Art appreciation: Fauvism
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Fauvism was an early 20th century avant-garde art movement known for its wild use of intensely bright unnatural colors and highly simplified forms. Led by Henri Matisse, Fauvist artists such as André Derain, Albert Marquet, and Maurice de Vlaminck employed expressive brushwork and pure, vivid colors influenced by African and folk art. Key works from 1906 included Matisse's Luxe, Calme et Volupté, Derain's The Pool of London, Marquet's Fécamp, and de Vlaminck's The River Seine at Chatou, showcasing the movement's signature expressive style through landscapes and scenes painted in strident, unnatural
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Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Post impressionism
The document discusses the Post-Impressionist period and artists. It began when former Impressionists grew dissatisfied with Impressionism's focus on light and color. Post-Impressionists sought more depth through color, form and solidity. Major Post-Impressionist artists mentioned include Paul Cezanne, Vincent van Gogh, Paul Gauguin, Henri de Toulouse-Lautrec, and Auguste Rodin. Post-Impressionism influenced later artistic movements like Cubism and Fauvism through its use of color and line to evoke emotion.
Cubism
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Led by Pablo Picasso and Georges Braque, Cubism was characterized by the geometric fragmentation and synthetic reassembly of forms to depict subject matter from multiple viewpoints in the same canvas. Major influences on Cubism included African tribal masks, Cézanne's compositions, and Fauvism. Cubism evolved from an early phase of angular, simplified still life subjects to a later incorporation of collage materials and brighter colors. Key Cubist artists beyond Picasso and Braque included Juan Gris, Fernand Léger, and Jean Metzinger.
Realism -Art
Realism in art attempts to represent subjects truthfully without artistic conventions or supernatural elements. In the mid-19th century, artists felt they should portray everyday political and social issues realistically rather than romanticized views. This included depicting familiar scenes as they actually appeared. Realist works often celebrated the working class through realistic situations and paintings done plein air. Gustave Courbet is credited with leading the Realism movement in France by depicting life as it was, not ideally. Other notable realist artists included Jean-Francois Millet, Honore Daumier, and Edward Hopper who sought to objectively capture ordinary scenes and subjects.
Dadaism
Dadaism was an early 20th century avant-garde art movement that was founded in Zurich in 1916 in reaction to World War I. It rejected reason and logic and emphasized chaos and irrationality through anti-art styles and shock value. Some of the most famous Dadaists included Marcel Duchamp, whose "Fountain" was a urinal signed and submitted as a sculpture, Max Ernst, known for his surreal collage paintings, and Francis Picabia, who formed a Dada group in Barcelona and created the painting "Amorous Parade."
Cubism powerpoint
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Developed by Pablo Picasso and Georges Braque between 1907-1914 in Paris, Cubism featured geometric shapes and multiple perspectives to depict subjects from a multitude of angles. Cubist works were characterized by the fragmentation of forms, abstract color, and the fusion of subject matter. The movement had two phases - analytical cubism focused on geometric abstraction while synthetic cubism incorporated collage materials into paintings. Major cubist artists included Picasso, Braque, Juan Gris, Fernand Léger, Jean Metzinger, Albert Gleizes, Marcel Duchamp, and sculptors Alexander Archipenko and Raymond D
Fauvism lecture
Fauvism was an early 20th century avant-garde art movement known for its use of vibrant, wild, and pure colors and a simplified use of forms. It originated around 1905 in reaction to the then-dominant Impressionism movement and was influenced by Post-Impressionism. Key Fauvist artists included Henri Matisse, André Derain, and Maurice de Vlaminck, who were connected by their expressive techniques and concepts though their individual styles differed. While short-lived, Fauvism had a significant influence on freeing color use and the boundaries of artistic representation.
Cubism
Cubism was an early 20th century avant-garde art movement pioneered by Pablo Picasso and Georges Braque that revolutionized painting. It emphasized depicting objects from multiple perspectives and using geometric forms rather than realistic detail. There were three periods of Cubism: Early Cubism depicted the whole structure of objects combining viewpoints; Analytic Cubism broke down subjects into facets showing different viewpoints; and Synthetic Cubism introduced collage with painting fragments.
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Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Post impressionism
The document discusses the Post-Impressionist period and artists. It began when former Impressionists grew dissatisfied with Impressionism's focus on light and color. Post-Impressionists sought more depth through color, form and solidity. Major Post-Impressionist artists mentioned include Paul Cezanne, Vincent van Gogh, Paul Gauguin, Henri de Toulouse-Lautrec, and Auguste Rodin. Post-Impressionism influenced later artistic movements like Cubism and Fauvism through its use of color and line to evoke emotion.
Cubism
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Led by Pablo Picasso and Georges Braque, Cubism was characterized by the geometric fragmentation and synthetic reassembly of forms to depict subject matter from multiple viewpoints in the same canvas. Major influences on Cubism included African tribal masks, Cézanne's compositions, and Fauvism. Cubism evolved from an early phase of angular, simplified still life subjects to a later incorporation of collage materials and brighter colors. Key Cubist artists beyond Picasso and Braque included Juan Gris, Fernand Léger, and Jean Metzinger.
Realism -Art
Realism in art attempts to represent subjects truthfully without artistic conventions or supernatural elements. In the mid-19th century, artists felt they should portray everyday political and social issues realistically rather than romanticized views. This included depicting familiar scenes as they actually appeared. Realist works often celebrated the working class through realistic situations and paintings done plein air. Gustave Courbet is credited with leading the Realism movement in France by depicting life as it was, not ideally. Other notable realist artists included Jean-Francois Millet, Honore Daumier, and Edward Hopper who sought to objectively capture ordinary scenes and subjects.
Dadaism
Dadaism was an early 20th century avant-garde art movement that was founded in Zurich in 1916 in reaction to World War I. It rejected reason and logic and emphasized chaos and irrationality through anti-art styles and shock value. Some of the most famous Dadaists included Marcel Duchamp, whose "Fountain" was a urinal signed and submitted as a sculpture, Max Ernst, known for his surreal collage paintings, and Francis Picabia, who formed a Dada group in Barcelona and created the painting "Amorous Parade."
Cubism powerpoint
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Developed by Pablo Picasso and Georges Braque between 1907-1914 in Paris, Cubism featured geometric shapes and multiple perspectives to depict subjects from a multitude of angles. Cubist works were characterized by the fragmentation of forms, abstract color, and the fusion of subject matter. The movement had two phases - analytical cubism focused on geometric abstraction while synthetic cubism incorporated collage materials into paintings. Major cubist artists included Picasso, Braque, Juan Gris, Fernand Léger, Jean Metzinger, Albert Gleizes, Marcel Duchamp, and sculptors Alexander Archipenko and Raymond D
Fauvism lecture
Fauvism was an early 20th century avant-garde art movement known for its use of vibrant, wild, and pure colors and a simplified use of forms. It originated around 1905 in reaction to the then-dominant Impressionism movement and was influenced by Post-Impressionism. Key Fauvist artists included Henri Matisse, André Derain, and Maurice de Vlaminck, who were connected by their expressive techniques and concepts though their individual styles differed. While short-lived, Fauvism had a significant influence on freeing color use and the boundaries of artistic representation.
Cubism
Cubism was an early 20th century avant-garde art movement pioneered by Pablo Picasso and Georges Braque that revolutionized painting. It emphasized depicting objects from multiple perspectives and using geometric forms rather than realistic detail. There were three periods of Cubism: Early Cubism depicted the whole structure of objects combining viewpoints; Analytic Cubism broke down subjects into facets showing different viewpoints; and Synthetic Cubism introduced collage with painting fragments.
Abstract expressionism
Abstract Expressionism was a mid-20th century art movement centered in New York City. Artists applied paint forcefully and non-geometrically to large canvases to express inner emotions and feelings. There were two main techniques - action painting involving dripped and splattered paint, and color field painting using solid fields of color. Pioneering artists included Jackson Pollock, famous for his drip paintings, Willem de Kooning, and Mark Rothko known for his blocks of color. Abstract Expressionism emphasized individual expression and made New York a new center for art.
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Romantic Period: Art
Romanticism was a cultural movement that started in Europe in the late 18th century as a reaction to the Industrial Revolution. It emphasized emotions, nature, and the individual. Romantic art from this period often featured dramatic landscapes and emotions. Some notable Romantic artists mentioned included Caspar David Friedrich, Francisco Goya, J.M.W. Turner, Frederic Church, and Thomas Cole, who was a founder of the Hudson River School of landscape painting in America.
Futurism
Futurism was an early 20th century art movement founded in Italy in 1909 that celebrated modernity and technology. Futurist artists sought to capture motion, speed, and dynamism in their works through techniques like fragmented lines and unusual angles. Some key Futurist artists included Giacomo Balla, Umberto Boccioni, and Gino Severini, whose works depicted subjects like streets, machines, and urban life with vibrant colors and abstracted forms. While Futurism had its roots in Italy in the early 1900s, it influenced art movements internationally before declining in the 1920s.
Post-Impressionism
Postimpressionism developed in the late 19th century as artists reacted against Impressionism by focusing more on structure, expression, and personal styles rather than just capturing light. Key characteristics included a return to the importance of drawing, capturing expression as well as light, and using color and form to define space. Major postimpressionist artists included Paul Cezanne, whose works emphasized geometry and volume; Vincent van Gogh, whose expressive and emotionally charged works with thick brushstrokes influenced expressionism; and Paul Gauguin, who simplified compositions and used strong colors influenced by Symbolism and the exoticism of Tahiti.
Cubism powerpoint
Cubism emerged in France in the early 1900s led by Picasso and Braque who were influenced by Cezanne's geometric breakdown of forms. They depicted objects from multiple perspectives simultaneously on canvas. This analytical cubism gave way to synthetic cubism where collage elements were incorporated. Other notable cubists included Gris, Delaunay, Leger, and Duchamp. While revolutionary, cubism was highly controversial as it broke conventions and its abstract forms were difficult for audiences to understand. Over time it had a massive influence on modern art.
Performance art
Performance art is a genre of art that uses the artist's own body as a medium. It emerged in the early 20th century from movements like Dada, Constructivism, and Futurism. Notable early performance artists included Yves Klein and Allan Kaprow, who created Happenings in the 1960s that involved audience participation. Pioneers in the 1970s like Vito Acconci, Chris Burden, and Marina Abramovic tested the boundaries between artist and viewer. Abramovic's 1974 piece Rhythm 0 had dangerous elements. Performance art gained more mainstream acceptance in the 1980s and 1990s, with works by Linda Montano and Tehching Hsieh and Karen Finley.
Conceptual art
Conceptual art emerged in the 1960s as an art movement focused on conveying ideas rather than creating traditional art objects. It was influenced by Marcel Duchamp's "readymades" and intended to challenge notions of what art could be. Key aspects of conceptual art include prioritizing concepts over physical works and questioning relationships between art, artists, and audiences. Pioneering conceptual artists included Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and members of the influential Art & Language group.
Modern Arts
Modern art began around 1860 and lasted until around 1970, sparked by artists throwing out old conventions and embracing experimentation. This led to new ways of seeing and representing the world directly through the artist's experiences. Many new styles emerged like Impressionism, Symbolism, Art Nouveau, Fauvism, Expressionism, Cubism, Dada, Constructivism, Surrealism, Abstract Expressionism, Pop Art, Optical Art, Photorealism and other avant-garde styles. Nearly every new style was initially met with ridicule but eventually settled into history, influencing future generations of artists.
Surrealism
Surrealism began in the 1920s as a cultural movement encompassing various art forms including painting, sculpture, music and film. It aimed to depict the unconscious mind and what lies beyond realism according to writer Guillaume Apollinaire. Salvador Dali described it as the symbolic language of the subconscious. Some surrealist art techniques included collage, decalcomania, and frottage. Prominent surrealist artists were Joan Miro, Max Ernst, and Salvador Dali, whose photography with Philippe Halsman required 26 attempts to capture. Surrealism continues to influence various creative fields like web design today.
Cubism
Cubism was an early 20th century avant-garde art movement founded by Pablo Picasso and Georges Braque. Cubism involved depicting subjects from multiple viewpoints to represent the subject in a greater context. The artists fragmented objects and reassembled them in an abstracted form rather than using single-point perspective. This allowed for objects to be analyzed from multiple angles and depicted simultaneously on a two-dimensional surface. Cubism revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture.
Abstract Art
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Marcel Duchamp
Marcel Duchamp was a highly influential French artist born in 1887 who worked in Dadaism and conceptual art. He helped define revolutionary developments in painting and sculpture in the early 20th century. Duchamp rejected "retinal art" meant solely for visual pleasure and sought to put art back in service of the mind. His works like Fountain and L.H.O.O.Q. challenged definitions of art by taking everyday objects and placing them in galleries. Duchamp created miniatures of his works in the Box in a Valise and influenced generations of artists through his experimentation and questioning of art.
Impressionism power point
Impressionism was an art movement developed in the late 1800s by artists such as Vincent van Gogh, Claude Monet, Alfred Sisley, and Edgar Degas. They painted mostly outdoor scenes of everyday life using short, thick brush strokes to capture mood rather than detail. Their paintings were done en plein air using wet-on-wet techniques and emphasized the play of natural light. Their innovative styles violated the rules of academic painting at the time.
Abstract Expressionism
Abstract Expressionism was a post-World War II American art movement that originated in New York in the 1940s. It was the first American art movement to gain worldwide recognition and prominence, establishing New York City as the center of the global art world. Abstract Expressionism had two main streams - Action Painting in the late 1940s-1950s, characterized by impulsive, emotional brushwork, and Color Field and Hard-Edge Painting in the early 1960s, focused on large areas of color or geometric shapes. Major artists associated with the movement included Jackson Pollock, Willem de Kooning, Helen Frankenthaler, and Mark Rothko.
Impressionism
Impressionism was an artistic movement that developed in France in the late 19th century. Artists such as Monet, Pissarro, Renoir, and Degas broke from traditional techniques to focus on capturing the effects of light and color through loose brushwork. Monet's painting Impression, Sunrise gave the movement its name. Key characteristics included painting outdoors and using dabs of color and optical mixing on the canvas. Post-Impressionism emerged later in the century as artists sought to combine Impressionism's techniques with more traditional composition and design.
Expressionism
This document provides an overview of Expressionism, beginning with a definition that Expressionist artists painted inward psychological and emotional experiences rather than outward appearances. It then summarizes key Expressionist artists and movements, including Van Gogh and Munch's radical new style using intense colors; Die Brücke group in Germany reacting against social norms; Der Blaue Reiter group using imagination and spirituality; the influence of German Expressionism on Abstract Expressionism in the US; and individual pieces by Munch, Van Gogh, Kirchner, and Kandinsky that express inner feelings through exaggerated styles and non-representational forms.
Fauvism presentation
The document summarizes the Fauvism art movement. It began in the early 20th century in France and was characterized by bright, vivid colors and simplified forms that did not aim for realism. Major artists included Matisse, Derain, Vlaminck, Gauguin, and Marionot. They had their first exhibition in 1905 in Paris which brought recognition to the movement. Fauvism emphasized using color to convey emotion over realistic representation.
Impressionism
1. Impressionism was a 19th century art movement that originated in Paris in the 1870s-1880s. Artists used short, thick brushstrokes of unblended color applied side-by-side to capture light and color rather than details.
2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
3. Founding members like Monet, Degas, and others broke from the Salon and Royal Academy and held independent exhibitions, though their unfinished style was initially panned
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The document provides an overview of the Surrealist and Dada art movements. It discusses key concepts such as automatism, juxtaposition of images, and expression of the subconscious mind. Some of the major figures mentioned include Tristan Tzara, Andre Breton, Max Ernst, Joan Miro, Rene Magritte, Salvador Dali, Frida Kahlo, and Remedios Varo. The Surrealist movement grew out of Dada and aimed to express the workings of the subconscious through incongruous imagery and concepts. Women played an important role in Surrealism by exploring feminism and challenging social norms.
Chapter 5 experiments in color and form
This document summarizes key developments in early 20th century visual arts in Europe. It discusses how Post-Impressionist artists like Gauguin, Matisse and Cézanne inspired experimentation with color and form. Gauguin's travels to Tahiti influenced his simplified forms and bold color juxtapositions. Fauvism emerged in 1905, characterized by expressive, non-naturalistic use of color. Matisse was a leading Fauvist artist, along with Derain, Vlaminck, Braque and Dufy. Brancusi pioneered modern sculpture through his simplified, abstract forms that captured the essence of subjects like birds in flight.
FAUVISM.ppt
The document provides an overview of Fauvism, an early 20th century art movement known for its radical use of expressive color. It discusses key events and artists associated with Fauvism, including how the movement shocked viewers at the 1905 Salon d'Automne exhibition in Paris with their vibrant, non-naturalistic paintings. Henri Matisse emerged as a leader of the Fauvists, liberating color from descriptive functions and pursuing emotional expression through color for the rest of his career, including in his final works using cut paper shapes.
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Abstract expressionism
Abstract Expressionism was a mid-20th century art movement centered in New York City. Artists applied paint forcefully and non-geometrically to large canvases to express inner emotions and feelings. There were two main techniques - action painting involving dripped and splattered paint, and color field painting using solid fields of color. Pioneering artists included Jackson Pollock, famous for his drip paintings, Willem de Kooning, and Mark Rothko known for his blocks of color. Abstract Expressionism emphasized individual expression and made New York a new center for art.
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Romantic Period: Art
Romanticism was a cultural movement that started in Europe in the late 18th century as a reaction to the Industrial Revolution. It emphasized emotions, nature, and the individual. Romantic art from this period often featured dramatic landscapes and emotions. Some notable Romantic artists mentioned included Caspar David Friedrich, Francisco Goya, J.M.W. Turner, Frederic Church, and Thomas Cole, who was a founder of the Hudson River School of landscape painting in America.
Futurism
Futurism was an early 20th century art movement founded in Italy in 1909 that celebrated modernity and technology. Futurist artists sought to capture motion, speed, and dynamism in their works through techniques like fragmented lines and unusual angles. Some key Futurist artists included Giacomo Balla, Umberto Boccioni, and Gino Severini, whose works depicted subjects like streets, machines, and urban life with vibrant colors and abstracted forms. While Futurism had its roots in Italy in the early 1900s, it influenced art movements internationally before declining in the 1920s.
Post-Impressionism
Postimpressionism developed in the late 19th century as artists reacted against Impressionism by focusing more on structure, expression, and personal styles rather than just capturing light. Key characteristics included a return to the importance of drawing, capturing expression as well as light, and using color and form to define space. Major postimpressionist artists included Paul Cezanne, whose works emphasized geometry and volume; Vincent van Gogh, whose expressive and emotionally charged works with thick brushstrokes influenced expressionism; and Paul Gauguin, who simplified compositions and used strong colors influenced by Symbolism and the exoticism of Tahiti.
Cubism powerpoint
Cubism emerged in France in the early 1900s led by Picasso and Braque who were influenced by Cezanne's geometric breakdown of forms. They depicted objects from multiple perspectives simultaneously on canvas. This analytical cubism gave way to synthetic cubism where collage elements were incorporated. Other notable cubists included Gris, Delaunay, Leger, and Duchamp. While revolutionary, cubism was highly controversial as it broke conventions and its abstract forms were difficult for audiences to understand. Over time it had a massive influence on modern art.
Performance art
Performance art is a genre of art that uses the artist's own body as a medium. It emerged in the early 20th century from movements like Dada, Constructivism, and Futurism. Notable early performance artists included Yves Klein and Allan Kaprow, who created Happenings in the 1960s that involved audience participation. Pioneers in the 1970s like Vito Acconci, Chris Burden, and Marina Abramovic tested the boundaries between artist and viewer. Abramovic's 1974 piece Rhythm 0 had dangerous elements. Performance art gained more mainstream acceptance in the 1980s and 1990s, with works by Linda Montano and Tehching Hsieh and Karen Finley.
Conceptual art
Conceptual art emerged in the 1960s as an art movement focused on conveying ideas rather than creating traditional art objects. It was influenced by Marcel Duchamp's "readymades" and intended to challenge notions of what art could be. Key aspects of conceptual art include prioritizing concepts over physical works and questioning relationships between art, artists, and audiences. Pioneering conceptual artists included Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and members of the influential Art & Language group.
Modern Arts
Modern art began around 1860 and lasted until around 1970, sparked by artists throwing out old conventions and embracing experimentation. This led to new ways of seeing and representing the world directly through the artist's experiences. Many new styles emerged like Impressionism, Symbolism, Art Nouveau, Fauvism, Expressionism, Cubism, Dada, Constructivism, Surrealism, Abstract Expressionism, Pop Art, Optical Art, Photorealism and other avant-garde styles. Nearly every new style was initially met with ridicule but eventually settled into history, influencing future generations of artists.
Surrealism
Surrealism began in the 1920s as a cultural movement encompassing various art forms including painting, sculpture, music and film. It aimed to depict the unconscious mind and what lies beyond realism according to writer Guillaume Apollinaire. Salvador Dali described it as the symbolic language of the subconscious. Some surrealist art techniques included collage, decalcomania, and frottage. Prominent surrealist artists were Joan Miro, Max Ernst, and Salvador Dali, whose photography with Philippe Halsman required 26 attempts to capture. Surrealism continues to influence various creative fields like web design today.
Cubism
Cubism was an early 20th century avant-garde art movement founded by Pablo Picasso and Georges Braque. Cubism involved depicting subjects from multiple viewpoints to represent the subject in a greater context. The artists fragmented objects and reassembled them in an abstracted form rather than using single-point perspective. This allowed for objects to be analyzed from multiple angles and depicted simultaneously on a two-dimensional surface. Cubism revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture.
Abstract Art
Basic information on abstract art. What is abstract art? What are you looking at when you see abstract art? is abstract art a type of art at all? abstract art Examples. Abstract art project/ presentation. famous abstract artworks.
Marcel Duchamp
Marcel Duchamp was a highly influential French artist born in 1887 who worked in Dadaism and conceptual art. He helped define revolutionary developments in painting and sculpture in the early 20th century. Duchamp rejected "retinal art" meant solely for visual pleasure and sought to put art back in service of the mind. His works like Fountain and L.H.O.O.Q. challenged definitions of art by taking everyday objects and placing them in galleries. Duchamp created miniatures of his works in the Box in a Valise and influenced generations of artists through his experimentation and questioning of art.
Impressionism power point
Impressionism was an art movement developed in the late 1800s by artists such as Vincent van Gogh, Claude Monet, Alfred Sisley, and Edgar Degas. They painted mostly outdoor scenes of everyday life using short, thick brush strokes to capture mood rather than detail. Their paintings were done en plein air using wet-on-wet techniques and emphasized the play of natural light. Their innovative styles violated the rules of academic painting at the time.
Abstract Expressionism
Abstract Expressionism was a post-World War II American art movement that originated in New York in the 1940s. It was the first American art movement to gain worldwide recognition and prominence, establishing New York City as the center of the global art world. Abstract Expressionism had two main streams - Action Painting in the late 1940s-1950s, characterized by impulsive, emotional brushwork, and Color Field and Hard-Edge Painting in the early 1960s, focused on large areas of color or geometric shapes. Major artists associated with the movement included Jackson Pollock, Willem de Kooning, Helen Frankenthaler, and Mark Rothko.
Impressionism
Impressionism was an artistic movement that developed in France in the late 19th century. Artists such as Monet, Pissarro, Renoir, and Degas broke from traditional techniques to focus on capturing the effects of light and color through loose brushwork. Monet's painting Impression, Sunrise gave the movement its name. Key characteristics included painting outdoors and using dabs of color and optical mixing on the canvas. Post-Impressionism emerged later in the century as artists sought to combine Impressionism's techniques with more traditional composition and design.
Expressionism
This document provides an overview of Expressionism, beginning with a definition that Expressionist artists painted inward psychological and emotional experiences rather than outward appearances. It then summarizes key Expressionist artists and movements, including Van Gogh and Munch's radical new style using intense colors; Die Brücke group in Germany reacting against social norms; Der Blaue Reiter group using imagination and spirituality; the influence of German Expressionism on Abstract Expressionism in the US; and individual pieces by Munch, Van Gogh, Kirchner, and Kandinsky that express inner feelings through exaggerated styles and non-representational forms.
Fauvism presentation
The document summarizes the Fauvism art movement. It began in the early 20th century in France and was characterized by bright, vivid colors and simplified forms that did not aim for realism. Major artists included Matisse, Derain, Vlaminck, Gauguin, and Marionot. They had their first exhibition in 1905 in Paris which brought recognition to the movement. Fauvism emphasized using color to convey emotion over realistic representation.
Impressionism
1. Impressionism was a 19th century art movement that originated in Paris in the 1870s-1880s. Artists used short, thick brushstrokes of unblended color applied side-by-side to capture light and color rather than details.
2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
3. Founding members like Monet, Degas, and others broke from the Salon and Royal Academy and held independent exhibitions, though their unfinished style was initially panned
Surrealism & Dada
The document provides an overview of the Surrealist and Dada art movements. It discusses key concepts such as automatism, juxtaposition of images, and expression of the subconscious mind. Some of the major figures mentioned include Tristan Tzara, Andre Breton, Max Ernst, Joan Miro, Rene Magritte, Salvador Dali, Frida Kahlo, and Remedios Varo. The Surrealist movement grew out of Dada and aimed to express the workings of the subconscious through incongruous imagery and concepts. Women played an important role in Surrealism by exploring feminism and challenging social norms.
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This document summarizes key developments in early 20th century visual arts in Europe. It discusses how Post-Impressionist artists like Gauguin, Matisse and Cézanne inspired experimentation with color and form. Gauguin's travels to Tahiti influenced his simplified forms and bold color juxtapositions. Fauvism emerged in 1905, characterized by expressive, non-naturalistic use of color. Matisse was a leading Fauvist artist, along with Derain, Vlaminck, Braque and Dufy. Brancusi pioneered modern sculpture through his simplified, abstract forms that captured the essence of subjects like birds in flight.
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The document provides an overview of Fauvism, an early 20th century art movement known for its radical use of expressive color. It discusses key events and artists associated with Fauvism, including how the movement shocked viewers at the 1905 Salon d'Automne exhibition in Paris with their vibrant, non-naturalistic paintings. Henri Matisse emerged as a leader of the Fauvists, liberating color from descriptive functions and pursuing emotional expression through color for the rest of his career, including in his final works using cut paper shapes.
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The document provides an overview of Impressionist art and some of the key Impressionist artists. It discusses how Impressionism opposed rigid academic traditions and emphasized capturing light and color outdoors. Artists like Monet, Renoir, Manet, Cassatt, and Degas are described as focusing on landscapes, scenes of daily life, and light effects over detailed compositions. Their works helped establish Impressionism as a new style that broke from conventions.
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This document provides an overview of Fauvism and key Fauvist artists such as Henri Matisse. It discusses the influences on Fauvism including Post-Impressionism, Japanese prints, and the works of Gauguin and Van Gogh. It summarizes several of Matisse's paintings that demonstrate his experimentation with color and rejection of naturalism, such as Luxe, Calme et Volupté, The Joy of Life, and Harmony in Red. The document examines how Matisse's works were innovative in their expressive and emotionally driven use of bold, unnatural color.
Norton Simon Art Gallery v2.0
This is the first of four Powerpoint on US gallery to be released on the next few day. In 1974 Norton Simon agreed to take over the Pasadena Art Museum, giving his collection a permanent home. In 1995, the museum began a major renovation and design. It also included a new theatre. Norton Simon started collecting seriously in 1964, when he purchased the entire European collection of the Duveen Brot. Today, his collection on European paintings is broadly based and methodological. The collection covers the whole span of European painting developments from the early Renaissance to modern days. All the mainstream movements are represented by works from the masters. However, one noticeable absence are paintings from America. In 1970s the collection started to include Asian Arts. Today, there are some 4,000 works in the collection. On European paintings the collection would complement to that of the more well-known Paul Getty Museum. Ion paintings, it must rank as one of the best on the west coast of America.
Art Institute of chicago
The Art Institute of Chicago, founded in 1879 and located in Chicago's Grant Park, is one of the oldest and largest art museums in the United States. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million guests annually.[2] Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. Text from Wikipedia
Potd7 Impressionism1
The document summarizes the origins and key figures of the Impressionist movement in painting. It describes how the movement began in 1863 when many paintings were rejected from the official Salon exhibition in Paris. This led Emperor Napoleon III to organize an independent Salon des Refusés exhibition. This helped establish Impressionism as a new style of painting focused on capturing fleeting impressions and sensations rather than detailed renderings. The document outlines some of the main Impressionist painters like Monet, Renoir, Pissarro, Sisley, and Degas and their contributions to the movement's loose brushwork style and use of plein air painting.
Art Definitivo
The document discusses Claude Monet's 1900 painting "The Artist's Garden at Giverny". It notes that Monet was a founder of French Impressionism and often painted outdoor scenes capturing the effects of light and movement. The summary briefly introduces key aspects of Impressionism as a 19th century art movement characterized by visible brushstrokes and changing light effects.
Fauvism
Fauvism was an early 20th century avant-garde art movement known for its use of bright, arbitrary colors and expressive brushwork. Key figures included Henri Matisse and Andre Derain. Their works were first exhibited together in 1905 and were criticized for their wild, unnatural colors, leading to the name "Fauves" meaning wild beasts. Matisse's painting Woman with a Hat was particularly attacked but also purchased by Gertrude and Leo Stein, boosting Matisse's confidence. Both Matisse and Derain were inspired by color and reimagining the visual world through color.
Chapter 10 picturing the waste land - western europe during world war i
The Cabaret Voltaire opened in Zurich in 1916, launching the art movement known as Dada. Founded by Hugo Ball and Emmy Hennings, it attracted diverse artists and hosted performances of works rejecting logic and rationality in response to World War I. Dada soon spread to other cities and focused on nonsensical happenings and works incorporating chance to subvert artistic norms. Figures like Marcel Duchamp, Hans Arp, and Francis Picabia created readymades and works embracing happenstance that challenged definitions of art. Dada marked a revolutionary beginning of conceptual art and influence on subsequent avant-garde movements.
Fauvism
Fauvism was an early 20th century art style characterized by bold, bright, unnatural colors applied directly from the paint tube in a radical departure from realistic representation. Led by Henri Matisse, Fauvism emphasized expressive use of color over Impressionism's focus on light and depiction of the moment. Key figures like Matisse and Andre Derain used this style with thick, simplified brushwork and flat areas of color to create an explosive effect on the canvas. Their works at the 1905 Salon d'Automne exhibition in Paris caused an uproar, leading the critic Vauxcelles to label the movement "Les Fauves" or "wild beasts."
Impressionism Vs Impressionism In Art
The document compares and contrasts the artistic movements of Impressionism and Post-
Impressionism. Impressionism emerged in the late 19th century in France and focused on capturing
fleeting effects of light and movement. Post-Impressionism developed in the late 1880s-1900s as
artists rejected some Impressionist techniques in favor of personal expression through color, line,
and form. While Impressionism depicted modern life, Post-Impressionism explored emotion and
symbolism through more abstracted representations.
Pierre-Auguste Renoir Essay
Pierre-Auguste Renoir was born in 1841 in France. He began his career painting porcelain and later entered the studio of Marc-Gabriel Gleyre to study painting. He went on to become a leading artist in the Impressionist movement, known for his paintings of figures and use of bright colors. Renoir often painted en plein air, capturing light and movement in his works.
© 2010, The McGraw-Hill Companies, Inc. All Rights Rese.docx
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© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
Fantasy and Futurism
Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
Ingres’ lifelong rival was Delacroix, champion of the Romantic movement. The Romantic ideal stressed dramatic subject matter, turbulent emotions, and complex compositions. Romanticism was not a style so much as a set of attitudes and characteristic subjects. The 18th century is sometimes known as “the Age of Reason,” for its leading thinkers placed their faith .
moudah.jpg© 2010, The McGraw-Hill Companies, Inc..docx
moudah.jpg
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
Fantasy and Futurism
Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
Ingres’ lifelong rival was Delacroix, champion of the Romantic movement. The Romantic ideal stressed dramatic subject matter, turbulent emotions, and complex compositions. Romanticism was not a style so much as a set of attitudes and characteristic subjects. The 18th century is sometimes known as “the Age of Reason,” for its leading thinkers plac ...
Henri matisse
Henri Matisse was a famous French artist known mainly for his paintings. He was born in 1869 in France and initially studied law, but discovered his true passion for art after an illness. Though his father disapproved of his career change, Matisse devoted his life to painting and developed Fauvism, a style focused on using bright colors and feeling over perspective. He lived for many years in Nice, France, where the light and colors inspired much of his work. Matisse completed major artworks throughout his life and career until his death in 1954 at age 84.
Similar to Art appreciation: Fauvism (16)
Chapter 10 picturing the waste land - western europe during world war i
Chapter 10 picturing the waste land - western europe during world war i
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© 2010, The McGraw-Hill Companies, Inc. All Rights Rese.docx
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moudah.jpg© 2010, The McGraw-Hill Companies, Inc..docx
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Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
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Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
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Art appreciation: Fauvism
- 1. Fauvism "TheWild Beasts" Presentors: AllysaGragasin Made by: Nearwin Garino
- 2. First avant-garde European art movement of the 20th century. African and Oceanic art, alongside other forms of non-Western and folk art. Wild brush work and strident color, high degree of simplification and abstraction of the subject. Very unnatural and simplified lines. Very childish. Post-Impressionism + Pointillism + Neo-Impressionism = Fauvism Fauvism Etymology. 1899 - 1908 "Orgie of pure tone" as "Donatello among the wild beast" (from French "Donatello chez les fauves"), ~Vauxcelles. "
- 3. TheExhibitions . Salon d'Automne 1905 Salon d'Automne 1906 Salon des Indépendants 1906
- 4. Henri Matisse. 1 8 6 9 - 1 9 5 4 • French Painter, Draftsman, and Collagist. • Greatest colorist of the 20th century and as a rival to Pablo Picasso . • Leader of Fauvism. • Pure colors and the white of exposed canvas to create a light "What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject-matter, an art which could be for every mental worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a good armchair which provides relaxation from physical fatigue."
- 5. Luxe, Calme et Volupté 1 9 0 4 Luxury, peace and pleasure.. Title inspired in the poem refrain Invitation to a Voyage (1857) by Charles Baudelaire. View from Paul Signac's house in Saint- Tropez, where Matisse was vacationing.
- 6. André Derain. 1 8 8 0 - 1 9 5 4 French Painter, Writer, Set Designer, Illustrator, and Sculptor One of the founders of the Fauve artistic movement . His works are characterized by dense, vibrant brushworks that attract the viewer's attention as much as the subject itself. "Fauvism was like an ordeal by fire...our paints became sticks of dynamite. They were supposed to explode with light."
- 7. The Pool of London. 1 9 0 6 This view of the Thames from London Bridge is one of four works painted by Derain, showing the same part of the river.
- 8. Albert Marquet. 1 8 7 5 - 1 9 4 7 French Painter Lifelong friend of Henri Matisse. Naturalistic style, primarily landscapes, portraits and female nude paintings.
- 9. Fécamp 1 9 0 6 The Beach at Sainte-Adresse
- 10. Maurice de Vlaminck. 1 8 7 6 - 1 9 5 8 French Painter He ignored the details, with the landscape becoming a mere excuse to express mood through violent color and brushwork "I try to paint with my heart and my guts without worrying about style."
- 11. The River Seine at Chatou. 1 9 0 6 This scene depicts the portion of the Seine that runs through Chatou.
- 12. Bibliography “Fauves – fauv shilpider kotha” by Kaniz Sohani Islam http://www.wikiart.org/ http://www.metmuseum.org/ http://www.theartstory.org/ www.visual- arts-cork.com http://www.webexhibits.org/colorart/fauve.html
Editor's Notes
- Fauvism Started in 1899 to 1908. In 20th Century, Fauves were among the first avant-garde artists to collect and study African and Oceanic art, alongside other forms of non-Western and folk art, leading several Fauves toward the development of Cubism. The paintings of the Fauves were characterized by seemingly wild brush work and strident colors, while their subject matter had a high degree of simplification and abstraction. Lines are simplified as much as possible as well as very unnatural lines and often look very childish. Fauvism can be classified as an extreme development of Van Gogh's Post-Impressionism fused with the pointillism of Seuratand other Neo-Impressionist painters, in particular Paul Signac.
- In 1905 at Salon d'Automne, The group gained their name after Vauxcelles described their show of work with the phrase "Donatello chez les fauves" ("Donatello among the wild beasts"), contrasting their "orgie of tones" with a Renaissance-style sculpture that shared the room with them. Henri Rousseau was not a Fauve, but his large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited near Matisse's work and may have had an influence on the pejorative used. In 1906 at Salon des Indépendants, which marked the beginning of Fauvism, the Salon des Indépendants of 1906 marked the first time all the Fauves would exhibit together. The centerpiece of the exhibition was Matisse's monumental Le Bonheur de Vivre (The Joy of Life).Critics were horrified by its flatness, bright colors, eclectic style and mixed technique. The third group exhibition of the Fauves occurred at the Salon d'Automne of 1906, held from 6 October to 15 November. Metzinger exhibited his Fauvist/Divisionist Portrait of M. Robert Delaunay (no. 1191) and Robert Delaunay exhibited his painting L'homme à la tulipe (Portrait of M. Jean Metzinger),
- Most of the women are nude (in the manner of a traditional classical idyll), but one woman - thought to represent the painter's wife - wears contemporary dress.
- At this time he was a leading member of the fauve group of painters in Paris. He had been sent to London by his dealer to update the popular Thames views painted by Claude Monet a few years earlier.
- This scene depicts the portion of the Seine that runs through Chatou. For The River Seine, He used impasto (a technique practiced by many Fauves): thick daubs of paint applied directly from the tube, then brushed together in short strokes to create the effect of movement. For the water and sky, de Vlaminck used a range of blues and greens, as well as dazzling white highlights applied in choppy dabs; the two red-and-orange trees at the left provide a lively contrast. The finished effect is one of brightness and vibrating motion; detail and traditional perspective matter far less than a sense of buoyant pleasure.