead
represent life as it actually was – not filtered through just one person’s
understanding or emotion. They wanted to represent life without any
embellishments and this meant even dealing with its ugly, dirty, or low sides.
Ultimately, they aimed for objective rather than subjective representation.
They were also concerned with contemporary events – with the here and now
rather than some romanticized past or utopian future.
The subject matter consists almost exclusively of the lower classes and rural poor.
Realists tried to convey the idea that ordinary people in modern times, not
archaic gods or kings and queens, were the proper subject for modern art.
The Realists also generally refused to use traditional iconography in their
paintings, such as Biblical allusions, mythological subjects, or complex symbols.
Gustave Courbet (1819-1877)
Courbet was one of the leading figures in this shift away from Romantic,
sublime, and idealized art toward a more true-to-life style in painting. He,
like most Realists, was also a social activist on the side of the working classes.
What follows are a few quotes from Courbet that reveal his new approach to
painting and which reinforce the characteristics on the previous slide:
“To be able to translate the customs, ideas, and appearances of my time as I
see them – in a word, to create a living art this has been my aim…”
“The art of painting can consist only in the representation of objects visible
and tangible to the painter…[who must apply] his personal faculties to the
ideas and the things of the period in which he lives…”
“I hold also that painting is an essentially concrete art, and can consist only
of the representation of things both real and existing…An abstract object,
invisible or nonexistent, does not belong to the domain of painting”
“A painter should paint only what he can see.” When asked why he never
painted angels, Courbet replied, “Show me an angel, and I’ll paint one.”
Courbet
Self-Portrait
1848
Here is Courbet’s self-portrait. You can tell he
has not tried to create an idealized image of
himself or an overly sentimental image either. It
is simply what he sees in the mirror – for better
or for worse!
Gustave Courbet The Stone-Breake.
ART102Art History IIUnit 6 LectureRealism and Impress.docxfestockton
ART102
Art History II
Unit 6 LectureRealism and
Impressionism
1848-1885
Post-Impressionism
1880-1907
Realism in France occurred around the same
time as the Revolution 0f 1848, largely due to
Courbet. This style champions socialism, which
challenges authority and privilege of the rich.
Courbet has painted an image of a funeral, a scene
of commoners carrying out a simple social ritual.
Devoid of political or philosophical agendas, Realism
can literally be described as real: simple, everyday
scenes and events.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Gustave Courbet
Burial at Ornans
Ca. 1849-1850
Oil on canvas
Musee D’Orsay, Paris
Post-Impressionism
1880-1907
Jean-Francois Millet
The Gleaners
Ca. 1857
Oil on canvas
Musee d’Orsay, Paris
Millet creates a scene of gleaners, who were
beggars of the time. These three women are
picking the leftovers of grain in a field after the
major harvesting (you can see the large harvest in
the wagon). At the time of its exhibition in Paris,
the people were scared of this scene. It reveals at
what cost society has to pay for such wealth for an
upper class.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Manet’s painting is considered to be the one that
turned the Parisian art world on its head, and
propelled the world into the Modern Art Era. It
might not look like much, but this image is actually
ridiculing what the traditionalists viewed as
appropriate subject matter. This is a contemporary
scene, with Parisians having lunch in a park with a
naked woman. Another woman wearing a Roman
toga plays in the water. It is obvious that this scene
would never really happen in real life, and that’s the
message Manet was after. He also painted it with
bold, thick strokes of color.
Edouard Manet
Luncheon on the Grass
Ca. 1863
Oil on canvas
Musee du Louvre, Paris
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Degas developed a painterly approach to his
everyday scenes as Manet had. His compositions
appear off-centered, and elements are cut-off on
the edges, much like a photograph would crop a
scene. This is unusual in painting at the time, and
creates a image of spontaneity, as a snap-shot does.
Edgar Degas
The Dance Class
Ca. 1874
Oil on canvas
Metropolitan Museum of Art
Realism and
Impressionism
1848 ...
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
ART102Art History IIUnit 6 LectureRealism and Impress.docxfestockton
ART102
Art History II
Unit 6 LectureRealism and
Impressionism
1848-1885
Post-Impressionism
1880-1907
Realism in France occurred around the same
time as the Revolution 0f 1848, largely due to
Courbet. This style champions socialism, which
challenges authority and privilege of the rich.
Courbet has painted an image of a funeral, a scene
of commoners carrying out a simple social ritual.
Devoid of political or philosophical agendas, Realism
can literally be described as real: simple, everyday
scenes and events.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Gustave Courbet
Burial at Ornans
Ca. 1849-1850
Oil on canvas
Musee D’Orsay, Paris
Post-Impressionism
1880-1907
Jean-Francois Millet
The Gleaners
Ca. 1857
Oil on canvas
Musee d’Orsay, Paris
Millet creates a scene of gleaners, who were
beggars of the time. These three women are
picking the leftovers of grain in a field after the
major harvesting (you can see the large harvest in
the wagon). At the time of its exhibition in Paris,
the people were scared of this scene. It reveals at
what cost society has to pay for such wealth for an
upper class.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Manet’s painting is considered to be the one that
turned the Parisian art world on its head, and
propelled the world into the Modern Art Era. It
might not look like much, but this image is actually
ridiculing what the traditionalists viewed as
appropriate subject matter. This is a contemporary
scene, with Parisians having lunch in a park with a
naked woman. Another woman wearing a Roman
toga plays in the water. It is obvious that this scene
would never really happen in real life, and that’s the
message Manet was after. He also painted it with
bold, thick strokes of color.
Edouard Manet
Luncheon on the Grass
Ca. 1863
Oil on canvas
Musee du Louvre, Paris
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Degas developed a painterly approach to his
everyday scenes as Manet had. His compositions
appear off-centered, and elements are cut-off on
the edges, much like a photograph would crop a
scene. This is unusual in painting at the time, and
creates a image of spontaneity, as a snap-shot does.
Edgar Degas
The Dance Class
Ca. 1874
Oil on canvas
Metropolitan Museum of Art
Realism and
Impressionism
1848 ...
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
1. Rembrandt to Van Gogh
Gallery Walk: The Museum of Fine Arts Exhibit
Abigail Dittman
This Photo by Unknown author is licensed under CC BY-NC-ND.
2. Masterpieces from the Armand Hammer Collection
Rembrandt to Van Gogh displayed masterpieces from the Armand
Hammer Collection. Each work was made elegantly by different artists
from various time periods. There were four different gallery rooms
within the exhibit with different colored walls to differentiate each type
of work.
The room with white walls focused on 'Realism and Impressionism'.
'Old Masters' represented the room with red walls. The art on the gray
walls were made by the artist, Corot, Moreau, and Daumier. Lastly,
the tan wall portrayed post-impressionism. Pictured is Rembrandt to Van Rijn, Juno which
was painted by Rembrandt between 1662 and
1665. She was painted to represent the Roman
goddess of wealth.
Juno is represented within the Old Masters
section at the Museaum of Fine Arts in Houston.
3. Written
Description
"Rembrandt to Van Gogh: Masterpieces from the Armand
Hammer Collection showcases the renowned collection of
the Hammer Museum at UCLA. Major works of art from
across four centuries reflect the collecting interests of
Armand Hammer (1898–1990), founder of the Los Angeles
museum.Highlights of the exhibition include paintings from
the 16th and 17th centuries by Titian with Portrait of a Man
in Armor, and Rembrandt with Juno, a depiction of the
Roman goddess of wealth and an outstanding example of
Rembrandt’s late style.The Armand Hammer Collection also
contains significant works by renowned 19th-century
French artists such as Camille Corot, Honoré Daumier, and
Gustave Moreau; and Impressionist and Post-Impressionist
artists Paul Cezanne, Edgar Degas, Paul Gauguin, Edouard
Manet, Claude Monet, Camille Pissarro, and Henri de
Toulouse-Lautrec.The exhibition presents three works by
Vincent van Gogh, including his iconic 1889 view, through a
stand of pine trees, of the hospital at Saint-Rémy, where he
painted some of his greatest and best-known works."-
MFAH
4. Focal Point: Realism and Impressionism
• Realism:
The depiction of reality, painted with detail about the truth of the world. It often
represented social issues and the everyday life.
• Impressionism:
The depiction of the artists emotions and impression displaying their visual reality.
They often used light and color to portray what was happening in the moment.
**** I will be critiquing the art on my realism and impressionism slides. I am reasonably not critiquing the others
because I would like to express the style used in Realism and Impressionism. While the others are part of the
exhibit, I wanted to focus on what caught my eye the most.***
5. Comparing realism portraits
• Every portrait was depicted using a precise representation of the
artists and their characteristics. Whether that was an everyday setting
or if the person within the portrait was posing like a leader with pise,
or an actress with a focus on expressions and features. The color
palette of the art mimicked real-life colors and displayed authenticity
in the subject. The texture, such as the look of the fabric or the skin
played an important role in understanding their realism of them. Each
artist genuinely represented their subject.
6. Impressionism
Henri Fantin-Latour
French, 1836-1904
Oil on Canvas
Still life of White Roses, 1870 Peonies in a Blue and White Vase, 1872 Vase of Chrysanthemums, 1871
White Roses are a symbol of loyalty, purity and innocence. It reminds
me of how the simple, pure moments and things are worth stopping to
admire.
It also reminds me of the roses at my basketball coach's funeral and
why we should enjoy this 'still life' while we have it. It gives me a
heavenly perspective. Isaiah 40:8 says, "The grass withers and the
flowers fade but the word of our God shall stand forever."
Fantin-Lathour is painted with his lively brushwork, with a deep
analysis of his impression of the roses. The white roses against the
neutral background makes this still life pop out with precise detail.
The title of this piece is straight to the point.
Peonies in a blue and white vase represent
honor and he studied each flower closely, and
honoring the cool tones of white, blue, and gray
documents.
Another relation could be that the blue pigment
on the vase could withstand fire and was part of
the initial firing technology that started in the
Ming dynasty.
There is a balance of whites and greens that
makes the impression come to life. The
arrangement is symmetrical and balanced.
As a photographer, seeing this one feels as if
I am taking a low-light photo of flowers. This
is my favorite one in the gallery for that
reason. . Probably because
Chrysanthemums represent joy and
happiness even with a darker background.
7. Comparing the floral still life
works
They all capture stunning flowers in their natural
state, showing an interplay of colors. The flowers
and vases convey different symbolic messages.
The artist uses the composition to create a
balanced image. He uses lighting to make the
still-life images pop out as if it were three-
dimensional. He uses the composition of the
vase for harmony. Through the brushstrokes, he
details the peonies' petal structure. The veins in
the petals are visible and it presents a sense of
realism. The dark background brings out the
color of the flowers.
8. Post-Impressionism
Henri de Toulouse-Lautrec
French, 1864-1901
Touc, Seated on a Table, 1879-81
Oil on Panel
Paul Ganguin
French, 1848-1903
Bonjour Monsieur Ganguin,
Oil on canvas and panel
Pierre-Auguste Renoir
French, 1841-1919
Grape Pickers at Lunch, 1888
Oil on Canvas
Emile Bernard
French, 1868-1941
Wheat Harvest, 1889
Oil on Canvas
Post-Impressionism is depicted by light and color.
Following the impressionist era, in the 19th-
century artists dove into bolder styles, different
perspectives, and a unique brushwork style.
9. Corot, Moreau, and
Daumier
Corot was a landscape painter in the 19th century, Moreau was a symbolist
painter know for mythology, and Daumier was known for his political and
social commentary.
All of the pictures above represent a setting in which the characters or
figures are in.
Honore Daumier
French,1808-1879
Oil on Canvas
Gustave Moreau
French, 1836-1898
Salome Dancing before Herod, 1876
Jean Baptiste-Camille Corot
French, 1865
Morning
Oil on Canvas
Jean-Baptiste-Camille Corot
French, 1796-1875
Study of Medieval Ruins, c. 1828-30
Oil on canvas, mounted on board
10. Old Masters
And how the collection
started
Peter Paul Rubens
Flemish, 1577-1640
Oil on Panel
Tiziano vecellio (known as Titian)
Italian, c. 1488-1576
Oil on Canvas
Jean Simeon Chardin
French, 1699-1779
The Attributes of Painting 1730- 32
Oil on Canvas
Anthony Van Dyck
Prince Charles Leris. Elector Palestine
Oil on Canvas
Armand Hammer was a versatile American businessman. He assembled his first
collection for his house in Moscow. He brought his collection to the US and
donated 48 different works by Dutch, Flemish, German, and Italian Masters from
the 15th to the 17th century to USC. His collection is now housed in the Fisher
Museum of Art. He has other paintings by Titian, Rubens, Rembrandt, Chardin,
Watteau, and Fragonard which is the second collection on display at Hammer
Museum at UCLA.
12. How it made me feel:
The pieces are beautifully made, all
serious, scenic, or unique. The only
piece that I thought was pretty
funny was the dog, "Touc" One that I
found disturbing was Salome
dancing before Herod.
I have never been to MFAH
before so this was an amazing
experience.
The work inspired me to write a
poem as well.
The quality of the work that made it a success was the attention to
detail in each piece of work. Every piece of work is original, and I am
impressed by them all.
Poem: The Art Exhibit
You are like a canvas of art,
not everyone will know who you are
but they see who your creator is
And will understand that you are priceless
They should understand that, right?
Well?
Some know the creator
Some don’t
Whether they don’t or do
Their perspective of you
will never change your value
There will be critics
who pass through the exhibit
And say
“What is this?”
“This is unique”
“This is weird”
“This is odd”
“This shouldn’t be here”
and they just pass by and go to the next
one
And there are others that come
and say
“This one is very loved”
“This one IS unique”
“This one is created so sweet”
“This is a complete MASTERPIECE”
And those that do
are usually the ones who
stop and treasure it
And comprehend
the creators perspective
The truth of the matter is
no matter what anyone says, it
will never change the beauty that
has been created
And no matter who's eye it meets
whether people aren’t or are
pleased
it was made for
the creators purpose
and made for more than what the
viewers can see
- Abby Dittman