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- Painting during this period featured solemn facial expressions and distorted space/perspectives to fit domestic interiors. Artists closely observed and perfectly rendered nature, fabrics, and other materials. - Jan van Eyck helped perfect oil painting techniques like atmospheric perspective and fine realistic details. His works include the Ghent Altarpiece and The Arnolfini Portrait. - Albrecht Dürer was a leading German Renaissance artist influenced by Italian styles but with his own ideas. He created remarkable self-portraits and woodcut prints that helped disseminate Renaissance ideas.
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8. renaissance in venice
Venice became a prosperous trading center in the 16th century, developing a distinctive style of oil painting characterized by vibrant color and loose brushwork. Artists like Giovanni Bellini, Giorgione, and Titian perfected new techniques like oil painting on canvas and created beautifully realistic works that captured the light and atmosphere of Venice. These masters established Venice as a major center of Renaissance art alongside Florence and Rome.
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1) The document discusses key artists and works of the High Renaissance in Venice such as Bellini's San Zaccaria Altarpiece and Giorgione's Tempest which featured dream-like settings.
2) It also covers Titian works like Venus of Urbino, known for its sensuous depiction of the female nude, and his Madonna of the Pesaro Family with an unusual asymmetric composition.
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The document provides an overview of Renaissance art, which originated in 15th century Italy in Florence and saw a rebirth of classical Greco-Roman artistic styles and techniques. Key characteristics included a focus on classicism, realism, perspective, and the human figure. Major artists from this period included Brunelleschi, Donatello, Michelangelo, Leonardo Da Vinci, and Raphael. The Renaissance then spread to other parts of Europe, including the development of oil painting techniques in Flanders by artists such as the Van Eyck brothers and Hieronymus Bosch.
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The document discusses art and architecture during the Italian Renaissance period. It notes that Italians greatly valued art and artists during this time. The three main art forms that developed were architecture, sculpture, and painting. Notable Renaissance artists mentioned include Filippo Brunelleschi, Donatello, who sculpted the first bronze statue, Lorenzo Ghiberti who made bronze doors, Giotto di Bondone who painted frescoes of St. Francis of Assisi, and Masaccio. The three giants of the High Renaissance highlighted were Leonardo da Vinci, Michelangelo, and Raphael. Michelangelo's famous works mentioned were David and Pietà.
Renaissance art
Italian Renaissance art flourished between the 14th and 17th centuries, centered in major city-states like Florence. Notable developments included a focus on classical works, secular topics, and the human form over religious doctrine. Patronage from wealthy families like the Medicis in Florence helped artists gain prestige. Architects drew from Greek and Roman styles to design grand cathedrals and palaces. Sculptors captured idealized human forms in marble works. Painters mastered techniques like perspective and used oils to depict religious scenes, portraits, and landscapes in vivid detail. Major artists included Michelangelo, Leonardo da Vinci, Raphael, and the Venetian school of Titian, Tintoretto
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The document discusses 10 of the most famous paintings from the Renaissance period. It provides context that the Renaissance was a time of rebirth and revival in many areas including art. It then briefly describes each of the 10 paintings, including details like the artist, year created, subject matter, and significance. Some of the most prominent paintings mentioned are the Mona Lisa by Leonardo Da Vinci, The Creation of Adam by Michelangelo, and The School of Athens by Raphael.
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8. renaissance in venice
Venice became a prosperous trading center in the 16th century, developing a distinctive style of oil painting characterized by vibrant color and loose brushwork. Artists like Giovanni Bellini, Giorgione, and Titian perfected new techniques like oil painting on canvas and created beautifully realistic works that captured the light and atmosphere of Venice. These masters established Venice as a major center of Renaissance art alongside Florence and Rome.
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1) The document discusses key artists and works of the High Renaissance in Venice such as Bellini's San Zaccaria Altarpiece and Giorgione's Tempest which featured dream-like settings.
2) It also covers Titian works like Venus of Urbino, known for its sensuous depiction of the female nude, and his Madonna of the Pesaro Family with an unusual asymmetric composition.
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Renaissance art
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This is made for our class reporting,but my professor changed his mind, so maybe it would be of help to others if I share it.
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This PowerPoint presentation was created to give European History/Western Civilization students an introduction to Renaissance art and its key characteristics - especially its projection of humanist and classical themes.
For more instructional materials, visit www.tomrichey.net!
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Tel: 014528018
E-mail: siobhancampbell@pdst.ie
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The document provides an overview of Renaissance art history between 1400-1600 AD. It discusses how the Renaissance began in Italy and marked a rebirth of classical Greek and Roman artistic styles with a focus on individualism, linear perspective, and new painting techniques using oil paints. Famous Renaissance artists mentioned include Michelangelo, Donatello, Botticelli, Raphael, Leonardo Da Vinci, and their influential works in sculpture, painting, and architecture that advanced realism and humanism through their artistic skills and knowledge of anatomy.
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3) The Northern Renaissance spread ideas to Germany and Flanders through artists like Durer, Holbein, and van Eyck, blending Renaissance techniques
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Renaissance art
Art History in Renaissance time. feautring Donatello, Leonardo, Michelangelo, Raphael, and Botiicelli
This is made for our class reporting,but my professor changed his mind, so maybe it would be of help to others if I share it.
Renaissance Art
This PowerPoint presentation was created to give European History/Western Civilization students an introduction to Renaissance art and its key characteristics - especially its projection of humanist and classical themes.
For more instructional materials, visit www.tomrichey.net!
Renaissance art
This document provides an overview of Renaissance art from the 13th to 17th centuries. It describes key developments like the invention of oil paints and linear perspective. Major artists discussed include Da Vinci, Michelangelo, Raphael, Botticelli, and northern European masters like Durer and Van Eyck. The text outlines the three periods of the Renaissance - Early, Italian, and Northern - and highlights influential works and artistic advancements during this time of rebirth and revival of classical ideas.
Early Renaissance in Italy
The document provides an overview of the Early Renaissance period in Italy from 1400-1490. It summarizes the rise of prominent city-states like Florence and key families that sponsored the arts, such as the Medicis. Major artists that emerged during this time are also profiled, including painters like Masaccio, Botticelli, and Ghirlandaio who pioneered techniques like linear perspective. Contemporary architects like Brunelleschi and Alberti are highlighted for their classical designs of buildings and structures. Leading sculptors of the era included Ghiberti, Donatello, and Verrocchio, who drew inspiration from Roman and Greek works.
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Ghiberti and Brunelleschi entered a competition in 1401 to design bronze doors for the Baptistery of St. John in Florence. Their submissions incorporated classical motifs indicating the emerging Renaissance influence. Ghiberti's panel depicted Isaac kneeling on an acanthus-decorated tomb in classical style, while Brunelleschi included a figure reminiscent of a Roman bronze, conveying more drama. Ghiberti was selected for the commission, creating the "Gates of Paradise" doors that influenced subsequent Renaissance art.
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In 15th century Italy, a new artistic culture emerged under the influence of humanism. In Florence, artists were influenced by ancient Greece and Rome as well as science and math, creating works that reflected these ideals. Donatello was a leading early Renaissance sculptor who created realistic works like the bronze David that broke from Gothic styles. Luca della Robbia pioneered glazed ceramic sculptures that brought bright color to religious works. Their contemporary, Brunelleschi, designed Neoclassical buildings like the Hospital of the Innocents in Florence.
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1) Nanni di Banco's relief Sculptors at Work depicts stoneworkers and sculptors working side by side, showing that in the early Renaissance there was no distinction between manual and creative labor.
2) In the Middle Ages, artists were considered skilled craftsmen similar to other laborers, but during the Renaissance artistic skills began to be seen as intellectual work.
3) As artists gained prestige and celebrity status, they began portraying themselves as gentlemen through self-portraits, reflecting their new social standing.
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Renaissance art and architecture differed from the medieval period in several key ways:
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2. Perspective techniques developed, allowing artists to create the illusion of 3D space on a 2D surface through techniques like linear perspective and proportion.
3. Individualism was expressed through techniques like portraiture that captured the subject's unique personality and likeness, rather than generic representations.
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This document provides an overview of Renaissance art including key causes, intellectual principles, artists, and techniques. It discusses how the end of feudalism, rise of city-states in Italy, and the printing press contributed to the causes of the Renaissance. Some of the major artists mentioned are Botticelli, da Vinci, Michelangelo, Raphael, and Bosch, along with some of their most famous works. The document also outlines techniques used in Renaissance art like realism, linear perspective, sfumato, and chiaroscuro.
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Prehistoric art developed over millions of years from the earliest humans to the Neolithic period. The Paleolithic period saw the first known artworks created with stone tools, including cave paintings between 30,000-13,000 BCE depicting animals and humans. The Mesolithic and Neolithic periods saw the development of agriculture and permanent settlements, with art becoming more representational of humans and used for ornamentation and architecture. Key characteristics of Neolithic art included figurines, pottery with designs, and megalithic constructions.
14. cubism
Pablo Picasso and George Braque developed Cubism in Paris between 1907 and 1914. Inspired by Paul Cezanne's abstract approach, they reduced subjects to basic geometric shapes and depicted objects from multiple views. There were three phases of Cubism - Primitive, Analytical, and Synthetic. Analytical Cubism involved breaking down images into geometric forms, while Synthetic Cubism used collage and was more experimental in nature. Cubism revolutionized European art and had a major influence on subsequent artistic styles and movements.
Ancient Roman Art
The Romans were inspired by Greek art and architecture as they expanded their Republic and later Empire throughout the Mediterranean. They adopted styles like realistic portraiture and propaganda sculptures of emperors to convey imperial ideals. Major construction projects such as the Colosseum and Pantheon combined Greek orders with innovative Roman techniques and featured painted interior decor.
Lecture 1 contemporary art - an introduction
This document is the schedule and notes from a lecture on contemporary art given at the Shepparton Art Museum in 2015. It introduces some key concepts about contemporary art, including that it emerged around 1970, represents a shift from modernist practices through its emphasis on pluralism and diversity, and values ideas over materials. Some techniques discussed are appropriation, performance, and engaging with social issues. The lecture provides examples of contemporary artists like Tracey Moffatt, Barbara Kruger, and Maurizio Cattelan to illustrate these concepts.
17. contemporary art
This document provides an overview of contemporary art from 1970-2010, with a focus on performance and conceptual art. It discusses how contemporary art uses new materials and mediums, including installations and video. Performance art is defined as art where the artist uses their own body. Key performance artists mentioned include Gilbert & George, Marina Abramovic, and Alastair MacLennan. Conceptual art prioritizes ideas over traditional art forms. Richard Long, Jenny Holzer, and Sophie Calle are highlighted as conceptual artists.
A concise history of western art
The document provides an overview of Western art history from Ancient Greece to American Modernism. It covers several key periods and movements, including:
- Ancient Greek art from 600 BCE, which emphasized idealized figures and naturalism. Important works included black figure pots and Kore statues.
- Developments in Greek philosophy around this time by Plato and Aristotle that influenced how art was viewed.
- Major works of Greek architecture like the Parthenon built during Athens' peak in the 5th century BCE.
- The Italian Renaissance that began in 1500s Florence and revived interest in classical antiquity, with pioneers including Leonardo, Michelangelo, Raphael, and Botticelli producing influential works
The arts and crafts movement brief
The Arts and Crafts movement began in Britain in the 1850-1900 period as a reaction against the effects of industrialization. It valued craftsmanship, traditional skills, and design that was both beautiful and functional. The leading figure was William Morris, who rejected Victorian opulence and urged a return to medieval traditions. The movement spread across Europe and America and influenced design, emphasizing quality materials.
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The document provides an overview of early Renaissance art in Northern Europe during the 15th century. It focuses on Flanders, which was a wealthy region under Burgundian rule. Oil painting became popular among Flemish artists, allowing for richer colors than previous techniques. Notable painters mentioned include the Limbourg Brothers, Robert Campin, Jan van Eyck, Rogier van der Weyden, Hans Memling, and Hugo van der Goes. Their works, such as van Eyck's Ghent Altarpiece and Arnolfini Portrait, were renowned for their luminous colors, intricate details, and naturalistic style.
15thc northern europe
This document summarizes key developments in Northern European art from 1400-1500 CE. It discusses the rise of art in Burgundy and Flanders during this period, with influential artists like Claus Sluter and Melchior Broederlam. It also covers the development of oil painting techniques by early Flemish masters like Jan van Eyck, Rogier van der Weyden, and Hugo van der Goes. Additionally, it mentions innovations in manuscript illumination by the Limbourg Brothers and the growth of printmaking, especially woodcuts and engravings by artists like Martin Schongauer.
Jan van Eyck 5.0
Jan van Eyck was one of the greatest revolutionaries in art. He radically changed the way in which men look at the natural world. His artistic achievements were well-known in Renaissance Italy. Vasari, who wrote about Van Eyck a hundred years later, wrongly attributed the discovery of oil painting to him. Only a few years after his death in 1441, Jan van Eyck was being hailed on both sides of the Alps as one of the greatest painter of the age.
Despite Van Eyck’s great fame, little is known of his life except for his last years. For the last 16 years of his life, he worked at the court of Philip the Good, The Duke of Burgundy. The Duke made use of his skills as both painter and diplomat, sending him on numerous secret missions.
The works of Jan van Eyck are celebrated for their visual splendor and precision of detail. Their brilliant colours and magnificent definition are due to Jan’s refinement of the oil-painting technique.
Jan van Eyck 6.0
Jan van Eyck was one of the greatest revolutionaries in art. He radically changed the way in which men look at the natural world. His artistic achievements were well-known in Renaissance Italy. Vasari, who wrote about Van Eyck a hundred years later, wrongly attributed the discovery of oil painting to him. Only a few years after his death in 1441, Jan van Eyck was being hailed on both sides of the Alps as one of the greatest painter of the age.
Despite Van Eyck’s great fame, little is known of his life except for his last years. For the last 16 years of his life, he worked at the court of Philip the Good, The Duke of Burgundy. The Duke made use of his skills as both painter and diplomat, sending him on numerous secret missions.
The works of Jan van Eyck are celebrated for their visual splendor and precision of detail. Their brilliant colours and magnificent definition are due to Jan’s refinement of the oil-painting technique.
Early northernrenaissance
Italy shouldn't get all the credit.. Van Eyck figured out how to do oil painting (or at least perfect it) and realism started here in Flanders.
For Ms. Fuentes AP Art History Class
15 16. northern renaissance
Jan Van Eyck (1385-1441) was a Flemish painter who served as court painter to the Count of Holland. Some of his most famous works include the Ghent Altarpiece and the Arnolfini Portrait. He was influential as one of the first Western artists to use oil-based pigments in his paintings and the first to sign his name on a portrait. Modern theorists have proposed that Van Eyck's realistic style was achieved through using convex mirrors to trace projected forms, though this claim is disputed. The document provides biographical information about Jan Van Eyck and discusses his artistic accomplishments and innovative techniques.
Ch20 15th century art in northern europe and spain
1) The document discusses art in Northern Europe and Spain during the 15th century, a time of economic and political changes.
2) A key development was the rise of oil painting in Flanders, which allowed for new techniques like glazing layers of color to create illusionistic effects.
3) Major artists from this period included Jan van Eyck, Rogier van der Weyden, and Hieronymus Bosch. Their works often had religious subjects and used oil painting techniques to realistic depict human emotion and drama.
Art history chap._20_a
The document summarizes 15th century art in Northern Europe and Spain, focusing on developments in oil painting, manuscript illumination, and altarpieces. Key points include: Jan van Eyck's Ghent Altarpiece used oil paints to create luminous colors and illusionistic depth; the Limbourg Brothers illuminated manuscripts with naturalistic details and new conceptions of space; Rogier van der Weyden depicted emotional religious scenes through compressed compositions and textures in oil paint.
Chapter 20
This document discusses 15th century art in Northern Europe and Spain through analyzing various figures and artworks. It describes artworks like the Well of Moses sculpture by Claus Sluter that was commissioned for the Chartreuse de Champmol in France. It also examines important paintings by early northern Renaissance artists like Jan van Eyck, Rogier van der Weyden, Hugo van der Goes, and Hans Memling that advanced oil painting techniques and set new standards for realism, detail, and virtuosity in works like Van Eyck's Ghent Altarpiece and Portrait of Giovanni Arnolfini and his Wife. The document also notes history was increasingly depicted in illuminated manuscripts and early printed books through woodcut illustrations.
Review
Brief review of Proto Renaissance and Renaissance in Burgundy and Flanders for Art 109 Renaissance to Modern
Art Styles
Gothic art developed in France in the mid-12th century out of Romanesque art, led by the concurrent development of Gothic architecture. It spread across Western Europe and evolved over time, continuing into the 16th century in some areas before transitioning into Renaissance art. Gothic art included painting, frescoes, illuminated manuscripts, panel paintings and stained glass windows.
Jan van Eyck
Jan van Eyck was a 15th century Flemish painter who was considered the greatest painter of his time. He developed oil painting techniques that made his works appear realistic and lifelike. Some of his most famous works include the Ghent Altarpiece and The Arnolfini Portrait. He was skilled at painting details like clothing, jewelry, and landscapes. Van Eyck may have used a camera obscura to help achieve precise accuracy in his works. His mastery of oil painting and use of optical devices made him ahead of his contemporaries.
Ncc 15th c. n. europe
The document summarizes developments in 15th century northern European art, focusing on Burgundy and Flanders. It discusses:
- The Dukes of Burgundy who ruled Flanders and were important patrons of the arts, including Philip the Bold and Philip the Good.
- How Flemish artists like the Van Eyck brothers and Robert Campin pioneered oil painting techniques and created highly realistic, detailed works.
- Manuscripts like the Très Riches Heures du Duc de Berry with its lavish illuminations and depictions of monthly activities.
- Important works commissioned for churches, such as Van Eyck's Ghent Altarpiece and Campin's Merode Altarpiece
Europe, 1400 - 1500
The document summarizes key developments in art during the Renaissance period from 1400-1500 in Europe. It describes the emergence of new artistic styles like naturalism and linear perspective that were influenced by classical antiquity. Major artists discussed include van Eyck, van der Weyden, Botticelli, and architects like Brunelleschi who helped usher in Renaissance architecture. Patronage from wealthy merhcants and the Medici family in Florence supported much of the new art and learning.
PaperWithFinalEdits
The document provides an in-depth analysis of two early Renaissance artworks from the Netherlands: Jan van Eyck's The Ghent Altarpiece and Robert Campin's The Annunciation. It discusses how these works incorporated everyday settings and objects to make Christian stories more relatable to viewers. Both paintings placed religious figures in domestic Flemish settings rather than historical locations, reflecting the Devotio Moderna movement. The document also provides significant details on the symbolism, composition, and artistic techniques used in The Ghent Altarpiece.
15th Century
The document lists important 15th century Northern European artists such as Jan van Eyck, Rogier van der Weyden, Hugo van der Goes, Hans Memling, Jean Fouquet, and Konrad Witz. It also mentions several of their major works including Jan van Eyck's Ghent Altarpiece and Adoration of the Mystic Lamb as well as Rogier van der Weyden's Last Judgment Altarpiece.
Late Gothic
Late Gothic art in Northern Europe from 1400-1500 was shaped by political and economic forces. Wealthy rulers like the Dukes of Burgundy funded lavish illuminated manuscripts and altarpieces featuring donors. Artists like the Van Eyck brothers developed new techniques like oil painting and linear perspective to depict sacred and secular subjects with illusionistic realism. Portraiture also grew more common as the wealthy merchant class commissioned works that integrated them. Meanwhile, printmaking advanced significantly in Germany through works like the Nuremberg Chronicle.
DÜRER, Albrecht, Featured Paintings in Detail (1)
The document discusses several portraits painted by Albrecht Durer. It provides details on Durer's 1505 portrait of a Young Venetian Woman, including that it was one of his first works during his second time in Venice and depicts the subject with extraordinary charm. The document also provides background on Durer, noting that he was a German painter and printmaker considered the greatest Northern Renaissance artist, and that his works introduced classical motifs and secured his reputation as an important figure of the Northern Renaissance.
0134484592 ch22
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
The Renaissance
The Renaissance was a period between the 14th and 16th centuries that saw a revival of art and intellectual thought rooted in classical antiquity. Notable early Renaissance artists included Giotto, Donatello and Brunelleschi in Florence. The High Renaissance of the 15th century was marked by artists like Leonardo da Vinci, Michelangelo, Raphael and Titian. Mannerism followed as a brief period characterized by elongated figures and flattened space. Key developments included increased naturalism, linear perspective techniques, and elevating the status of artists.
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Ch20 15th century art in northern europe and spain
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6. northern europe
- 1. The Renaissance in Northern Europe Dates 1420 – 1520
- 2. Painting in 15th century Flanders Characteristics Solemn facial features and awkward unreal figure postures Less emphasis on perspective than in Italy Sacred scenes often portrayed in ordinary domestic interiors Space was often distorted to fit aspects of domestic life Devices like mirrors were used to reflect hidden sides of a room Landscape was often depicted through an open window Atmospheric perspective used in landscape Close observation of nature by artists Detailed perfection in the painting of flowers, jewels, shiny metal, glass, fur, velvet and other expensive fabrics In the cities of Ghent and Bruges (modern day Belgium)
- 3. Materials and techniques Oil painting on wood panel This was slow drying and allowed artists to blend the colours and make changes more easily It dried to a hard, opaque, enamel like finish with a shiny velvety texture
- 4. Jan Van Eyck Worked for time with his brother Hubert Perfected skills in oil painting to a very high level Developed ‘atmospheric perspective’ - the blurring of colours and shapes in the distance Painted very fine realistic detail
- 5. Madonna of the Chancellor Rolin 1422 Jan van EYCK Musée du Louvre Paris
- 6. The Ghent Altarpiece 1432 – closed doors Hubert and Jan van EYCK Cathedral of St Bavo Ghent Belgium
- 7. The Ghent Altarpiece 1432 – open doors Hubert and Jan van EYCK Cathedral of St Bavo Ghent Belgium
- 8. The Ghent Altarpiece (details) God Almighty Virgin Mary 1426-29 Cathedral of St Bavo Ghent Belgium
- 9. Adoration of the Lamb - Central panel from The Ghent Altarpiece 1425-29 Hubert and Jan van EYCK Cathedral of St Bavo Ghent Belgium
- 10. The Arnolofini Marriage An Italian merchant Giovanni Arnolfini and his fiancée Giovanna Cenami of Bruges The painting celebrates their betrothal Painted in minute detail Symbolic details include: Shoes to suggest a holy place The dog for faithfulness in marriage The bride’s ‘pregnancy’ children to come Reflection of the artist in the mirror between the figures suggests he is a witness His name written in Latin on the wall translates to ‘Jan Van Eyck was here 1434’
- 11. Portrait of Giovanni Arnolfini and his Wife1434 Jan van EYCK National Gallery, London
- 12. Portrait of Giovanni Arnolfini and his Wife (detail)1434 National Gallery, London
- 13. Portrait of Giovanni Arnolfini and his Wife (detail) 1434 National Gallery, London
- 14. The Renaissance in Germany Albrect Dürer A educated and well travelled man He was also a humanist Northern humanism was different to the Italian and had a strong spirit of religious reform He was very influenced by Italian art but remained very much his own person with his own ideas His works include a remarkable series of self portraits His made his first drawing of himself at just 13 years old
- 15. Self-Portrait at 26 1498 Albrect Dürer Museo del Prado, Madrid
- 16. Self-Portrait in a Fur-Collared Robe 1500 Albrect Dürer Alte Pinakothek, Munich •The artist portrays a Christ like image of himself •This was a statement of his faith •His talents were God given because God had created man •It is man’s duty to to follow Christ’s example
- 17. Dürers woodcuts and engravings Dürer was an excellent draftsman He worked mainly as a graphic artist He took advantage of new technology as an opportunity for production and distribution. He used wood engraving blocks and copper plates to make copies. His own publishing business of printed graphics was equal to that of his work as a painter
- 18. The Revelation of St John: 4. The Four Riders of the Apocalypse 1497-98 Woodcut, Albrect Dürer Kupferstichkabinett, Staatliche Kunsthalle, Karlsruhe
- 19. All images from Web Gallery of Art www.wga.hu
- 20. Acknowledgements Art Associates Maria Moore Margaret O’Shea Local Facilitator Team Aine Andrews Joe Caslin Jane Campbell Siobhan Campbell Niamh O’Donoghue Niamh O’Neill Keith O’Rahilly Sheena McKeon Tony Morrissey Monica White Many thanks to the following for their invaluable contribution to the European Art History and Appreciation series of workshops and resource materials. PDST Professional Development Service for Teachers
- 21. PDST Professional Development Service for Teachers The PDST is funded by the Department of Education and Skills under the National Development Plan 2007 - 2013 Cultural & Environmental Education Professional Development Service for Teachers (PDST) Dublin West Education Centre, Old Blessington Road, Tallaght, Dublin 24 National Co-ordinator Conor Harrison Mobile: 087 240 5710 E-mail: conorharrison@pdst.ie Administrator Angie Grogan Tel: 014528018 Fax: 014528010 E-mail: angiegrogan@pdst.ie.