This document provides a brief history of art from classical to modern eras, discussing various artistic movements and influential artists. It then considers different perspectives on how to judge art and its relationship to morality. Some of the views discussed include Plato's view of art as an imitation of reality, Kant's notion of aesthetic judgment, and Tolstoy's view that art should convey understandings and feelings that direct arguments cannot. The document suggests that art can provide new perspectives and representations while being judged based on the artist's moral intentions, the content, and consequences of the work.

1. Art and morality
by david aRdiansyah

2. brief history of art

3. classical renaissance baroque rococo
Greek
roman arts
14th
Perspective
Body as An IDEAL
HEBRAISM AND HELLENISM
MICHAELANGELO
DA VINCI
RAPHAEL
BRUNELLESCHI
DONATELLO
BOTTICELLI
BERNINI

5. romanticism
NEO-CLASSICISM
IMPRESSIONISM
POST-IMPRESSIONISM EXPERIMENTAL ART
Cubism
surrealism
expressionism
19th18th 20th
CONSTRUCTIVISM
LEAVING THE BEAUX-ARTS
REALISM
CITY AND THE IDEA OF MODERN
POP ART
HEROIC AND TRAGIC
New ways of Seeing
representation of the world
two school of thought
INGRES
GERICAULT
DELACROIX
MANET
RENOIR
MONET
SEURAT
CEZANNE
VAN GOGH
DEGAS GAUGIN
MUNCH
PICASSO
DALI
WARHOL

9. how do we judge a work of art?

10. transgressive art of 20th century

12. AUTONOMISM MORALISM

13. PLATO
ART AS IMITATION OF REALity

14. IMMANUEL KANT
categorical imperatives 3rd critique: Aesthetics

15. moral understanding
artists’ moral intention
Moral Content
MORAL CONSEQUENCES
ART SHOULD BE
TRUE TO ITSELF

16. HANNAH ARENDt
TOTALITARIANISM UNDERSTANDING AND IMAGINATION

17. ART PROVIDES PERSPECTIVEs
Medium FOR REPRESENTATION
IMAGINATION of AN ARTIST
conveyance of message

18. The business of art lies just in this, - to make
that understood and felt which, in the form
of an argument, might be incomprehensible
and inaccessible.
leo tolstoy

19. extend to architecture
BUILT FOR HUMANS
(ETHICS)
AESTHETICS

20. THANK YOU