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In what ways does Your media 
product use, develop or challenge 
forms and conventions of real media 
products? 
Film Poster 
#FITSPO
Poster Conventions 
When creating our poster we needed to keep within the guidelines of poster 
conventions, we researched genre conventions for documentary posters during our 
research stage. 
• A film poster must have conspicuous typography, iconography, lasting appeal 
and recognisability. 
• There must be prominent use of photography. 
• The typography is inventive, recognisable and suitable. 
• Institutional information is displayed at the bottom of the poster. 
• There is usually reviews from outside companies.
“A film poster must have conspicuous typography, 
iconography, lasting appeal and recognisability.” 
House style – our house style is 
pink and green with a bold text 
written across the abs which 
target the 17-25 audience. This 
colour scheme runs throughout 
our products, creating a 
cohesive campaign. This also 
attracts our female audience. 
We follow the convention of 
house style, as we think that 
this is iconic in creating a 
successful brand identity. This 
ensures the products to be 
distinguishable and 
recognisable. 
The background image of a low 
resolution of a montage of 
images of Fitspo style models 
taken from social media site 
Instagram, have a lasting effect 
on our audience. The 17-25 year 
old female audience will be able 
to relate to the social media 
iconography of the iconic 
instagram page. The use of 
iconography meets the 
convention and leave a a lasting 
appeal that the content of the 
poster and documentary is 
targeted around social media and 
technological devices. 
The title of the film 
poster has 
recognisability as it is 
the same as the 
Documentary creating 
a clear brand identity in 
which the audience can 
recognise and link to 
all our products. 
The BBC three logo is 
recognisable with our 17-25 
target audience as it is home to 
iconic documentaries in which 
the demographic is similar to 
our young active digital native 
target audience, creating 
recognisability.
“A film poster must have conspicuous typography, 
iconography, lasting appeal and recognisability.” 
The recognisable awards 
featured in the top corners of 
the poster are iconography fro 
a film poster and therefore will 
attract the audiences attention 
if they are seen to be award 
wining and highly commended 
in the field of short films. 
We believe that the central 
image of the female is iconic 
and recognisable to the genre 
of the content. With regards 
to her costume she is wearing 
a gym kit with her torso on 
show, clear iconography of 
keeping fit and health. 
The glow behind the tagline 
attracts the audience to 
reading it similar to a 
motivational tagline found on 
a fitspo style Instagram page. 
This allows the audiences 
attention to be attracted to it 
allowing them to make a link 
to the content of the 
documentary. 
The use of the # in 
several places on the 
poster is iconography of 
social media and allows 
the audience to establish 
the genre.
“There must be prominent use of photography.” 
One image –We have 
followed this convention as 
we believe this to be most 
successful in ensuring our 
product stands out. The 
medium shot we employ 
creates intensity suggesting 
we target a sensitive topic. 
Using Nicola Cooper a 
subject featured in an in 
depth interview in our 
documentary and also within 
our radio trailer will create 
personal identity to the 
young female audience and 
help create more of a brand 
identity. 
We believe by using a 
medium shot which 
doesn’t include the models 
head, connotes the lack of 
identity often represented 
by the use of social media 
where there is a lack of 
human interaction online 
seeing many issues 
develop similar to the ones 
discussed in our 
documentary. 
By using a shot of a model 
wearing a small sports bra and 
shorts with her torso on show 
highlights the iconography of 
Fitspo pages on Instagram 
where unidentified females 
bare their toned bodies off 
online, without revealing their 
true identity representing the 
whole lack of interaction 
world of social media 
allowing our audience to gain 
a deeper insight into what will 
be revealed within our 
documentary.
“The typography is inventive, recognisable and 
suitable.” 
The large font across the 
torso of the central 
image is conventional 
for a film poster as it 
grabs the audiences 
attention and creates a 
brand identity as it 
easily recognisable due 
its presence in our 
documentary. We have 
accomplished this font 
through the Garden 
Style on 
MYFONTS.COM. The 
style has female 
connotations appealing 
to our target audience. 
Including the use of a 
social media digit a 
hashtag # the typography 
becomes instantly 
recognisable o the 
audience who will be 
able to distinctly 
recognise the heavy 
presence of social media 
iconography linking to 
the content. 
Adding a glow to the 
tagline makes it instantly 
stand out to the audience 
giving it connotations f 
importance as it posses a 
key question to the 
audience introducing the 
expository convention.
“Institutional information is displayed at the bottom of the 
poster.” 
Institutional info –We have 
followed this convention as this 
is essential information which 
is needed on a poster giving 
important information to the 
audience and recognising the 
work put into the documentary. 
In addition it creates a 
professional looking poster 
similar to those in the 
documentary genre. 
Positioning the small font at 
the bottom of the poster is 
not only conventional but 
doesn’t allow the institutional 
information to become the 
focal point of the poster, 
however creates confidence 
within the viewer that the 
production is professional. 
The font style we used has 
stereotypical connotations of a 
film poster style, meaning it is 
conventional. 
The small size 8 font means that it 
doesn’t distract the audience from 
the main poster and the image but 
allows them to read it if they wish to. 
The bold white 
font is striking 
allowing it to be 
easily read by our 
audience without 
drawing the 
attention away 
from our central 
image and title. 
The font style is 
conventionally cinematic 
suggesting the productions 
realism and professionalism 
as well as it being exhibited 
on other channels appealing 
to the 17-25 target audience 
creating a documentary 
genre similar to ours that 
informs the viewer about 
issues relating to social 
media and technological 
devices in our society today.
“Institutional information is displayed at the bottom of the 
poster.” 
Actors –We have broken the convention of 
including actors names at the top of the poster 
as we think this is more suitable for film 
posters. 
Instead we featured our actors in the 
institutional information at the foot of the page. 
We didn’t see it necessary to feature the names 
of our actors on the poster as the idea of our 
documentary is so that people can receive 
personal identity by applying their own 
situations to the matter in question rather than 
this being about who stars in the production it 
is about raising awareness to others, supplying 
information to those who may need it.
“There is usually reviews from outside companies.” 
Rating – We didn’t follow this 
convention as we thought this 
was only necessary if he 
documentary was to be shown at 
a multiplex. We would reflect 
the rating of our production 
through alternative methods for 
example by showing the 
documentary after 9 o’clock 
watershed on a school night, this 
would suggest that anyone under 
the suitable age for viewing 
would be in bed and away from 
the content which could be 
argues as sensitive. 
Our 17-25 target audience 
who are young and active 
will respect the critics 
reviews at the top of the 
poster as the key words such 
as Powerful and Influential 
stand out and influence the 
audience to watch the 
credited production. 
Critics reviews – We followed this convention 
as we believe such information to be key to 
targeting viewers and creating a professional 
and highly acclaimed brand identity enticing 
the viewer to watch the documentary. 
Having critics reviews by 
magazines that link to the 
content allow for the target 
audience to be targeted more 
directly though similar content 
style and themes. Zest magazine 
is aimed at women looking fro 
healthy, beauty and fitness 
advice. Not only does this target 
our female demographic but 
links to an audience who already 
have a strong interest in keeping 
fit and healthy and caring about 
what they look like. 
By including critics reviews from 
acclaimed institution Radio Times it 
allows the audience to recognise that 
the documentary is highly acclaimed 
and linked to large institutions. The 
link here is also that the Radio times is 
published and produced by BBC 
magazines linking to the distribution 
of the production by BBC three 
creating cohesiveness in the 
institutions used.
Institutional conventions for BBC three 
Posters 
BBC three documentary posters are all 
cohesive in a particular way. Many feature the 
BBC three logo in which the colour scheme of 
this carried throughout the posters in text and 
colour blocks. A distinct convention for BBC 
three is to include a tilted coloured box in the 
top right hand corner for the poster with the 
documentary title. A convention fro BBC 
three is to include their distinctive logo close 
to the institutional information as well as 
incorporating it within the poster.
Link to #FITSPO 
Our poster features the BBC three logo close to the 
institutional information allowing for the audience to identify 
the logo easily, and enticing them to watch the documentary 
knowing especially if they fall into the BBC threes 
demographic the documentary could have particular interest 
to their generation. 
We have continued the convention of the BBC 
three logo as the logo facia is invisible and 
integrating making it more professional and 
sleek. 
In addition the conventional black and pink 
logo allows the audience to easily 
recognise the logo from previous 
documentaries they have seen.
Visual Identity 
We believe we have created a powerful and 
distinct poster that lies within the conventions of 
BBC three posters and the ethos that BBC three 
believe they create- "innovative" content to 
younger audiences, focusing on new talent and 
new technologies. 
The writing and design of the poster work 
together to create connotations of a presence 
social media issues affecting young people 
through the pressures that are created to look a 
certain way. 
The heavy use of technological device 
iconography links to the institutions aim to 
include new technologies. Our use of social 
media icons such as the # and the distinct 
instagram style pictures creating the background 
image enable to audience to identify with the 
poster and recognise the genre of new 
technologies.
The Logo 
BBC three has a distinctive logo that is 
easily recognisable with its audience. 
Its distinct colour scheme of pink and 
black allows the audience to easily 
recognise the brand and the colour 
scheme is brought throughout the 
poster in some cases. 
For our production the pink colour of 
the logo ties in well with our chosen 
colour scheme which includes pink. 
This also attracts our female 
demographic and links with the models 
costume of a pink sports bra.
Imagery 
We believe we have 
created an engaging and 
memorable poster which 
entices the audience in 
wanting to find out 
more, hopefully enticing 
them to watch the 
documentary. This is 
represented through the 
lack of identity of the 
model linking to the 
aspect that social media 
can lead users into being 
part of an unknown 
digital world where 
there is limited human 
interaction. 
The central image plays 
a literal role in 
beginning to reveal a 
narrative truth behind 
the documentary, that 
there is an increasing 
amount of images 
displayed of fitness 
models, creating a 
pressure to look fit and 
healthy. This is also 
shown through the lack 
of identity of a character 
in the poster of the 
medium shot 
concentrating on the 
body of the model 
instead of the true 
identity connoting that 
image is more important 
than personality.

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Poster genre conventions

  • 1. In what ways does Your media product use, develop or challenge forms and conventions of real media products? Film Poster #FITSPO
  • 2. Poster Conventions When creating our poster we needed to keep within the guidelines of poster conventions, we researched genre conventions for documentary posters during our research stage. • A film poster must have conspicuous typography, iconography, lasting appeal and recognisability. • There must be prominent use of photography. • The typography is inventive, recognisable and suitable. • Institutional information is displayed at the bottom of the poster. • There is usually reviews from outside companies.
  • 3. “A film poster must have conspicuous typography, iconography, lasting appeal and recognisability.” House style – our house style is pink and green with a bold text written across the abs which target the 17-25 audience. This colour scheme runs throughout our products, creating a cohesive campaign. This also attracts our female audience. We follow the convention of house style, as we think that this is iconic in creating a successful brand identity. This ensures the products to be distinguishable and recognisable. The background image of a low resolution of a montage of images of Fitspo style models taken from social media site Instagram, have a lasting effect on our audience. The 17-25 year old female audience will be able to relate to the social media iconography of the iconic instagram page. The use of iconography meets the convention and leave a a lasting appeal that the content of the poster and documentary is targeted around social media and technological devices. The title of the film poster has recognisability as it is the same as the Documentary creating a clear brand identity in which the audience can recognise and link to all our products. The BBC three logo is recognisable with our 17-25 target audience as it is home to iconic documentaries in which the demographic is similar to our young active digital native target audience, creating recognisability.
  • 4. “A film poster must have conspicuous typography, iconography, lasting appeal and recognisability.” The recognisable awards featured in the top corners of the poster are iconography fro a film poster and therefore will attract the audiences attention if they are seen to be award wining and highly commended in the field of short films. We believe that the central image of the female is iconic and recognisable to the genre of the content. With regards to her costume she is wearing a gym kit with her torso on show, clear iconography of keeping fit and health. The glow behind the tagline attracts the audience to reading it similar to a motivational tagline found on a fitspo style Instagram page. This allows the audiences attention to be attracted to it allowing them to make a link to the content of the documentary. The use of the # in several places on the poster is iconography of social media and allows the audience to establish the genre.
  • 5. “There must be prominent use of photography.” One image –We have followed this convention as we believe this to be most successful in ensuring our product stands out. The medium shot we employ creates intensity suggesting we target a sensitive topic. Using Nicola Cooper a subject featured in an in depth interview in our documentary and also within our radio trailer will create personal identity to the young female audience and help create more of a brand identity. We believe by using a medium shot which doesn’t include the models head, connotes the lack of identity often represented by the use of social media where there is a lack of human interaction online seeing many issues develop similar to the ones discussed in our documentary. By using a shot of a model wearing a small sports bra and shorts with her torso on show highlights the iconography of Fitspo pages on Instagram where unidentified females bare their toned bodies off online, without revealing their true identity representing the whole lack of interaction world of social media allowing our audience to gain a deeper insight into what will be revealed within our documentary.
  • 6. “The typography is inventive, recognisable and suitable.” The large font across the torso of the central image is conventional for a film poster as it grabs the audiences attention and creates a brand identity as it easily recognisable due its presence in our documentary. We have accomplished this font through the Garden Style on MYFONTS.COM. The style has female connotations appealing to our target audience. Including the use of a social media digit a hashtag # the typography becomes instantly recognisable o the audience who will be able to distinctly recognise the heavy presence of social media iconography linking to the content. Adding a glow to the tagline makes it instantly stand out to the audience giving it connotations f importance as it posses a key question to the audience introducing the expository convention.
  • 7. “Institutional information is displayed at the bottom of the poster.” Institutional info –We have followed this convention as this is essential information which is needed on a poster giving important information to the audience and recognising the work put into the documentary. In addition it creates a professional looking poster similar to those in the documentary genre. Positioning the small font at the bottom of the poster is not only conventional but doesn’t allow the institutional information to become the focal point of the poster, however creates confidence within the viewer that the production is professional. The font style we used has stereotypical connotations of a film poster style, meaning it is conventional. The small size 8 font means that it doesn’t distract the audience from the main poster and the image but allows them to read it if they wish to. The bold white font is striking allowing it to be easily read by our audience without drawing the attention away from our central image and title. The font style is conventionally cinematic suggesting the productions realism and professionalism as well as it being exhibited on other channels appealing to the 17-25 target audience creating a documentary genre similar to ours that informs the viewer about issues relating to social media and technological devices in our society today.
  • 8. “Institutional information is displayed at the bottom of the poster.” Actors –We have broken the convention of including actors names at the top of the poster as we think this is more suitable for film posters. Instead we featured our actors in the institutional information at the foot of the page. We didn’t see it necessary to feature the names of our actors on the poster as the idea of our documentary is so that people can receive personal identity by applying their own situations to the matter in question rather than this being about who stars in the production it is about raising awareness to others, supplying information to those who may need it.
  • 9. “There is usually reviews from outside companies.” Rating – We didn’t follow this convention as we thought this was only necessary if he documentary was to be shown at a multiplex. We would reflect the rating of our production through alternative methods for example by showing the documentary after 9 o’clock watershed on a school night, this would suggest that anyone under the suitable age for viewing would be in bed and away from the content which could be argues as sensitive. Our 17-25 target audience who are young and active will respect the critics reviews at the top of the poster as the key words such as Powerful and Influential stand out and influence the audience to watch the credited production. Critics reviews – We followed this convention as we believe such information to be key to targeting viewers and creating a professional and highly acclaimed brand identity enticing the viewer to watch the documentary. Having critics reviews by magazines that link to the content allow for the target audience to be targeted more directly though similar content style and themes. Zest magazine is aimed at women looking fro healthy, beauty and fitness advice. Not only does this target our female demographic but links to an audience who already have a strong interest in keeping fit and healthy and caring about what they look like. By including critics reviews from acclaimed institution Radio Times it allows the audience to recognise that the documentary is highly acclaimed and linked to large institutions. The link here is also that the Radio times is published and produced by BBC magazines linking to the distribution of the production by BBC three creating cohesiveness in the institutions used.
  • 10. Institutional conventions for BBC three Posters BBC three documentary posters are all cohesive in a particular way. Many feature the BBC three logo in which the colour scheme of this carried throughout the posters in text and colour blocks. A distinct convention for BBC three is to include a tilted coloured box in the top right hand corner for the poster with the documentary title. A convention fro BBC three is to include their distinctive logo close to the institutional information as well as incorporating it within the poster.
  • 11. Link to #FITSPO Our poster features the BBC three logo close to the institutional information allowing for the audience to identify the logo easily, and enticing them to watch the documentary knowing especially if they fall into the BBC threes demographic the documentary could have particular interest to their generation. We have continued the convention of the BBC three logo as the logo facia is invisible and integrating making it more professional and sleek. In addition the conventional black and pink logo allows the audience to easily recognise the logo from previous documentaries they have seen.
  • 12. Visual Identity We believe we have created a powerful and distinct poster that lies within the conventions of BBC three posters and the ethos that BBC three believe they create- "innovative" content to younger audiences, focusing on new talent and new technologies. The writing and design of the poster work together to create connotations of a presence social media issues affecting young people through the pressures that are created to look a certain way. The heavy use of technological device iconography links to the institutions aim to include new technologies. Our use of social media icons such as the # and the distinct instagram style pictures creating the background image enable to audience to identify with the poster and recognise the genre of new technologies.
  • 13. The Logo BBC three has a distinctive logo that is easily recognisable with its audience. Its distinct colour scheme of pink and black allows the audience to easily recognise the brand and the colour scheme is brought throughout the poster in some cases. For our production the pink colour of the logo ties in well with our chosen colour scheme which includes pink. This also attracts our female demographic and links with the models costume of a pink sports bra.
  • 14. Imagery We believe we have created an engaging and memorable poster which entices the audience in wanting to find out more, hopefully enticing them to watch the documentary. This is represented through the lack of identity of the model linking to the aspect that social media can lead users into being part of an unknown digital world where there is limited human interaction. The central image plays a literal role in beginning to reveal a narrative truth behind the documentary, that there is an increasing amount of images displayed of fitness models, creating a pressure to look fit and healthy. This is also shown through the lack of identity of a character in the poster of the medium shot concentrating on the body of the model instead of the true identity connoting that image is more important than personality.