AHTR Race-ing Art History
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A slideshow connected to a lecture on twentieth-century artists whose work deals with issues of race and identity available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Ellen Caldwell.
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AHTR Race-ing Art History
- 1. Race-ing Art History: Contemporary Reflections on the Art Historical Canon
- 3. Thomas Gainsborough, Mr. and Mrs. Andrews, 1748.
- 4. Yinka Shonibare, Mr. and Mrs. Andrews without their Heads, 1998. Gainsborough, Mr. and Mrs. Andrews, 1748.
- 5. Yinka Shonibare, The Swing (after Fragonard), 2001. Jean-Honoré Fragonard, The Swing, 1766.
- 7. Jacques-Louis David, Napoleon Crossing the Alps, 1800. Kehinde Wiley, Napoleon Leading the Army Over the Alps, 2005.
- 8. Peter Paul Rubens, Equestrian Portrait of King Philip II of Spain, c. 1635. Wiley, Equestrian Portrait of King Philip II, 2009.
- 9. Jean-Auguste-Dominique Ingres, Napoleon I on His Imperial Throne, 1806. Wiley, Ice T, 2005.
- 11. Jean Léon Gerôme, Moorish Bath, 1883. Frederick Arthur Bridgman, The Bath, c. 1890. Eugène Delacroix, Algerian Women in their Apartments, 1834.
- 12. Gerôme, The Slave Market,1867.
- 13. Abelina Galustian, Womansword series (quoting Gerôme’s Slave Market), 2000. Gerôme, The Slave Market, 1867.
- 14. Ettore Cerone, Examining Slaves, 1890. Galustian, Womansword series (quoting Cerone’s Examining Slaves), 2000.
- 15. Galustian, Womansword series (quoting von Chlebowski’s Purchasing a Slave), 2000–1. Stanislaus von Chlebowski, Purchasing a Slave, 1879.
- 16. Ken Gonzales-Day
- 17. Ken Gonzales- Day, Erased Lynching series and Wonder Gaze installation, 2000–13
- 19. Gonzales-Day, East First Street, 2006.
- 20. Gonzales-Day, At daylight the miserable man was carried to an oak, 2007.
- 21. Gonzales-Day, Momento Gonzales-Day, Aaron, 2007. Mori,2007.
- 22. Installation view (At Daylight, left; Aaron, right).
- 23. Fred Wilson
- 24. “There is no document of civilization which is not at the same time a document of barbarism.” — Walter Benjamin
- 25. Wunderkammer, cabinets of curiosities.
- 26. Crystal Palace, World’s Fair, London, 1851.
- 27. Exposition Universelle, Paris, 1889.
- 28. Humans on exhibition, nineteenth-twentieth century.
- 29. Fred Wilson, Mining the Museum,1992.
- 30. Wilson, Mining the Museum,1992.
- 31. Wilson, Metalwork 1723–1880 in Mining the Museum, 1992.
- 32. Wilson, Cabinet Making 1820–1910 in Mining the Museum, 1992.
- 33. Wilson, Modes of Transport 1770–1910 in Mining the Museum, 1992.
- 34. Wilson, Cabinet Making 1820–1910, 1992. Shonibare, Mr. and Mrs. Andrews Without Their Heads, 1998.
- 35. “The decolonial option is an option and, as such, it makes evident that there is no right or natural way to define what museums shall do. Museums should offer spaces for many kinds of interpretive activity (dialoguing or contesting each other). The decolonial option displaces the ‘spectacle’ and ‘performance’ of museum exhibits and installations and brings to the foreground what ‘spectacle’ and ‘performance’ hides: coloniality, that is, the darker side of modernity of which museums are a paramount institution.” — Walter Mignolo, “Museums in the Colonial Horizon of Modernity: Fred Wilson’s Mining the Museum (1992).”