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3 river city - jacob de haan - set of clarinets

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Kristal42 .
Kristal42 .

- River City is an orchestral work commissioned to commemorate a convention in Sacramento, California. - The work features rich melodic material distributed among all the instrument groups, which the musicians play with great playfulness and energy that engages the audience. - The sheet music provided is for clarinets and includes the musical notation and parts for the piece.

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River City SACRAMENTO (Jacob de Haan) River City is the unofficial name of the city of Sacramento in the state of California, and also the name of the wind orchestra, commissioned by Jacob de Haan to write this lyrical work on the occasion of the 37th Annual ACB Convention held in Rancho Cordova in 2015. The great playfulness the musicians will have with the rich melodic material distributed to all instrument groups is absolutely contagious for the audience.
                        Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet       Andante                                                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                   10      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                        20      2 RIVER CITY
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                        30   3 RIVER CITY
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                   Ritenuto                        A Tempo                                                                           4 RIVER CITY
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                      42                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                  5 RIVER CITY
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                              51                                                                             54             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                 molto rallentando                               6 RIVER CITY
      Andante                                                        10                                                     20                                                                               30                            Ritenuto       A Tempo                                   42                                             51                        54  molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI
     Andante                                   10                                                           20                          30                                 Ritenuto   A Tempo                   42                      51           54  molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)
      Andante                           6                              10        12                               18                20                  24                                            29                   30                       35     Ritenuto      A Tempo                     40   41                                      47                   50             53           54       molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI
      Andante                                                     10                                  20                                                          30                  Ritenuto      A Tempo                       40                                                            50                54       molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
     Andante                        10                             20                                                 30             Ritenuto   A Tempo                  42                                 51        54  molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
     Andante              7                 10           14                 20     22                   29       30           Ritenuto   A Tempo    37                42         44                       51             54 molto rallentando       RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)

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3 river city - jacob de haan - set of clarinets

  • 1. River City SACRAMENTO (Jacob de Haan) River City is the unofficial name of the city of Sacramento in the state of California, and also the name of the wind orchestra, commissioned by Jacob de Haan to write this lyrical work on the occasion of the 37th Annual ACB Convention held in Rancho Cordova in 2015. The great playfulness the musicians will have with the rich melodic material distributed to all instrument groups is absolutely contagious for the audience.
  • 2.                         Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet       Andante                                                                                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                   10      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                        20      2 RIVER CITY
  • 4.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                                                        30   3 RIVER CITY
  • 5.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                   Ritenuto                        A Tempo                                                                           4 RIVER CITY
  • 6.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                      42                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                                                                                                  5 RIVER CITY
  • 7.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                                              51                                                                             54             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                 molto rallentando                               6 RIVER CITY
  • 8.       Andante                                                        10                                                     20                                                                               30                            Ritenuto       A Tempo                                   42                                             51                        54  molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI
  • 9.      Andante                                   10                                                           20                          30                                 Ritenuto   A Tempo                   42                      51           54  molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5º (Cover of Clarinets, Aragón, S.XXI)
  • 10.       Andante                           6                              10        12                               18                20                  24                                            29                   30                       35     Ritenuto      A Tempo                     40   41                                      47                   50             53           54       molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI
  • 11.       Andante                                                     10                                  20                                                          30                  Ritenuto      A Tempo                       40                                                            50                54       molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3º (Cover of Clarinets, Aragón, S.XXI)
  • 12.      Andante                        10                             20                                                 30             Ritenuto   A Tempo                  42                                 51        54  molto rallentando      RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
  • 13.      Andante              7                 10           14                 20     22                   29       30           Ritenuto   A Tempo    37                42         44                       51             54 molto rallentando       RIVER CITY Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)