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4 yellow mountains - jacob de haan - set of clarinets

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Kristal42 .
Kristal42 .

Jacob de Haan visited St. Moritz, Switzerland in October 1997 where he worked as a conductor. The autumn colors of the surrounding yellow mountains and the quiet natural setting inspired him to compose the lyrical piece "Yellow Mountains".

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YELLOW MOUNTAINS (Jacob de Haan) In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.
                    Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Bass Clarinet                     Andante espressivo                                                                 Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                     A tempo                                                                                Molto rit.                             A tempo      YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                   Molto rit.                     A tempo                                             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                      poco rit..                       A tempo                          2 YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                                B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.              Molto rit.                          A tempo                                                                    3 YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                 B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                                                                 4 YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                              Molto rit. poco rit..                        A tempo                                    B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                 5 YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                49                                                                       Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                     A tempo                                                      Molto rit.           6 YELLOW MOUNTAINS
            Andante espressivo                    Molto rit.         A tempo    6                  Molto rit.         A tempo               12     Molto rit.         A tempo                  poco rit..    A tempo    18                 Molto rit.   25       A tempo                              31                                           37                       poco rit..           A tempo            43                                           49             Molto rit.       53         A tempo                  Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
          Andante espressivo                Molto rit.          A tempo    6               Molto rit.               A tempo           12     Molto rit.       A tempo                 poco rit..    17         A tempo                                 23         Molto rit.             A tempo                     29                                              35                                    poco rit..   41      A tempo                     47        49         Molto rit.   53   A tempo         Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
      Andante espressivo        Molto rit.       A tempo      7      Molto rit.                 A tempo                            Molto rit.    13   A tempo         poco rit..              A tempo           19                               Molto rit.       25      A tempo                             31                                        37                             poco rit..       A tempo         43                                  49                     Molto rit.   A tempo          Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
      Andante espressivo             Molto rit. A tempo          7        Molto rit.     A tempo                         Molto rit.   A tempo      14        poco rit..              A tempo         20           Molto rit.        A tempo     27                         34                                               40     poco rit..   A tempo                 47        49                     Molto rit.   53       A tempo            Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
      Andante espressivo         Molto rit.   A tempo      7       Molto rit.   A tempo            Molto rit.   A tempo     14            poco rit..    A tempo            20                   Molto rit.    A tempo     27                         40  poco rit..    A tempo                 47           49         Molto rit.   53    A tempo          Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)

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4 yellow mountains - jacob de haan - set of clarinets

  • 1. YELLOW MOUNTAINS (Jacob de Haan) In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.
  • 2.                     Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Bass Clarinet                     Andante espressivo                                                                 Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                     A tempo                                                                                Molto rit.                             A tempo      YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                   Molto rit.                     A tempo                                             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                      poco rit..                       A tempo                          2 YELLOW MOUNTAINS
  • 4.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                                B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.              Molto rit.                          A tempo                                                                    3 YELLOW MOUNTAINS
  • 5.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                 B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                                                                 4 YELLOW MOUNTAINS
  • 6.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                              Molto rit. poco rit..                        A tempo                                    B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                 5 YELLOW MOUNTAINS
  • 7.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                49                                                                       Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                     A tempo                                                      Molto rit.           6 YELLOW MOUNTAINS
  • 8.             Andante espressivo                    Molto rit.         A tempo    6                  Molto rit.         A tempo               12     Molto rit.         A tempo                  poco rit..    A tempo    18                 Molto rit.   25       A tempo                              31                                           37                       poco rit..           A tempo            43                                           49             Molto rit.       53         A tempo                  Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 9.           Andante espressivo                Molto rit.          A tempo    6               Molto rit.               A tempo           12     Molto rit.       A tempo                 poco rit..    17         A tempo                                 23         Molto rit.             A tempo                     29                                              35                                    poco rit..   41      A tempo                     47        49         Molto rit.   53   A tempo         Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 10.       Andante espressivo        Molto rit.       A tempo      7      Molto rit.                 A tempo                            Molto rit.    13   A tempo         poco rit..              A tempo           19                               Molto rit.       25      A tempo                             31                                        37                             poco rit..       A tempo         43                                  49                     Molto rit.   A tempo          Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 11.       Andante espressivo             Molto rit. A tempo          7        Molto rit.     A tempo                         Molto rit.   A tempo      14        poco rit..              A tempo         20           Molto rit.        A tempo     27                         34                                               40     poco rit..   A tempo                 47        49                     Molto rit.   53       A tempo            Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
  • 12.       Andante espressivo         Molto rit.   A tempo      7       Molto rit.   A tempo            Molto rit.   A tempo     14            poco rit..    A tempo            20                   Molto rit.    A tempo     27                         40  poco rit..    A tempo                 47           49         Molto rit.   53    A tempo          Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)