The document provides an analysis of an existing concert poster. It discusses several design elements of the poster and their purpose:
- The bright yellow background catches the eye and contrasts well with the black and red colors used.
- Larger artist names draw more attention to help promote top acts.
- Bold fonts are used to include a lot of information while keeping it visible and easy to read.
- Hollow arrows are placed to fill empty space and match the style in the heading.
- Alternative acts are listed separately in a different shade of yellow to distinguish them.
- Small sponsors are placed at the bottom so as not to detract from the aesthetic.
The analysis concludes some techniques
1. The audience has diverse music tastes including genres like rap, dance, 80s new wave and grime.
2. The audience primarily gets information about concerts online, especially through social media.
3. The audience is spontaneous in their purchasing decisions and unlikely to buy merchandise unless strongly influenced.
4. The audience listens to music online for easy accessibility anywhere.
5. The audience prefers conventional concerts with bands over DJ performances and wants to see well-known artists.
The document analyzes the conventions used in three music album advertisements. It finds that the advertisements prominently feature the band's name in distinctive fonts to grab fans' attention. They use vibrant imagery consistent with the band's style and include buzzwords to generate intrigue about the new music. Additional details target serious fans by providing information on special editions and directions to the band's website or upcoming tours. By following these proven conventions of clear text, recognizable branding and supplemental details, the document concludes the advertisements will effectively attract their intended audiences.
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song titles can further entice audiences.
3) Visual elements in ads like colors, fonts, and imagery aim to represent the theme or style of the album to attract particular audiences. Consistency between the ad and album packaging helps recognition.
This poster for Muse's album keeps the space-themed design consistent across album merchandise to convey a deeper meaning to the audience. The poster increases the band's name font size to stand out and follows conventions like putting more important text higher up. It contrasts magazine ad conventions by lacking close-up band shots but attracts attention with its colorful image of a man entering a new universe, implying the band's music provides an alternative experience.
This poster advertises Kasabian's debut album. It uses the same distinctive font and eye-catching abstract image as the album's digipak to clearly link the two. Key information is prominently displayed, including the artist's name in bold font at the top and details on singles and release platforms at the bottom to encourage album purchases. The minimalist black and white design keeps attention focused on the central image without distraction.
The poster advertises a new Kasabian album, using their typical font and logo to identify it as being by the band. The black and white color scheme and layout with larger text at the top conveys that the band is in the indie genre. Additional details like the band's website, image placement, and listings of platforms to listen to the album provide further promotion and information to the target audience.
This document analyzes the front and back cover design of the Muse album "Digipak Analysis 2". On the front cover, the band name is prominently displayed in blue font on a grey background. Unlike conventions, the band does not feature themselves on the front cover. Instead, there is a graphical image of a universe. On the back cover, the band uses a blurred photo and features the track list in varied bright colors against a grey background. Throughout, consistent color schemes and imagery are used to link the front and back covers and create a cohesive album design.
The document analyzes the album cover design for Kings of Leon's "Only by the Night". It uses Photoshop editing techniques to create an effective look and feel. Conventions like the artist's face are used, along with symbolic imagery like owls at night relating to the album title. Bright primary colors and a vintage yellow wash give it a retro style appealing to the target 20-35 male audience. The layout is basic with minimal text to portray a rough, niche rock style different from polished pop music covers.
1. The audience has diverse music tastes including genres like rap, dance, 80s new wave and grime.
2. The audience primarily gets information about concerts online, especially through social media.
3. The audience is spontaneous in their purchasing decisions and unlikely to buy merchandise unless strongly influenced.
4. The audience listens to music online for easy accessibility anywhere.
5. The audience prefers conventional concerts with bands over DJ performances and wants to see well-known artists.
The document analyzes the conventions used in three music album advertisements. It finds that the advertisements prominently feature the band's name in distinctive fonts to grab fans' attention. They use vibrant imagery consistent with the band's style and include buzzwords to generate intrigue about the new music. Additional details target serious fans by providing information on special editions and directions to the band's website or upcoming tours. By following these proven conventions of clear text, recognizable branding and supplemental details, the document concludes the advertisements will effectively attract their intended audiences.
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song titles can further entice audiences.
3) Visual elements in ads like colors, fonts, and imagery aim to represent the theme or style of the album to attract particular audiences. Consistency between the ad and album packaging helps recognition.
This poster for Muse's album keeps the space-themed design consistent across album merchandise to convey a deeper meaning to the audience. The poster increases the band's name font size to stand out and follows conventions like putting more important text higher up. It contrasts magazine ad conventions by lacking close-up band shots but attracts attention with its colorful image of a man entering a new universe, implying the band's music provides an alternative experience.
This poster advertises Kasabian's debut album. It uses the same distinctive font and eye-catching abstract image as the album's digipak to clearly link the two. Key information is prominently displayed, including the artist's name in bold font at the top and details on singles and release platforms at the bottom to encourage album purchases. The minimalist black and white design keeps attention focused on the central image without distraction.
The poster advertises a new Kasabian album, using their typical font and logo to identify it as being by the band. The black and white color scheme and layout with larger text at the top conveys that the band is in the indie genre. Additional details like the band's website, image placement, and listings of platforms to listen to the album provide further promotion and information to the target audience.
This document analyzes the front and back cover design of the Muse album "Digipak Analysis 2". On the front cover, the band name is prominently displayed in blue font on a grey background. Unlike conventions, the band does not feature themselves on the front cover. Instead, there is a graphical image of a universe. On the back cover, the band uses a blurred photo and features the track list in varied bright colors against a grey background. Throughout, consistent color schemes and imagery are used to link the front and back covers and create a cohesive album design.
The document analyzes the album cover design for Kings of Leon's "Only by the Night". It uses Photoshop editing techniques to create an effective look and feel. Conventions like the artist's face are used, along with symbolic imagery like owls at night relating to the album title. Bright primary colors and a vintage yellow wash give it a retro style appealing to the target 20-35 male audience. The layout is basic with minimal text to portray a rough, niche rock style different from polished pop music covers.
This document analyzes the album artwork for Disclosure's album "Settle". It discusses several key elements of the cover:
1) The front cover features two young boys resembling the band members, establishing familiarity for fans but departing from conventions of featuring the artists.
2) The boys' alternative clothing style mirrors the electronic music genre.
3) Font colors and positioning on the cover and spine allow key text to stand out against monochrome backgrounds for visibility.
4) Color schemes and design elements like the disk imprint create cohesion across the front, back, and disk while reflecting the vibrant electronic dance style.
5) Legal requirements like credits and barcodes are also prominently
The document discusses conventions for magazine advertisements and CD digipaks for indie music. It examines how the author's created products conform to and challenge conventions in terms of layout, imagery, colors, and positioning of text and images. While largely conforming to conventions like prominent artist/album text and necessary information, the author takes some risks by using atypical images and positioning that don't strictly feature the artist but are intended to intrigue audiences and tie into the narrative.
The digipak features pastel colors and a simple design focused on the artist's face to represent the alternative pop genre. Key information about the album is prominently displayed on the front in bold blue font. The back provides the tracklist and production details in a complementary color scheme and font. The disc features a minimal design with red roses added to appeal to its target female audience. Inside, cream and black colors are used to provide background on the album's creation and lyrics in an accessible format for fans of the alternative pop style.
The document analyzes magazine advertisements for albums by three indie artists: Tom Odell, The Wombats, and Florence + The Machine. For Tom Odell's ad, it highlights the use of a close-up artist photo with blurred background, simple color scheme, and hierarchical text layout. For The Wombats, it notes the bright blue color scheme and use of yellow text to highlight key details. For Florence + The Machine, it discusses the painted portrait of Florence Welch and placement of text information by size.
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song titles can further entice audiences.
3) Visual elements in ads like colors, fonts, and imagery aim to represent the theme or style of the album to attract particular audiences. Consistency between the ad and album packaging helps recognition.
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song names can entice audiences.
3) Visual elements in ads often relate to the album title or theme through imagery and colors to represent the style of music.
This document analyzes and summarizes several music album posters. It discusses key design elements of each poster like placement of the artist and album names, use of images, and inclusion of release dates and track listings. Common techniques seen across posters are bold fonts to draw attention, simple color schemes relating to the artist's genre, and websites listed for viewers to find more information. Overall the posters are assessed as clear and effective at advertising the albums through prominent display of relevant details.
The document discusses various elements used in album advertisements to promote artists and their music. Key elements included large prominent images of the artist reflecting the album artwork to promote both the artist and product. Artist names were displayed very large in distinctive fonts to make them easily identifiable. Additional information like popular song titles, release dates and where to purchase were included to generate interest and provide purchase details. Color schemes, layouts, images and text styles were designed to be eye-catching, consistent with the artist's brand and make key information memorable for consumers. The goal was to effectively promote both the artist and their new album.
The digipak cover for The Libertines features a medium shot of two band members, Carl Barat and Pete Doherty. One looks at the camera while the other looks down holding a cigarette. The band's name appears in a recognizable font. The disc features the band name in white text on black with the track list and copyright information. The back cover depicts all four band members in a faded image and features the track list again in an uncommon location.
This document analyzes the design of a digipack album by Jay-Z and Linkin Park. It discusses the use of graffiti-style fonts, splattered paint effects, and a limited color palette of blue, black, and white throughout the packaging. Key elements include bold lettering and illustrations in place of photographs. The design focuses on typography and layout over images to create a simple yet eye-catching package that effectively conveys the rap/R&B genre through its style.
The color palette for Breaking Benjamin's album PHOBIA consists mainly of dark browns and blacks that mix together to give the album artwork a dark feeling, conveying the genre of music. Although dark colors were used, they allow the album cover to stand out from others on store shelves. The image and color palette are a good match that create a cover that stands out when displayed.
The poster design for Disclosure's album "Settle" differs slightly from the digipak design. On the poster, the text is positioned at the bottom rather than the top due to the longer length. To fill the blank space, the band name "Disclosure" is in a larger font at the bottom, with the album name "Settle" below in smaller text. The designer feels this better highlights the band name. Consistency between designs is maintained through iconic eye images and references to the digipak.
The document provides an analysis of an advertisement for Florence + the Machine's album "Lungs". It examines various elements of the ad including the band name, main album cover image, color scheme, album name, release date, ways to obtain the album, website, and record labels. The purpose is to promote the album and give readers a sense of the band's unique style through the artistic font, feminine imagery, and incorporation of both traditional and modern ways for fans to engage with their music.
The document analyzes three magazine advertisements for music albums. It discusses design elements like bold colors, fonts, imagery, and information included that would encourage readers to buy the albums. Key points taken from each ad include making the image the focal point, including song references to pique interest, and using the artist's logo and website for branding and accessibility. Overall, the ads examined show continuity with the artists' styles and graphics to attract audiences familiar with their work.
The document analyzes four different advertisements for music albums and how each meets the needs of its target audience.
The first advert features the indie band The Kooks, using a black and white photo of the band playing instruments to interest fans in the music over just their image.
The second advert for a less well-known band includes an image of the album cover to help potential buyers identify and find it. It also uses a simple black and white color scheme associated with rock/indie genres.
The third advert for the older rock band Black Label Society avoids including the band's image since they are already well-known. It features a lightning effect and logo in white on black to signal their darker music
The document discusses the final digipack design for an indie/dream pop album. It uses dreamlike colors and imagery to signify the relaxed, chill style of music. Similar images and colors are used across the digipack and magazine ad to create brand identity and make fans aware of the artist. The fonts are straightforward and formal, fitting with the genres' emphasis on harmonious vocals. The design follows conventions of the genres to appeal to target audiences.
The document summarizes how the author addressed their audience in designing a music magazine cover and contents page. Key points include:
1) The cover uses visual cues like a serif font resembling musical notes, an image of a recognizable indie artist, and a stage photo to signal it is a music magazine focused on indie genres.
2) Color scheme, fonts, and featured artists are chosen to attract the target indie audience.
3) The contents page uses sophisticated language and clear layout to appeal to the target higher-class readers while including fun elements like a caption contest to engage younger audiences.
4) Throughout the magazine, references to indie music, genres, and culture work to attract the intended readership
The document analyzes several music posters and their design elements. It discusses how each poster uses techniques like photography, fonts, filters, and graphics to draw attention to the artist and connect with audiences. The goal is usually to promote the artist's image and brand in order to increase sales and engagement.
The document analyzes the magazine advertisement for Green Day's 2004 album "American Idiot". The ad uses a simple color scheme of black, white, and red to make the text and image stand out. It only includes the band name and album title, keeping the content mysterious. The placement of text in the top left catches the reader's eye. The same font is used throughout, creating consistency with other Green Day products. The sole image depicts a heart-shaped grenade, representing a song's lyrics and themes of patriotism and dissent. Using the same design as the album cover creates recognition between the ad and product.
This document analyzes and summarizes several student-created album covers and advertisements. It finds that the designs effectively represent the genres and artists through their use of colors, fonts, imagery and layouts. However, some designs may raise copyright issues by being too similar to existing professional works. Overall, the critiques praise the clear brand identities and necessary information conveyed while also providing constructive feedback.
This magazine advertisement promotes a new album by a band. It uses the album cover artwork as the main visual and adheres to the color scheme. The band's name, album title, and release date are prominently displayed in clear, recognizable fonts. Additional details like the record label and song list are also included to provide more information to potential customers.
Album cover and magazine adverts for album releases analysisKerry
The document discusses several album covers and magazine advertisements for music releases. Some key points:
1) Album covers typically feature the band/artist name prominently to identify ownership. Backgrounds are often plain to avoid distraction from the main images and text.
2) Advertisements aim to catch attention through bold graphics, fonts, and layouts. They provide information like release dates and album contents to entice purchases.
3) Visuals like photos of the band/artist help identify them and draw interest. Strong color contrasts make text and images stand out against the background. Simplicity in design allows each element clear focus.
This document analyzes the album artwork for Disclosure's album "Settle". It discusses several key elements of the cover:
1) The front cover features two young boys resembling the band members, establishing familiarity for fans but departing from conventions of featuring the artists.
2) The boys' alternative clothing style mirrors the electronic music genre.
3) Font colors and positioning on the cover and spine allow key text to stand out against monochrome backgrounds for visibility.
4) Color schemes and design elements like the disk imprint create cohesion across the front, back, and disk while reflecting the vibrant electronic dance style.
5) Legal requirements like credits and barcodes are also prominently
The document discusses conventions for magazine advertisements and CD digipaks for indie music. It examines how the author's created products conform to and challenge conventions in terms of layout, imagery, colors, and positioning of text and images. While largely conforming to conventions like prominent artist/album text and necessary information, the author takes some risks by using atypical images and positioning that don't strictly feature the artist but are intended to intrigue audiences and tie into the narrative.
The digipak features pastel colors and a simple design focused on the artist's face to represent the alternative pop genre. Key information about the album is prominently displayed on the front in bold blue font. The back provides the tracklist and production details in a complementary color scheme and font. The disc features a minimal design with red roses added to appeal to its target female audience. Inside, cream and black colors are used to provide background on the album's creation and lyrics in an accessible format for fans of the alternative pop style.
The document analyzes magazine advertisements for albums by three indie artists: Tom Odell, The Wombats, and Florence + The Machine. For Tom Odell's ad, it highlights the use of a close-up artist photo with blurred background, simple color scheme, and hierarchical text layout. For The Wombats, it notes the bright blue color scheme and use of yellow text to highlight key details. For Florence + The Machine, it discusses the painted portrait of Florence Welch and placement of text information by size.
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song titles can further entice audiences.
3) Visual elements in ads like colors, fonts, and imagery aim to represent the theme or style of the album to attract particular audiences. Consistency between the ad and album packaging helps recognition.
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song names can entice audiences.
3) Visual elements in ads often relate to the album title or theme through imagery and colors to represent the style of music.
This document analyzes and summarizes several music album posters. It discusses key design elements of each poster like placement of the artist and album names, use of images, and inclusion of release dates and track listings. Common techniques seen across posters are bold fonts to draw attention, simple color schemes relating to the artist's genre, and websites listed for viewers to find more information. Overall the posters are assessed as clear and effective at advertising the albums through prominent display of relevant details.
The document discusses various elements used in album advertisements to promote artists and their music. Key elements included large prominent images of the artist reflecting the album artwork to promote both the artist and product. Artist names were displayed very large in distinctive fonts to make them easily identifiable. Additional information like popular song titles, release dates and where to purchase were included to generate interest and provide purchase details. Color schemes, layouts, images and text styles were designed to be eye-catching, consistent with the artist's brand and make key information memorable for consumers. The goal was to effectively promote both the artist and their new album.
The digipak cover for The Libertines features a medium shot of two band members, Carl Barat and Pete Doherty. One looks at the camera while the other looks down holding a cigarette. The band's name appears in a recognizable font. The disc features the band name in white text on black with the track list and copyright information. The back cover depicts all four band members in a faded image and features the track list again in an uncommon location.
This document analyzes the design of a digipack album by Jay-Z and Linkin Park. It discusses the use of graffiti-style fonts, splattered paint effects, and a limited color palette of blue, black, and white throughout the packaging. Key elements include bold lettering and illustrations in place of photographs. The design focuses on typography and layout over images to create a simple yet eye-catching package that effectively conveys the rap/R&B genre through its style.
The color palette for Breaking Benjamin's album PHOBIA consists mainly of dark browns and blacks that mix together to give the album artwork a dark feeling, conveying the genre of music. Although dark colors were used, they allow the album cover to stand out from others on store shelves. The image and color palette are a good match that create a cover that stands out when displayed.
The poster design for Disclosure's album "Settle" differs slightly from the digipak design. On the poster, the text is positioned at the bottom rather than the top due to the longer length. To fill the blank space, the band name "Disclosure" is in a larger font at the bottom, with the album name "Settle" below in smaller text. The designer feels this better highlights the band name. Consistency between designs is maintained through iconic eye images and references to the digipak.
The document provides an analysis of an advertisement for Florence + the Machine's album "Lungs". It examines various elements of the ad including the band name, main album cover image, color scheme, album name, release date, ways to obtain the album, website, and record labels. The purpose is to promote the album and give readers a sense of the band's unique style through the artistic font, feminine imagery, and incorporation of both traditional and modern ways for fans to engage with their music.
The document analyzes three magazine advertisements for music albums. It discusses design elements like bold colors, fonts, imagery, and information included that would encourage readers to buy the albums. Key points taken from each ad include making the image the focal point, including song references to pique interest, and using the artist's logo and website for branding and accessibility. Overall, the ads examined show continuity with the artists' styles and graphics to attract audiences familiar with their work.
The document analyzes four different advertisements for music albums and how each meets the needs of its target audience.
The first advert features the indie band The Kooks, using a black and white photo of the band playing instruments to interest fans in the music over just their image.
The second advert for a less well-known band includes an image of the album cover to help potential buyers identify and find it. It also uses a simple black and white color scheme associated with rock/indie genres.
The third advert for the older rock band Black Label Society avoids including the band's image since they are already well-known. It features a lightning effect and logo in white on black to signal their darker music
The document discusses the final digipack design for an indie/dream pop album. It uses dreamlike colors and imagery to signify the relaxed, chill style of music. Similar images and colors are used across the digipack and magazine ad to create brand identity and make fans aware of the artist. The fonts are straightforward and formal, fitting with the genres' emphasis on harmonious vocals. The design follows conventions of the genres to appeal to target audiences.
The document summarizes how the author addressed their audience in designing a music magazine cover and contents page. Key points include:
1) The cover uses visual cues like a serif font resembling musical notes, an image of a recognizable indie artist, and a stage photo to signal it is a music magazine focused on indie genres.
2) Color scheme, fonts, and featured artists are chosen to attract the target indie audience.
3) The contents page uses sophisticated language and clear layout to appeal to the target higher-class readers while including fun elements like a caption contest to engage younger audiences.
4) Throughout the magazine, references to indie music, genres, and culture work to attract the intended readership
The document analyzes several music posters and their design elements. It discusses how each poster uses techniques like photography, fonts, filters, and graphics to draw attention to the artist and connect with audiences. The goal is usually to promote the artist's image and brand in order to increase sales and engagement.
The document analyzes the magazine advertisement for Green Day's 2004 album "American Idiot". The ad uses a simple color scheme of black, white, and red to make the text and image stand out. It only includes the band name and album title, keeping the content mysterious. The placement of text in the top left catches the reader's eye. The same font is used throughout, creating consistency with other Green Day products. The sole image depicts a heart-shaped grenade, representing a song's lyrics and themes of patriotism and dissent. Using the same design as the album cover creates recognition between the ad and product.
This document analyzes and summarizes several student-created album covers and advertisements. It finds that the designs effectively represent the genres and artists through their use of colors, fonts, imagery and layouts. However, some designs may raise copyright issues by being too similar to existing professional works. Overall, the critiques praise the clear brand identities and necessary information conveyed while also providing constructive feedback.
This magazine advertisement promotes a new album by a band. It uses the album cover artwork as the main visual and adheres to the color scheme. The band's name, album title, and release date are prominently displayed in clear, recognizable fonts. Additional details like the record label and song list are also included to provide more information to potential customers.
Album cover and magazine adverts for album releases analysisKerry
The document discusses several album covers and magazine advertisements for music releases. Some key points:
1) Album covers typically feature the band/artist name prominently to identify ownership. Backgrounds are often plain to avoid distraction from the main images and text.
2) Advertisements aim to catch attention through bold graphics, fonts, and layouts. They provide information like release dates and album contents to entice purchases.
3) Visuals like photos of the band/artist help identify them and draw interest. Strong color contrasts make text and images stand out against the background. Simplicity in design allows each element clear focus.
The magazine advertisement for Green Day's 2004 album "American Idiot" uses a simple color scheme of black, white, and red to make the text and image stand out. It features only the band's name and album title in the band's own font in the top left corner to draw the eye and maintain an air of mystery. The sole image is of a hand holding a heart-shaped grenade, representing a song about holding one's heart "like a hand grenade." Using the same design as the album cover creates synergy between the advert and album, making the album easily recognizable to potential buyers.
This document analyzes the design elements of an electronic dance music magazine cover and contents pages. The cover uses bright colors that reflect the EDM scene, features prominent artists, and promotes multiple articles and features to appeal to a broad audience. The contents pages continue using color and images to preview articles and entice readers to learn more. Overall the design aims to represent EDM culture visually while highlighting the variety of content in an accessible layout.
This document discusses strategies for designing effective promotional album posters and covers. It examines how to apply the "route of the eye" concept to guide the viewer's attention in a quick and impactful way. Key elements discussed include placing the band name and album title prominently, including images of the band and CD for recognition, highlighting new releases or reviews to generate hype, and showing the record label for branding. Color, font, and layout are also addressed to make the design appealing, identifiable within the genre, and similar to successful existing products. Comparing to other examples allows one to determine if their own design achieves these goals of attracting attention, conveying necessary information efficiently, and relating appropriately to the target market.
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song titles can further entice audiences.
3) Visual elements in ads like colors, fonts, and imagery aim to represent the theme or style of the album to attract particular audiences. Consistency between the ad and album packaging helps recognition.
This Kerrang magazine document discusses various pages within the magazine. The front cover uses red, white and blue to target a British audience and features 5 artists. The contents page continues the quirky style and changes colors. A double page spread features Billie Joe Armstrong and uses green and white. The promotions page advertises new albums and a Deftones concert. Feedback pages allow readers to engage with the magazine. A main article uses boxes to break up the text. Throughout, the magazine maintains cohesion while displaying an unconventional style.
This Kerrang magazine document discusses various pages within the magazine. The front cover uses red, white and blue to target a British audience and features 5 artists. The contents page continues the quirky style and changes colors. A double page spread features Billie Joe Armstrong and uses green and white. The promotions page advertises new albums and a Deftones concert. Feedback pages allow readers to engage with the magazine. A main article uses boxes to break up the text. Throughout, the magazine maintains cohesion while displaying an unconventional style.
This Kerrang magazine document discusses various layout elements across different pages. The front cover uses red, white and blue colors to target a British audience and features 5 artists. The contents page maintains cohesion with the cover while using different colors. A double page spread uses Billie Joe Armstrong's iconography and green/white colors to market Green Day. Feedback pages encourage interaction through competitions and surveys. Overall the document analyzes how Kerrang uses design techniques to appeal to its target rock music audience.
- The document discusses the evaluation of a production process for creating music-related products like posters, CD covers, and tickets.
- Research helped with understanding different audience targeting but could have explored more music genres. Planning considered color choices and fonts.
- Time management was an issue, as too much time was spent on some areas leading to rushing.
- Technical qualities of the products are reviewed against other examples, with opportunities to improve readability and anti-counterfeiting measures noted.
- Aesthetic qualities focused on a consistent low poly style while differentiating products through varied colors.
The document discusses research conducted for the design of a digi-pak for an indie artist. Key findings from the research included that audiences preferred designs with simple graphic elements combined with personal photos. Common color schemes for the indie genre were identified as neutral tones like blues, greens, browns and creams. Specific colors proposed for the design were light blue, purple and grey to appeal to both male and female audiences. Inspiration was drawn from existing album designs including the use of tape and leaf prints. Further research on typography and printing techniques was discussed to incorporate artistic elements into the final design.
The document discusses several magazine advertisements for music albums. It describes various design elements used across the ads, including large artist images, prominent display of release dates and popular singles, and inclusion of website information. The goal of the ads is to quickly catch readers' eyes, convey key information about the artist and album, and drive sales of songs and albums.
This document analyzes the design conventions of several magazine covers. It discusses elements like color palettes, layouts, images, and text used on the covers. The covers portrayed target audiences interested in genres like electronic dance music. Photos showed artists seriously or having fun to portray the music's atmosphere. Text highlighted key artists and articles to attract readers. Overall, the covers aimed to intrigue browsers and effectively market the magazines' content and point of view through visual design.
To attract their target audience of working class teenage/young adult males, the author focused on creating an eye-catching magazine cover using dark colors and images of popular male artists. They also included affordable pricing of £1.99 and used band logos to create an attention-grabbing magazine title. The contents included reviews, interviews, competitions and prizes based on feedback from the target audience. Large images, subheadings and alternating text colors were used to make articles visually appealing and easy to read for the audience.
The document provides an analysis of several album digipaks and magazine advertisements. It summarizes key aspects of the designs that the author likes and wants to incorporate into their own digipak and advertisements. These include using colorful designs on the front with simpler designs on the back, including photos of the band, and ensuring track listings and release dates are prominently displayed. The author also notes preferences around font styles, color schemes, and inclusion of additional materials like posters or photos.
The document analyzes two music advertisement posters. It discusses various design elements and conventions used in the posters, such as the main images featuring the bands, album names, quotes and reviews from music magazines, release dates, and ways to purchase the albums. Typography, color schemes, and composition techniques are examined in conveying genre and promoting the products. Key conventions like the artist and album names, reviews, and purchase information are discussed alongside ways some elements subvert typical conventions.
Joshua Brownsword has worked in customer service and warehouse roles, gaining skills in stocking shelves, serving customers, and checking deliveries. He is reliable, hardworking, and enjoys working as part of a team. Joshua has a background in computers and graphic design. He is completing a media and film course at college and expects to receive his grade by the end of August 2019. In his free time, Joshua enjoys photography, photo editing, and water sports.
This applicant is applying for creative media courses focused on advertising and film. They have a history of strong creative skills in graphic design, photography, and video editing developed through GCSE courses and a current UAL diploma in creative media. Their diploma work includes magazine and website design, animation, filmmaking, and album branding projects. They have part-time job experience and enjoy photography. They want to develop their skills in influencing audiences and see how their work directly impacts people.
This document discusses typeface and font design. It explains that typeface refers to the overall design, while font refers to a specific size and style variation of a typeface (e.g. Verdana 12-pt italic). There are five main typeface categories: serif, sans-serif, display, script, and dingbat. Serif and sans-serif refer to whether the letters have small strokes ("serifs") at the end. Display typefaces are meant to be large to attract attention, while script aims to look handwritten. Font size and style can change a typeface's appearance.
The document discusses several potential problems that could arise during a creative project and solutions to address them. It notes that missing or damaged equipment would significantly impact work and proposes having backup equipment or planning alternative tasks. Storage issues like damaged drives or insufficient space could cause data loss, so it recommends cloud backups or external storage. Using copyrighted images without permission could result in legal penalties, so planning to only use owned or licensed content is suggested. The document also covers file formats, resolution settings, and techniques for achieving retro or low poly aesthetics.
The presentation outlines the speaker's product, a 16-page book exploring the planets in the solar system. Slide 1 introduces the product. Slide 2 discusses changing the target audience to teenage boys. Slide 3 covers the research done on 3 comparable products and the findings of a survey. Slide 4 describes the 2 graphic techniques used: low poly modeling and drop shadows. The final slide shows an excerpt and cover, and outlines positives and areas for improvement. All plans and work are uploaded to a Wix website for a wider audience and future portfolio.
Josh Brownword presented on his non-fiction space book product for young teens. The book runs through the 8 planets in our solar system. His research included examining other history and ancient Egypt books as well as a space-themed game. He used low poly techniques like the line tool and select tool. The cover design was pleasing but the text wasn't centered. The individual pages had unique designs but the line tool poly style didn't work well and one page felt barren. Overall, there is room for improvement as rushing at the end impacted the final product.
This document discusses two children's books:
1. "So You Think You've Got It Bad? A Kid's Life in Ancient Egypt" published by Nosy Crow, which uses colorful illustrations and text to educate children about life in Ancient Egypt. It aims to show children that modern life is better while teaching them about the past.
2. "History of Britain in Maps" published by HarperCollins, which explores maps throughout British history from the Mappa Mundi to modern election maps. It presents history through maps in an interesting visual way.
Both books were created with specific audiences and purposes in mind. The Nosy Crow book targets younger children to make learning enjoyable, while the HarperCollins
Week 1: The artist created the background and character for their production, using a low poly effect with triangles in blues and purples to achieve a space-like aesthetic.
Week 2: They worked on the front cover, using purple in the background and enlarging the UFO character with brighter colors and an alien. A sci-fi title was added at the top in yellow.
Week 3: The back cover was created, reusing the front cover background flipped and adding low poly planets between title and body text describing the book.
Joshua Brownsword proposes creating a children's book that maps the solar system and provides information about each planet. The book will include details about planetary history and moons. Brownsword will research graphic design principles, children's books, fonts, and planetary facts. He will experiment with techniques and create page layouts before production. Evaluation will include weekly self-reviews, peer feedback, and a final evaluation comparing his view to others'. The project will culminate in a 5-minute presentation.
The document summarizes the evaluation of the author's research and planning process for creating an educational children's book about space. Some key points:
- The author researched two existing products - a children's history book and a map book - to inform layout, colors, and text styles for their book. They analyzed aspects like company motives and historical context.
- Planning included researching fonts, creating two draft layouts, and planning a recurring character. More ideas and detail could have improved planning and reduced production time.
- Writing the text paragraphs went well, but bullet points of information may have led to a more structured writing process.
- The low-poly art style on the cover was chosen to create
This document summarizes the student's progress and final project idea for their course. The student plans to create a children's book about the solar system with a unique low poly art style inspired by the space game Astroneer. They want the book to intrigue readers with the art style while still being simple enough for children to understand. The key part of the project for the student is experimenting with different space-themed designs using this art style.
The client agrees with most of the audience research but provides some additional details. While the typical customer age is 30-50, age is not a key factor as customers share similar life attitudes. The middle class is the right target, including niche shop owners who could be seen as "hippies." More women buy the company's jewelry than men. Most customers have shops in city centers, though advertisements will target trade shows not locations.
The document provides an evaluation of banners and a flyer created for a company. It discusses the layout, colors, images, text, and font used and suggests some areas for improvement. Research is identified as a weakness, with opportunities to conduct more in-depth competitive analysis and audience research to better inform the design of the materials.
The document discusses several options for fonts and graphic designs for headings, titles, and text blocks in a children's book about space and planets. It considers 4 sci-fi inspired fonts, with analyses of each font's design, aesthetic, and licensing costs. Sample page layouts are proposed, including placing titles above or behind planet illustrations. The document also explores using a character, like a UFO or spaceship, to engage young readers and present information in additional formats.
There would be problems if copyrighted images were used without permission in a commercial product. This could result in legal action and damages needing to be paid. To avoid this, careful planning is required to either create original content or get permission to use existing images. When planning to use an online image, the website should be checked to see if commercial use is allowed and payment for use is an option. If not, contacting the image owner directly is recommended.
The document provides feedback on a fanzine from two questionnaires. The first questionnaire praises the neon aesthetic and thorough research, but recommends improving readability through spellchecking and font changes. The second questionnaire also likes the neon color scheme but feels the font for interview answers and a written message is too bold and hard to read. This respondent also questions how the neon theme fits with the 1910s murder topic. Overall, the feedback appreciates the design but identifies some font readability issues and a potential mismatch between the neon theme and historical murder topic.
This document discusses two children's books:
1. "So You Think You've Got It Bad? A Kid's Life in Ancient Egypt" published by Nosy Crow, which uses colorful illustrations and text to educate children about life in Ancient Egypt. It aims to show children that modern life is better while teaching them about the past.
2. "History of Britain in Maps" published by HarperCollins, which explores maps of British history from early maps to modern election maps. It uses washed out colors and map images aimed at teens and adults interested in a casual look at history through maps.
Both books effectively target different audiences through their use of color, images and layout, with the Egypt book for young
Fight Club is a 1999 film directed by David Fincher, based on the 1996 novel of the same name by Chuck Palahniuk. It follows the narrator and Tyler Durden as they form an underground fighting club for disaffected men. When released, the film was a box office disaster due to themes of misogyny, violence, and anti-consumerism. However, it developed a cult following for resonating with the lost Generation X audience and questioning prosperity without fulfillment. The film uses the nostalgic film noir style to suggest the American Dream is fading and should be destroyed, rather than fought for. Its ending of blowing up credit companies takes on new meaning after the 9/11 attacks in
The document discusses various aspects of typeface and font design. It defines typeface as the overall design, while font refers to a specific size and style within a typeface (e.g. Verdana 12-pt italic). Key components that define a typeface are serif, sans-serif, display, script, and dingbat. Serif fonts have small strokes at the end of letters, while sans-serif do not. Serif fonts are commonly used for print and sans-serif for digital. Display typefaces are meant for larger sizes and to attract attention, rather than long passages of text. Script typefaces mimic handwriting.
Joshua Brownsword proposes creating "A Book of Useless Maps" as his graphic design project. He will focus on filling maps of places like England and Europe with imagery and graphics representing different areas rather than blank spaces. He will also create advertising for the book. Research will include info graphic design theories, art books, and typography. The project will be evaluated weekly during production and research phases, and a final evaluation will assess design appeal, improvements, and peer feedback.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
2. Existing Product
The poster has a clear heading on the side of the
page that shows what it is for. The heading is in
large read font that contrasts clearly with the
background. The heading isn’t just a flat colour, it
has patches all over where you can see the
background through it, this could be to represent
that the event is always as clean as it is outside in
the field. So the patches are used to give the
audience information about the event in a more
subtle way.
The background of the posters is a very bright
yellow. This will have multiple reasons. The first
reason is that it is very eye catching, so people that
are just passing it will instantly see it and get drawn
too it. This works the same way that caution tape
does, the yellow stands out clearly from its
surrounding area. So if I want to draw people into
my poster using bright colours like this may be a
good way to do that. Another reason is that it
contrasts well with other colours like black and red (
the other two colours on the poster), this makes
them exceptionally easy to read.
The Headings on the poster range in sizes, they are also in a flat black colour. The Reason for the different sizes is because larger artists catch the eye of the
public more easily, this is because their easily recognisable name generated by their popularity. So making these headings the focus then draws people to
look who else is performing at the concert. When a person starts to actually start reading the poster they may feel a bit overwhelmed as there is a lot of
information on the poster, rather than trying to put all artists on the poster they could change this by giving a link to a page where the smaller artists are
listed and fill the rest of the space with some form of art. The art would make the poster more interesting as at the minute the poster isn’t very interesting.
However this poster would not necessarily benefit from that as it is quite a famous concert poster that is easily recognisable.
The font that posters text is in is very bold, the majority o text benefits from this hugely as otherwise it would be very small and thin. The small bold font
allows them to have a lot of information on one page, such as dates, artists and stage listings. The black colour of the font is also helpful for the reader as it
stands out clearly from the background. In my project I can use this technique to get lots of information on one page but also at the same time making it
visible and easy to read.
At the bottom of the page there is a row full of acts
on the alternative stage. The ay this is presented is
clever as the way it is presented is clearly alternative
from everything else. Firstly it is a different shade of
yellow so it is instantly recognised as separate, the
text is then presented differently as well as it is
centralised rather than it having a hard flat left side.
So I could use this in my design to show other things
at an event rather than just music.
At the bottom of the page there is a row of sponsors
for the concert, these are here as they don’t give
the viewer any important information and are only
there because they have to be. So making them
small at the bottom of the page makes them less
visible and less likely to effect the aesthetic of the
overall poster.
The poster also has 3 sets of hollow arrows
scattered around the page, these clearly match the
ones in the heading, this means that they fit in with
the poster. They are used to remove open blank
areas as best as possible. I could do something like
this if I also have empty boring areas in my work.
3. Existing Product
The function of the
ticket is obviously
to allow a customer
to get into a venue.
This means there
has to be a range of
things included in
it; anti fraud
protection,
audience
memorabilia and
information for the
venue taking the
ticket.
The right side of the ticket is mainly used as for memorabilia for the customer. As they will take it
home and keep it, this is good for advertising, as the customer will talk about it which makes more
people interested and want to be involved. Most of the information is the same as it is on the left
side of the ticket. However it is much more presentable. The centre of it is the band name in a large
white font outlined by black, the rest of the font is also bolder and in a fancier/flashier font. This is
all because it is to line up and match the bands recognised aesthetic, which has a slight psychedelic
appearance. The colours are very basic with only three key colours; yellow, green, off-white and
black. The artwork is based around the bands well know album style that was designed by John
Squire the bands guitarist who took influence from Jackson Pollock. This will resonate with the
audience and build upon that desire to acquire one and own it. The design includes the icon lemon,
which is commonly related to the stone roses, as it is present in their most famous albums cover and
later appeared in lots of their merchandise (and clearly their tickets). This is a strong link to the band
as it was used based from their song Bye Bye Badman which is about Paris riots of May 1968, I an
brown the bands lead spoke to a rioter who said that they used lemon as an antidote for tear gas as
there was a very violent response to the protests from the police. When making my project I could
try include imagery that has a strong link to bands that I may include, this is because it will draw a
bigger audience in if they see imagery linked to their band ( this tactic would possibly be more useful
on a poster or flyer if its purpose is to attract an audience).
One key feature of tickets is that they have anti
fraud measures to stop people from printing
their own fake version. One way of doing this by
putting a hologram on one side of the ticket, this
works as the hologram technology is always
developing and improving, this makes it
increasingly difficult for people to copy it.
Another measure I can use is gloss marks these
are not as secure however are easier to
recognise by the person taking tickets as all they
have to do is move the ticket to see/ feel them. I
could add a UV message to my ticket, these work
because the messages are only visible under a
light of certain wavelength making it extremely
difficult for counterfeit copies to be made.
Another way to hide things onto a ticket would
be to use heat sensitive text, this only shows up
when heat is applied, this can be as simple as
someone just rubbing the paper. I will have to
try and incorporate some of these into my
design as it will be important that no one is able
to copy the ticket as a forge.
4. Existing Product
From this image it is clear that
the band The 1975 keep a clear
theme when it comes to the
aesthetic of their albums. Each
album clearly follows that
simple pastel white and pink
theme. This is a direct contrast
to their previous album which is
black with the same design as
this album but in white. Have
the albums be the same just in
completely different colours
shows the listener that their
music is very different between
albums but also still in the same
style of their band that their
listeners first heard. This is a
simple and effective way to
show a link between the
albums. Keeping the design has
also helped them to build up a
clear and very recognizable
band logo/ aesthetic, as you
will commonly see band
merchandise and advertising in
the clear box style with bright
neon or flat white writing in the
center which fans will now
instantly recognize.
The lack of colours has importance in the album advertising itself, this is
due to someone looking to listen to the album doesn’t know what to
expect, they cannot be told anything about the style of the music from its
cover. This is unlike a lot of heavy metal music for example which will
commonly have a much more psychedelic cover, or have images that are
commonly seen as frightening such as skulls or fire for example. Whereas
with this album it is left open to the audiences imagination what the
music will be like, it makes the audience go in expecting nothing. The
only real indication to the style of music could be the pink glow, this
obviously gives the feeling of love, however it is not in a grand enough
scale to really come to any final conclusions on the style of music,
however the title of the album does help link to this. However these two
factors do not detract from the white that removes any predictions from
the audience.
The actual design of the vinyl follows
the same theme as the of the parts
to the collection. I think this is an
effective way to get people to
advertise the product. The actual
vinyl is thick and transparent, this is
quite unlike most normal vinyl's. So
due to this people will talk about it,
this makes it appeal much more as it
is seen as a collectible item. When
something has a more unique and
collectable appearance people are
likely to brag about it and try to
make people jealous that they don’t
have something. Word of mouth is a
very important advertising tool
which I could aim to try and appeal
too.
5. Existing Product
The focus with product is that it is big and bright, which in
effect makes it very eye catching. This is important for a
poster as it is the primary of drawing in an audience. The
poster pulls this off by having a deep black which contrasts
greatly with the other colours. The other colours don’t
contrast much with each other and are mainly a shade of
red, this allows there to be a much clearer image drawn
into the poster that doesn’t just look erratic.
The bulk of the text in this poster is in a large bold font,
that is red. The only other piece of text is in orange. The
orange text is much less visible because it doesn’t contrast
clearly with its background. Whereas the red font does
contrast clearly, even managing to still keep the style and
shaping as the outfit drawn onto the character. Having the
same look builds an effective theme for this poster making
the overall final look very artistic, this is effective as it
easily draws people to the poster and wanting to know
more. However this does also make the text hard to read
as it is misshapen and confusing
6. Research Analysis
• What common features do the researched products have?
• From my research I have found that many projects like the one I intend to
do have some form of overall theme, mostly artistic, simplistic or
informative. the theme is often very representative of what the poster is
aiming to achieve or of what the band its representing is like. They also
normally have very contrasting coloured text from the overall background,
this makes it much easier to read for the audience.
• What aspects of the research will you include within your own production
work
• In my project I expect to use in someway most techniques used in these
projects. However the main focus will be to make my product very
representative of the band or bands that I am representing, this is because
the band is the biggest draw to a gig, as this is what an audience will first
notice and think about.
8. Audience research
• Observation:
• From my questionnaire I found
that people like a range of
music, this includes rap, dance,
80s new wave and grime.
• What this says about my
audience:
• This shows that my audience is
quite modern in their taste of
music, as they like new styles of
music like grime.
• How will your product appeal
to this audience:
• This will effect my product as it
means the festival I create will
have a larger range of
artists, This will allow me to
explore different styles of
poster and art styles to appeal
to each different audience.
9. Audience research
• Observation:
• From my questionnaire I can see
that all of the people who
answered get all information
about concerts off of the
internet. However it is primarily
on social media.
• What this says about my
audience:
• It shows that my audience is an
internet generation that relies
heavily on the internet to get
their news and information.
• How will your product appeal to
this audience:
• This means that I will have to
focus my advertising online as
this is where most people will
interact with it, this also means
that I have to have less of a focus
on printing.
10. Audience research
• Observation:
• From my questionnaire I
can clearly see that the
majority of people are
unlikely to buy any
merchandise, with a many
also saying they wouldn’t
at all.
• What this says about my
audience:
• It says that my audience
are very are very
spontaneous in their
decisions, which are very
influenced by mood.
• How will your product
appeal to this audience:
• It will mean my work will
have to really reflect the
type of music it represents
and be found in the places
where people are most
likely to engage with it.
11. Audience research
• Observation:
• From this question I
found that everyone
primarily listens to their
music online.
• What this says about my
audience:
• It shows me that my
audience want music to
be accessed easily and
accessible wherever.
• How will your product
appeal to this audience:
• This shows that my
product will have to be
accessible and found
easy, meaning an actual
physical version may not
be viable as successful
advertising.
12. Audience research• Observation:
• Even though there are
clear joke answers in my
questionnaire, it is clear
that people often go to
more conventional
concerts with bands rather
than DJs.
• What this says about my
audience:
• It shows that my audience
like to be involved in much
more singing based music
and like to see much more
well known artists.
• How will your product
appeal to this audience:
• This means that my
product will have to show
much more class and
engage the audiance with
larger names.
13. Audience research
• Observation:
• From my questionnaire
I found that most
people clearly prefer to
get merchandise online.
• What this says about
my audience:
• This shows that my
audience do most
things online where it is
easily
accessible, However
they also buy at gigs so I
would have to make my
products appeal to
these people.
• How will your product
appeal to this audience:
• I will have a heavy focus
on my product
appealing to the right
audience that I
eventually decide, as
this will dictate whether
the audience buys the
product.
14. Audience research
• Observation:
• From my questionnaire I
found that people think
that art is more important
on a poster than other
information such as dates,
prices and bands.
• What this says about my
audience:
• This shows that people are
more attracted to wanting
to know more when they
are first presented with
something different and
more interesting first.
• How will your product
appeal to this audience:
• This means that in my final
project I will have to create
something that inspires
people to invest more into
the actual information on
the poster.
15. Audience research
• Observation:
• I can see that From
my questionnaire
people are not
overwhelming
expecting of great
artwork on an
album.
• What this says
about my audience:
• This shows that my
audience are much
more interested in
the content and its
quality rather than
what is advertising
it.
• How will your
product appeal to
this audience:
• This means I will
have to focus on
what the contents
of my project is
rather than its
outside
appearance.
17. Interview 1
• What would draw you to a poster, For example art or band names? And Why?
• Band names, because I wouldn’t be interested in the album otherwise if I didn’t
already know the band.
• What genres of music do you prefer and why?
• Rock, because it helps me to focus and calm down.
• Would you likely go to a gig of a band you like and if not what would persuade
you?
• Only if they had a reputation for being really good live.
• When you buy a physical copy of music what do you think the albums cover should
include? And why?
• Something that accurately represents the style of the band.
• If you were buying merchandise what would you expect it to include, and why?
Also How much would you Pay?
• Shirts, memorabilia, and posters, but I wouldn’t pay over ten pounds for any of
them.
18. Interview 1
• Observation:
• From the interview it is clear to me that the persons main attraction
is the band, they focus very much on the fact that everything
should be based round the band and their talent.
• What this says about my audience:
• This shows that my audience see reputation as a very key factor
when it comes to music for example only going to see them live if
they are know for being good.
• How will your product appeal to this audience:
• I will make my product appeal to my audience by aiming at big
names in music that they will know and will be drawn to, I will also
try to build up a reputation with my product so that the audience
has much more trust in it.
19. Interview 2
• What would draw you to a poster, For example art or band
names? And Why?
• I find that poster art for a band is essential for convey the
type of band they are. The art.
• What genres of music do you prefer and why?
• Would you likely go to a gig of a band you like and if not
what would persuade you?
• When you buy a physical copy of music what do you think
the albums cover should include? And why?
• If you were buying merchandise what would you expect it
to include, and why? Also How much would you Pay?
20. Interview 2
• Observation:
• What this says about my audience:
• How will your product appeal to this
audience:
• I will finish this but it doesn’t help that the
person only answered one question.
22. Bibliography
1. annonymous. (2018). /. Available: https://www.leedsfestival.com/. Last accessed 11th April 2018.
2. Anon. (2010). Stone Roses gig tickets. Available: http://www.thestoneroses.co.uk/2010/11/stone-roses-gig-tickets. Last
accessed 12th April 2018
3. Kii Arens. (2014). Arctic Monkeys Los Angeles Poster. Available:
https://insidetherockposterframe.blogspot.co.uk/2014/09/arctic-monkeys-los-angeles-poster-by-kii-arens.html. Last
accessed 12th April 2018.
4. MacLean image. (N/A). Actual Pink Floyd Original Concert Poster. Available: https://www.limitedruns.com/original/music-
posters/rock/pink-floyd-original-concert-poster-1/image/. Last accessed 12th April 2018.
5. Anonymous. (N/A). TicketPrinting.com Security Features. Available: https://www.ticketprinting.com/Site/Ticket-
Security.aspx. Last accessed 13th April 2018.
6. ANON. (2016). I LIKE IT WHEN YOU SLEEP, FOR YOU ARE SO BEAUTIFUL YET SO UNAWARE OF IT LIMITED EDITION SUPER DELUXE
BOXSET. Available: https://store.universalmusic.com/the1975/*/*/I-like-it-when-you-sleep-for-you-are-so-beautiful-yet-so-
unaware-of-it-Limited-Edition-Super-Deluxe-Boxset/4ZEF0000000. Last accessed 17th April 2018.
7. https://www.creativebloq.com/print-design/how-to-print-a-poster-12121447
Editor's Notes
Choose a recent product similar to your own and annotate it
Type of image- studio/location, angle, effects, post-production
Use of lighting/composition/mise en scene/costume/props/location/colours/fonts etc.
Audience appeal- how does it make its audience want to buy/watch/play it?
Why have you chosen to look at this? What have you learned that can help you in your project?
Choose a recent product similar to your own and annotate it
Type of image- studio/location, angle, effects, post-production
Use of lighting/composition/mise enAudience appeal- how does it make its audience want to buy/watch/play scene/costume/props/location/colours/fonts etc.
it?
Why have you chosen to look at this? What have you learned that can help you in your project?
Choose a recent product similar to your own and annotate it
Type of image- studio/location, angle, effects, post-production
Use of lighting/composition/mise en scene/costume/props/location/colours/fonts etc.
Audience appeal- how does it make its audience want to buy/watch/play it?
Why have you chosen to look at this? What have you learned that can help you in your project?
Choose a recent product similar to your own and annotate it
Type of image- studio/location, angle, effects, post-production
Use of lighting/composition/mise en scene/costume/props/location/colours/fonts etc.
Audience appeal- how does it make its audience want to buy/watch/play it?
Why have you chosen to look at this? What have you learned that can help you in your project?
List all products researched in previous sections. Include anything additional you have watched/read in preparation for production. Alphabetise your list.