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4 yellow mountains - jacob de haan - set of clarinets 2

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Kristal42 .
Kristal42 .

- Jacob de Haan visited the Swiss village of St. Moritz in October 1997 where he worked as a conductor. - The mountains around St. Moritz were covered in beautiful autumn colors that inspired de Haan. - De Haan composed the lyrical piece "Yellow Mountains" in response to being inspired by the colors of nature he witnessed in the area.

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YELLOW MOUNTAINS (Jacob de Haan) In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.
                                Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                                           Andante espressivo                                                                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 6                                 6   6                                                                                                                                               Yellow Mountains Jacob de Haan Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 11                                   11    11                                                                                                                                                                                                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 16                    16  16      poco rit.....                                    A Tempo 17                                                                                2 YELLOW MOUNTAINS
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 21                     21   21                                                                                                                        25                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 26                               26   26                                                                                                                                                     3 YELLOW MOUNTAINS
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 31                                             31    31                                                                            33                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 36             36  36                                                                                                           rit..                                                      4 YELLOW MOUNTAINS
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                    41             41       41  A Tempo                                                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 46                            46      46                                                                                                                   49                         5 YELLOW MOUNTAINS
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 51                             51   51     rit..                                                                                                             53 A Tempo                                             molto rit....                                                                     6 YELLOW MOUNTAINS
             Andante espressivo                              6                                          12                              rit..   A Tempo 17         25                          31                          33                  37                       rit..            41  A Tempo           43                                             49             rit..                53 A Tempo         molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete MI (Cover of Clarinets, Aragón, S.XXI)
             Andante espressivo                              6                                          12                              rit..   A Tempo 17         25                          31                          33                  37                       rit..            41  A Tempo           43                                             49             rit..                53 A Tempo         molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
             Andante espressivo                              6                                        12                              rit..          A Tempo 17    18                                        24             25                            30                            33    rit..        41  A Tempo                         47                49           rit..                53A Tempo         molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
      Andante espressivo                      7                                14        rit..           A Tempo 17              20                                       25   26                                          32                33                            38               rit..                  41  A Tempo                 44                               49     51       rit..        53 A Tempo   molto rit....        YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
          Andante espressivo                         6                                      12                                        rit..            17 A Tempo  25                          33   34                                            rit..   40            41  A Tempo                   47          49     rit..                         53 A Tempo          molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
           Andante espressivo                            6                                  12                           rit..           A Tempo 17    18                        25                                31                     33                       37                         rit..                      41  A Tempo        43                                   48            49      rit..                                53 A Tempo       molto rit....         YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
       Andante espressivo                      8                               15         rit..          A Tempo 17             22                 25        28             33                        41 A Tempo                               46                       49         52     rit..             53 A Tempo       molto rit....        YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
       Andante espressivo               6                  11                                 16  rit..   A Tempo 17           21              25     27                   33 rit..            41  A Tempo               45            49      53 A Tempo    molto rit....        YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7ºB (Cover of Clarinets, Aragón, S.XXI)
       Andante espressivo               7                          14        poco rit..         A Tempo 17           20                      25     27                      33   40   rit..     41 A Tempo                  47              49        rit..        53 A Tempo   molto rit....          YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)

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4 yellow mountains - jacob de haan - set of clarinets 2

  • 1. YELLOW MOUNTAINS (Jacob de Haan) In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.
  • 2.                                 Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                                           Andante espressivo                                                                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 6                                 6   6                                                                                                                                               Yellow Mountains Jacob de Haan Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 11                                   11    11                                                                                                                                                                                                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 16                    16  16      poco rit.....                                    A Tempo 17                                                                                2 YELLOW MOUNTAINS
  • 4.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 21                     21   21                                                                                                                        25                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 26                               26   26                                                                                                                                                     3 YELLOW MOUNTAINS
  • 5.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 31                                             31    31                                                                            33                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 36             36  36                                                                                                           rit..                                                      4 YELLOW MOUNTAINS
  • 6.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.                                    41             41       41  A Tempo                                                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 46                            46      46                                                                                                                   49                         5 YELLOW MOUNTAINS
  • 7.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 51                             51   51     rit..                                                                                                             53 A Tempo                                             molto rit....                                                                     6 YELLOW MOUNTAINS
  • 8.              Andante espressivo                              6                                          12                              rit..   A Tempo 17         25                          31                          33                  37                       rit..            41  A Tempo           43                                             49             rit..                53 A Tempo         molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete MI (Cover of Clarinets, Aragón, S.XXI)
  • 9.              Andante espressivo                              6                                          12                              rit..   A Tempo 17         25                          31                          33                  37                       rit..            41  A Tempo           43                                             49             rit..                53 A Tempo         molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 10.              Andante espressivo                              6                                        12                              rit..          A Tempo 17    18                                        24             25                            30                            33    rit..        41  A Tempo                         47                49           rit..                53A Tempo         molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 11.       Andante espressivo                      7                                14        rit..           A Tempo 17              20                                       25   26                                          32                33                            38               rit..                  41  A Tempo                 44                               49     51       rit..        53 A Tempo   molto rit....        YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 12.           Andante espressivo                         6                                      12                                        rit..            17 A Tempo  25                          33   34                                            rit..   40            41  A Tempo                   47          49     rit..                         53 A Tempo          molto rit....           YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
  • 13.            Andante espressivo                            6                                  12                           rit..           A Tempo 17    18                        25                                31                     33                       37                         rit..                      41  A Tempo        43                                   48            49      rit..                                53 A Tempo       molto rit....         YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 14.        Andante espressivo                      8                               15         rit..          A Tempo 17             22                 25        28             33                        41 A Tempo                               46                       49         52     rit..             53 A Tempo       molto rit....        YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
  • 15.        Andante espressivo               6                  11                                 16  rit..   A Tempo 17           21              25     27                   33 rit..            41  A Tempo               45            49      53 A Tempo    molto rit....        YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7ºB (Cover of Clarinets, Aragón, S.XXI)
  • 16.        Andante espressivo               7                          14        poco rit..         A Tempo 17           20                      25     27                      33   40   rit..     41 A Tempo                  47              49        rit..        53 A Tempo   molto rit....          YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)