The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people.
The Courtauld Institute is offering a range of courses on the history of art and architecture, It is one of the academic establishments that make up the University of London. The Courtauld Gallery was established in 1932.as an integral part of the Courtauld Institute. Its collections now numbers some 520 paintings, 7000 drawings, 20000 prints and over 550 works of decorative art and sculptures, from the 1300 to 1970. On painting, it is particularly noticeable for its collection on the Impressionists.
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people.
The Courtauld Institute is offering a range of courses on the history of art and architecture, It is one of the academic establishments that make up the University of London. The Courtauld Gallery was established in 1932.as an integral part of the Courtauld Institute. Its collections now numbers some 520 paintings, 7000 drawings, 20000 prints and over 550 works of decorative art and sculptures, from the 1300 to 1970. On painting, it is particularly noticeable for its collection on the Impressionists.
בדידות, ניכור, הפרדה, קושי בתקשורת הם אתגרם עצומים עבורינו, אולם עבור בני הנוער והילדים תחושות אלו יכולות להיות הרסניות לבריאות הפיזית והנפשית. מה שמוביל למסלול ארוך של פגיעה עצמית, התמכרויות, בריונות ואלימות. בתנאים האלו למידה הופכת להיות בלתי אפשרית.
מה גורם להפרדה, תחושה עמוקה של בדידות וניכור שכל כך הרבה בני נוער נחשפים ונאבקים איתה מדי יום?
Geoff Krawczyk's Art Survey course, Art since 1945.
The Rise of Modernism: 1800-1917
The first slide lecture discusses the roots of Modernism in the Romanticism and political turmoil of the 19th century; the formation of the avant-garde in Europe; Paris as a cultural hub; the optimism for industry and the beginning of WWI.
ART 315 LECTURE 4Pablo Picasso, La Vie, 1903Pa.docxfestockton
ART 315 LECTURE 4
Pablo Picasso, La Vie, 1903
Pablo Picasso, Portrait of Gertrude
Stein, 1905
Pablo Picasso, Family of Saltimbanques, 1905
Pablo Picasso, Les
Demoiselle d'Avignon,
1907
Georges Braque, The Portuguese, 1911
Picasso, Still Life with Chair Caning, 1912
Picasso, Ma Jolie, 1911 - 12
Fernand Léger, The City, 1919
Robert Delaunay, Circular Forms, 1930
Giacomo Balla, Dynamism of a Dog on a Leash, 1912
Henri Rousseau, The Snake Charmer, 1907
Paul Klee, The Goldfish, 1925
Paul Klee, The Twittering Machine, 1922
Paul Klee, Senecio, 1922
Amedeo Modigliani, The Bride and
Groom, c. 1915-16
Amedeo Modigliani, Head, 1911 - 12
Constantin Brancusi, The Kiss, 1912
Constantin Brancusi, Bird in Space, 1928
Picasso, Guitar, 1912
Umberto Boccioni, Unique Forms of
Continuity in Space, 1913
Wilhelm Lehmbruck, Standing Youth, 1913
Wilhelm Lehmbruck, Der Gestürzte, 1915 - 16
Alfred Stieglitz, Steerage, 1907
André Kertesz, Champs Elysées, 1930
ART 315 LECTURE 5
Raoul Hausmann, The Art Critic, 1919
Raoul Hausmann, Tatlin at Home, 1920
Raoul Hausmann, Mechanical Head (The
Spirit of our Times), 1919-20
Morton Shamburg & Elsa von
Freytag-Loringhoven, God, 1917
First International Dada Fair, Berlin, 1920
Raoul Hausmann, ABCD (Self-Portrait),
1923-24
Hannah Höch, Cut with a Kitchen
Knife Through the Beer Belly of the
Weimar Republic, 1919
Marcel Duchamp, Fountain, 1917
Man Ray, The Gift, 1921
Max Ernst, Fruit of a Long Experience, 1919
Max Ernst, Two Children Are
Threatened by a Nightingale,
1924
Marcel Duchamp, Nude Descending a Staircase
#2, 1912
Marcel Duchamp, Chocolate
Grinder no. 1, 1914
Francis Picabia, Love Parade, 1917
Salvador Dali, The Persistence of Memory, 1931
René Magritte, The Treachery of Images, 1928/9
René Magritte, Time Transfixed, 1939
René Magritte, The Human Condition,
1933
Joan Miro, Person Throwing a Stone at a Bird, 1926
Joan Miro, Harlequin's Carnival, 1924/5
André Masson, Battle of Fishes, 1926
Meret Oppenheim, The Fur-Lined Teacup Object, 1936
Joseph Cornell, Hotel de l'Océan, 1959/60
Alberto Giacometti, The Palace at 4 A.M., 1932/33
Man Ray, Kiki, Violon d'Ingres, 1924
ART 315 LECTURE 2
Claude Monet, Impression: Sunrise, 1872
Claude Monet, Haystacks, 1880 - 81
Edgar Degas, Dance Studio of the Opera, 1872
Edgar Degas, Place de La Concorde, 1875
Pierre-Auguste Renoir, Le Moulin de la Galette, 1876
Eadweard Muybridge, Horse in Motion, 1872
Auguste Rodin, Monument to Balzac, 1897
Auguste Rodin, Walking Man, 1877 - 78
Paul Gauguin, The Birth of Christ, 1896
Paul Gauguin, Yellow Christ, 1889
Vincent Van Gogh, Starry Night, 1889
Paul Cézanne, Still Life with Apples, 1890 - 94
Paul Cézanne, Portrait of Mme Cézanne
with a Fan, 1881
Paul Cézanne, Three Bathers, 1879 - 82
Claude Monet, Water Lilies, 1919
...
PHOT 154, History of Photography, Grossmont College, stereograph, ambrotype, carte-de-visite, cliché verre, spirit photography, photography as a fine art, Julia Margaret Cameron, Lady Hawarden, Lewis Carroll, Lewis Carroll's photographs of children, Nadar, Oscar Rejlander, combination printing, Henry Peach Robinson, Victorian era,
Geoff Krawczyk’s Art Survey course, Art Since 1945.
Europe to New York: 1913-1939
The second slide lecture discusses the effects and aftermath of WWI on the art of Europe. It covers the reaction to the wars in Berlin and Paris, through the Dadaists and the Surrealists. Also covered is the political and social situation in art in 1930s America. We can see how the art center of the world begins to shift from Paris to New York as WWII looms.
Art and Photography History of Photography .docxwraythallchan
Art and Photography
History of Photography
C. Jabez Hughes �
: photography into three classes
• 1) Mechanical photography
• 2) Art photography
• 3) A photograph that can “instruct, purify and
ennoble.”
• Depiction vs imagination
• Objective description vs moral uplift
• Entertainment vs. Education
(textbook 3.6) Etienne Carjat, Charles Baudelaire, c. 1862. Woodburytype.
Nadar (Gaspard-Félix Tournachon), Portrait of Charles Baudelaire, c. 1863.
3.7. Nadar, Panthéon Nadar, 1854. Lithographic print, George Eastman House,
Rochester, New York.
Nadar, “Revolving” Self-Portrait, c. 1865.
Nadar, pseudonym of
Gaspard-Félix Tournachon,
(1820 - , 1910),
French writer, caricaturist
and photographer.
-best known for his
photographic portraits.
Nadar, Paris from above in 1858.
3.9. Nadar, Theophilie Gautier, 1854-55. Albumen salted paper print, mounted on Bristol
board, Musee d’Orsay, Paris.
*Gautier: proponent of art
for art’s sake and author
of the novel about
Parisian bohemian life,
Mademoiselle de Maupin
(1835)
*the writer’s antagonism
toward the bourgeois.
*Nadar’s photographic
studio became a
fashionable intellectual
salon.
3.10. Nadar, The Sewers of Paris, 1864-65. Modern print from a glass negative.
Nadar, Catacombs, c. 1860.
Nadar, Sarah Bernhardt, c. 1860.
Nadar, Victor Hugo at Deathbed. 1885.
Tableaux Vivants (living pictures)
William Lake Price, An Interior, 1858.
High Art Photography
Tableux vivants
3.12. William Lake Price, Don Quixote in His Study. Early 1850s.
Albumen print from a wet collodion negative. [Miguel de Cervante]
Tableux vivants
High Art Photography
(textbook 3.13) Oscar Rejlander, The Two Ways of Life, 1857.
Combination Albumin print.
High Art Photography
Raphael, School of Athens 1509-1511, Vatican City
Thomas Couture, The Romans of Decadence, 1855.
(see also your textbook for the scale of this painting, page 461.
13.31. Thomas Struth, Musee d’Orsay, Paris, 1989)
3.14. Henry Peach Robinson, Group with
Recumbent Figure (Sketch with cut-out),
1860. Albumen print and pastel collage on
paper. Gernsheim Collection.
Henry Peach Robinson
(1830 – 1901)
Self-portrait, 1895.
Henry Peach Robinson, When Day’s Work is Done, 1877.
A combination print made from six different negatives.
Henry Peach Robinson, Figures in Landscape, early 1890s, Combination albumen print
3.15. Henry Peach Robinson, Fading Away, 1858, Albumen composite print
(Combination Print),
Science Museum, London.
• Robinson, Henry Peach: “Pictorial Effect In Photography:
Being Hints On Composition And Chiaroscuro For
Photographers.” Piper & Carter, 1869
• Robinson, Henry Peach: “The Elements of a Pictorial
Photograph”. Lund, 1896.
• Video: combination printing darkroom techniques.
Julia Margaret Cameron (1815 – 1879)
Henry Hersschel Hay Cameron, Julia Margaret.
A slideshow connected to a lecture of Twentieth-Century Photography available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Beth Saunders.