The document highlights significant modern art pieces and artists between 1900 and 1950, including works by Cézanne, Matisse, Picasso, Mondrian, and Pollock. It discusses key movements and exhibitions, such as Cubism, Dadaism, and Constructivism, along with notable events like the Paris World's Fair in 1937. Prominent themes include the evolution of styles and the impact of historical context on artistic expression during this period.
Charles-Édouard Jeanneret (LeCorbusier), Still Life, 1920.
“Purism fears the bizarre and the original. It seeks the pure element
in order to reconstruct organized paintings that seem to be facts from
nature herself.” — Amédée Ozenfant and Charles-Édouard Jeanneret,
“Après le cubisme” (1918)
16.
Gino Severini, ArmoredTrain, 1915 (left) and
Two Pierrots, 1922 (right).
Picasso, Les Demoiselles d’Avignon, 1907 (top) and
Three Women at a Spring, 1921 (bottom).
International Congress ofConstructivists and Dadaists
Weimar, Germany, 1922
Pictured: Laszlo Moholy-Nagy (Bauhaus), Lucia Moholy-Nagy (Bauhaus), El Lissitzky (Constructivism),
Theo van Doesburg (Neoplasticism/Dada), Tristan Tzara (founder of Zürich Dada),
Hans Arp (Dada), Sophie Taeuber-Arp (Dada)
20.
El Lissitzky, TheConstructor,
1925.
Herbert Bayer, Poster for Bauhaus Exhibition, 1923.