6. production reflection
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Reece Boland produced a reflection on their process of creating a flash video. They added background music and an intro, adjusting the volume levels throughout. Different sound effects were combined to create the sound of breaking glass. The narration volume was adjusted to be consistent. Additional climax music was added at the end to build impact, and the narration speed was increased.
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3. production experiments(4)
The document describes experiments conducted with audio editing software. It details the process of recording a script singing, transferring the audio to Adobe Premier to remove blank space, adding background music, and combining the audio and music. Sound effects were downloaded and inserted at specific points. In the reflection, the creator notes they will include talking voice audio instead of singing, subtle sound effects like those heard in interrogation rooms, and the method of splitting and recombining audio in their final product.
6. production reflection
The document summarizes the production process for a podcast. It describes importing the script audio and music, editing parts where speech was unclear, looping the background music, and adding sound effects. Specifically, sections of audio were edited together, music volume was adjusted, and sound effects were placed where there were pauses in speech or to transition between topics. The overall goal was to make the audio clear, fluent and engaging for the audience.
Audio pro forma
Here are some suggestions to improve the aural qualities of your work:
- Rerecord lines with awkward pauses or tones to make the dialogue flow more naturally. Smooth delivery helps immerse the listener.
- Add subtle background ambience even during indoor scenes to maintain atmosphere. Faint noises like a clock ticking or creaking floorboards can help.
- Layer sound effects for impact. For example, have a loud knock followed by softer subsequent knocks to build anticipation.
- Consider subtle reverb or compression on voice tracks to make them feel like they're in the same acoustic space.
- Add subtle foley effects like breathing, footsteps or clothing rustles to enhance realism during tense moments
Audio pro forma saved jamie brown (1)
The document discusses audio techniques used in three different media productions: Doctor Who, The Stranger, and Tip the Waitress.
For Doctor Who, slow building piano music and various sound effects are used to set the scene and heighten drama. Galactic sounds suggest a future time period. Audio cuts out before dramatic scenes to enhance tension.
In The Stranger, narration with dark music is followed by sounds of a car crash. Walking and phone sounds further a tense situation.
For Tip the Waitress, a bell indicates someone entering a shop. Background noise suggests a busy environment. Chair screeching and water pouring sounds further immerse the audience.
3. production experiments(4)
Stephen Royle conducted experiments with audio editing and sound effects to improve his skills. He wrote a script beforehand and added cues for sound effects. Initially, some effects could not be heard clearly, so he adjusted the master sound levels to amplify the effects. He kept effects and main audio separate for easier volume control. Fade effects were added successfully to sounds. Sound effects were collected from YouTube Audio Library for backup in case of file issues. Elements like sound mixing, fades, and scripting will be applied to the final product based on this experimentation.
Audio Pro Forma
The document outlines a proposed soundscape project called "The Scream" that follows a character alone at home who begins to hear strange noises and screams outside, creating a sense of fear and danger; research on existing soundscapes informed the planning, script, and selection of sound effects to build tension and suspense for the intended teenage and adult audience.
3. audio production experiments
To begin his experiments, the author created a script noting where sound effects would be placed. He found a calming intro song and disk scratch effect to interrupt the song and begin speaking. During recording, he paused where sound effects would be added to make the environment more dynamic. For the final product, he wants an intro song fading into his voice and outro with his voice fading into music. Sound effects may be difficult for an interview but could work when adding sounds to something someone says.
Reviwe
The document discusses the process of creating a 30-second advertisement and adding various audio elements like music, sound effects, and voiceover. Key steps included importing audio files onto separate layers for control, fading the music in and out using volume keyframes, adjusting the voiceover to sound better by using an effect called ReaPitch, and altering the pan and width of a duplicated car sound to make it less obvious that it was used twice due to a lack of copyright-free options.
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The document describes experiments conducted with audio editing software. It details the process of recording a script singing, transferring the audio to Adobe Premier to remove blank space, adding background music, and combining the audio and music. Sound effects were downloaded and inserted at specific points. In the reflection, the creator notes they will include talking voice audio instead of singing, subtle sound effects like those heard in interrogation rooms, and the method of splitting and recombining audio in their final product.
6. production reflection
The document summarizes the production process for a podcast. It describes importing the script audio and music, editing parts where speech was unclear, looping the background music, and adding sound effects. Specifically, sections of audio were edited together, music volume was adjusted, and sound effects were placed where there were pauses in speech or to transition between topics. The overall goal was to make the audio clear, fluent and engaging for the audience.
Audio pro forma
Here are some suggestions to improve the aural qualities of your work:
- Rerecord lines with awkward pauses or tones to make the dialogue flow more naturally. Smooth delivery helps immerse the listener.
- Add subtle background ambience even during indoor scenes to maintain atmosphere. Faint noises like a clock ticking or creaking floorboards can help.
- Layer sound effects for impact. For example, have a loud knock followed by softer subsequent knocks to build anticipation.
- Consider subtle reverb or compression on voice tracks to make them feel like they're in the same acoustic space.
- Add subtle foley effects like breathing, footsteps or clothing rustles to enhance realism during tense moments
Audio pro forma saved jamie brown (1)
The document discusses audio techniques used in three different media productions: Doctor Who, The Stranger, and Tip the Waitress.
For Doctor Who, slow building piano music and various sound effects are used to set the scene and heighten drama. Galactic sounds suggest a future time period. Audio cuts out before dramatic scenes to enhance tension.
In The Stranger, narration with dark music is followed by sounds of a car crash. Walking and phone sounds further a tense situation.
For Tip the Waitress, a bell indicates someone entering a shop. Background noise suggests a busy environment. Chair screeching and water pouring sounds further immerse the audience.
3. production experiments(4)
Stephen Royle conducted experiments with audio editing and sound effects to improve his skills. He wrote a script beforehand and added cues for sound effects. Initially, some effects could not be heard clearly, so he adjusted the master sound levels to amplify the effects. He kept effects and main audio separate for easier volume control. Fade effects were added successfully to sounds. Sound effects were collected from YouTube Audio Library for backup in case of file issues. Elements like sound mixing, fades, and scripting will be applied to the final product based on this experimentation.
Audio Pro Forma
The document outlines a proposed soundscape project called "The Scream" that follows a character alone at home who begins to hear strange noises and screams outside, creating a sense of fear and danger; research on existing soundscapes informed the planning, script, and selection of sound effects to build tension and suspense for the intended teenage and adult audience.
3. audio production experiments
To begin his experiments, the author created a script noting where sound effects would be placed. He found a calming intro song and disk scratch effect to interrupt the song and begin speaking. During recording, he paused where sound effects would be added to make the environment more dynamic. For the final product, he wants an intro song fading into his voice and outro with his voice fading into music. Sound effects may be difficult for an interview but could work when adding sounds to something someone says.
Reviwe
The document discusses the process of creating a 30-second advertisement and adding various audio elements like music, sound effects, and voiceover. Key steps included importing audio files onto separate layers for control, fading the music in and out using volume keyframes, adjusting the voiceover to sound better by using an effect called ReaPitch, and altering the pan and width of a duplicated car sound to make it less obvious that it was used twice due to a lack of copyright-free options.
3. production experiments(4) audio (1)
The document describes Benjamin Birney's process for creating an experiment involving recording and editing together voice lines and sound effects to recreate a morning routine. The process involved scripting the routine, recording voice lines for himself and doing an impression of his father, finding relevant sound effects from Freesound.org, editing the voice lines and sound effects together in Premiere Pro including adding effects, and exporting the finished product as an MP3 file.
6. production reflection(4) (1)
Benjamin Birney created a script for voice actors to record lines for characters in his crime story. He recorded his friends voicing different characters one at a time to make the process easier. After recording all voice lines, he compiled them into a single file along with downloaded sound effects and a soundtrack. He applied audio effects like changing pitch and fading to help transitions before exporting the completed story as an MP3 file.
3. Production Experiments (audio)
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7. evaluation(4)
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3. production experiments(4)
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6. audio production reflection
The document describes the process of producing an audio project. It discusses dragging audio files into a project folder to begin creating the main part of the project. Effects were tested in the audio mixer to make voices clearer. Instrumental songs were found on YouTube to use for the intro and outro, and were edited with fades to flow smoothly. Additional audio and fades were added to maximize the quality of interviews. Finally, fades and audio were adjusted to ensure everything sounded cohesive.
6. production reflection(4)
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6. production reflection(4)
James-cooper created an audio production by gathering sound effects from YouTube and recording dialogue. He imported the audio files into Adobe Premier and edited them. This included cutting the files, adjusting volumes, and organizing the dialogue and sound effects into the proper sequence. James spent time cutting up each character's dialogue to remove mistakes and pauses. His final steps were fine-tuning the timing and flow of the audio by positioning the dialogue and sound effects to create a cohesive and engaging conversation without awkward pauses.
6. production reflection
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Production reflection - Audio
Ellie Warmingham reflects on the process of producing an audio book. She began by editing together recordings into the proper order. Next, she found music and sound effects from various online sources like Uppbeat and YouTube to add. She also created some instrument sounds using BeepBox. Finally, she listened through her work and adjusted sound levels to balance the recordings and effects before exporting the final product.
6. production reflection
Daniel Thompson created a podcast by gathering sound effects from YouTube, recording voiceovers on his phone, and editing the audio files in Audacity. He added voice recordings, backing music, and sound effects to the project. Thompson edited the recordings by cutting, pasting, fading tools to blend the elements together into a cohesive podcast. He played the final product to check it was satisfactory before exporting it as an mp3 file.
Production Reflection
Imogen edited an audio recording in Premiere Pro. She imported the audio file and deleted pauses and mistakes. She split one section into two tracks to make the beginning louder without changing the volume of the rest. Imogen also added sound effects by importing files and dragging them into the timeline. She chose space-themed sound effects like a whooshing noise and spaceship sounds to match the content about reviewing the movie Passengers without overwhelming the dialogue.
3. production experiments (js)
The document describes the process of creating an audio recording that discusses what the author's mornings are like. It details how the author cropped parts of the raw recording, added pauses to space out the speech, and overlaid background music and sound effects to make the recording more lively and engaging without sounding plain. The author plans to include these mixing elements, as well as speaking in an uplifting but informal tone split into sections about different morning topics, for the final audio product.
Post production for radio advert
The document discusses the creative process and choices behind producing a retro futuristic radio advertisement. The producer chose the song "Catgroove" by Parov Stelar due to its electro swing genre that fits the retro futuristic style. Effects were added to the audio tracks to make it sound like a 1950s radio advertisement, including static noise and microphone crackling. Multiple audio layers were edited and balanced together, including the song, announcer voice clips, and sound effects of a crowd and signature tune, to effectively convey the envisioned futuristic theme park setting.
6. production reflection(4)
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Post Production Diary - Documentary.docx
The document summarizes the filmmaker's process over two days of editing their documentary about growing up in the Northeast in the 1970s. On the first day, they organized their footage by renaming files, transferred files to their computer, and noticed audio issues like static that they wanted to fix. They experimented with different audio effects in DaVinci Resolve but had trouble reducing the static. On the second day, they edited their documentary together in Premiere Pro, loading all media and placing interview clips in order. They found the "Dehummer" effect successfully removed static from audio clips.
Audio pro forma
The audio story tells a ghost story about Humpty Dumpty. It uses sound effects like cracking eggs and screaming to support the story. Different voices are used for characters to distinguish them. While the sound effects help the story, the author feels they could have added more detail. More focus on the target audience also could have improved audience appeal. Overall, sound effects engage the listener but leaving some room for enhancement in future projects.
7. evaluation(4)
The student created an audio podcast evaluating films such as Ghostbusters and Venom. For research, the student listened to other film podcasts to understand common elements. Planning included a mind map of the target audience, genre, and audio elements. Recording took place in a quiet room to ensure clear audio quality. The podcast included introductions, film discussions, and music clips. Peer feedback praised the clear audio and detail but suggested adding release dates and improving audio quality. The student agreed improvements could be made to address audio issues.
7. production reflection (aa)
The document describes Aaron Acaster's process of producing a podcast in Premiere Pro. He imported audio tracks and cut them to size. He added music and sound effects and separated tracks by type (e.g. talking vs. music). Aaron adjusted volumes and effects to balance the audio and make the podcast sound professional. With editing, trimming, and effects, he produced a finished podcast project in Premiere Pro.
7. evaluation
The document provides an evaluation of Reece Boland's production process for an audiobook project. It discusses the planning, research, time management, technical qualities, aural qualities, audience appeal, and peer feedback received. The peer feedback noted that the audio levels varied in volume and background music was sometimes louder than the narration. Reece agrees the audio needs improvement and would ensure consistent recording volume and duration if given more time. Overall the evaluation assessed strengths and weaknesses at each stage and how the project could be enhanced.
6. production reflection(4) (luke headland)
Luke Headland recorded audio for a story using Audacity then edited it by ordering clips, adding music and sound effects. He synced the music to match the tension in the audio, using calm then dramatic music. Adding sound effects was easy but one had issues. He listened to the final audio and fixed issues like misplaced audio before exporting the final MP3 file.
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3. production experiments(4) audio (1)
The document describes Benjamin Birney's process for creating an experiment involving recording and editing together voice lines and sound effects to recreate a morning routine. The process involved scripting the routine, recording voice lines for himself and doing an impression of his father, finding relevant sound effects from Freesound.org, editing the voice lines and sound effects together in Premiere Pro including adding effects, and exporting the finished product as an MP3 file.
6. production reflection(4) (1)
Benjamin Birney created a script for voice actors to record lines for characters in his crime story. He recorded his friends voicing different characters one at a time to make the process easier. After recording all voice lines, he compiled them into a single file along with downloaded sound effects and a soundtrack. He applied audio effects like changing pitch and fading to help transitions before exporting the completed story as an MP3 file.
3. Production Experiments (audio)
Tamzin Twose recorded an audio voiceover of her morning routine script and added sound effects to accompany the recording. She had to revise her script slightly during recording for better flow. Background noise was minimal during recording but the room had some echo. Tamzin ensured her voiceover was clear by reading enthusiastically with consistent tempo. Some sound effects were downloaded from YouTube while others came from FreeSound. In Premiere Elements, Tamzin trimmed blank audio and overlapped sound effects with voiceover parts, sometimes lowering volume of effects. She reflected on including script writing in Word, self-recording sound effects, recording in quiet spaces, and overlapping effects with voiceover in her final product.
7. evaluation(4)
The document provides an evaluation of an audio production project about a crime story. It discusses the research conducted, planning process, time management, technical and aural qualities, audience appeal, and peer feedback. For the research, examples of crime media provided inspiration but there was only time to include an introduction, investigation, and cliffhanger ending. More planning and time would have allowed for more content, conflict, and sound effects. Peer feedback praised the sound effects, music, and editing while suggesting improving audio quality and potentially extending the length.
3. production experiments(4)
The document describes the process of recording and editing an audio project. It discusses using a script to record voiceovers on a phone, adding sound effects from YouTube, adjusting audio levels using gain, and exporting the final project as an MP3 file. Strengths included having all audio elements together in one file, while weaknesses included some sounds becoming quieter after export. The reflection indicates sound effects, voiceovers, and intro/outro music will be included in the final product.
6. audio production reflection
The document describes the process of producing an audio project. It discusses dragging audio files into a project folder to begin creating the main part of the project. Effects were tested in the audio mixer to make voices clearer. Instrumental songs were found on YouTube to use for the intro and outro, and were edited with fades to flow smoothly. Additional audio and fades were added to maximize the quality of interviews. Finally, fades and audio were adjusted to ensure everything sounded cohesive.
6. production reflection(4)
The document discusses the process of creating a podcast production in Adobe Premiere Pro. It covers importing audio recordings, music and sound effects, splitting clips, adjusting audio levels using gain, adding crossfades for transitions, and exporting the final production as an MP3 file. The strengths and weaknesses of each step are considered, along with the author's experience with the various tools and features.
6. production reflection(4)
James-cooper created an audio production by gathering sound effects from YouTube and recording dialogue. He imported the audio files into Adobe Premier and edited them. This included cutting the files, adjusting volumes, and organizing the dialogue and sound effects into the proper sequence. James spent time cutting up each character's dialogue to remove mistakes and pauses. His final steps were fine-tuning the timing and flow of the audio by positioning the dialogue and sound effects to create a cohesive and engaging conversation without awkward pauses.
6. production reflection
Kallum Sykes documented the process of producing an audio clip. He imported various audio devices, music, and sound effects from YouTube. He added transitions and cut clips to length, then split and rearranged the audio pieces. Finally, he faded out the music over 10 seconds to end the 2 minute audio production.
Production reflection - Audio
Ellie Warmingham reflects on the process of producing an audio book. She began by editing together recordings into the proper order. Next, she found music and sound effects from various online sources like Uppbeat and YouTube to add. She also created some instrument sounds using BeepBox. Finally, she listened through her work and adjusted sound levels to balance the recordings and effects before exporting the final product.
6. production reflection
Daniel Thompson created a podcast by gathering sound effects from YouTube, recording voiceovers on his phone, and editing the audio files in Audacity. He added voice recordings, backing music, and sound effects to the project. Thompson edited the recordings by cutting, pasting, fading tools to blend the elements together into a cohesive podcast. He played the final product to check it was satisfactory before exporting it as an mp3 file.
Production Reflection
Imogen edited an audio recording in Premiere Pro. She imported the audio file and deleted pauses and mistakes. She split one section into two tracks to make the beginning louder without changing the volume of the rest. Imogen also added sound effects by importing files and dragging them into the timeline. She chose space-themed sound effects like a whooshing noise and spaceship sounds to match the content about reviewing the movie Passengers without overwhelming the dialogue.
3. production experiments (js)
The document describes the process of creating an audio recording that discusses what the author's mornings are like. It details how the author cropped parts of the raw recording, added pauses to space out the speech, and overlaid background music and sound effects to make the recording more lively and engaging without sounding plain. The author plans to include these mixing elements, as well as speaking in an uplifting but informal tone split into sections about different morning topics, for the final audio product.
Post production for radio advert
The document discusses the creative process and choices behind producing a retro futuristic radio advertisement. The producer chose the song "Catgroove" by Parov Stelar due to its electro swing genre that fits the retro futuristic style. Effects were added to the audio tracks to make it sound like a 1950s radio advertisement, including static noise and microphone crackling. Multiple audio layers were edited and balanced together, including the song, announcer voice clips, and sound effects of a crowd and signature tune, to effectively convey the envisioned futuristic theme park setting.
6. production reflection(4)
Rachel edited two audio recordings in Audition. She cut out unnecessary parts from her radio recording and adjusted levels to balance her and Simran's talking with the background music. She chose the NoCopyrightSounds song used in the background because it represents the music label and fits the theme, but copyright prevents its full use without permission.
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Audio pro forma-2
This document provides guidance for creating an audio project using foley sounds and dialogue. It recommends examples of audio dramas and soundscapes to research for inspiration. The document then outlines plans for an original horror story project, including a draft script, list of needed sound effects and how they will be created, actors and recording locations. It discusses initial reactions to the project idea and experiments conducting foley recording. An evaluation section reflects on strengths and weaknesses of the research, planning, time management, technical and aural qualities, and audience appeal of the planned audio project.
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The document is a story about a 4 year old girl playing with toys in a hallway while her parents are in another room. The lights suddenly go out and a strange figure appears at the end of the hallway, causing the girl to scream. When the parents come to check, everything appears normal again. However, the figure reappears and this time, when the parents check after another scream, the girl has disappeared.
3. production experiments(4)
The document describes experiments conducted with audio editing software. It details the process of recording a script singing, transferring it to Adobe Premier to remove blank space, adding background music, and combining the audio and music tracks. Sound effects were downloaded and inserted at appropriate points. Reflection on the experiments indicates voice audio, subtle sound effects, and splitting/combining audio will be included in the final product.
3. production experiments(4)
The student conducted an experiment where they first added music and sound effects without considering the subject matter. They then recorded a 30 second speaking part but when added to the project, it was only 15 seconds. This forced them to rely on the background noises to explain their morning routine. For their final product, the student plans to write a script before adding other elements to help with timing and ensure the full recording is included. They also want to check recordings more closely.
Audio pro forma saved jamie brown finished - copy
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1. The document describes a script for a morning routine involving 5 steps: waking up, showering and brushing teeth, eating breakfast, getting dressed, and leaving for the day.
2. It then explains the process used to record an audio version of the script, which involved recording each step separately and editing them together. Background music and effects were added to make the recording more entertaining.
3. The reflection discusses which elements of the experiment will be useful for a main project, such as editing the voice for clarity and distinctiveness, recording parts separately, and using different voice effects for various characters or roles.
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The document provides a summary of an audio project exploring psychological horror. It includes reviews of existing soundscapes, ideas and experiments conducted, such as foley work and recording in different locations. Planning details a story concept involving isolation and madness in a haunted house. A script outlines audio elements like creaking floorboards and whispers. Sound effects to be created or sourced are listed. Reflections on the production process note challenges with planning and time management. The evaluation covers research, planning, technical qualities and audience appeal of the project.
FMP Evaluation
The document provides an evaluation of James' editing process for a video project. It discusses in detail the editing approach taken for each section/segment of the video. Key points include: splitting the intro from the main timeline for focused editing; adding subtitles to intro music; balancing commentary, interviews and visuals throughout; using After Effects for text animations and moving images; spending time on color correction in interviews; choosing background music to fit each section without overwhelming commentary; and saving audio editing for last to balance all levels. Overall, the evaluator believes the video has good pacing, structure and balance between elements based on the detailed editing approach described.
6. production reflection
Josh Palmer recorded audio for a production project. He increased the volume of the audio, cut out unwanted sections, added non-copyrighted background music that he trimmed to match the length of the audio, and inserted sound effects in gaps he created, adjusting the volume of everything. He then listened to the final product and exported it.
6. production reflection
Josh Palmer recorded audio for a production project. He increased the volume of the audio, cut out unwanted sections, added non-copyrighted background music that he trimmed to match the length of the audio, and inserted sound effects in gaps he created, adjusting the volume of everything. He then listened to the final product and exported it.
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6. production reflection(4)
1) The document discusses various audio editing techniques the author learned while working on an audio project in Adobe Premiere Pro, including adding special effects to voices, fading audio clips in and out, shortening and slowing down audio, and balancing audio levels.
2) Key techniques covered include using the Audio Track Mixer to edit voices, fading clips using effects or by manipulating clip icons, speeding up or slowing down clips using the Speed/Duration tool, and challenges with keeping audio at an appropriate volume level.
3) Examples are provided showcasing how these techniques were applied to the author's audio project, such as adding reverb to voices, fading clips to transition scenes or characters, and slowing down
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Reece Boland conducted experiments to replicate the color schemes of Game of Thrones for merchandise. They tested filters and duotone effects in Photoshop to transform images into greyscale. Specifically, they used the hue/saturation and threshold adjustments to create a duo-tone effect with grey tones. They also tested overlaying images on curved surfaces like mugs by warping and resizing the images. Based on the experiments, Reece plans to use duotone processing and display the images above the pocket of a grey hoodie for the final product design.
2. fmp research
1) Product research provided insights but lacked similar existing products to compare to. Questionnaires yielded quantitative data but some questions lacked clarity. Interviews gave qualitative feedback from a small sample.
2) The survey distribution through email was convenient but relied on recipients noticing the message. Some questions confused respondents or allowed multiple answers.
3) Overall the research uncovered audience preferences around pricing, content interests, and perceptions of different product types to inform the design and marketing of the magazine and merchandise line.
1. fmp initial plans
Reece Boland is developing initial plans for branching products including a magazine and merchandise based on the fantasy and horror genres. The products will target primarily females ages 12-19 and include an audio recording magazine covering hardware and software, a Game of Thrones audio book, and merchandise like mugs, posters and clothing. Reece created mood boards to influence the design and layout of the products, showing color schemes and styles that would appeal to the target audience.
5. pre production
The document outlines a pre-production plan for creating an audio project about The Flash TV show. It includes a list of sound effects and music tracks to be used, when and how they will be incorporated. Potential issues and solutions are addressed, such as computer crashing, which will be resolved by regular saving. A schedule is provided showing tasks like finding sound effects, editing audio, recording voiceovers, and assembling the project over 8 days using software like Audacity and Premiere Pro. Resources needed are a computer, audio recorder, and internet access.
3. production experiments
The document describes the audio editing process for a project. Software such as Audacity and Adobe Premiere were used. Audacity was used to edit individual sound effects by trimming, adding fades, and other edits. Premiere was then used to assemble the edited effects together and adjust relative volumes. The reflection indicates the editing techniques and methods will be applied to the final product.
2. research
The document summarizes three existing audio book products. It notes that the first sample used clear details about what was happening without sound effects or background music. The second sample included sound effects and dramatic background music. The third sample provided very detailed characters and surroundings without background music or sound effects. The analysis found that the products were all audio-only and very detailed, most used third-person perspective and present tense. The intended audience is ages 12-19 primarily but also 20+, targeting males slightly more but also females, aimed at achievers seeking power and material wealth, and would require a £15 payment.
1. initial plans
The document outlines initial plans made by Reece Boland that involve creating a mind map. It seems Reece intends to create and organize their thoughts and ideas using a visual mind mapping technique to help develop their plans. The mind map will likely help Reece brainstorm and structure their ideas in a clear, graphical format.
7. evaluation
This document summarizes Reece Boland's evaluation of their FMP production process. It covers research, planning, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback. For research, Reece notes strengths in content coverage but weaknesses in bullet point structure. For planning, strengths were in mood board visuals but weaknesses in mind map details. Time management was initially poor but improved. Technical qualities between Reece's work and examples were similar colors and characters but different layouts. Aesthetic feedback was that the double page spread looked professional but the cover could be improved. Peer feedback praised layout, theme communication, and details but suggested making text larger.
6. production reflection
The document describes the process of creating a magazine mockup for a Game of Thrones production reflection. It details choosing and editing images, fonts, colors and layout. Key steps include:
- Combining an image of Daenerys Targaryen and the Iron Throne, adding a white bar and title using Old English Text MT font.
- Adding a red rectangle, using Arial Rounded MT Bold and Bookman Old Style fonts for headers and body text.
- Using Castellar font for a middle section and duplicating/darkening part for backdrop.
- Including a cropped image of Jon Snow's head in an oval, houses of Westeros images and adjusting placements.
5. pre production
Reece Boland is creating a magazine and has outlined various aspects of pre-production including potential fonts, color schemes, layouts, software and hardware resources needed, contingency planning for issues that may arise, a health and safety plan to prevent injury, and an 8-day schedule detailing tasks like finding images, editing them in Photoshop, choosing fonts, and adding text.
3. production experiments
Reece Boland created a Photoshop document experimenting with different tools and effects. They used text, rectangles, and the paint bucket to create a title with a drop shadow and score text over an image of the sea. The fish image was copied to a new layer and placed behind the main title text layer to make the title appear behind the fish. A grain effect was added to make the overall design look like it was on paper. For their final product, Reece plans to include layering of text and images, creating text backdrops, and techniques to make elements look natural, as used in this experiment.
2. research
This document summarizes and analyzes existing products related to the author's planned work. It examines the characters, colors, fonts, costumes, and locations used in different products. Common features identified are the use of dark clothing and colors/fonts that make text stand out. The author plans to include font coloring to make text stand out and use dark backgrounds in their own work. An audience profile is also provided, targeting the product at males and females ages 15+ due to violent content, with a psychographic focus on "achievers" seeking power and wealth.
1. initial plans
The document discusses initial plans for a project which include creating a mind map, mood board, and analyzing the mood board. The mood board contains dark colored images implying a rising war and will influence the final product to be based on the Game of Thrones series.
7. evaluation
This document summarizes Reece Boland's production process evaluation for an interactive Christmas-themed game. It describes the research, planning, time management, technical and aesthetic qualities, audience appeal, and feedback received. For planning, mind maps were created to develop three game ideas before selecting the final concept. Peer feedback praised the layout, music, and suitability for different ages, but suggested adding a title screen and clarifying objectives. With more time, Reece would include a title screen and instructions to improve understanding of the game.
6. production reflection
The document summarizes the process used to create several digital art pieces for a production about the Grinch. It describes using tools like the pencil, paint bucket, and rectangles to draw the Grinch's sleigh with a tube, clouds and a moon with a 3D effect, an 8-bit house with added snow, present designs with darker colors for texture, and an image of the Grinch fading into darkness with an evil laugh to symbolize completing his mission.
5. pre production
This document outlines the pre-production plan for a video game where the Grinch steals presents from chimneys. It includes sections on style, layout, props and locations, contingency planning, health and safety, and a 8-day schedule. The schedule involves researching Christmas games, planning character animation, creating backgrounds and animations, finding sound effects, and assembling the game in Premiere by the end of day 8. Access to a computer with internet and design software like Photoshop and Premiere will be required.
3. production experiments
This document describes the process and tools used to create a digital artwork, including using the pencil, eraser, rectangle, and eyedropper tools to draw elements like a moon, ghosts, and Luigi. It also discusses using the pencil tool to add craters to the moon, applying a vignette effect, and using the rectangle tool and layering to create the shaded balcony bannister. In reflection, the creator notes elements like vignettes and shading styles that may be included in the final Ghost Game artwork.
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6. production reflection
- 2. Process • At the start I added some background music and did the flash’s intro, I tried my best to do and epic trailer voice but the longer I did it the weaker it got. In the background music I split it near the centre and lowered the volume, because that part onwards was louder than the rest, so all the background music had equal volume. I made sure that the background music was under 30 seconds to avoid any copyright.
- 3. Process • I gave the background music a bit of a gap to create an intro before I started to narrate. I put everything onto a different track so it is easier to edit the volume independently. • The background music is royalty free so I don’t have to worry about getting any copyright issues.
- 4. Process • At the beginning of this section it was multiple glass beakers breaking so I got many different sound effects for glass shattering and put them all together to create that effect.
- 5. Process • With this I split my voice where it got quieter and increased the volume to make it all the same level. To avoid having to do this next time I could either do shorter takes so my voice has a rest or try and stay at the same distance from the microphone.
- 6. Process • Towards the end it was getting to the end/climax so I made sure to add different music from the normal background track so it has more of a crescendo. I also increased the speed of my voice so it has more of an impact.
Editor's Notes
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.