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Suspiros de España - A. Alvarez - Set of clarinets

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Kristal42 .

Antonio Álvarez Alonso was a Spanish pianist, composer, and zarzuela director in the 19th century best known for composing "Suspiros de España", Spain's most famous pasodoble march which some consider should be the country's national anthem. He was orphaned as a young boy but studied music in Madrid. He composed over 20 zarzuelas and lived in Cartagena from 1897 until his death in 1903. "Suspiros de España" was composed in 1902 in Cartagena and came to symbolize nostalgia for Spain amongst exiles of the Spanish Civil War.

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SUSPIROS DE ESPAÑA (Antonio Álvarez Alonso) Antonio Álvarez Alonso, nacido en Martos el 11 de marzo de 1867 fue un pianista y compositor y director de zarzuelas que alcanzó un gran prestigio y reconocimiento en el siglo XIX. Pero, sobre todo, es recordado por ser el autor de “Suspiros de España”, el pasodoble más famoso de España, que incluso ha sido reclamado como himno nacional español. Antonio Álvarez Alonso, huérfano desde muy joven, cursó estudios junto a su hermano en la Escuela Nacional de Música de Madrid, con maestros como Dámaso Zabalza y Emilio Arrieta y Corera. Su papel como virtuoso del piano fue discreto, pero sobresalió en la composición de obras musicales. Escribió más de 20 zarzuelas en colaboración con letristas famosos de su época: Antonio Paso Cano, Tomás Rodríguez Alenza, Eugenio Gullón y Fernández de Terán, Enrique García Álvarez. Residente en Cartagena desde 1897, permaneció en esta ciudad hasta su muerte que le sobrevino el 22 de junio de 1903. “Suspiros de España” El pasadoble “Suspiros de España” fue compuesto en 1902 en Cartagena. Para muchos exiliados por la Guerra Civil, el pasodoble “Suspiros de España” simbolizó la nostalgia del país perdido.
                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                  Moderato                                                                                                                                                                                     7                 7                                                                                                                                                                                                                                                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España
                13                                  13                                                                                      3      3                                                                                                                                                                              19    3    3           19                                                                                                                                                                                                                                       2 Suspiros de España
                25       3       3         25                                                                                                                                                       3                                                                                        31      31                                                                   3      3                                                                                                                                                            3 Suspiros de España
                             37      3      3           37                                                                                                                                                                                                                                                                         43        3        3            43                                                                             3         3                                                                             3              3                                                                             4 Suspiros de España
                49                            49                                                                           5       5              5                                                                                                                                                                                   55       5       5                   55                                                                                           3         3                                                                                                      5        5                                                                                                                    5 Suspiros de España
                61           3         3         61                                                                                   5        5                                                                                                                                                                                        67       5       5             5       67                                                                                                                                                                    5        5                                                                                         6 Suspiros de España
                73             73                                                                             3        3                                                                                                                                               3         3         3                                                           79          79                                                                                                    3        3        3                                   3        3        3        7 Suspiros de España
                        85           3 3           3 3           3 3    85    Molto rit.           3 3           3 3           3 3                  3      3                                       a tempo =105                                                                                                                                                          91    3    3           91                                                                                                                                                                                                                                                         8 Suspiros de España
                97       3       3               97                           3       3                                                                                                                                  3        3                                                                                  103      103                                                                  3      3                                                                                                                                                                                 9 Suspiros de España
                109      3      3           109                                                                                                                                                                                                                                         114                      114                                3                                                                               3           3       3                                                                                                                                        10 Suspiros de España
                        120                                       120                                                                                                                                                                                                                                                                                                                                                         A                       126                126                                                                                                                                                                                                                                                          11 Suspiros de España
                132            132                                                                                                                                                                                                                                                                                                                  138                                  138                                3      3                                                                                                                                                                                                                                                                         12 Suspiros de España
                144            144                                                                                                                                                                                                                                 150                   150                                                                                                                                                                                                                                                                       13 Suspiros de España
                156                       156                                                                                                                                                                                                                                                                                                                       162                       162                                                                                                                                                                                                                                                                               14 Suspiros de España
                168                           168                                                                                                                                                                                                                                                                                                      174                       174                                 3       3                                                                   3         3                                                                                                                                    3      3                                         15 Suspiros de España
                180                  3        3         180                                                                                                                                                                                                                                                                                                       186                      186                           3       3                                                                                                                                                                                                                                                     16 Suspiros de España
                192                               192                                                                                                                          3          3                                                                                                             17 Suspiros de España
      Moderato                                        13                        3         3           24              3                 3        33      3           3                 43     3      3         3              5      53             5                    5          62             5                     5                 71        5                 3               3    79            3        3          3 3 rit.        3 3   87      3  a tempo =105        3                     3 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 1º B
  98               3          3        109      3                3     3        119                                                A                129                                                          139    3                                                  150                                                           161                                           170                            3            179     3                                3          189                           3         2 Suspiros de España
      Moderato                                              3           3                        3                          3           3                         3                              5                       5                    5                      5                       5                      5        ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 2ºB
             3                 3               3         3           3 3 rit.           3 3        3  a tempo =105        3                      3               3            3           3                                                                                    A                                                                               3                                  2 Suspiros de España
                                                                                                                                               3                  3                                 3                                          3          3 Suspiros de España
      Moderato                                                                                                     3           3                                         3                          3                                                       3                      3         3 rit.           3 3           3 3 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 3º B
   a tempo =105                                                 3                                                          3                                                             A                                                                                                            2 Suspiros de España
                                                                                            3                   3                                                                                                                3 Suspiros de España
      Moderato                                                                                                                       5                             3                          3                                  5              ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 4º B
                                             rit.        a tempo =105                                                   3                                                          3                                                               A                                                                2 Suspiros de España
                                                                                                                                                           3                     3                                                         3 Suspiros de España
      Moderato                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 5º B
                                                                     rit.               a tempo =105                                                                                                                                                                                                                                                                                                          A                                                                                                                                                  2 Suspiros de España
                                                                                                                                                                                                                                                                                                                                                                                                                                                 3 Suspiros de España
      Moderato                                    8                                                         15                                                            22                                                         29                                                            36                                                             43                                               50                                                  57                                                                 64                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 6º B
  71                                                          78                            rit.   87         a tempo =105                                    92                                                      99                                                            106                                                           113                                                           120                                                        A              127                                                     134                                                       2 Suspiros de España
  141                                                                148                                                            155                                                              162                                                       169                                                             176                                                            183                                                       190                                                         3 Suspiros de España
      Moderato                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 7º B
                                                                                     rit.           a tempo =105                                                                                                                                                                                                                                                                                                                                A                                                                                                                                                                  2 Suspiros de España
                                                                                                                                                                                                                                                                                                                                                                                                                                                                               3 Suspiros de España
               Moderato                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                rit.           a tempo =105                             ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet Bass
                                                                                                                                                                                                                                                                                                   A                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          2 Suspiros de España

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Suspiros de España - A. Alvarez - Set of clarinets

  • 1. SUSPIROS DE ESPAÑA (Antonio Álvarez Alonso) Antonio Álvarez Alonso, nacido en Martos el 11 de marzo de 1867 fue un pianista y compositor y director de zarzuelas que alcanzó un gran prestigio y reconocimiento en el siglo XIX. Pero, sobre todo, es recordado por ser el autor de “Suspiros de España”, el pasodoble más famoso de España, que incluso ha sido reclamado como himno nacional español. Antonio Álvarez Alonso, huérfano desde muy joven, cursó estudios junto a su hermano en la Escuela Nacional de Música de Madrid, con maestros como Dámaso Zabalza y Emilio Arrieta y Corera. Su papel como virtuoso del piano fue discreto, pero sobresalió en la composición de obras musicales. Escribió más de 20 zarzuelas en colaboración con letristas famosos de su época: Antonio Paso Cano, Tomás Rodríguez Alenza, Eugenio Gullón y Fernández de Terán, Enrique García Álvarez. Residente en Cartagena desde 1897, permaneció en esta ciudad hasta su muerte que le sobrevino el 22 de junio de 1903. “Suspiros de España” El pasadoble “Suspiros de España” fue compuesto en 1902 en Cartagena. Para muchos exiliados por la Guerra Civil, el pasodoble “Suspiros de España” simbolizó la nostalgia del país perdido.
  • 2.                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                  Moderato                                                                                                                                                                                     7                 7                                                                                                                                                                                                                                                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España
  • 3.                 13                                  13                                                                                      3      3                                                                                                                                                                              19    3    3           19                                                                                                                                                                                                                                       2 Suspiros de España
  • 4.                 25       3       3         25                                                                                                                                                       3                                                                                        31      31                                                                   3      3                                                                                                                                                            3 Suspiros de España
  • 5.                              37      3      3           37                                                                                                                                                                                                                                                                         43        3        3            43                                                                             3         3                                                                             3              3                                                                             4 Suspiros de España
  • 6.                 49                            49                                                                           5       5              5                                                                                                                                                                                   55       5       5                   55                                                                                           3         3                                                                                                      5        5                                                                                                                    5 Suspiros de España
  • 7.                 61           3         3         61                                                                                   5        5                                                                                                                                                                                        67       5       5             5       67                                                                                                                                                                    5        5                                                                                         6 Suspiros de España
  • 8.                 73             73                                                                             3        3                                                                                                                                               3         3         3                                                           79          79                                                                                                    3        3        3                                   3        3        3        7 Suspiros de España
  • 9.                         85           3 3           3 3           3 3    85    Molto rit.           3 3           3 3           3 3                  3      3                                       a tempo =105                                                                                                                                                          91    3    3           91                                                                                                                                                                                                                                                         8 Suspiros de España
  • 10.                 97       3       3               97                           3       3                                                                                                                                  3        3                                                                                  103      103                                                                  3      3                                                                                                                                                                                 9 Suspiros de España
  • 11.                 109      3      3           109                                                                                                                                                                                                                                         114                      114                                3                                                                               3           3       3                                                                                                                                        10 Suspiros de España
  • 12.                         120                                       120                                                                                                                                                                                                                                                                                                                                                         A                       126                126                                                                                                                                                                                                                                                          11 Suspiros de España
  • 13.                 132            132                                                                                                                                                                                                                                                                                                                  138                                  138                                3      3                                                                                                                                                                                                                                                                         12 Suspiros de España
  • 14.                 144            144                                                                                                                                                                                                                                 150                   150                                                                                                                                                                                                                                                                       13 Suspiros de España
  • 15.                 156                       156                                                                                                                                                                                                                                                                                                                       162                       162                                                                                                                                                                                                                                                                               14 Suspiros de España
  • 16.                 168                           168                                                                                                                                                                                                                                                                                                      174                       174                                 3       3                                                                   3         3                                                                                                                                    3      3                                         15 Suspiros de España
  • 17.                 180                  3        3         180                                                                                                                                                                                                                                                                                                       186                      186                           3       3                                                                                                                                                                                                                                                     16 Suspiros de España
  • 18.                 192                               192                                                                                                                          3          3                                                                                                             17 Suspiros de España
  • 19.       Moderato                                        13                        3         3           24              3                 3        33      3           3                 43     3      3         3              5      53             5                    5          62             5                     5                 71        5                 3               3    79            3        3          3 3 rit.        3 3   87      3  a tempo =105        3                     3 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 1º B
  • 20.   98               3          3        109      3                3     3        119                                                A                129                                                          139    3                                                  150                                                           161                                           170                            3            179     3                                3          189                           3         2 Suspiros de España
  • 21.       Moderato                                              3           3                        3                          3           3                         3                              5                       5                    5                      5                       5                      5        ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 2ºB
  • 22.              3                 3               3         3           3 3 rit.           3 3        3  a tempo =105        3                      3               3            3           3                                                                                    A                                                                               3                                  2 Suspiros de España
  • 23.                                                                                                                                                3                  3                                 3                                          3          3 Suspiros de España
  • 24.       Moderato                                                                                                     3           3                                         3                          3                                                       3                      3         3 rit.           3 3           3 3 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 3º B
  • 25.    a tempo =105                                                 3                                                          3                                                             A                                                                                                            2 Suspiros de España
  • 26.                                                                                             3                   3                                                                                                                3 Suspiros de España
  • 27.       Moderato                                                                                                                       5                             3                          3                                  5              ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 4º B
  • 28.                                              rit.        a tempo =105                                                   3                                                          3                                                               A                                                                2 Suspiros de España
  • 29.                                                                                                                                                            3                     3                                                         3 Suspiros de España
  • 30.       Moderato                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 5º B
  • 31.                                                                      rit.               a tempo =105                                                                                                                                                                                                                                                                                                          A                                                                                                                                                  2 Suspiros de España
  • 32.                                                                                                                                                                                                                                                                                                                                                                                                                                                  3 Suspiros de España
  • 33.       Moderato                                    8                                                         15                                                            22                                                         29                                                            36                                                             43                                               50                                                  57                                                                 64                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 6º B
  • 34.   71                                                          78                            rit.   87         a tempo =105                                    92                                                      99                                                            106                                                           113                                                           120                                                        A              127                                                     134                                                       2 Suspiros de España
  • 35.   141                                                                148                                                            155                                                              162                                                       169                                                             176                                                            183                                                       190                                                         3 Suspiros de España
  • 36.       Moderato                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet 7º B
  • 37.                                                                                      rit.           a tempo =105                                                                                                                                                                                                                                                                                                                                A                                                                                                                                                                  2 Suspiros de España
  • 38.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                3 Suspiros de España
  • 39.                Moderato                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                rit.           a tempo =105                             ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Antonio Álvarez Alonso Arr. by Gino Gonçals Suspiros de España Clarinet Bass
  • 40.                                                                                                                                                                                                                                                                                                    A                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          2 Suspiros de España