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Europe and  America 1945-70 Still from  Mad Men  opening credits, AMC television series
Europe and America 1945-60 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],ALBERTO GIACOMETTI,  Man Pointing , 1947. Fig. 15-2.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Europe and America 1945-60 Francis Bacon,  Painting , 1946, fig.15-3
Painting and Sculpture, 1945 to 1960 JACKSON POLLOCK,  Number 1, 1950 (Lavender Mist),  1950. Fig. 15-4.
Painting and Sculpture, 1945 to 1960 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],JACKSON POLLOCK,  Number 1, 1950 (Lavender Mist),  1950, oil, enamel, aluminum paint, fig. 15-4. At a certain moment the canvas began to appear to one American painter after another as an arena in which to act—rather than as a  space in which to reproduce, redesign, analyze or “express” an object real or imagined. What was to go on the canvas was not a picture but an event.  -Harold Rosenberg, 1952
Painting and Sculpture, 1945 to 1960 WILLEM DE KOONING,  Woman I,  1950–1952.  Fig. 15-5.
Painting and Sculpture, 1945 to 1960 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],WILLEM DE KOONING,  Woman I,  1950–1952. Fig. 15-5.
“Woman” II, III, & IV “ Venus” of Willendorf Picasso’s Les Demoiselles d’Avignon, 1907 1950s Camel Cig. ad
Painting and Sculpture, 1945 to 1960 Robert Rauschenberg,  Canyon , 1959, mixed media, fig. 15-15 Rembrandt,  Rape of Ganymede 1635, oil
Painting and Sculpture, 1945 to 1960 Robert Rauschenberg,  Canyon , 1959, mixed media, fig. 15-15 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting relates to both art and life. Neither can be made  (I try to act in the gap between the two).  -Rauschenberg
Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],President Elect  by James Rosenquist 1960-61/1964, oil on masonite General Nguyen Ngoc Loan Executing  a Viet Cong Prisoner in Saigon  by Eddie  Adams, 1968, Associated Press
Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Louise Nevelson,  Tropical Garden II , 1957-59, painted wood, fig.15-11
Painting and Sculpture, 1960 to 1970 ANDY WARHOL,  Marilyn Diptych,  1962. Fig. 15-17.
Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],ANDY WARHOL,  Marilyn Diptych,  1962. Fig. 15-17. Andy Warhol,  Self-Portrait in Drag , 1981 Celebration or critique?
Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],ROY LICHTENSTEIN,  Hopeless,  1963. Fig. 15-16.
Painting and Sculpture, 1960 to 1970 La Fillette,  Robert Mapplethorpe, 1982 Louise Bourgeois,  Cumul I , 1969, marble Fig. 15-12 ,[object Object],[object Object],[object Object],[object Object]
Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],DONALD JUDD,  Untitled,  1969.  Fig. 15-10.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting and Sculpture, 1960 to 1970 Chuck Close,  Big Self-Portrait,  1967-68 Acrylic, fig. 15-18
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting and Sculpture, 1960 to 1970 Duane Hanson,  Supermarket Shopper , 1970 Polyester resin and fiberglass, fig. 15-19
Contemporary Superrealism   Ron Mueck,  A Girl  (2006, 15’ long) and  Spooning Couple  (2005, 1/2 scale)

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Europe and US, 1945-70

  • 1. Europe and America 1945-70 Still from Mad Men opening credits, AMC television series
  • 2.
  • 3.
  • 4. Painting and Sculpture, 1945 to 1960 JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950. Fig. 15-4.
  • 5.
  • 6. Painting and Sculpture, 1945 to 1960 WILLEM DE KOONING, Woman I, 1950–1952. Fig. 15-5.
  • 7.
  • 8. “Woman” II, III, & IV “ Venus” of Willendorf Picasso’s Les Demoiselles d’Avignon, 1907 1950s Camel Cig. ad
  • 9. Painting and Sculpture, 1945 to 1960 Robert Rauschenberg, Canyon , 1959, mixed media, fig. 15-15 Rembrandt, Rape of Ganymede 1635, oil
  • 10.
  • 11.
  • 12.
  • 13. Painting and Sculpture, 1960 to 1970 ANDY WARHOL, Marilyn Diptych, 1962. Fig. 15-17.
  • 14.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20. Contemporary Superrealism Ron Mueck, A Girl (2006, 15’ long) and Spooning Couple (2005, 1/2 scale)