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The High Renaissance

Man, the measure of all things.
Greek Classicism: The model       Action in repose.
A rebirth of humanism.
    Man stands alone, prepared
    to take the consequences of
    his own actions.
From medieval inhibited forms
to free-standing sculpture of
the Early Renaissance.
Late Gothic:      Art depicts other
    worldly concerns. Flat, hieratic
    and dematerialized images in a
    heavenly space of gold leaf.

Duccio
The Parthenon, Athens




FLORENCE, the NEW ATHENS
    Humanism is reborn as Man asserts
    his will in art forms imbued with
    Christian meaning.

                 Brunelleschi’s Duomo
Ghiberti   Baptistry Competition   Brunelleschi

                              And the winner is….
Bronze doors of the baptistry.
             Humanism imbued with
             Christian meaning.




Ghiberti
Baptistry of Florence
Uccelo
Early Renaissance: Exploiting linear perspective.
Mantegna

    Pre-occupation with 3D spatial effects.

Masaccio
One point perspective brings spatial harmony in a 3D illusion of reality.
The High Renaissance
A culmination of visual knowledge
and aesthetic groundbreaking.

In the brief span of 25 years, four
great masters produced works
unparalleled in artistic achievement.

          Raphael

          Da Vinci

          Michelangelo

          Titian

                      Leonardo da Vinci
Familiar subject matter realizes its full potential in the hands of Leonardo da Vinci.
Pre-Renaissance depiction
Of the Last Supper.
 Pictorial visualization with little
 understanding or concern with
 the visual realities of this world.
Ghirlandio The Last Supper

                 Do you get the point? When more is less.
Da Vinci utilizes linear perspective and groupings to organize space.
The viewer is placed in the audience; not as a participant at the table.
Judas is placed in opposition to Christ at a 90 degree angle.
Religious themes infused with…
  Idealized participants.

  Linear painting technique.

  Closed-form and Plane composition.




 All forms a re en closed
                            Figures and landscape
 within a p rescribed
                            are placed parallel to
 diagram.
                            the pictu plane.
                                     re
Unified Compositions:
Perspective serves a greater
cause. The viewer is guided
through a scene of related
elements.
Giotto: A Late Gothic
fresco painter anticipates
the Renaissance.

  Figures appear to be
  of this world, depicted
  as three dimensional,
  fully modeled images.

  Early evidence of concern
  with visual phenomena,
  but limited by the lack of
  knowledge of linear and
  aerial perspective.




                               The Deposition
Raphael
The Deposition
Raphael
The School
Of Athens
Anticipating the Baroque
Titian The Deposition
Titian




Georgione
                         Venus

 The Venetian School
   Pagan art for the wealthy merchant.




                              Titian
Michelangelo
  The Sistine Chapel
Michelangelo’s drawing and completed fresco for the Sistine Chapel.
Just one of 320 life-sized figures painted in four and a half years.
Michelangelo believed the form
was in the stone, waiting for his
mallet and chisel for liberation.
Michelangelo portrays himself with the
spiritual force behind his prolific efforts.
The Last Judgment

An aging Michelangelo’s
last chapter for the west
wall of the Sistine Chapel.
Lorenzo de Medici Dusk & Dawn    Giuliano de Medici Night Day

Michelangelo’s Tomb Of The Medici Manneristic Sculpture
MANNERISM transforms “the
calm, balanced grandeur” of the
Renaissance into disquieting
distortion, ambiguity and hidden
meanings.


                           Pontormo
El Greco: Spanish Mannerism   Paramigianino: Italian Mannerism
Story Climax   Anti-Climax

                       Linear         Painterly

                       Time Stopped Time-In-Flux

                       Reason         Passion

                       Renaissance    Baroque




Michelangelo’s David                                Bernini’s David

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