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Art and Morality
This document provides a brief history of art from classical to modern eras, discussing various artistic movements and influential artists. It then considers different perspectives on how to judge art and its relationship to morality. Some of the views discussed include Plato's view of art as an imitation of reality, Kant's notion of aesthetic judgment, and Tolstoy's view that art should convey understandings and feelings that direct arguments cannot. The document suggests that art can provide new perspectives and representations while being judged based on the artist's moral intentions, the content, and consequences of the work.
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Art and Morality
- 1. Art and morality bydavid aRdiansyah
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- 3. classical renaissance baroquerococo Greek roman arts 14th Perspective Body as An IDEAL HEBRAISM AND HELLENISM MICHAELANGELO DA VINCI RAPHAEL BRUNELLESCHI DONATELLO BOTTICELLI BERNINI
- 5. romanticism NEO-CLASSICISM IMPRESSIONISM POST-IMPRESSIONISM EXPERIMENTAL ART Cubism surrealism expressionism 19th18th20th CONSTRUCTIVISM LEAVING THE BEAUX-ARTS REALISM CITY AND THE IDEA OF MODERN POP ART HEROIC AND TRAGIC New ways of Seeing representation of the world two school of thought INGRES GERICAULT DELACROIX MANET RENOIR MONET SEURAT CEZANNE VAN GOGH DEGAS GAUGIN MUNCH PICASSO DALI WARHOL
- 9. how do wejudge a work of art?
- 10. transgressive art of20th century
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- 13. PLATO ART AS IMITATIONOF REALity
- 14. IMMANUEL KANT categorical imperatives3rd critique: Aesthetics
- 15. moral understanding artists’ moralintention Moral Content MORAL CONSEQUENCES ART SHOULD BE TRUE TO ITSELF
- 16. HANNAH ARENDt TOTALITARIANISM UNDERSTANDINGAND IMAGINATION
- 17. ART PROVIDES PERSPECTIVEs MediumFOR REPRESENTATION IMAGINATION of AN ARTIST conveyance of message
- 18. The business ofart lies just in this, - to make that understood and felt which, in the form of an argument, might be incomprehensible and inaccessible. leo tolstoy
- 19. extend to architecture BUILTFOR HUMANS (ETHICS) AESTHETICS
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